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Books on the topic 'Metapoetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 March 2023

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Consult the top 17 books for your research on the topic 'Metapoetry.'

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1

Postmodern metapoetry and the replenishment of the Spanish lyrical genre, 1980-2000. La Sirena, 2007.

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2

Fakhreddine, Huda J. Metapoesis in the Arabic tradition: From modernists to muḥdathūn. Brill, 2015.

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3

Weben und Gewebe in der Antike: Materialität, Repräsentation, Episteme, Metapoetik = Texts and textiles in the ancient world : materiality, representation, episteme, metapoetics. Oxbow Books, 2015.

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4

Metapoetry In Euripides. Oxford University Press, USA, 2013.

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5

Jancsó, Daniella. Twentieth-Century Metapoetry and the Lyric Tradition. de Gruyter GmbH, Walter, 2019.

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6

Twentieth-Century Metapoetry and the Lyric Tradition. De Gruyter, Inc., 2019.

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7

Twentieth-Century Metapoetry and the Lyric Tradition. de Gruyter GmbH, Walter, 2019.

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8

Khairallah, As'a. Modern Arabic Poetry: Prophecy, Metapoetry, Snapshots (Culture & Civilization in the Middle East). RoutledgeCurzon, 2008.

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9

Finding Strength: A collection of turn-of-the-century poems. bph publishing, 2022.

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10

Hunt in Arabic Poetry: From Heroic to Lyric to Metapoetic. University of Notre Dame Press, 2015.

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11

Schmieder, Leon. Deskription und Metapoetik in der Spätantiken Lateinischen Dichtung: Untersuchungen Zur Literarischen Beschreibung Bei Claudian, Prudenz und Ausonius. de Gruyter GmbH, Walter, 2022.

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12

Schmieder, Leon. Deskription und Metapoetik in der Spätantiken Lateinischen Dichtung: Untersuchungen Zur Literarischen Beschreibung Bei Claudian, Prudenz und Ausonius. de Gruyter GmbH, Walter, 2022.

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13

Schmieder, Leon. Deskription und Metapoetik in der Spätantiken Lateinischen Dichtung: Untersuchungen Zur Literarischen Beschreibung Bei Claudian, Prudenz und Ausonius. de Gruyter GmbH, Walter, 2022.

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14

Schlapbach, Karin. Elusive Dancers and the Limits of Art in Nonnus’ Dionysiaka. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807728.003.0007.

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This chapter argues that the metamorphic dance scenes in Nonnus’ epic on Dionysus encapsulate the very nature of Nonnus’ poetry. It elucidates the metapoetic role of dance with a close reading of the proem of Book 1, which is dominated by the Homeric shape-shifter Proteus. It then turns to the dance contest in Book 19, which juxtaposes representational and acrobatic dances. The latter, nonrepresentational dance, which culminates in the dancer’s transformation into a river, is examined in detail, and the moral and aesthetic implications of this climax are discussed with particular attention to

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15

Tsaknaki, Christina. Ars Venandi. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198789017.003.0006.

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This chapter explores thematic affinities between Grattius and Ovid’s Ars Amatoria, focusing on the connection between lover and hunter, the importance of mental skill as a complement to pure physical exertion, and the art of hunting as a civilizing force. It is argued, moreover, that the interplay between brawn and brains, articulated in Grattius as a contrast between arma and ars, allows him to engage with the ‘Callimachean’ aesthetic literary debate as played out in Augustan poetry and in Ovid in particular: Grattius’ opening sections on thinly wrought nets and deceptive snares can be seen

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16

O’Rourke, Donncha. Authorial Surrogates in Grattius’ Cynegetica. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198789017.003.0010.

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This chapter shows how the stories of the inventors Dercylos and Hagnon are configured in such a way as to speak for the poet himself. By means of language which consistently emits a metapoetic charge, Grattius can be seen to use these obscure figures to explore his own (equally obscure) identity and role as teacher of hunting. Moreover, through conscious engagement with Lucretius and (especially) the figures of Aristaeus and Orpheus from the fourth book of Virgil’s Georgics, Grattius appears to speak through Dercylos and Hagnon to project a supremely confident praeceptor figure who executes h

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17

Newcomb, John Timberman. There Is Always Others. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036798.003.0005.

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This chapter examines how the experimental verse of Others, the quintessential aestheticist-modernist little magazine of American poetry, emerges from and responds to the climate of metropolitan activism that links it to The Masses. Others, published between July 1915 and July 1919 by Alfred Kreymborg and various friends, published works by such distinguished poets such as Ezra Pound, T. S. Eliot, William Carlos Williams, Marianne Moore, and Carl Sandburg. This chapter argues that Others's commitment to stylistic experimentalism possessed a strong social dimension by showing how its verses add

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