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Journal articles on the topic 'Modern costume'

Author: Grafiati

Published: 28 May 2022

Last updated: 30 July 2025

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1

WANG, Y., and R. KHYNEVYCH. "HISTORICAL EVOLUTION AND INNOVATIVE DESIGN OF QIANG COSTUMES." Art and Design, no. 1 (May 6, 2024): 46–55. http://dx.doi.org/10.30857/2617-0272.2024.1.4.

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Рurpose. This paper analyzes the evolution process and cultural connotation of Qiang costume form, discusses the application form of Qiang costume elements in modern clothing design, and provides a theoretical basis for the innovative design of national costumes. Methodology. The field research method, literature analysis method, and case study method are used to analyze the evolution process, cultural connotation, and design application of Qiang costumes. Results. By studying the development process and style design changes of the Qiang costumes, it is concluded that its unique cultural conno

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Grigoreva, Marina Borisovna, and Nuriya Munirovna Akchurina-Muftieva. "Modern Crimean Tatar national costume: succession and novelties (based on the example of Crimean dress designers)." Культура и искусство, no. 12 (December 2020): 1–13. http://dx.doi.org/10.7256/2454-0625.2020.12.34339.

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This article analyzes the modern Crimean Tatar costume from the perspective of succession of the traditional elements. The author systematizes general approaches towards design of the traditional and modern costume, indicating the characteristic features. At the present stage, the elements of the traditional Crimean Tatar costume are growing in popularity. Interpretation and modern stylization of the traditional elements of national costume leads to the formation of the unique style. The leading phenomenon in the approach towards design of the modern national costume is the scientific basis, w

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Zhu, Chun, Kaixuan Liu, Xiaoning Li, et al. "Research on Archaeology and Digital Restoration of Costumes in DaoLian Painting." Sustainability 14, no. 21 (2022): 14054. http://dx.doi.org/10.3390/su142114054.

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Costume restoration is one of the important ways to study costume history and culture. The purpose of this paper is to show the characteristics of Chinese costumes more than 1000 years ago, through the research on the costume in the famous ancient Chinese painting DaoLian painting, and provide strong technical support for the research of Chinese ancient costume culture. DaoLian painting is the work of Xuan Zhang, a famous painter in Tang dynasty (618–907), China. From the perspective of clothing engineering, we analyzed the characteristics of costume style, color, and pattern and used the virt

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Kosinkova-Stoeva, Angelina. "DESIGN AND MODELING OF LADIES' CLOTHING WITH A STUDY OF THE DECORATIVE FEATURES OF THE BULGARIAN FOLK COSTUME FROM THE PIRIN REGION." International Conference on Technics, Technologies and Education, no. 1 (2018): 76–82. http://dx.doi.org/10.15547/10.15547/ictte.2018.02.003.

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For many centuries the Bulgarian costumes have been one of the main objects of Bulgarian artistic creativity. High artistic embroidery, types of fabrics, patterns, shapes are a source for revealing the ethnic unity and diversity of traditional Bulgarian culture. The great wealth of decorative elements of the folk costume in the Pirin region, distinguished by its inimitable variety and color, are the basis for the creation of designs and designs for modern ladies' garments. The aim of the present work is to trace and explore the historical development of the traditional folk costume in the Piri

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Shevchuk, Tetiana. "Creative approach to rhythmic gymnastics costume design." Art and Design, no. 1 (May 20, 2025): 103–17. https://doi.org/10.30857/2617-0272.2025.1.8.

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The present study aimed to investigate the evolution of rhythmic gymnastics costume design, in particular their aesthetic, functional and cultural components, with an emphasis on the integration of traditional national elements into the modern context. The study examined the costumes of athletes from such countries as Ukraine, China, the USA, Japan, and Uzbekistan. The materials included visual sources, technological documentation and the requirements of international regulations that define design standards, as well as scientific media publications. The study included an analysis of the histo

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Fensham, Rachel. "Repetition as a methodology: Costumes, archives and choreography." Scene 2, no. 1 (2014): 43–60. http://dx.doi.org/10.1386/scene.2.1-2.43_1.

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This article considers how costumes contribute to choreographic aesthetics through their capacity to be repeated. I develop different conceptions of repetition – replication (copying); representation (appearance within a frame that represents an image); and reproduction (as construction or manufacture) of costume objects and ideas over time. Being interested in the material process of making and wearing costumes, it also investigates how repetition leads to the possibility of invention. Using Walter Benjamin’s concept of the dialectical image to discuss costumes as objects within a dance archi

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CHEN, S., and T. KROTOVA. "INNOVATIVE APPLICATION OF CHINESE KUNQU OPERA COSTUMES STYLE PRINCIPLES IN MODERN DESIGN." Art and Design, no. 1 (May 6, 2024): 11–19. http://dx.doi.org/10.30857/2617-0272.2024.1.1.

