Academic literature on the topic 'Modern costume'

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Journal articles on the topic "Modern costume"

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WANG, Y., and R. KHYNEVYCH. "HISTORICAL EVOLUTION AND INNOVATIVE DESIGN OF QIANG COSTUMES." Art and Design, no. 1 (May 6, 2024): 46–55. http://dx.doi.org/10.30857/2617-0272.2024.1.4.

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Рurpose. This paper analyzes the evolution process and cultural connotation of Qiang costume form, discusses the application form of Qiang costume elements in modern clothing design, and provides a theoretical basis for the innovative design of national costumes. Methodology. The field research method, literature analysis method, and case study method are used to analyze the evolution process, cultural connotation, and design application of Qiang costumes. Results. By studying the development process and style design changes of the Qiang costumes, it is concluded that its unique cultural conno
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Grigoreva, Marina Borisovna, and Nuriya Munirovna Akchurina-Muftieva. "Modern Crimean Tatar national costume: succession and novelties (based on the example of Crimean dress designers)." Культура и искусство, no. 12 (December 2020): 1–13. http://dx.doi.org/10.7256/2454-0625.2020.12.34339.

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This article analyzes the modern Crimean Tatar costume from the perspective of succession of the traditional elements. The author systematizes general approaches towards design of the traditional and modern costume, indicating the characteristic features. At the present stage, the elements of the traditional Crimean Tatar costume are growing in popularity. Interpretation and modern stylization of the traditional elements of national costume leads to the formation of the unique style. The leading phenomenon in the approach towards design of the modern national costume is the scientific basis, w
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Zhu, Chun, Kaixuan Liu, Xiaoning Li, et al. "Research on Archaeology and Digital Restoration of Costumes in DaoLian Painting." Sustainability 14, no. 21 (2022): 14054. http://dx.doi.org/10.3390/su142114054.

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Costume restoration is one of the important ways to study costume history and culture. The purpose of this paper is to show the characteristics of Chinese costumes more than 1000 years ago, through the research on the costume in the famous ancient Chinese painting DaoLian painting, and provide strong technical support for the research of Chinese ancient costume culture. DaoLian painting is the work of Xuan Zhang, a famous painter in Tang dynasty (618–907), China. From the perspective of clothing engineering, we analyzed the characteristics of costume style, color, and pattern and used the virt
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Kosinkova-Stoeva, Angelina. "DESIGN AND MODELING OF LADIES' CLOTHING WITH A STUDY OF THE DECORATIVE FEATURES OF THE BULGARIAN FOLK COSTUME FROM THE PIRIN REGION." International Conference on Technics, Technologies and Education, no. 1 (2018): 76–82. http://dx.doi.org/10.15547/10.15547/ictte.2018.02.003.

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For many centuries the Bulgarian costumes have been one of the main objects of Bulgarian artistic creativity. High artistic embroidery, types of fabrics, patterns, shapes are a source for revealing the ethnic unity and diversity of traditional Bulgarian culture. The great wealth of decorative elements of the folk costume in the Pirin region, distinguished by its inimitable variety and color, are the basis for the creation of designs and designs for modern ladies' garments. The aim of the present work is to trace and explore the historical development of the traditional folk costume in the Piri
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Shevchuk, Tetiana. "Creative approach to rhythmic gymnastics costume design." Art and Design, no. 1 (May 20, 2025): 103–17. https://doi.org/10.30857/2617-0272.2025.1.8.

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The present study aimed to investigate the evolution of rhythmic gymnastics costume design, in particular their aesthetic, functional and cultural components, with an emphasis on the integration of traditional national elements into the modern context. The study examined the costumes of athletes from such countries as Ukraine, China, the USA, Japan, and Uzbekistan. The materials included visual sources, technological documentation and the requirements of international regulations that define design standards, as well as scientific media publications. The study included an analysis of the histo
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Fensham, Rachel. "Repetition as a methodology: Costumes, archives and choreography." Scene 2, no. 1 (2014): 43–60. http://dx.doi.org/10.1386/scene.2.1-2.43_1.

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This article considers how costumes contribute to choreographic aesthetics through their capacity to be repeated. I develop different conceptions of repetition – replication (copying); representation (appearance within a frame that represents an image); and reproduction (as construction or manufacture) of costume objects and ideas over time. Being interested in the material process of making and wearing costumes, it also investigates how repetition leads to the possibility of invention. Using Walter Benjamin’s concept of the dialectical image to discuss costumes as objects within a dance archi
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CHEN, S., and T. KROTOVA. "INNOVATIVE APPLICATION OF CHINESE KUNQU OPERA COSTUMES STYLE PRINCIPLES IN MODERN DESIGN." Art and Design, no. 1 (May 6, 2024): 11–19. http://dx.doi.org/10.30857/2617-0272.2024.1.1.

