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Relevant bibliographies by topics / Monuments italiens

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Academic literature on the topic 'Monuments italiens'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Monuments italiens"

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Tribouillard, Stéphanie. "Tombeaux « réels », tombeaux fictionnels, tombeau poétique : statut, fonctions et déclinaisons du monument funéraire dans Corinne ou l’Italie." Elseneur 23 (2008): 55–78. https://doi.org/10.4000/13p19.

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Dans Corinne ou l’Italie, roman-voyage qui est aussi l’histoire d’une passion malheureuse, la lecture des monuments, et parmi eux des tombeaux romains, napolitains puis florentins, se trouve déterminée par le trajet sentimental des personnages. Tombeaux réels de l’espace italien et tombeaux fictionnels s’entremêlent : le tombeau du père d’Oswald informe l’arrivée endeuillée à Rome du fils bourrelé de remords. Source d’une consolation esthétique et poétique, incarnation d’une continuité multiséculaire, les tombeaux romains sont la quintessence du monument pour la poétesse Corinne. Le tombeau ca

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Caponigri, Felicia. "Malleable monuments and comparative cultural property law: The Balbo monument between the United States and Italy." International Journal of Constitutional Law 19, no. 5 (2021): 1710–37. http://dx.doi.org/10.1093/icon/moab136.

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Abstract Still standing in situ today, the Balbo monument in Chicago has presented an especially monumental challenge for the Chicago community, including members of the Italian American community in Chicago. This article considers the laws which regulate cultural heritage in the separate territories of Italy and the United States, cultural property law and historic preservation law, respectively, in light of archival research on the behind-the-scenes maneuvers of the Balbo monument’s installation. In certain circumstances, historic property is not the same as cultural property, even though hi

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Bovo, Martine. "Igiaba Scego’s Roma negata: The ethical nomadism of a second generation migrant writer." Letras de Hoje 54, no. 4 (2019): 512. http://dx.doi.org/10.15448/1984-7726.2019.4.33259.

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Igiaba Scego (Rome 1974-) appartient à la seconde génération d’auteures italo-somaliennes. L’article se concentre sur son essai Roma negata, Percorsi postcoloniali nella città publié en 2014, et montre que l’itinérance dans la ville de Rome proposée par l’auteure n’a rien d’une simple visite touristique mais relève d’une démarche éthique visant à informer les Italiens de la persistance, encore de nos jours, d’un héritage du colonialisme dans leur sensibilité, et leur vécu quotien. La déambulation de Scego dans Rome s’apparente au nomadisme qui rappelle la culture maternelle, et focalise l’atte

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Chamoux, Par F. "La Cyrénaïque, des origines à 321 a.C., d'après les fouilles et les travaux récents." Libyan Studies 20 (January 1989): 63–70. http://dx.doi.org/10.1017/s0263718900006592.

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En 1953, j'avais exprimé le voeu que les antiquités de la Cyrénaïque, que les archéologues italiens avaient si remarquablement étudiées entre 1912 et 1942, fussent à nouveau l'objet de recherches régulières, dès que les épreuves dues à la guerre auraient été surmontées. Ce voeu a été pleinement exaucé. Dès la fin des hostilités, comme j'avais pu le constater sur place en janvier–février 1946, puis en mai–juin 1947, l'Administration militaire britannique avait pris en charge la sauvegarde des monuments et des sites. L'oeuvre réalisée par les responsables successifs de cette administration, à tr

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Monteiro, Michelli Cristine Scapol. "A América como consagração." Revista de História, no. 178 (July 10, 2019): 1–41. http://dx.doi.org/10.11606/issn.2316-9141.rh.2019.141992.

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Ettore Ximenes (Palermo, 1855/Roma, 1926) foi um escultor italiano de grande notoriedade internacional nas primeiras décadas do século XX. Autor do Monumento à Independência do Brasil, situado em São Paulo, sua maior obra escultórica, Ximenes construiu uma trajetória de grande relevo na América, desde que ganhou o concurso para o Monumento ao General Belgrano, em Buenos Aires, em 1898. Nos Estados Unidos, Ximenes realizou esculturas em homenagem a italianos célebres, como os monumentos a Giovanni da Verrazzano e a Dante Alighieri, encomendados por Carlo Barsotti, editor do jornal Il Progresso

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Vadimovich Griger, Maxim, Enzhe Midhatovna Dusaeva, and Igor Vladimirovich Vostrikov. "CREATING A MEMORY OF A SAINT: FRANCIS OF ASSISI IN ITALIAN MONUMENTAL PROPAGANDA OF THE 19TH-21ST CENTURIES." Humanities & Social Sciences Reviews 7, no. 5 (2019): 663–66. http://dx.doi.org/10.18510/hssr.2019.7578.