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Goal: an in-depth study of innovative practices of contemporary design based on the values of China's intangible cultural heritage, in particular, the use of formative and decorative characteristics and techniques of the Kunqu Opera stage costume in the creation of modern models of clothing for dressy or casual use. Methodology. The study uses historical, analytical, and chronological methods, as well as methods of formal and figurative-stylistic analysis. Results. Based on the systematization of documentary materials, the unique features of the costumes of the main characters in different sce

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Alekseeva, Angelina. "The Novel “The Picture of Dorian Gray” as a Costume Code of Its Time: How to Render Features of Victorian Dress into Russian." Stephanos Peer reviewed multilanguage scientific journal 68, no. 6 (2024): 62–70. https://doi.org/10.24249/2309-9917-2024-68-6-62-70.

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The purpose of this article is to analyse the parameters of the costume code presented in the novel “The Picture of Dorian Gray” written by the English poet and writer O. Wilde. The author tries to analyse different aspects of ways how to render features of Victorian dress when translating the novel into Russian. O. Wilde portrays representatives of different social classes of English society at the end of the 19 th century. Thus, the characters’ costumes are considered an important detail specifically used for their characterisation. Ten Russian translations of the novel are made in different

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Wang, Chao, and Zhiyong Yang. "Innovative Design of Traditional Costumes in Digital Art: A Case Study of the Aoluguya Evenki Ethnic Group in Northeast China." Communications in Humanities Research 18, no. 1 (2023): 29–34. http://dx.doi.org/10.54254/2753-7064/18/20231108.

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This paper explores the innovative design and cultural heritage of traditional costumes of the Aoluguya Ewenki ethnic group in the digital age. Through digital techniques, traditional costumes have been infused with modern elements, enhancing the intricacy and diversity of their designs, thus introducing new means of design for traditional attire. Traditional costume patterns and totems are reinterpreted and created through digital software, allowing characters to wear them in virtual film and television, resulting in unique visual effects. 3D modeling technology showcases costume details in v

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Zhang, Jinbin. "The Application and Analysis of Opera Costume Elements in the Modern Costume Design." E3S Web of Conferences 237 (2021): 04015. http://dx.doi.org/10.1051/e3sconf/202123704015.

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This paper analyzes the application of opera costume elements in modern costume design, combines with the application of ideas in the paper, and applies opera costume elements to modern costume. Under this concept, four kinds of modern ready-to-wear clothes with opera costume elements are designed. Taking the works as examples, the whole process of the application design of opera costume elements in modern costume design is presented, which provides ideas and directions for the modern application design of opera costume elements in the future. It is also hoped that the research findings of thi

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WANG, Chong, and Zoya ALFYOROVA. "WOMEN’S COSTUME OF INNER MONGOLIA IN MODERN CHINESE EASEL PAINTING." HUDPROM: The Ukrainian Art and Design Journal 2023, no. 2 (2023): 78–86. http://dx.doi.org/10.33625/hudprom2023.02.078.

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The article is devoted to the peculiarities of the representation of the female costume of Inner Mongolia in modern Chinese easel painting. The purpose of the article is to understand the stylistic, compositional, and coloristic solutions of the mirroring of women’s costumes by Chinese easel makers at the end of the 20th – beginning of the 21st century. The administrative autonomy chosen for analysis is a fairly self-sufficient region of China, in which a peculiar complex of women’s costume was formed. Its representation in easel painting makes it possible to capture a certain picture of the w

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Sazykina, Irina A., and Irina L. Sirotina. "Updating traditional ethnic symbols in the design of a modern Finno‑Ugric costume." Finno-Ugric World 13, no. 2 (2021): 180–92. http://dx.doi.org/10.15507/2076-2577.013.2021.02.180-192.

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Introduction. In modern design, there is a relevant topic of creating original stage costumes using ancient sacred Finno-Ugric symbols. Materials and Methods. The choice of goals and objectives, which is based on the principle of consistency, determined the methodology of the work that is based on the synthesis of cultural and art history analysis. Results and Discussion. In line with the interdisciplinary research, the article considers the use of artistic techniques that allow us to preserve the code of recognition of the passing epochs in the current design: in the forms of symbols and sign

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Shandrenko, Olga, and Kristina Simoniya. "Scenic Costume in Modern Art Practices." Demiurge: Ideas, Technologies, Perspectives of Design 1, no. 1 (2018): 73–79. https://doi.org/10.31866/2617-7951.1.2018.148150.