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Goal: an in-depth study of innovative practices of contemporary design based on the values of China's intangible cultural heritage, in particular, the use of formative and decorative characteristics and techniques of the Kunqu Opera stage costume in the creation of modern models of clothing for dressy or casual use. Methodology. The study uses historical, analytical, and chronological methods, as well as methods of formal and figurative-stylistic analysis. Results. Based on the systematization of documentary materials, the unique features of the costumes of the main characters in different sce
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Alekseeva, Angelina. "The Novel “The Picture of Dorian Gray” as a Costume Code of Its Time: How to Render Features of Victorian Dress into Russian." Stephanos Peer reviewed multilanguage scientific journal 68, no. 6 (2024): 62–70. https://doi.org/10.24249/2309-9917-2024-68-6-62-70.

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The purpose of this article is to analyse the parameters of the costume code presented in the novel “The Picture of Dorian Gray” written by the English poet and writer O. Wilde. The author tries to analyse different aspects of ways how to render features of Victorian dress when translating the novel into Russian. O. Wilde portrays representatives of different social classes of English society at the end of the 19 th century. Thus, the characters’ costumes are considered an important detail specifically used for their characterisation. Ten Russian translations of the novel are made in different
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Wang, Chao, and Zhiyong Yang. "Innovative Design of Traditional Costumes in Digital Art: A Case Study of the Aoluguya Evenki Ethnic Group in Northeast China." Communications in Humanities Research 18, no. 1 (2023): 29–34. http://dx.doi.org/10.54254/2753-7064/18/20231108.

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This paper explores the innovative design and cultural heritage of traditional costumes of the Aoluguya Ewenki ethnic group in the digital age. Through digital techniques, traditional costumes have been infused with modern elements, enhancing the intricacy and diversity of their designs, thus introducing new means of design for traditional attire. Traditional costume patterns and totems are reinterpreted and created through digital software, allowing characters to wear them in virtual film and television, resulting in unique visual effects. 3D modeling technology showcases costume details in v
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Zhang, Jinbin. "The Application and Analysis of Opera Costume Elements in the Modern Costume Design." E3S Web of Conferences 237 (2021): 04015. http://dx.doi.org/10.1051/e3sconf/202123704015.

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This paper analyzes the application of opera costume elements in modern costume design, combines with the application of ideas in the paper, and applies opera costume elements to modern costume. Under this concept, four kinds of modern ready-to-wear clothes with opera costume elements are designed. Taking the works as examples, the whole process of the application design of opera costume elements in modern costume design is presented, which provides ideas and directions for the modern application design of opera costume elements in the future. It is also hoped that the research findings of thi
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Dissertations / Theses on the topic "Modern costume"

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Hao, Priscilla Ruth. "An Interpretation of Modern: Costume Designs for An Adaptation of Shakespeare's The Two Gentlemen of Verona." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1486.pdf.

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Neckman, Karolina, and Elgé Petrulyté. "Historical fashion and modern action : Historical accuracy in female costumes in games." Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-18967.

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This thesis will investigate how developers can create recognizable and historically realistic female game characters while balancing historically accurate aspects and creative aesthetics.This paper is meant to give a better understanding of the importance of accurate historical female costumes in games, and investigate whether or not these are preferable to a gaming audience. The results will be reached by analysing the results collected from two online surveys where six 3D models’ turnarounds from two different eras with different levels of historical accuracy will be represented.
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Wagner, Krista Ann. "Farbs, Stickjocks, and Costume Nazis: A Study of the Living History Subculture in Modern America." Youngstown State University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1196710568.

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Howard, Barbara C. "Modern designs of women's apparel based upon Russian fairy tales and the art work by various Russian illustrators depicting Pre-Empire style of garments." Online version, 1998. http://www.uwstout.edu/lib/thesis/1998/1998howardb.pdf.

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Lublin, Robert I. "Costuming the Shakespearean stage visual codes of representation in early modern theatre and culture /." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1060614385.

