Relevant bibliographies by topics / Mevlevism

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  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Mevlevism'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Mevlevism"

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Haştemoğlu, Hasan Şehmuz, and Engin Kepenek. "The Architecture of Mevlevi Buildings, One of the Dervish Houses in the Ottoman Geography." Academic Research Community publication 2, no. 4 (2019): 307. http://dx.doi.org/10.21625/archive.v2i4.368.

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The Mevlevism order was established in the Seljuk period in Anatolia in the thirteenth century. After the death of Mevlana Celaleddin-i Rumi, his son Sultan Veled systemized his father's thoughts and created his own rules and brought the rituals to a ceremony in the form of sema ceremonies. Sultan Veled gave the name “Mevlevism” to his sect and was called “Mevlevihan” to his Dervish Houses.
 Nearly 140 Mevlevihane building was established in a wide geography which its east is in Tabriz (Iran), west is in Pecu (Hungary), north is in Gözleve (Ukraine), South is in Cairo (Egypt) and Mecca in
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SUTEKİN, Ayşegül. "Mevlana And The Effects Of Mevlevism On The West World." SOCIAL MENTALITY AND RESEARCHER THINKERS JOURNAL 6, no. 29 (2020): 270–78. http://dx.doi.org/10.31576/smryj.449.

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Gür, Hande. "Spiritual but not Religious?" Journal of Empirical Theology 33, no. 1 (2020): 122–48. http://dx.doi.org/10.1163/15709256-12341408.

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Abstract Mevleviye as an Islamic religious order is established in Anatolia after the passing of Mevlana Celaleddin-i Rumi in the 13th century. Based on bigger ethnographic research, this paper tries to delve into the distinction between spiritual and religious from the perspective of new Mevlevis of contemporary Mevleviye in Turkey. The authenticity of new Mevlevis’ standpoint while defining themselves as spiritual but not religious reflects the effects of modernization and individualization in Turkey as well as Mevleviye’s particular approach to spirituality. This reflection seems to reveal
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Gençer, Salih. "SÜLEYMANİYE KÜTÜPHANESİ GALATA MEVLEVİHA." International Language, Literature and Folklore Researchers Journal 1, no. 6 (2016): 293. http://dx.doi.org/10.12992/turuk223.

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ADAR, ÇAĞHAN. "MEVLEVİ AYİNLERİNDE KULLANILAN MAKAMLARIN DÖNEMSEL DEĞİŞİKLİKLERİ ÜZERİNE BİR İNCELEME: "HİCAZ MEVLEVİ AYİNİ ÖRNEĞİ"." Journal of International Social Research 8, no. 41 (2015): 1394. http://dx.doi.org/10.17719/jisr.20154115121.

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CEYLAN, Firuze, and Melek YAMAN. "Ritüele Dönüşen Mutfak: Mevlevi Mutfağı." İnsan ve Toplum Bilimleri Araştırmaları Dergisi 7, no. 3 (2018): 2172–79. http://dx.doi.org/10.15869/itobiad.432811.

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Doğruöz, Muattar Demet. "Mevlevi Âyinlerinin Yüzyıllara Göre Dağılımı." İnönü Üniversitesi Sanat ve Tasarım Dergisi 6, no. 14 (2016): 1–13. http://dx.doi.org/10.16950/iujad.323509.

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Tourage, Mahdi. "Fundamentals of Rumi’s Thought." American Journal of Islam and Society 22, no. 2 (2005): 119–21. http://dx.doi.org/10.35632/ajis.v22i2.1717.

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Is there room on the shelf for another book about Jalal al-Din Rumi, thethirteenth-century mystic of Persia? Considering the great depth of hisgenius, the answer has to be yes. Sefik Can’s Fundamentals of Rumi’sThought is one of the latest books on the subject, and is distinguished fromothers in that its author is the current head of the Mevlevi order, the Sufiorder established after Rumi’s death and based on his teachings. In his biography,the author is introduced as “the most authoritative spiritual figure ofthe Order” and “the latest living Mesnevihan (Mesnevi reciter) whoreceived his ijaza
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DEREKÖY, Sefa. "COPERNİCUS, ALİ KUŞÇU VE MEVLEVİ SEMASI." Journal of International Social Research 10, no. 51 (2017): 367–75. http://dx.doi.org/10.17719/jisr.2017.1773.