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The aim of the research is to systematize and define the scenic costume in the context of contemporary artistic practices. The methodology of the research. In order to accomplish the following tasks the methods of   systematization, classification and the complex art analyses were implemented. The scientific novelty. It is mentioned the position of the contemporary scenic costume at contemporary art practice: the theater, cinema, ballet, circurse  art, sport sphere and advertising companies and other modern performances, happening and carnavals.The classifica

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Zhang, Jingtong, and Yanchen Liu. "Research on Western Minorities Costume Culture and Innovative Development--Analysis Based on a Sample Questionnaire on Western Minorities National Costume." Journal of Social Science Humanities and Literature 6, no. 6 (2023): 5–12. http://dx.doi.org/10.53469/jsshl.2023.06(06).02.

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Based on analyzing the questionnaire sample on Western Minorities national costumes, this paper comprehensively explores the development trend and innovative direction of Western Minorities costume culture. The study results show that in the context of globalization, traditional Western Minorities costumes are gradually welcomed by the younger generation as a fashion representative. At the same time, traditional Western Minorities costumes have been innovatively applied in modern costume design. In the questionnaire, we learned that more and more consumer groups are interested in Western Minor

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Shutko, Serhiy. "The Role of Theatrical Costume in the Creation of Artistic Image in Opera Performance." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 3-4(56-57) (December 26, 2022): 212–24. http://dx.doi.org/10.31318/2414-052x.3-4(56-57).2022.278246.

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The influence of the peculiarities of the theatrical costume on the creation of artistic image of opera performance and its character is considered. The essence of the artistic image in musical art in the context of communication "composer - performer-interpreter - listener" is clarified. The differences between the artistic image of a musical and theatrical performance, its creation in the context of the commonwealth of conductor, director, scenographer, costume designer, choreographer and perception by the audience through performers are established. The artistic image of the performance as

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Lozinskaya, Larisa Sergeevna. "Semiotic interpretation of stage costume." Pan-Art 4, no. 1 (2024): 34–40. http://dx.doi.org/10.30853/pa20240006.

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The aim of the study is to identify cause-and-effect relations in semiotic interpretation of stage costume. The article explores the history of stage costume development, briefly presents its periodization with characteristic features of each stage, and socio-cultural forms of encoding. The scientific novelty of the research lies in focusing on the issue of costume semantics as an important component of the expressive system of modern music and theater productions. The research establishes that stage (theatrical) costume has its own developmental regularities and periodization caused by many f

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Georgieva, Desislava. "DESIGN AND MODELING OF LADIES' CLOTHING WITH A STUDY OF THE DECORATIVE FEATURES OF THE BULGARIAN FOLK COSTUME FROM THE RHODOPEAN REGION." International Conference on Technics, Technologies and Education, no. 1 (2018): 83–91. http://dx.doi.org/10.15547/10.15547/ictte.2018.02.004.

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The study of popular clothing, its classification, characterization and exploration gives us valuable information about our ancestors, the traditions, the life and the culture of our ancestors. Part of this cultural heritage is the Bulgarian traditional costume. Trained and analyzed, traditional clothing is a good basis for transforming ideas into the design of contemporary fashion collections - a practice that is enjoyed by all current designers. In this report the characteristic of a Bulgarian traditional costume is made. The purpose of the present work is to trace and explore the historical

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Luo, Qiong, Xubing Xu, and Han Gao. "Research on the Inheritance of Miao Costume Culture Based on Digital Wireless Communication Technology." Mobile Information Systems 2022 (April 26, 2022): 1–7. http://dx.doi.org/10.1155/2022/4052341.

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The protection of the popular culture of local ethnic minorities is an inevitable requirement for building a multicultural system. Through the latest digital technology, through the Internet, digital images, and other technologies, traditional cultural resources are classified and integrated, so that they can be inherited. The purpose of this study is to study the cultural heritage of digitized Miao costumes. This paper introduces the background and importance of the digital protection of Miao costume culture, analyzes in detail the current situation of Miao costume culture, the application of

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Luo, Qiong, Xubing Xu, and Han Gao. "Research on the Inheritance of Miao Costume Culture Based on Digital Wireless Communication Technology." Mobile Information Systems 2022 (April 26, 2022): 1–7. http://dx.doi.org/10.1155/2022/4052341.