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Thesis (Ph. D.)--Ohio State University, 2004.<br>Document formatted into pages; contains x, 256 p. Includes bibliographical references. Abstract available online via OhioLINK's ETD Center; full text release delayed at author's request until 2005 Aug. 11.
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Masih, Edweana Elizabeth Shalini. "Patterns of divergence : the evolution of the qipao and cheongsam in modern Chinese society /." [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18643.pdf.

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Cagle, Natalie Kenra. "Costume Design and Production for City of AngelsBook by Larry Gelbart, Music by Cy Coleman, and Lyrics by David Zippel." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1437645350.

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Thuaudet, Olivier. "Les accessoires métalliques du vêtement et de la parure de corps en Provence du XIe au XVIe siècle : étude archéologique et approche croisée d'une production méconnue." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3128.

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Les fouilles archéologiques portant sur la période des XIe – XVIe siècles menées en Provence livrent de très nombreux accessoires métalliques du costume et de la parure de corps. Ce sont des éléments de fixation prenant la forme d’épingles, d’agrafes, de boutons, des constituants de la ceinture – boucle, chape, mordant, appliques –, mais aussi des ornements que l’on ajoute à celle-ci ou à même les étoffes, tels les grelots, ou bien encore des parures de corps – bracelets, bagues et colliers –, des objets de dévotion personnelle comme les enseignes de pèlerinage. L’étude archéologique et typo-c
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Larsen, Ulrik Martin. "The Choreographed Garment." Licentiate thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-3698.

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Contemporary dance and modern ballet often focus on conveying emotions through patterns of movement which may be abstract, obvious, or anywhere in between, as supported by music, sound, or spoken words that set the mood. Scenography is typically sparse or confined to the available space, leaving the dancers as the main instrument of communication. This work explores choreography and costume design, with a focus on how garments can inform and direct movement, choreography, and performance, and in turn how movement may inform and contribute to the development of dynamic garments. Through a serie
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Thompson, Jaime L. M. "“A Wild Apparition Liberated From Constraint”: The Baroness Elsa von Freytag-Loringhoven’s New York Dada Street Performances and Costumes of 1913-1923." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148267685.

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Books on the topic "Modern costume"

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Wilcox, Claire. Modern fashion in detail. Overlook Press, 1991.

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Lipovetsky, Gilles. The empire of fashion: Dressing modern democracy. Princeton University Press, 1994.

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John, Marshall. Make your own Japanese clothes: Patterns and ideas for modern wear. Kodansha International, 1988.

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Lipovetsky, Gilles. The empire of fashion: Dressing modern democracy. Princeton University Press, 1994.

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Kozlova, Tat'yana. Artistic designing of costume. INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1079355.

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The monograph deals with the problems related to the concept of the fashion mechanism and its prediction, issues of culture and aesthetics of modern costume. A new methodological structural-anthropological approach to costume analysis is presented, and the basic principles of constructing a method of artistic costume design in industrial conditions are presented.&#x0D; &#x0D; For fashion designers and other professionals involved in the artistic design of clothing.
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Jacobs, Laura. Beauty and the Beene: A modern legend. Abrams, 1999.

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Jacobs, Laura. Beauty and the Beene: A modern legend. Abrams, 1999.

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Hinds, Joan. Fancywork and fashion's time machine--the modern girls. Fancywork and Fashion Press, 1994.

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Bruhn, Wolfgang. A pictorial history of costume: A survey of costume of all periods and peoples from antiquity to modern times including national costume in Europe and non-European countries. Players Press, 1995.

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Bruhn, Wolfgang. A pictorial history of costume: A survey of costume of all periods and peoples from antiquity to modern times including national costume in Europe and non-European countries. Arch Cape Press, 1988.

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Book chapters on the topic "Modern costume"

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Thomas, Teminioluwa. "Concealment, Costume and Modern Architecture." In Architectures of Hiding. Routledge, 2023. http://dx.doi.org/10.4324/9781003356950-25.

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Holt, Annie. "Writing the modern body." In Modernizing Costume Design, 1820–1920. Routledge, 2020. http://dx.doi.org/10.4324/9780429054785-4.

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Mukerji, Chandra. "Costume and character in the Ottoman Empire." In Early Modern Things, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9781351055741-9.

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Triffin, Gregory Morris, and Rachel E. Pollock. "Thoroughly Modern Milliners and Makers." In A History of the Theatre Costume Business. Routledge, 2021. http://dx.doi.org/10.4324/9781351052344-10.

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Radway, Robyn D. "Christians of Ottoman Europe in Sixteenth-Century Costume Books." In The Dialectics of Orientalism in Early Modern Europe. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-46236-7_11.

