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1

Mevlevî mezar taşları. Rûmî Yayınları, 2005.

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2

Şentürk, A. Atillâ. Tahir'ül-Mevlevi: Hayatı ve eserleri. Nehir Yayınları, 1991.

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3

Şentürk, A. Atillâ. Tahir'ül-Mevlevi: Hayatı ve eserleri. Nehir Yayınları, 1991.

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4

Bey, Rifat. Sermüezzin Rifat Bey'in ferahnak Mevlevi ayini. Pan Yayıncılık, 1992.

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5

Çevikoğlu, Timuçin. While whirling the love in the heart renews: Mevlana, the Mevlevi, the music of the Mevlevi. Governorship of Konya Provincial Directorate of Culture and Tourism, 2008.

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6

Kemal, Kahramanoğlu, ed. Nazif-i Mevlevi divançesi: Hasan Nazif Dede. Tablet, 2005.

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7

Fundamentals of Rumi's thought: A Mevlevi Sufi perspective. Light, 2004.

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8

Günümüz Alevi, Bektaşi, Mevlevi, Nusayri inanç ve toplum önderlerinin görüş ve düşünceleri. Cem Vakfı, 2006.

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9

Friedlander, Shems. The whirling dervishes: Being an account of the Sufi order known as the Mevlevis and its founder the poet and mystic Mevlana Jalalu'ddin Rumi. State University of New York Press, 1992.

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10

Discourses of Rumi. Samuel Weiser, 2001.

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11

Ḥaydar Khānī Mushtāq ʻAlī, Ḥusayn., ред. Fīhi mā fīh: Mīrās̲-i darakshān-i Lisān al-ʻārifīn-i Mawlānā Jalāl al-Dīn Muḥammad Mawlavī Balkhī Khurāsānī. 2-ге вид. Intishārāt-i Sanāʼī, 1999.

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12

1914-1993, Izutsu Toshihiko, ed. Rūmī goroku. Chūō Kōronsha, 1993.

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13

Rūmī, Jalāl-Dīn. Von allem und vom Einen =: Fīhi mā fīhi. Diederichs, 1988.

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14

Rumi and the whirling dervishes: Being an account of the Sufi order known as the Mevlevis and its founder the poet and mystic Mevlana Jalaluʾddin Rumi. Parabola Books, 2003.

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15

1927-, And Metin, and Şengil Salim 1913-, eds. Mevlana Celaleddin Rumi and the whirling dervishes: Sufi philosophy, whirling rituals, poems of ecstasy, miniature paintings. 3rd ed. Dost Yayınları, 2005.

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16

Dede, Aziz, Emin Dede, Dikmen Halil 1906-1964, and Sayın Niyazi, eds. Ney'in sırrı hâlâ hasret: Bir meşk silsilesi : Aziz Dede, Emin Dede, Halil Dikmen, Niyazi Sayın. Kubbealtı Neşriyâtı, 2002.

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17

The Mevlevi wird: The prayers recited daily by Mevlevi dervishes. Threshold Society, 2000.

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18

Davis, Frederick Hadland. THE PERSIAN MYSTICS: Jami. Cosimo Classics, 2007.

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19

Davis, Frederick Hadland. THE PERSIAN MYSTICS: Jalalu'd-Din Rumi. Cosimo Classics, 2007.

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20

Can, Sefik. Fundamentals of Rumi's Thought: A Mevlevi Sufi Perspective. The Light, Inc., 2005.

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21

Recovery of the Mausoleum of Sunqur Sa'di and restoration of Mevlevi Takiyya. Italian-Egyptian Center for Restoration and Archaeology (CFPR), 2009.

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22

Friedlander, Shems. The Whirling Dervishes: Being an Account of the Sufi Order Known As the Mevlevis and Its Founder the Poet and Mystic Mevlana Jalalu'Ddin Rumi (Suny). State University of New York Press, 1991.

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23

Rumi goroku (Izutsu Toshihiko chosakushu). Chuo Koronsha, 1993.

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24

Mevlana Celaleddin Rumi and the Whirling Dervishes. 2nd ed. Dost, 1992.

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25

Jackson, Cailah. Islamic Manuscripts of Late Medieval Rum, 1270s-1370s. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474451482.001.0001.

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This book is the first in-depth survey of illuminated manuscripts from late medieval Anatolia (Rum) before the rise of the Ottoman Empire. Between the Mongol invasions in the mid-thirteenth century and the emergence of Ottoman domination in the late fourteenth century, the Lands of Rum were marked by instability and conflict. Despite this, a rich body of illuminated manuscripts from the period survives, explored here and fully illustrated in colour with many unpublished or hard-to-find images. Meticulously analysing fifteen beautifully decorated Arabic and Persian manuscripts, including Qur’an
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26

Gill, Denise. Melancholic Modalities. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190495008.001.0001.

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Typically dismissed as the remnants of Ottoman nostalgia, the melancholies intentionally cultivated by contemporary Turkish classical musicians are a fundamental aspect of their subjectivity. Melancholic Modalities is the first in-depth historical and ethnographic study of the affective practices socialized by these musicians who champion, teach, and perform a present-day genre substantially rooted in the musics of the Ottoman court and elite Mevlevi Sufi lodges. Denise Gill analyzes how melancholic music making emerges as reparative, pleasurable, spiritually redeeming, and healing. Focusing o
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