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The protection of the popular culture of local ethnic minorities is an inevitable requirement for building a multicultural system. Through the latest digital technology, through the Internet, digital images, and other technologies, traditional cultural resources are classified and integrated, so that they can be inherited. The purpose of this study is to study the cultural heritage of digitized Miao costumes. This paper introduces the background and importance of the digital protection of Miao costume culture, analyzes in detail the current situation of Miao costume culture, the application of

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Kotova, K. V., and S. I. Galanin. "MODERN TRENDS AND COSTUME JEWELLERY." Technologies & Quality 2, no. 44 (2019): 26–34. http://dx.doi.org/10.34216/2587-6147-2019-2-44-26-34.

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Sazykina, Irina A. "Development of an onstage costume design project of Udmurt national costume based on the books on national clothing." Finno-Ugric World 15, no. 2 (2023): 225–36. http://dx.doi.org/10.15507/2076-2577.015.2023.02.225-236.

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Introduction. The article discusses the problem of developing ethnic onstage costumes for folk bands. The steps of the development of the design project of the Udmurt onstage ethnic costume for the in the studio of the artists are based on the materials found in the books on folk clothing. It also considers the involvement of the students from the Institute of Arts and Design of the Udmurt State University. Materials and Methods. The study is based on modern research on the Udmurt national costume, summarized in the works of specialists studying the national costumes of the Finno-Ugric peoples

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Zamaziy, O. S., and V. A. Maltseva. "FORMATION OF DESIGN THINKING OF DESIGNER- STUDENTS BY THE METHOD OF COMPARATIVE ANALYSIS (ON THE MATERIAL OF THE HISTORICAL AND TRADITIONAL COSTUME OF XVII-XVIII CENTURIES RUSSIA AND GERMANY)." Educational Psychology in Polycultural Space 55, no. 3 (2021): 73–83. http://dx.doi.org/10.24888/2073-8439-2021-55-3-73-83.

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The article examines one of the aspects of the formation of design thinking in designer-students. This professionally significant personality trait is the basis for the competence model of the future costume designer. Using the method of comparative analysis in the study of basic, historical and cultural subjects, designer-students, according to the results of the study, successfully master the historical and ethnic features of cut elements, the principles of shaping and decorating a costume. The article presents the experience of conducting a comparative analysis within the study of “History

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Ying, Zheng. "Big heroine dramas in contemporary China: Costume, authenticity and an alternative history of women of power." Studies in Costume & Performance 5, no. 2 (2020): 211–38. http://dx.doi.org/10.1386/scp_00026_1.

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Big heroine dramas (da nü zhu jü) – a specific category of Chinese costume dramas – have been popular recently, due to the big market of female audiences/consumers in China, and brought up fierce debates on feminism. The shows, written by female authors, are about the stories of powerful women in imperial China. A critical hypothesis here is that the shows combine the figuration of ancient, powerful women and a persona of neo-liberalist feminism. Why do audiences accept the anachronism of big heroine dramas, and how does historical authenticity become coherent with a modern narrative? With cos

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Koponova, A. Sh, A. K. Bekturova, and C. Akengin. "ETHNO-STYLE AS A CURRENT PHENOMENON OF MODERN FASHION." Herald of KSUCTA n a N Isanov, no. 2-2-2022 (April 30, 2022): 988–92. http://dx.doi.org/10.35803/1694-5298.2022.2.988-992.

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The article discusses the use of ethnic style in modern costume design, as well as the relevance of the appeal of designers to ethnic sources as an effective subject for designing modern clothes. The prerequisites for interest in ethnic style in costume design are indicated on the example of the national Kyrgyz costume.

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Ніколаєва, Т. В., І. Л. Гайова, Т. І. Ніколаєва та В. А. Гладка. "ДИЗАЙН СУЧАСНОГО КОСТЮМА НА ОСНОВІ АСОЦІАТИВНИХ ТРАНСФОРМАЦІЙ ТЕКТОНІЧНОЇ СТРУКТУРИ НАРОДНОГО ОДЯГУ". Art and Design, № 1 (3 червня 2020): 154–65. http://dx.doi.org/10.30857/2617-0272.2020.1.12.