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Minuti, Rolando. "Representing Asia in Il costume antico e moderno by Giulio Ferrario." In Global Perspectives in Modern Italian Culture. Routledge, 2021. http://dx.doi.org/10.4324/9781003031093-9.

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Fraser, Elisabeth A. "The Ottoman Costume Album as Mobile Object and Agent of Contact." In The Mobility of People and Things in the Early Modern Mediterranean. Routledge, 2019. http://dx.doi.org/10.4324/9781351042062-6.

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Petushkova, Tatyana A., Larisa P. Smirnova, and Luibov E. Yakovleva. "Methodological Procedures of the Russian Avant-garde and Use in Modern Costume Design." In Technology, Innovation and Creativity in Digital Society. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-89708-6_34.

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Gutowska, Anna. "“An Occasionally True Story”: Biofiction, Authenticity and Fictionality in The Great (2020)." In Truth Claims Across Media. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42064-1_9.

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AbstractContemporary visual and literary culture has seen a proliferation of quasi-biographical texts that blur the lines between fact and fiction and often imply that by subverting or questioning the dominant portrayal of a given historical figure they offer a “true” version that had hitherto been suppressed. These so called “biofictions” (e.g. Netflix series The Crown, or Baz Luhrman’s feature film Elvis) are hybrids of biography and pure conjecture, but despite their essentially fictitious nature, they make claims to authenticity, often implying that the sensationalised versions of the famo
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Takahashi, Yuka, and Namgyu Kang. "Kansei Evaluation of Costume Patterns for Co-creation Design." In [ ] With Design: Reinventing Design Modes. Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-4472-7_178.

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Conference papers on the topic "Modern costume"

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Garzarella, Silvia, Giacomo Vallasciani, Pasquale Cascarano, Shirin Hajahmadi, Elena Cervellati, and Gustavo Marfia. "An Extended Reality Platform Powered by Large Language Models: A Case Study on Teaching Dance Costumes." In 2025 IEEE International Conference on Artificial Intelligence and eXtended and Virtual Reality (AIxVR). IEEE, 2025. https://doi.org/10.1109/aixvr63409.2025.00069.

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Santana, Roberto. "Stacking Llm Models' Predictions for Feature Selection in Anomaly Classification." In 2024 International Conference on Sustainable Technology and Engineering (i-COSTE). IEEE, 2024. https://doi.org/10.1109/i-coste63786.2024.11024839.

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Liu, Xiaoliang, Dexi Liu, and Peng Wu. "Erect: Evidence Refinement Enhanced Complex Claim Verification With Large Language Models." In 2024 International Conference on Sustainable Technology and Engineering (i-COSTE). IEEE, 2024. https://doi.org/10.1109/i-coste63786.2024.11024841.

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Sisimayi, Chenjerai, and Maria Vivien Visaya. "Deployment of AI Models and a Mapper Algorithm to Enhance Clinical Decision-Making." In 2024 International Conference on Sustainable Technology and Engineering (i-COSTE). IEEE, 2024. https://doi.org/10.1109/i-coste63786.2024.11025118.

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Hossain, Md Ismail, Noor Mohammad, Md Mahafuzul Islam, and Abu Shufian. "Intelligent Fault Diagnosis in Smart Grids: Leveraging PMU Data with VGG-Based CNN Models." In 2024 International Conference on Sustainable Technology and Engineering (i-COSTE). IEEE, 2024. https://doi.org/10.1109/i-coste63786.2024.11024914.

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Omar, Zara, and Liwan Liyanage. "Forecasting of Maximum Temperature Using ETS, ARIMA and Random Forest Models: A Case Study for Karachi, Pakistan." In 2024 International Conference on Sustainable Technology and Engineering (i-COSTE). IEEE, 2024. https://doi.org/10.1109/i-coste63786.2024.11025055.

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Carvalho, Ricardo Nolasco de, Marcelo Almeida Cunha Ferreira, Dagoberto Brandão Santos, and Ronaldo Barbosa. "MODELO MATEMÁTICO PARA A EVOLUÇÃO DA MICROESTRUTURA DE AÇOS MICROLIGADOS AO VNb E AO VNbTi NA LAMINAÇÃO DE TUBOS SEM COSTURA." In 63º Congresso Anual da ABM. Editora Blucher, 2008. https://doi.org/10.5151/2594-5327-2005-16250-0312.