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Purpose: This article explores the mechanisms of constructing cultural memory in Italy in the 19th – 21st centuries on the example of the history of the erection of monuments dedicated to St. Francis of Assisi. They are interested only in the monuments placed in urban areas. This way they analyze “appropriation” of St. Francis by secular society. It is explained why this medieval saint became the hero of the national cultural pantheon of united Italy and in 1939 the holy Patron of Fascist Italy. Methodology: We studded the monuments putting them in historical and cultural context, search

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Ramos, Eloisa Helena Capovilla da Luz. "As cidades e seus monumentos: um estudo sobre a imigração italiana em Buenos Aires e Caxias do Sul 1910 - 1954 - 2016." Almanack, no. 17 (December 2017): 224–27. http://dx.doi.org/10.1590/2236-463320171708.

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Resumo O texto faz um estudo sobre dois monumentos à imigração italiana - o Monumento a Cristóvão Colombo, em Buenos Aires/AR e o Monumento Nacional ao Imigrante, em Caxias do Sul/BR, ambos erigidos em espaços urbanos e ligados à presença italiana nestes dois países Sul-americanos. Sendo portadores dessa identidade, os dois monumentos representam não só as comunidades que os ergueram e a sua vontade, mas carregam consigo lembranças e homenagens de quem os doou. Tais monumentos, ao mesmo tempo em que são espaços de memória e lugares de rememoração, pertencem ao patrimônio cultural de seus paíse

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Baldassar, Loretta. "Migration Monuments in Italy and Australia: Contesting Histories and Transforming Identities." Modern Italy 11, no. 1 (2006): 43–62. http://dx.doi.org/10.1080/13532940500492241.

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Rather than focusing on how Italians share the neighbourhood with other groups, this paper examines some of the intra-group processes (i.e. relations between Italians themselves) that produced various monuments to Italian migration in Australia, Brazil and Italy. Through their distinct styles and formulations, the monuments reflect diverse and often competing elaborations of the migrant experience by different generations at local, national and transnational levels. The recent increase in the construction of such monuments in Australia is linked to the gradual disappearance of ‘visibly’ Italia

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Zamparutti, Louise. "The Basovizza monument: Constructing memory and identity." Research in Social Change 11, no. 3 (2019): 25–38. http://dx.doi.org/10.2478/rsc-2019-0013.

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Abstract The Foiba di Basovizza monument in northeast Italy commemorates victims of mass killings instigated by communist partisans at the end of World War II. These killings are known as “foibe” in the Italian literature. This word has come to signify the “ethnic cleansing” of Italians by Yugoslavians, despite evidence indicating that the majority of victims of these killings were from Slovenia and Croatia and that the killings were politically motivated. The Foiba di Basovizza was designated a national monument in Italy in 2007 and the narrative of “ethnic cleansing” it presents has been acc

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Guarrera, Fabio. "El Monumento como instrumento de identidad nacional." Arquitextos, no. 33 (February 17, 2019): 49–60. http://dx.doi.org/10.31381/arquitextos.v0i33.1859.

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Entre 1860 y 1950 la arquitectura italiana tuvo la tarea de construir la imagen moderna de una nación joven. Se les pedía a los arquitectos de apoyar la política para construir, a través de la arquitectura, edificios que transmitieran mensajes de identidad, sociales y colectivos. Este proceso ha sido particularmente fuerte en el período del fascismo (1922-1943), o sea, la época de Benito Mussolini. A través de mensajes fuertes y profundamente unidos a la antigua tradición romana, el fascismo buscaba construir una identidad compartida para garantizar la durac

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Dissertations / Theses on the topic "Monuments italiens"

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Schwarz, Martina. "Tumulat Italia tellus : Gestaltung, Chronologie und Bedeutung der römischen Rundgräber in Italien /." Rahden/Westfalen : M. Leidorf, 2002. http://catalogue.bnf.fr/ark:/12148/cb39277742z.