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AKMAZ, Abdullah. "MEVLEVİLİK ve MEVLEVİ MUTFAĞINDAKİ BAZI RİTÜELLER." JOURNAL OF ACADEMIC SOCIAL RESOURCES 6, no. 28 (2021): 1202–7. http://dx.doi.org/10.31569/asrjournal.290.

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Dissertations / Theses on the topic "Mevlevism"

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Dinc, Nefin. "Documentary Film: I Named Her Angel." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4736/.

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Recent political developments in the world show us that different cultures need to know and understand each other better. Even though technological developments like the Internet, satellites, cable television and conglomeration of big media entities have made mass communication more effective and faster, we cannot easily say that these developments help to bring world cultures together. As a result, mass audiences are not very much able to see what few productions do speak to these issues in a constructive manner. The main aim of this documentary film project is to serve as a small step toward
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2

Lothigius, Micaela. "Dansen med Självet : en jungiansk analys av Mevlevi-ordens dansritual." Thesis, University of Gävle, Department of Humanities and Social Sciences, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-486.

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<p>Min uppsats är en jungiansk analys av Mevlevi-orderns dansritual. Min C-uppsats, Den dansande imaginationen, behandlade dansterapi utifrån den jungianska psykologins teorier och analysen av dansritualen är en fortsättning på temat om dans som ett redskap i den terapeutiska processen.</p><p>Syftet med min uppsats är att utifrån den jungianska psykologins teorier få en fördjupad förståelse för den psykiska process som ritualen återspeglar. Min frågeställning är följande:</p><p>Vilken psykologisk innebörd får Mevlevi-orderns dansritual om jag analyserar den utifrån den jungianska psykologins t
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Camargo, Giselle Guilhon. "A ARTE SECRETA DOS DERVIXES GIRADORES: um estudo etnocenológico do Sama Mevlevi." Escola de Teatro, 2006. http://repositorio.ufba.br/ri/handle/ri/27303.

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Submitted by Glauber Assunção Moreira (glauber.a.moreira@gmail.com) on 2018-09-06T17:49:31Z No. of bitstreams: 1 Giselle - doutorado final.doc: 59179008 bytes, checksum: 5af1caf1f0ac8b24a1b1388358087468 (MD5)<br>Approved for entry into archive by Ednaide Gondim Magalhães (ednaide@ufba.br) on 2018-09-11T13:19:36Z (GMT) No. of bitstreams: 1 Giselle - doutorado final.doc: 59179008 bytes, checksum: 5af1caf1f0ac8b24a1b1388358087468 (MD5)<br>Made available in DSpace on 2018-09-11T13:19:36Z (GMT). No. of bitstreams: 1 Giselle - doutorado final.doc: 59179008 bytes, checksum: 5af1caf1f0ac8b24a1b138
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Camargo, Gisele Guilhon Antunes. "Entre o camelo e o leão a dialética do giro Dervixe: uma etnografia do Sama - a dançaa girante dos Dervixes da ordem Sufi Mevlevi." Florianópolis, SC, 1997. http://repositorio.ufsc.br/xmlui/handle/123456789/77122.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas. Programa de Pós-Graduação em História.<br>Made available in DSpace on 2012-10-17T01:03:25Z (GMT). No. of bitstreams: 0Bitstream added on 2016-01-08T21:59:24Z : No. of bitstreams: 1 49489.pdf: 13750839 bytes, checksum: fc3337df6964153faf51ba3977e501ee (MD5)<br>Esta dissertação é uma pesquisa etnográfica do Sama, a dança girante inspirada pelo poeta persa Jalaluddin Rumi, em Konya (Turquia), no século XIII. É uma "descrição densa" do ritual, com suas pertinências etno-coreo-musicológicas. Tom
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Camargo, Gisele Guilhon Antunes. "Entre o Camelo e o Leão : a dialética do giro dervixe : uma etnografia do Sama - a dança girante dos dervixes da ordem Sufi Mevlevi." reponame:Repositório Institucional da UFSC, 1997. https://repositorio.ufsc.br/handle/123456789/112230.