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Zhanguzhinova, Meruyert, Bagdat Akylbekova, Sabit Kurmanbekov, Nazerke Kumargaliyeva, and Nazerke Kairbekkyzy. "Innovative Trends in Ethno-Costumology in the Modern Theater Process." In 15th International Scientific Conference "Rural Environment. Education. Personality. (REEP)". Latvia University of Life Sciences and Technologies. Faculty of Engineering. Institute of Education and Home Economics, 2022. http://dx.doi.org/10.22616/reep.2022.15.023.

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This article examines the topicality of ethno-costumes in the context of the modern theatrical process. The aim of the study is to conduct a theoretical and methodological study of the problems of ethno-costumeology in the context of the modern theatrical process. The scientific and theoretical methodology of the research include the theoretical foundations of ethno-costumes, concepts of the modern theatrical process, methodological aspects of ethno-costumes, innovative directions of ethno-costumes, artistic principles of creating an ethnocostume. Scientific and theoretical methods were used:
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Ilić, Tamara, Bojan Banjanin, and Ivan Pinćjer. "FROM SKETCH TO ANIMATED 3D MODEL: THEATRICAL COSTUME DESIGN." In INTERNATIONAL SYMPOSIUM ON GRAPHIC ENGINEERING AND DESIGN. UNIVERSITY OF NOVI SAD FACULTY OF TECHNICAL SCIENCES DEPARTMENT OF GRAPHIC ENGINEERING AND DESIGN 21000 Novi Sad, Trg Dositeja Obradovića 6, 2024. http://dx.doi.org/10.24867/grid-2024-p30.

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Theatre costume design is a demanding process that requires the collaboration of the play's creative team, including the director and performers. Traditionally, the process involved phases such as sketching, tailoring, sewing, and fitting. Nowadays, these phases have been transformed through digital reconstruction, clothing simulation, and motion-tracking tools. This paper aims to illustrate the theatrical costume design process using Tibor Vajda's play Pygmalion as a case study and to explore how modern technology can breathe new life into the process. The study examines the costume design wo
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Wang, Yunyun. "Methods of Innovative Application of Miao Costume Elements in Modern Costume." In Proceedings of the 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/icadce-19.2019.98.

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Reports on the topic "Modern costume"

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Bożek, Małgorzata. FILM PRODUCTION IN POLAND. STAGES: FROM AN IDEA TO THE SCREEN. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.50.11112.

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The Polish film system is characterized by a variety of forms. Michał Zabłocki, the author of the comprehensive study of the «Organization of the production of feature film in Poland», isolates two models of world cinema: a producer and a producer – director. The first one features the dominant role of the producer, which means the person who is responsible for the work of all the film departments – direction, cinematography, production management, scenography and costume design. The second one, the model which is still the most popular in Poland, assumes close cooperation between the producer
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Gombosi, Tamas I. Comprehensive Solar-Terrestrial Environment Model (COSTEM) for Space Weather Predictions. Defense Technical Information Center, 2007. http://dx.doi.org/10.21236/ada473348.

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Seginer, Ido, James Jones, Per-Olof Gutman, and Eduardo Vallejos. Optimal Environmental Control for Indeterminate Greenhouse Crops. United States Department of Agriculture, 1997. http://dx.doi.org/10.32747/1997.7613034.bard.

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Increased world competition, as well as increased concern for the environment, drive all manufacturing systems, including greenhouses, towards high-precision operation. Optimal control is an important tool to achieve this goal, since it finds the best compromise between conflicting demands, such as higher profits and environmental concerns. The report, which is a collection of papers, each with its own abstract, outlines an approach for optimal, model-based control of the greenhouse environment. A reliable crop model is essential for this approach and a significant portion of the effort went i
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Estrada, Ángel, Carlos Pérez Montes, Jorge Abad, et al. Análisis de los riesgos sistémicos cíclicos en España y de su mitigación mediante requerimientos de capital bancario contracíclicos. Banco de España, 2024. http://dx.doi.org/10.53479/36573.

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Este documento presenta un conjunto amplio de análisis para, en primer lugar, identificar el nivel de los riesgos sistémicos cíclicos en España y calibrar su impacto sobre la solvencia del sistema bancario y, adicionalmente, valorar los costes y beneficios del uso contracíclico de los requerimientos de capital bancario. La primera parte del análisis se sustenta en una utilización integrada de indicadores, junto con otra información cuantitativa y cualitativa, y en la combinación de modelos de proyección macroeconómica y pruebas de resistencia para calibrar impactos. La segunda parte del anális
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