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Michalsky, Tanja. "Memoria und Repräsentation : die Grabmäler des Königshauses Anjou in Italien /." Göttingen : Vandenhoeck & Ruprecht, 2000. http://catalogue.bnf.fr/ark:/12148/cb372150781.

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Vidor, Gian Marco. "Biografia di una necropoli italiana del XIX secoloBiographie d'une nécropole italienne du XIXe siècle : il cimitero della Certosa di Bologna : le cimetière de la Chartreuse de Bologne : thèse en co-tutelle." Versailles-St Quentin en Yvelines, 2008. http://www.theses.fr/2008VERS022S.

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Fondé en 1801, le cimetière de la Chartreuse n'est pas une simple application des réformes des Lumières en matière de sépultures. Par certains aspects, il constitue un exemple unique dans le panorama italien et européen. Grande nécropole presque complètement fermée sur le monde extérieur, le cimetière est conçu comme une sorte de musée d'art funéraire contemporain. C'est également un village où vit une petite communauté, composée des employés et de leurs familles. L'histoire de la Chartreuse de Bologne a permis de mettre en lumière la nature polymorphe des nécropoles du XIXe siècle et de mettr

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Pinon, Pierre. "Pierre-Adrien Pâris (1745-1819), architecte, et les monuments antiques de Rome et de la Campanie /." Rome : [Paris] : École française de Rome ; [diff. de Boccard], 2007. http://catalogue.bnf.fr/ark:/12148/cb41083614b.

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Texte remanié de: Thèse de doctorat--Art et archéologie--Paris 4, 1998. N°: 1997PA040294. Titre de soutenance : Pierre-Adrien Pâris (1745-1819), architecte ou l'archéologie malgré soi.<br>Bibliogr. p. 417-420. Index.

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Mason, David Robert. "'New lamps for old' : English responses to the restoration of monuments in Italy, ca. 1860-1890." Thesis, De Montfort University, 1997. http://hdl.handle.net/2086/4115.

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Ferrante, Roselene de Souza 1979. "Entre "deuses de bronze" e "homens de papel" : análise das obras do escultor italiano Pasquale De Chirico em Salvador (1906-1944)." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279637.

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Orientador: Iara Lis Franco Schiavinatto<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-25T20:50:00Z (GMT). No. of bitstreams: 1 Ferrante_RoselenedeSouza_M.pdf: 9510528 bytes, checksum: 95280e4b6a8d1824700b011e2d599b55 (MD5) Previous issue date: 2014<br>Resumo: Esta dissertação aborda a produção artística de Pasquale De Chirico em Salvador, Bahia, no período de 1906 a 1944. A pesquisa encadeia fontes documentais inéditas, quer a respeito de sua trajetória biográfica, quer no tocante às suas obras

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Caillet, Jean-Pierre. "L'évergétisme monumental chrétien en Italie et à ses marges : d'après l'épigraphie des pavements de mosaïque (IVe-VIIe s.)." Paris 4, 1989. http://www.theses.fr/1988PA040118.

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Marlier, Thomas. "Tradition grecque et innovation romaine dans l'architecture en Cyrénai͏̈que à l'époque impériale: les monuments publics." Paris 4, 2004. http://www.theses.fr/2004PA040096.

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Quelle est la part de tradition grecque et d'innovation romaine dans l'architecture d'une ancienne cité grecque durant le Haut-Empire ? Le cas de Cyrène et des quatre autres cités de la région - Apollonia, Ptolémai͏̈s, Taucheira et Bérénikè - montre qu'hellénisme et romanité sont souvent conjoints : la grande majorité des édifices conservent des procédés de constructions grecs, mais une grande partie des bâtiments neufs ou restaurés à cette époque recouvrent des types romains, notamment les théâtres, les temples et les arcs monumentaux. Des types complètement neufs comme l'amphithéâtre ou la b

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Thoraval, Fanch. "Curarum dulce lenimen. Du document musical au monument dévotionnel : Innocentius Dammonis et le Laude libro primo, Venezia, 1508." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040254.

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Le Laude libro primo est un document bien connu qui, depuis le début du siècle dernier, a fait l'objet de plusieurs études. Fait assez exceptionnel pour un recueil de laude polyphoniques de la période, il transmet un répertoire composé par un unique musicien, un chanoine régulier dont l'appartenance à la congrégation réformatrice de San Salvatore constitue la seule donnée biographique établie. Considérées comme caractéristiques de la culture musicale de dévotion du nord-est de l'Italie, les compositions d'Innocentius Dammonis ont successivement été perçues comme étant destinées à l'usage de se

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Malone, Hannah Olivia. "Nineteenth-century Italian cemeteries : the social and political basis of funerary architecture." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648217.