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Improving the design process of modern clothes and determining the sign-symbolic functions of costume, inspired by ethnic motives, by studying methods of the associative transformation of the folk costume tectonic structure based on the use of various types of structural transformations. System-informational, visual-analytical research methods are used in the work. Systematic and structural analyses of the artistic and compositional elements transformations in the shaping of a modern costume based on associative conversion is applied.Results. Based on the investigation, the interconnection bet

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Chubotina, Iryna. "Artistic and stylistic features of men's costumes of the 1970s in R. Balayan's film "Flights in Dreams and Realities" (Polyoty vo sne i nayavu)." Almanac "Culture and Contemporaneity", no. 1 (August 31, 2021): 132–38. http://dx.doi.org/10.32461/2226-0285.1.2021.238608.

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The purpose of the article is to reveal the artistic and stylistic features of men's costumes in R. Balayan film "Flights in Dreams and Reality" (Polyoty vo sne i nayavu) as significant for Ukrainian cinema and design of the 1970s-1980s. The proposed research contributes to the history of costume in cinema, considering it as an object of design in the context of the 1970s-1980s fashion, world and domestic cultural paradigm. Methodology. Work on the chosen topic involves the following theoretical methods: an analytical research method for generalization and delineation of issues; comparative an

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Li, Yiyang, and Fang Yuan. "Innovative Design and Application of Ethnic Cultural and Creative Products: A Case Study of the Zhuang Fu Rui Cultural Dolls." Advances in Humanities Research 6, no. 1 (2024): 33–36. http://dx.doi.org/10.54254/2753-7080/6/2024051.

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The distinctive attire of the Zhuang ethnicity is the most direct expression of its folk culture. The positive development and utilization of ethnic costumes can significantly benefit Zhuang folk tourism. Incorporating elements of ethnic costume culture, such as patterns, colors, fabrics, and decorations, into modern design can enrich the ethnic cultural connotations of contemporary design practices. This research project, taking the Zhuang Fu Rui cultural dolls as a case study, discusses the integration and continuation of minority culture with modern design. By merging Zhuang costume culture

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Ning, Sun, and Zhan Qinchuan. "On the Integration of National Costume Elements and Modern Costume Design." SHS Web of Conferences 4 (2014): 02013. http://dx.doi.org/10.1051/shsconf/20140402013.

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Klimova, Larisa, and Marina Plotnikova. "Actual trends of architectural forms and graphics in the costume design context." E3S Web of Conferences 210 (2020): 16008. http://dx.doi.org/10.1051/e3sconf/202021016008.

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This article is devoted to the study of the graphic trends and design activities’ relationship for a costume designer with modern architectural forms, as a source of inspiration and style formation for these subject-spatial creativity areas. The purpose of the article is to identify the specifics of the associative trends’ relationship in modern costume design with architecture and graphics. Identification of this specificity will help in establishing the relevant interdisciplinary connections in design education. To achieve this goal, the authors set the following tasks: 1) analysis of modern

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Liu, Kaixuan, Sha Lu, Jiayu Zhao, et al. "Research on Archaeology and Digital Restoration of Costumes in Spring Outing Painting of Madam Guo." Sustainability 14, no. 19 (2022): 12243. http://dx.doi.org/10.3390/su141912243.

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Spring Outing Painting of Madam Guo is one of the representative works of Zhang Xuan, a famous Chinese court painter of the Tang dynasty (618–907), who was the “leader” of the trend of figure painting in the Tang dynasty and had a great influence on later figure painting. The costumes of the characters in the paintings not only show the artistic aesthetics of the prosperous Tang dynasty, but also reflect the rich cultural connotation. At present, the research on this painting is mainly about character discrimination and painting appreciation. There are few studies involving the costumes in thi

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Nosan, Tatiana M. "Local traditions of the Northern folk costume design of the Olonets Province from the late 19th to the mid-20th century." Klironomy 1, no. 1 (2021): 54–83. https://doi.org/10.47451/her2021-05-002.

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The article is devoted to the original types of traditional design of the Northern folk costume of the Olonets Province from the late 19th to the mid-20th century. The article deals with the history of traditional folk costume, its functions: festive, ceremonial, professional, regional, class, indicating the occupation and religion. The author analyzes the materials, various methods of decorating the decor with embroidery, weaving, lace, as well as the ornament and colour scheme of the costume. The general sources of studying the history of the folk costume are works of fine and applied art, l

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Suslova, Svetlana V. "Folk Costume traditions in the modern culture of the Volga-Ural Tatars." Historical Ethnology 6, no. 1 (2021): 96–105. http://dx.doi.org/10.22378/he.2021-6-1.96-105.

