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Dissertations / Theses on the topic 'Metapoetry'

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1

Wann, Ryleigh Marie. "Women's Voices of the 1960's Through Metapoetry: Sylvia Plath & Anne Sexton." University of Toledo Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1544711810525306.

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2

Somers, Kathleen Emerald. "Pierced Through the Ear: Poetic Villainy in Othello." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2436.

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The paper examines Othello as metapoetry. Throughout the play, key points of comparison between Iago and Shakespeare's methodologies for employing allegory, symbolism, and mimetic plot and character construction shed light upon Shakespeare's self-reflexive use of poetry as an art of imitation. More specifically, the contrast between Shakespeare and Iago's poetry delineates between dynamic and reductive uses of allegory, emphasizes an Aristotelian model of mimesis that makes reason integral to plot and character formation, and underscores an ethical function to poetry generally. In consequence
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3

Picosque, Tatiana Aparecida. "Árvore do ouro, árvore da carne: problematização da unidade na obra de Herberto Helder. Análise de poemas d\'A faca não corta o fogo." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8150/tde-15032013-103256/.

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Em janeiro de 2009, o poeta português Herberto Helder publica a segunda versão dA faca não corta o fogo e que constitui o livro de encerramento da antologia mais recente, Ofício Cantante- poesia completa. Pretendemos então selecionar e analisar alguns poemas desta obra epilogal, problematizando a busca da unidade entre as coisas em matéria de poesia, projeto poético situado num horizonte histórico da mais exacerbada fragmentação. Mesmo sabendo não atingi-la definitivamente, tal busca funciona como mote ou motor que impulsiona a poesia herbertiana, levando-a a reverenciar a linguagem analógica.
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Alves, Nathaly Felipe Ferreira. "Vozes de Stella: Leitura. Escritura. Poesia." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/19746.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2017-02-22T11:45:36Z No. of bitstreams: 1 Nathaly Felipe Ferreira Alves.pdf: 1020502 bytes, checksum: c464ab41f15df0639100dd44e0a292bf (MD5)<br>Made available in DSpace on 2017-02-22T11:45:36Z (GMT). No. of bitstreams: 1 Nathaly Felipe Ferreira Alves.pdf: 1020502 bytes, checksum: c464ab41f15df0639100dd44e0a292bf (MD5) Previous issue date: 2017-02-16<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The aim of this study is to analyse the relations between reading and writing processes in the metapoetic exercise
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PIETA', L. DELLA. "METAPOESIA E POESIA AUTOREFERENZIALE NEL NOVECENTO ITALIANO." Doctoral thesis, Università degli Studi di Milano, 2012. http://hdl.handle.net/2434/171530.

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Metapoetry, poetry about poetry, the particular configuration of text that is created when a constant of structure – the verse that the poem builds on – meets a constant of content – the subject-matter of the poem – is a literary phenomenon as evident as it is, nonetheless, overlooked and little-researched in its unexpected and continuous recurrence throughout the history of poetry, becoming ever more apparent during the 20th Century and with the modernity of poetry. However, in the firm belief of its specific theoretical importance and hermeneutic value, this research thesis proposes to addre
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6

Coelho, Cláudia. "Memória e metapoesia em João Cabral de Melo Neto e Carlos de Oliveira." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-15122011-101636/.

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Com o intuito de investigar o papel relevante da memória na construção e formação do sentido nos poemas de João Cabral de Melo Neto e Carlos de Oliveira, e com base em estudos sobre a arte da memória, fizemos uma seleção paradigmática de textos cujo referencial ancora-se em imagens buscadas nas lembranças da infância de ambos os poetas. Partindo do referencial imagético regional, passamos a investigar como essa poesia evolui do referencial ao metapoético, passando a utilizar as imagens de densidade e estoicidade, resgatadas pela memória, como termos de comparação ao processo rigoroso e árduo d
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7

Silva, Ricardo Emanuel Lago e. "Eu que me invento outro: um estudo do livro escritura da palavra & do som ??? de Paulo Garcez de Sena." Universidade Estadual de Feira de Santana, 2014. http://tede2.uefs.br:8080/handle/tede/3.

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Submitted by Maria Carmo (carmo@uefs.br) on 2015-05-09T05:29:40Z No. of bitstreams: 1 Eu que me invento outro um estudo do livro escritura da palavra e do som...Ricardo Emanuel Lago e Silva.pdf: 525163 bytes, checksum: fd5c79c03a6556338690d157e776c7e8 (MD5)<br>Made available in DSpace on 2015-05-09T05:29:40Z (GMT). No. of bitstreams: 1 Eu que me invento outro um estudo do livro escritura da palavra e do som...Ricardo Emanuel Lago e Silva.pdf: 525163 bytes, checksum: fd5c79c03a6556338690d157e776c7e8 (MD5) Previous issue date: 2014-05-27<br>Coordena??o de Aperfei?oamento de Pessoal de N?ve
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8

Campbell, Celia Mitchell. "A space for song : Ovid's metapoetic landscapes." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:e6361617-1b25-4339-a6f0-5487ff127818.