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Books on the topic "Monuments italiens"

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Giovannetti, Bruno. Artistas italianos nas praças de São Paulo =: Artisti italiani nelle piazze di San Paolo. Empresa das Artes Projetos e Edições Artísticas, 1992.

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Schianchi, Lucia Fornari. Parma: History, art and monuments. Italcards, 1989.

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Schianchi, Lucia Fornari. Parma: History, art and monuments. Editions Italcards, 1989.

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Kongress, "Scultura e. monumento sepolcrale del tardo medioevo a. Roma e. in Italia (1985 Rome Italy). Skulptur und Grabmal des Spätmittelalters in Rom und Italien: Akten des Kongresses "Scultura e monumento sepolcrale del tardo medioevo a Roma e in Italia (Rom, 4.-6. Juli 1985) : veranstaltet vom Historischen Institut beim Österreichischen Kulturinstitut in Rom und vom Istituto della Enciclopedia Italiana. Verlag der Österreichischen Akademie der Wissenschaften, 1990.

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Sgarbi, Vittorio. Dizionario dei monumenti italiani e dei loro autori. Bompiani, 1991.

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Galmozzi, Luciano. Monumenti alla libertà: Antifascismo, resistenza e pace nei monumenti italiani dal 1945 al 1985. La Pietra, 1986.

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Michalsky, Tanja. Memoria und Repräsentation: Die Grabmäler des Königshauses Anjou in Italien. Vandenhoeck & Ruprecht, 2000.

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Colivicchi, Emanuela. Pelago: Storia, monumenti, opere d'arte. Comune di Pelago, 1985.

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Piccolo, Maria Raffaella. I cimiteri in Campania: L'evoluzione storico-artistica dell'arte cimiteriale italiana. Società editrice La torre, 2020.

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editor, Armetta Francesco 1932, ed. I monumenti della città di Palermo. Salvatore Sciascia editore, 2020.

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Book chapters on the topic "Monuments italiens"

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Bertholet, Marion. "Chapitre 9. – Traces médiévales : monuments et arts." In L'invention du Moyen Âge italien. UGA Éditions, 2025. https://doi.org/10.4000/14051.

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Jones, Kay Bea. "Monuments across the fascist divide." In The Routledge Companion to Italian Fascist Architecture. Routledge, 2020. http://dx.doi.org/10.4324/9780429328435-47.

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Pazzaglia, Paola, and David Scaradozzi. "Escape from Tolentino During an Earthquake Saving as Many Lives and Cultural Objects as You Can." In Makers at School, Educational Robotics and Innovative Learning Environments. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-77040-2_37.

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AbstractIn the last five years, the Italian Ministry of Education has placed its focus on digital skills, recognizing them as fundamental and indispensable for the growth of future citizens in the information age. It has thus backed projects aimed at developing computational thinking and digital creativity at school. One of the highest-funded of such projects is “Più vicini al nostro territorio—Valorizziamo i monumenti di Tolentino … giocando con Scratch e App Inventor” (Closer to our territory—appreciating the value of Tolentino’s monuments … while playing on Scratch and App Inventor). In thi

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Barisione, Silvia. "The reception of World War I monuments." In The Routledge Companion to Italian Fascist Architecture. Routledge, 2020. http://dx.doi.org/10.4324/9780429328435-33.

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Rossetti, Edoardo. "Le dinamiche del mecenatismo signorile negli spazi sacri: un percorso per riconsiderare le geografie e le gerarchie del patronage artistico in Italia?" In La signoria rurale nell’Italia del tardo medioevo. 4. Quadri di sintesi e nuove prospettive di ricerca. Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0187-2.05.

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The paper aims to outline some of the strategies of aristocratic patronage in sacred spaces in the Italian peninsula. The commissioning of elaborate marble funerary monuments, the choice of location for chaplaincies or entire churches, convents and monasteries, and the choice of the religious order to which to entrust them are indicated here as keys to understanding the internal distinctions within the Italian aristocracies. In particular, a new examination of aristocratic patronage between the 14th and 16th centuries is considered a means to address a general revision of the Italian cultural

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Naretto, Monica. "Le passage aux technologies modernes dans les chantiers de restauration des monuments du Moyen Âge entre la fin du xixe siècle et le début du xxe en Italie." In Restaurer au xixe siècle. Presses universitaires Blaise-Pascal, 2022. https://doi.org/10.4000/13i5n.