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Jackson, Cailah. "Patrons and artists at the crossroads : the Islamic arts of the book in the lands of Rūm, 1270s-1370s." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:2d687f25-fb80-4470-b259-72714ba24386.

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This dissertation is the first book-length study to analyse the production and patronage of Islamic illuminated manuscripts in late medieval RÅ«m in their fullest cultural contexts and in relation to the arts of the book of neighbouring regions. Although research concerning the artistic landscapes of late medieval Rūm has made significant progress in recent years, the development of the arts of the book and the nature of their patronage and production has yet to be fully addressed. The topic also remains relatively neglected in the wider field of Islamic art history. This thesis considers the
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Books on the topic "Mevlevism"

1

Mevlevî mezar taşları. Rûmî Yayınları, 2005.

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Şentürk, A. Atillâ. Tahir'ül-Mevlevi: Hayatı ve eserleri. Nehir Yayınları, 1991.

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Şentürk, A. Atillâ. Tahir'ül-Mevlevi: Hayatı ve eserleri. Nehir Yayınları, 1991.

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Bey, Rifat. Sermüezzin Rifat Bey'in ferahnak Mevlevi ayini. Pan Yayıncılık, 1992.

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Çevikoğlu, Timuçin. While whirling the love in the heart renews: Mevlana, the Mevlevi, the music of the Mevlevi. Governorship of Konya Provincial Directorate of Culture and Tourism, 2008.

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Kemal, Kahramanoğlu, ed. Nazif-i Mevlevi divançesi: Hasan Nazif Dede. Tablet, 2005.

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Fundamentals of Rumi's thought: A Mevlevi Sufi perspective. Light, 2004.

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8

Günümüz Alevi, Bektaşi, Mevlevi, Nusayri inanç ve toplum önderlerinin görüş ve düşünceleri. Cem Vakfı, 2006.

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Friedlander, Shems. The whirling dervishes: Being an account of the Sufi order known as the Mevlevis and its founder the poet and mystic Mevlana Jalalu'ddin Rumi. State University of New York Press, 1992.

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Discourses of Rumi. Samuel Weiser, 2001.

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Book chapters on the topic "Mevlevism"

1

Yilmaz, M., E. G�nes, and �. Sormaz. "Holy foods and religious tourism: Konya and Mevlevi cuisine." In Islamic toursim: management of travel destinations. CABI, 2018. http://dx.doi.org/10.1079/9781786394132.0181.

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Jackson, Cailah. "Early Fourteenth-century Manuscripts from Konya and Sivas." In Islamic Manuscripts of Late Medieval Rum, 1270s-1370s. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474451482.003.0003.

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The second chapter concerns manuscripts produced in Konya between 1311 and 1332. This period roughly coincides with the rise of the Turcoman principalities (beyliks) on Rum’s political scene and the final decades of Ilkhanid rule which ended in 1335 with the death of the ruler Abu Saʿid. The seven core manuscripts that comprise the focus of this chapter were produced for Turcoman princes and Mevlevi dervishes. The manuscripts produced for Turcoman (Ashrafid and Qaramanid) patrons include al-Fusul al-Ashrafiyya and a large two-volume Qur’an. Works closely connected to the Mevlevis include a copy of the Intihanama by Sultan Walad, a Masnavi of Jalal al-Din Rumi, and a Masnavi of Sultan Walad. Also discussed is a Masnavi of Jalal al-Din Rumi from Sivas, which had been previously neglected by scholarship. This chapter expands the analysis concerning Mevlevi involvement in illuminated manuscript production that was introduced in Chapter One. It also discusses the historiography of the Turcoman principalities, a thread that will be taken up in Chapters Three and Four.
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"Mevlevi-BektashirivalriesandtheIslamisationofthePublic spaceinlateseljuqanatolia." In Islam and Christianity in Medieval Anatolia. Routledge, 2016. http://dx.doi.org/10.4324/9781315589886-23.