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The article is based on the materials of the Historical and Ethnografic Atlas of the Tatar People (volume “Folk Costume”) prepared at the Institute of History of the Tatarstan Academy of Sciences. In the pre-national period of the Tatar’s history there were many various local, ethno-confessional and other complexes of costume. Its formation was closely linked to the characteristic properties of the complex ethno-cultural history of the local groups of Tatars (the Kazan Tatars, the Mishar Tatars, and the Christian Tatars or Kryashens), as well as their religion (Islam, Christianity, Heathenism)

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Belko, Tatyana V., Tatyana V. Kozlova, and Svetlana Yu Osipova. "Role of jewelry and accessories in traditional women`s Russian costume of the 16th–17th centuries." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 59 (2021): 294–306. http://dx.doi.org/10.37816/2073-9567-2021-59-294-306.

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The paper conducts analysis of decor, accessories and jewelry in the context of traditional Russian costume of the 16th–17th centuries; it consists of an introduction and two parts. In the introduction, the authors note the importance of preserving and structuring information about ancient Russian accessories and costume jewelry for modern creative activity. The paper identifies socio-cultural significance of the ensemble of jewelry and costume in traditional Russian society. It examines the clothing of the South Russian and North Russian women's clothing complex, reflecting the specifics of t

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Shandrenko, Olga, and Kristina Simoniya. "Scenic Costume in Modern Art Practices." Demiurge: Ideas, Technologies, Perspectives of Design, no. 1 (June 23, 2018): 73–79. http://dx.doi.org/10.31866/2617-7951.1.2018.148150.

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Sun, Wenjing. "The use of Witch-nuo culture elements in modern women's wear." Advances in Education, Humanities and Social Science Research 13, no. 1 (2025): 294. https://doi.org/10.56028/aehssr.13.1.294.2025.

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Witch-nuo culture is the original culture of China and the carrier of human primitive spiritual civilization. In line with the current situation of the inheritance and innovation of China's original cultural heritage, Taking the Chinese native culture Witch-nuo (including Witch-nuo mask, Witch-nuo opera music, costume pattern) as the research object, Find out the innovations in its costumes, Learn from other excellent aspects of witchcraft costumes and other art categories, With the traditional Chinese Witch-nuo culture as the background, Innovate and enrich the modern womenswear design; And e

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Voytova, I. A. "“More than in a Costume”: “Barefoot” Dancers and Russian Ballet Costume at the Beginning of the 20th Century." Art & Culture Studies, no. 2 (June 2021): 366–85. http://dx.doi.org/10.51678/2226-0072-2021-2-366-385.

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The beginning of reform in Russian ballet of the 1900s is connected by the most part of researchers with the first performances of Isadora Duncan in Russia (1904–1905). Her great influence on Russian ballet choreography and costume is explored well enough and indisputable. Nevertheless, free dance or “modern dance” became popular in the USA and in Europe because of Duncan’s predecessor, another American dancer Loie Fuller. It was a major tendency included creativity of such different performers as Loie Fuller, Isadora Duncan, Ruth St. Denis, Maud Allan, Mata Hari and many others. The author of

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Nesen, Iryna. "Stage costume and problems of theatrical symbolism in Ukraine." Linguistics and Culture Review 5, S4 (2021): 819–31. http://dx.doi.org/10.21744/lingcure.v5ns4.1768.

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Theater as a form of cognition of the phenomenon of man and society is of interest to researchers in various fields. This is a consequence of the syncretism of all the elements that shape the art of theater. An important place in the art of theater is a costume, according to modern theater critic Patrice Pavi, as one of the main elements of the organization of stage space, which directly affects the integrity of the scenery and its integration with the actor's body. They open the image of each character: by determining the age, sex, character, profession, emphasize individuality or typify the

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Alzahrani, Sarah, and Safia Saroukh. "The Semiotic Dimension of Men's Fashion in Modern Eras." International Journal of Literature and Arts 12, no. 5 (2024): 133–48. http://dx.doi.org/10.11648/j.ijla.20241205.13.

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This research was conducted to study the semiotic relationship between historical men&apos;s costumes in modern times from the 17&lt;sup&gt;th&lt;/sup&gt; to the 19&lt;sup&gt;th&lt;/sup&gt; century and some functional (the intended function of the costume) and aesthetic (the art of fashion design) values. From a semiotic perspective, the research sample was determined by studying and analyzing four men&apos;s costumes in each of the three centuries. It was divided into four periods from the beginning to the 1920s, from the 1920s to the 1950s, from the 19

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Neoronova, Alisa P., and Ol’ga V. Kovaleva. "ETHNO-ARTISTIC PHENOMENA IN THE MODERN COSTUME OF RUSSIAN BRANDS." Technologies & Quality 52, no. 2 (2021): 72–80. http://dx.doi.org/10.34216/2587-6147-2021-2-52-72-80.