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Après la découverte de l’architecture médiévale et sa restauration avec les matériaux et les procédés de la tradition, à la fin du xixe siècle et au début du xxe, on constate l’emploi du fer et l’introduction du béton armé dans les chantiers de conservation et de réhabilitation. En Italie du Nord (où le brevet du béton armé Hennebique était entre les mains de l’entreprise Porcheddu de Turin, dont le Politecnico conserve les archives), on trouve bien des projets expérimentaux. Le cas de la réalisation d’un château d’eau dans le donjon du Castello Sforzesco à Milan, et aussi celui de la restaura

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Viggiani, Carlo. "The Leaning Tower of Pisa." In Case Studies on Failure Investigations in Structural and Geotechnical Engineering. International Association for Bridge and Structural Engineering (IABSE), 2023. http://dx.doi.org/10.2749/cs004.ch14.

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The Leaning Tower of Pisa was stabilised in the years 1999–2000 by an International Committee appointed by the Italian Government. An analysis of the history of the monument and the results of investigations and monitoring led to the conclusion that the tower was affected by a phenomenon of instability of the equilibrium. The stabilisation intervention, conceived to be totally respectful of the integrity of the monument, consisted of slightly decreasing the inclination of the Tower by removing a small volume of soil beneath the north side of the foundation.

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Dogliani, Patrizia. "Constructing Memory and Anti-Memory: the Monumental Representation of Fascism and its Denial in Republican Italy." In Italian Fascism. Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27245-7_2.

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Calia, Maria Luigia, and Alessandra Piermattei. "The Italian Agency for Development Cooperation in Lebanon." In Research for Development. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-54816-1_14.

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AbstractThe actions presented by AICS Beirut add to the largely positive impact that the Italian Cooperation has had in safeguarding the cultural and natural heritage in the fragile context of Lebanon. These Italian actions are implemented within the Cultural Heritage and Urban Development Program (CHUD), launched in Lebanon as a driver for development and for bolstering national and international tourism. The Cooperation’s activities contribute to the mitigation of heritage degradation risks, while at the same time supporting the upskilling of a large number of local professionals, trained to

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Fabozzi, S., M. Moscatelli, F. de Silva, L. Starita, and E. Bilotta. "Probabilistic evaluation of the seismic vulnerability of rock cavities in a historical Italian site." In Geotechnical Engineering for the Preservation of Monuments and Historic Sites III. CRC Press, 2022. http://dx.doi.org/10.1201/9781003308867-95.

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Conference papers on the topic "Monuments italiens"

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Benito Vozza, Vito Maria. "Three italian monuments: mass and material." In The 5th International Virtual Conference on Advanced Scientific Results. Publishing Society, 2017. http://dx.doi.org/10.18638/scieconf.2017.5.1.412.

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CAROTTA, M. C., E. FERRARI, S. GHERARDI, C. MALAGÙ, M. PIGA, and C. VACCARO. "A MULTIDISCIPLINARY STUDY ON STONE MONUMENTS DAMAGE." In Proceedings of the 9th Italian Conference. WORLD SCIENTIFIC, 2005. http://dx.doi.org/10.1142/9789812701770_0025.

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De Marco, Paolo, and Antonino Margagliotta. "La construcción del lenguaje en el Teatro Popular de Sciacca de Giuseppe y Alberto Samonà. *** The construction of language in the Sciacca popular Theatre by Giuseppe and Alberto Samonà." In 8º Congreso Internacional de Arquitectura Blanca - CIAB 8. Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/ciab8.2018.7580.

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El Teatro popular de Sciacca de Giuseppe Samonà y su hijo Alberto –dos importantes guras de la arquitectura italiana– es una de las más significativas obras italianas de la segunda mitad del siglo XX. Inaugurado en 2015, después de una larga construcción de cuarenta años, el teatro tiene una original implantación con doble sala; está compuesto por tres grandes volúmenes (un paralelepípedo, un cono y una pirámide) y expresa una arquitectura de la imagen, una idea de un espacio determinado por formas puras y del uso de un único material (el hormigón visto). El uso de tres formas arquetípicas es

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ANA, J. CALVO QUINT, S. PERMARINI, P. ALBERTANO, G. PALLESCHI, and D. MOSCONE. "POTENTIOMETRIC MICROSENSORS FOR CYANOBACTERIAL BIOFDLMS MONITORING IN HYPOGEAN MONUMENTS." In Proceedings of the 7th Italian Conference. WORLD SCIENTIFIC, 2002. http://dx.doi.org/10.1142/9789812776457_0044.

