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1

Goldman, Marianne. Marianne G: S samlade problem. Draken teaterförlag, 2007.

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2

Roosen, Adelheid. De gesluierde monologen: Les monologues voilés. De Nieuwe Toneelbibliotheek, 2010.

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3

Anglés, Eduardo Aznar. El monólogo interior: Un análisis textual y pragmático del lenguaje interior en la literatura. EUB, 1996.

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4

Kohlhaas, Karen. The monologue audition: A practical guide for actors. Limelight Editions, 2000.

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5

Kohlhaas, Karen. The monologue audition: A practical guide for actors. Nick Hern, 2000.

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6

Dabrowski, Kristen. My second monologue book.: 101 monologues for young children. Smith and Kraus, 2008.

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7

Langbaum, Robert Woodrow. The poetry of experience: The dramatic monologue in modern literary tradition. University of Chicago Press, 1985.

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8

1940-, Miralles Alberto, ed. 35 monólogos para ejercicios. J. García Verdugo, 1999.

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9

1946-, Roy Irène, Garand Caroline 1972-, Borello Christine, and Bochow Jörg, eds. Figures du monologue théâtral, ou, Seul en scène. Nota bene, 2007.

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10

Marlow, Jean. Audition speeches for women. Routledge, 2001.

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11

Walsdorf, Lothar. Monologe. Henschelverlag, 1988.

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12

Kind, Silvia. Monologe. S. Kind], 2000.

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13

Kluger, Garry Michael. Fifty more professional scenes and monologs for student actors: A collection of short one- and two-person scenes. Meriwether Pub., 2004.

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14

Friedman, Ginger Howard. The perfect monologue: How to find and perform the monologue that will get you the part. Limelight Editions, 1998.

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15

Friedman, Ginger Howard. The perfect monologue. Bantam Books, 1990.

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16

Werner, Klüppelholz, ed. Dialoge, Monologe. DuMont, 2001.

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17

Pinter, Harold. Monologue. Bloomsbury, 2014.

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18

Durang, Christopher. Monologues. Smith and Kraus, 2002.

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19

Mieželaitis, Eduardas. Monologai. Vaga, 1985.

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20

Rossi, Paolo. Monologhi. Gremese, 1989.

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21

Fazzini, Anita Buy. Monologhi. Rotundo Editore, 1987.

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22

Marcello, Carlino, and Muzzioli Francesco, eds. Monologhi. Empirìa, 2006.

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23

Bierens, Marjolein. Monologen voor meisjes. Uitgeverij Int. Theatre & Film, 2010.

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24

Moore, Dawson, and Laura Gardner. Monologues from the Last Frontier Theatre Conference: The best of the 2009-2012 Monologue Workshop. Focus Publishing, 2013.

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25

Lassagne, Laure. Ce que se parler veut dire: La représentation du monologue dans les romans de Stendhal. Honoré Champion éditeur, 2016.

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26

Martin-Achard, Frédéric. Voix intimes, voix sociales: Usages du monologue romanesque aujourd'hui. Classiques Garnier, 2017.

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27

Valentin, Karl. Monologe und Soloszenen. Piper, 1992.

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28

Sightseeing og Taj Mahal: 2 monologer. DRAMA, 2009.

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29

Rasisme, monologer, musikk: Tre artikler om Knut Hamsuns forfatterskap. Hamsun-selskapet, 1993.

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30

(Translator), Anna Plata, ed. Monologos De La Vagina/ Monologue of the Vagina. Planeta, 2004.

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31

Alterman, Glenn. Great Monologues: How to Give Winning Monologue Auditions. Skyhorse Publishing Company, Incorporated, 2023.

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32

Monologue 1M: Great classical monologues for young men. Ipso Facto, 2010.

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33

BAKER, Wissam. Monologo Di un Rifugiato: Monologue of a Refugee. Independently Published, 2021.

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34

Kohlhaas, Karen. Monologue Audition: A Practical Guide for Actors. Leonard Corporation, Hal, 2004.

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35

Kohlhaas, Karen. Monologue Audition: A Practical Guide for Actors. Leonard Corporation, Hal, 2004.

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36

The Best Women's Stage Monologues & Scenes 2012 (Monologue Audition). Smith & Kraus, 2013.

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37

Beard, Jocelyn A. Best Men's Stage Monologues of 1991 (The Monologue Audition). Smith & Kraus, 1992.

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38

Dabrowski, Kristen. My First Monologue Book: 100 Monologues for Young Children. Smith & Kraus Pub Inc, 2007.

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39

My third monologue book.: 102 monologues for young children. Smith and Kraus Publishers, 2008.

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40

My First Monologue Book: 100 Monologues for Young Children. Paw Prints, 2009.

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41

100 Great Monologues from the Renaissance Theatre (Monologue Audition). Paw Prints 2009-04-09, 2009.

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42

Handman, Courtney. Discussion. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190652807.003.0013.

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This chapter provides some analysis and discussion on the previous three chapters. These chapters have aimed to help develop an overall critique of the normalized sense of monologism's coercive force and heteroglossia's expressive power: monologues do not always oppress and dialogues do not always create the conditions for voices to be heard, this text argues. There are as many ways of constituting social groups as there are ways of imagining monologic communication.
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43

Entre monologue et dialogue. Hermann, 2022.

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44

New World Monologues: Soliloquy · Speech · Address · Lecture · Oration · Sermon · Homily · Dramatic Monologue · Interior Monologue · Spiel. Independently Published, 2021.

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45

Alterman, Glenn. Creating Your Own Monologue. Skyhorse Publishing Company, Incorporated, 2005.

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46

Alterman, Glenn. Creating Your Own Monologue. Skyhorse Publishing Company, Incorporated, 2005.

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47

The Art of the Monologue: Monologues They Haven't Heard Yet. BookSurge Publishing, 2007.

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48

Goebel, Zane. From Neighborhood Talk to Talking for the Neighborhood. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190652807.003.0007.

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This chapter looks at the relationship between dialogue and monologue and what this reveals about the emergence of local practices and ideologies about these practices. This chapter’s empirical focus is the talk that occurs in a regular monthly women’s meeting that occurred in one of Indonesia’s diverse urban neighborhoods in the mid-1990s. It shows how imitation of each other’s talk figures in the emergence of norms for social conduct in this neighborhood and ultimately a monologic neighborhood voice. In doing so, the chapter also points to how this interactional work relates to broader state
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49

Marlow, Jean. Audition Speeches for Women. Taylor & Francis Group, 2016.

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50

Marlow, Jean. Audition Speeches for Women. Taylor & Francis Group, 2016.

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