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This article examines the ethnoartistic phenomena in costume as a manifestation of the Russian style. The article analyses new and developing Russian brands working in the Russian style for the expression of ethnic identity in modern costume to form a research base as a basis for identifying trends in clothing design that will combine modern fashion trends and national costume. The selection of Russian brands suitable for the study was carried out according to a number of criteria – brand philosophy and means of visual expression. Such a criterion as the brand philosophy reflects the main char

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Kong, Yufei, Pongdej Chaiyakut, and Poradee Panthupakorn. "Research on the Cultural Characteristics of Glove Puppetry Costumes in Southern Fujian." International Journal of Sociologies and Anthropologies Science Reviews 5, no. 3 (2025): 87–100. https://doi.org/10.60027/ijsasr.2025.5678.

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Background and Aim: The Minnan Glove Puppetry, a pivotal element of traditional Chinese opera, boasts a rich costume culture that encapsulates the distinct folk characteristics and aesthetic sensibilities of the Minnan region in Fujian. Despite its cultural richness, the limited regional reach and outdated dissemination methods have significantly hampered its wider recognition and influence. This study is dedicated to a comprehensive exploration of the underexplored aspects of Minnan Glove Puppetry’s costume culture, particularly its intricate artistic expressions and profound cultural values

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Vynokur, Olena. "Volyn Ethnic Costume in Shaping Ukrainian Fashion." Bulletin of KNUKiM. Series in Arts, no. 38 (August 16, 2018): 231–37. https://doi.org/10.31866/2410-1176.38.2018.141825.

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The purpose of the work. Investigation of the preconditions and factors of the formation of the ethnic Volyn costume, a description of the use of Volyn ethnic motifs in the formulation of modern Ukrainian clothing. Research methodology. The scientific works devoted to the history, sociology, history of the art of the Volyn costume and the design of a modern Ukrainian costume are considered. Methods of socio-cultural, art criticism, aesthetic and structural-compositional analysis are used. Visual research method applied. The scientific novelty of the work is to outline the t

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Приходько-Кононенко, І. О., М. С. Винничук, О. С. Васильєва, Т. В. Пристав та М. І. Маслікова. "ХУДОЖНЬО-КОМПОЗИЦІЙНІ ЕЛЕМЕНТИ КОСТЮМА НАРОДІВ ПІВНІЧНОЇ АМЕРИКИ ЯК ТВОРЧЕ ДЖЕРЕЛО ДЛЯ РОЗРОБКИ КОЛЕКЦІЇ ОДЯГУ". Art and Design, № 4 (3 лютого 2020): 132–42. http://dx.doi.org/10.30857/2617-0272.2019.4.12.

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To determine the artistic and compositional features of ethnic costume of the peoples of North America for design-projection of the modern collections of women`s clothes. The visual-analytical and the literary-analytical methods, as well as the method of synectics, etc. are used. Based on the analysis of artistic and compositional solutions for ethnic costumes of the peoples of North America, in particular, Crow, Creek, Navaho, Pancho and Pueblo, their inherent elements and decorations are identified, and the possibility of their use as a creative source for the designing of modern collections

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Osmond, Suzanne. "Tawny fronts: Colonial whiteness, Orientalism and representations of Cleopatra on the Australian stage." Studies in Costume & Performance 5, no. 2 (2020): 191–209. http://dx.doi.org/10.1386/scp_00025_1.

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This article traces how notions of colonial identity have played out in theatrical representations of Cleopatra on the Australian stage in the late nineteenth and twentieth centuries – focusing on culturally produced costumed bodies as a site on to which ideas of colonial whiteness, Orientalism and modernity are projected. These representations of the ‘exotic’ Other also absorb popularly accepted ideas of femininity and female power in the circulation of familiar visual tropes. In the temporal space of the twentieth century, Anglo-Australian’s dominant theatrical references shifted from those

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Qi, Xiaoli, Manus Kaewboucha, and Chalisa Apiwathnasorn. "Dai Clothing's Antibacterial Fabric Design Innovation." Textile & Leather Review 8 (March 22, 2025): 230–46. https://doi.org/10.31881/tlr.2024.172.