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Носов, Константин Сергеевич. "KREMLINS IN ITALIAN STYLE: STATISTICA LAPPROACH TO THE ITALIAN INFLUENCE." In Международная научно-практическая конференция «Музеефикация фортификационных сооружений. проблемы и пути их решения». Crossref, 2023. http://dx.doi.org/10.54016/svitok.2023.59.23.018.

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Итальянское влияние на русское военное зодчество началось с приездом в Россию итальянских мастеров во второй половине XV в. Итальянские архитектурные черты настолько полюбились русским зодчим, что они прослеживаются в русской архитектуре даже через два столетия после отъезда из страны последнего итальянца из той плеяды. С целью оценить степень итальянского влияния в данной работе впервые применён статистический подход к подсчёту «итальянизмов» в ряде кирпично-каменных памятников военного зодчества конца XV - начала XVIII в. Italian influence on Russian military architecture began with the arri

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Stochino, Emanuele. "THE CONCEPTS OF NATIONALISM AND PATRIOTISM IN THE ITALIAN COMMEMORATIVE MONUMENTS OF FIRST WORLD WAR." In 6th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgemsocial2019v/6.1/s15.034.

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Abos, Ileana Ana. "CULTURAL HERITAGE AT THE CROSSROADS: THE RENAISSANCE CASTLES OF THE MURE? VALLEY, TRANSYLVANIA, ROMANIA IN THE 20TH-21ST CENTURIES." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs05.06.

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The Mure? Valley is one of Romania's most culturally cohesive landscapes. Its cultural heritage intertwines with Western and Central Europe. Europe's cultural heritage includes this region's heritage. Starting in the 16th century, several noble residences were constructed in this region in magnificent geographical surroundings. Some of these were built according to designs based on Italian Renaissance architectural treatises. The most impressive style of Transylvanian Renaissance architecture is represented by these monuments. These belonged to noble and princely families, and they varied grea

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Cartiaux, François-Baptiste, Gian Carlo Olivetti, Valeria Fort, and Patrice M. Pelletier. "Preserving the heritage of world’s monuments through Structural Health Monitoring – A case study: the Garisenda Tower." In 5th Joint International Symposium on Deformation Monitoring. Editorial de la Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/jisdm2022.2022.13787.

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The Italian peninsula has numerous heritage structures, including fifty-five sites registered under the UNESCO World Heritage Convention, living testimonies of the passage of man through times. Heritage structures are subject to aging and impact from the climate, resulting in deterioration of the structural behaviour. These phenomena can significantly reduce their usability, or even undermine the stability, and eventually induce safety, and rehabilitation issues. For those primary reasons, increasing attention is given by local authorities to understand the behaviour of structures and take the

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Grisoni, Michela Marisa, Nicola Badan, and Davide Zanon. "Chiese Fortezza. Letture sul confine N-E della penisola italiana." In FORTMED2025 - Defensive Architecture of the Mediterranean. edUPV. Editorial Universitat Politècnica de València, 2025. https://doi.org/10.4995/fortmed2025.2025.20297.

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In memory of his friend Jean Auguste Brutails (1859-1925), French archivist and paleographer, a militant member of the Commission des Monument Historiques, in 1926 Xavier de Cardaillac (1858-1930) reflected on the fortified churches of the Landes, the present department of New Aquitaine, on the edge of the Iberian Peninsula and overlooking the Bay of Biscaglia (de Cardaillac 1926). The nobleman, a non-practicing lawyer and passionate scholar, wished to study a heritage - of churches made fortresses - more widespread in that region - border and landing - than in others. From the early analyses

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Cereti, Carlo, Luca Colliva, Gianfilippo Terribili, and Massimiliano Vassalli. "The Monument of Paikuli: the Activities of the Italian Archaeological Mission in Iraqi Kurdistan, Past and Present." In 3rd ISCAHKRD 3rd International Scientific Conference under slogan Archaeology and Heritage of Kurdistan – Erbil. Salahaddin University-Erbil, 2019. http://dx.doi.org/10.31972/iscahkrd19.007.

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