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This study seeks to renew interest in the poetically constructed landscapes of Ovid’s Metamorphoses. Far from existing as mere background to the epic, close investigation and analysis reveals the reflective relationship and mutually exerted force between landscape and narrative. Detailed readings show how the landscapes are created in order to reveal Ovid’s poetic programme, especially as concerns the intersection of genre; landscape descriptions are read as interpretive strategies for understanding the crossing of genres that comprise Ovid’s hyper-Alexandrian epic. I argue for this interest a
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9

Moncinhatto, Maria Adriana Silva. "A palavra como processo reflexivo: a poesia da invencionice de Manoel de Barros." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/14908.

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Made available in DSpace on 2016-04-28T19:59:18Z (GMT). No. of bitstreams: 1 Maria Adriana Silva Moncinhatto.pdf: 490729 bytes, checksum: d64a0d457af72fba1284df280edf5919 (MD5) Previous issue date: 2009-08-25<br>Secretaria da Educação do Estado de São Paulo<br>This research work aims to show the word as creative process in the trilogy Memórias Inventadas, work of the poet Manoel de Barros, which includes the following books: A Infância (2007), A Segunda Infância (2008), A Terceira Infância (2009). For this, we try to understand how the poet makes use of the metapoetry and wit, understood her
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10

Gardellini, Giuliana. "Sound, silence and the metapoetic concern in Alice Thompson Meynell's poetry." Doctoral thesis, Università Ca' Foscari Venezia, 1999. http://hdl.handle.net/10579/357.

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11

Allegri, Elisabetta. "Poetry is education: the metapoetic layout of John Milton's poems & upon, Several occasions, 1673." Doctoral thesis, Università Ca' Foscari Venezia, 2003. http://hdl.handle.net/10579/566.

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La tesi illustra i risultati della ricerca condotta su uno degli ultimi libri pubblicati da John Milton, la raccolta intitolata Poems, &c., Upon Several Occasions che l'editore Thomas Dring fece uscire nel 1673 e che contiene, oltre alle poesie brevi già pubblicate in prima edizione da Humphrey Moseley nel 1645, trenta nuove composizioni in inglese e due in latino, nonché la ristampa del trattatello Of Education già uscito nel 1644 ma anonimo. È suddivisa in cinque capitoli e tre appendici volte ad approfondire alcuni aspetti di natura storica e culturale. Il primo capitolo contiene una rasseg
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12

Runacres, Ian Peter. "Prospicit occasus, interdum respicit ortus : a metapoetic journey through Ovid's Phaethon, Metamorphoses 1. 748-2. 400." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/7104.

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The question of the Metamorphoses’ genre has largely been replaced by analyses of how the various genres react against each other within the hexameter framework of the poem. How Ovid instructs his reader to see how he breaks down strict generic divisions within the poem is, I shall argue, explicated by the literary symbolism in the most extensive single story in the poem, that of Phaethon’s destructive commandeering of the Sun’s chariot (Met. 1. 748-2. 400). In the Introduction, I shall make a case for undertaking a metaliterary reading of the episode. I shall then argue (Ch. II) that the ec
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13

Chadha, Zara Kaur. "Asking for the moon : an intertextual approach to metapoetic magic in Augustan love-elegy and related genres." Thesis, Durham University, 2014. http://etheses.dur.ac.uk/10559/.

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This thesis offers a new perspective on the metapoetic use of magic in the love-elegies of Propertius, Tibullus, and Ovid, a theme which, though widely acknowledged in contemporary scholarship, has so far received little comprehensive treatment. The present study approaches the motif through its intertextual dialogues with magic in earlier and contemporary texts — Theocritus’ Idyll 2, Apollonius Rhodius’ Argonautica, Vergil’s Eclogue 8 and Horace’s Epodes — with the aim of investigating the origin and development of love-elegy’s self-construction as magic and of the association of this theme w
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14

Pantopoulos, Iraklis. "The stylistic identity of the metapoet : a corpus-based comparative analysis using translations of modern Greek poetry." Thesis, University of Edinburgh, 2009. http://hdl.handle.net/1842/3456.

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The aim of this study is to explore the stylistic identity of four translators of modern Greek poetry into English and to outline each translator’s distinct stylistic profile. In line with views on the subject expressed by Malmkjær (1996) and Baker (2000) a translator’s profile is seen as being composed by consistent patterns that can be identified throughout their work and which leave their personal mark on the text. A corpus-based methodology is used for the identification and exploration of these patterns, through a Specialized Corpus of English Translations of Modern Greek Poetry (SCETOMGP
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15

KULMS, MARIE EMILY. "The Art of Writing a Life: Heimatsuche and Bohemianism in the Poetry of Lasker-Schüler." Thesis, 2010. http://hdl.handle.net/1974/6252.

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This study explores how the poetry of Else Lasker-Schüler (1869-1945) creates a personal space—a Heimat—through the poetic process. Through close readings of a selection of the poet’s works, I demonstrate the paradoxical relationship between physical structures and emotional or psychic freedom. I show how this association between form and fluidity reflects the poetic genre itself, while also drawing parallels to Lasker-Schüler’s biography and her relationships with the Berliner Bohème. Lasker-Schüler’s work has been viewed through many different lenses: Expressionism, Judaism, and feminism. S
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