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Systematic research shows that traditional Dai costumes have unique aesthetics but poor antibacterial properties in hot and humid environments, and there is still a lack of antibacterial research on their fabrics. This study used kapok fibre, silver fibre, viscose fibre, and polyester fibre. It used 18tex blended yarn (m (kapok fibre)∶m (silver fibre)∶m (viscose)∶m (polyester)=20∶10∶35∶35) blending technology to test the antibacterial activity of the fabric according to the national standard (China) GB/T 20944.1-2007 (agar diffusion plate method). The fabric formed antibacterial circles of 2.0

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Ніколаєва, Т. В., І. В. Давиденко та І. О. Ляпкало. "ДОСЛІДЖЕННЯ ФОРМИ, СТРУКТУРИ ТА КОЛОРИТУ КОСТЮМА 50-Х РОКІВ XX СТОЛІТТЯ З МЕТОЮ РОЗРОБКИ КОЛЕКЦІЇ ЖІНОЧОГО ОДЯГУ". Art and Design, № 2 (15 червня 2018): 59–65. http://dx.doi.org/10.30857/2617-0272.2018.2.7.

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Investigation of the tectonic structure and artistic-compositional features of the stylistics and forms of the costume of the 50's of XX century, to introduce the results of analysis in the design process of a modern collection of women's clothing. Modern methods of historiographic, literary-analytical, system-structural and morphological analysis were used in the work, as well as studying the opinions of consumers by means of questioning and statistical processing of research results. The relevance of the choice of the research topic and the object of research is analyzed and justified. A ser

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Chen, Jing Yu. "Study on the Inheritance and Innovation of Chinese National Costume Elements." Advanced Materials Research 175-176 (January 2011): 947–51. http://dx.doi.org/10.4028/www.scientific.net/amr.175-176.947.

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As an important component of traditional culture, Chinese national costume elements are famous as gorgeous colors and exquisite decorations. they are always the focus and inspiration in modern fashion design. With the development of the world integration, not only economy but culture, an enterprise and its design in order to survive and develop in a fierce market competition, it must own its own customers with characteristic. National costume elements include style, color matching, handcraft, accessories and patterns. National costume elements bring a clear character and unique artistic temper

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Zhang, Aimei. "Application of Yao costume elements in modern costume design based on virtual reality." Journal of Physics: Conference Series 1345 (November 2019): 062031. http://dx.doi.org/10.1088/1742-6596/1345/6/062031.

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Ермилова, Дарья, and Darya Ermilova. "Relevant methods in costume design in the context of the culture of Postmodern." Servis Plus 10, no. 4 (2016): 45–56. http://dx.doi.org/10.12737/23723.

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The article is dedicated to the analysis of design methods in modern design being related with postmodernism aesthetics. Subject of research – is creative design methods. The aim of the study is to examine the methods characteristic of postmodern culture, which are used in the costume design. The hypothesis of the study – is typical interpretation methods of the tradition in postmodern – eclectic, collage (the method of citations), citation, deconstruction, parody, ironic pastiche, vintage, and used in costume design. The study used the cultural studies approach, considering modern project act

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Bian, Fei, and Can Ming Liu. "Study and Inheritance of Daur Male Traditional Costume." Advanced Materials Research 821-822 (September 2013): 726–30. http://dx.doi.org/10.4028/www.scientific.net/amr.821-822.726.

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Daur is the typical northern minority in China; its male traditional costume has a generous appearance and clear line, which reflects a heroic and simple characteristic. There are many factors that influence formation of Daur male traditional costume culture: natural and geographical environment, social and economic conditions, production method and life style, religious belief, cultural exchange, etc. These factors are reflected in costume directly or indirectly to form the unique style of Daur male costume. These characteristics should be inherited and innovated, and become the ethnic symbol

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Xue, Mengjie. "The Transmission Effect of Costume Dramas on International Social Media." Journal of Education, Humanities and Social Sciences 1 (July 6, 2022): 82–85. http://dx.doi.org/10.54097/ehss.v1i.642.

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C-dramas are launched on YouTube platform, and the update speed overseas is the same as that at home. Overseas audiences can understand costume dramas through language symbols, star symbols, and they love costume dramas more than modern dramas. They have the ability to share joys and sorrows with film and television characters. The viewing of costume dramas leads to Chinese fever and star chasing behavior. In order to better spread costume drama, it can create contact opportunities for overseas audiences within the acceptable range of culture, reduce the cultural inaccuracy part of costume dra

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