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Salazar, Lucía Cirianni. "Lodges of Debate: Two Museumised Sufi Tekkes in Anatolia." In The Art of Minorities. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474443760.003.0005.

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This chapter analyses the museumisation of the main Sufi lodges (tekkes) of the Mevlevi and Bektaşi orders. Through an analysis of their museography and an ethnographic exploration of the multiple social experiences of visitors at these museums, the chapter interrogates some of the established narratives about the official closure of the Turkish tekkes. Rather than offering a counter-narrative, this text explores the complexity of ongoing debates about the role of Sufi sites in contemporary Turkey and the different forms of negotiation between the state and society, where secularism is not only contested and resisted but also strategically incorporated into contemporary experiences of Mevlevi and Bektaşi Sufism.
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Jackson, Cailah. "Illuminated Manuscripts in Late Thirteenth-century Konya." In Islamic Manuscripts of Late Medieval Rum, 1270s-1370s. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474451482.003.0002.

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This chapter initially focuses on two manuscripts – a small Qur’an and a monumental Masnavi of Jalal al-Din Rumi. Both were produced in 1278, soon after Rum was formally incorporated into the Ilkhanid empire. After discussing their visual properties in depth, the author uses the manuscripts’ production information to analyse the nature of production and patronage in late medieval Konya. This chapter introduces many key themes that are developed throughout the rest of the book, including the role of the Mevlevis in artistic production, the itinerancy of artists, and cosmopolitan nature of Rum’s towns. Based on the examination of these manuscripts, the chapter contends that several currently unidentified or misidentified manuscripts were also produced in Konya. Through an illuminated copy of Ibn Bibi’s Seljuk chronicle produced around 1282, the chapter also considers the part that Ilkhanid officials played in manuscript patronage in Rum.
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Jackson, Cailah. "Saūtıū ibn Hḥ asan: A Mevlevi Patron of Erzincan." In Islamic Manuscripts of Late Medieval Rum, 1270s-1370s. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474451482.003.0005.

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The fourth and final chapter focuses on the patronage of one individual, who emerges from surviving material as the most prolific manuscript patron of late medieval Rum. The three manuscripts discussed in this chapter were commissioned by Sharaf al-Din Sati ibn Hasan, an amir, history writer and Mevlevi devotee. The key manuscripts are a copy of the Masnavi of Sultan Walad from 1366, a two-volume Divan-i Kabir from 1368 and a 1372 copy of the Masnavi, both by Jalal al-Din Rumi. Several manuscripts belonging to Sati’s son, Mustanjid, are also considered. Although a production centre is not named in the manuscripts, the patron and his family were based in Erzincan. This chapter outlines and contextualises the political and cultural activities of Sati and Mustanjid and considers where the manuscripts may have been produced. Moreover, the distinctiveness of the manuscripts’ illumination, and the patron’s connection to the Jalayirids, generates a discussion concerning the relationship between the arts of the books of Rum and the Mongol successor states.
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"Structure and Evolution of the Mevlevi Ayin: The Case of the Third Selam." In Sufism, Music and Society in Turkey and the Middle East. Routledge, 2004. http://dx.doi.org/10.4324/9780203346976-13.

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"Mevlevi Sufis and the Representation of Emotion in the Arts of the Ottoman World." In Affect, Emotion, and Subjectivity in Early Modern Muslim Empires: New Studies in Ottoman, Safavid, and Mughal Art and Culture. BRILL, 2017. http://dx.doi.org/10.1163/9789004352841_010.

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