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Relevant bibliographies by topics / Mosque interior

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Academic literature on the topic 'Mosque interior'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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Journal articles on the topic "Mosque interior"

1

Wibowo, Dymas Alameelas, and Siti Badriyah. "STUDI ELEMEN PEMBENTUK RUANG PADA INTERIOR LIWAN MASJID BESAR AL-MUBAROK NGANJUK." TEXTURE Art and Culture Journal 7, no. 2 (2024): 48–65. https://doi.org/10.33153/texture.v7i2.6226.

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Al-Mubarok Great Mosque is one of the mosques in Nganjuk Regency. The mosque was built in 1812 AD by K.R.T. SosroKoesoemo I or KanjengJimat. The facade of the mosque, which was previously characterised by Javanese style, has changed as a result of restoration. To protect its authenticity, the mosque is designated as a cultural heritage, covering the core building including the liwan room (the main room for worship) in the interior. The diversity of Javanese, Hindu-Buddhist and Chinese cultural patterns in the liwan interior design is a unique feature that is interesting to study. The study of

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2

Ajie, Arini Mustika, and Ahadiat Joedawinata. "Symbolic Content of Exterior and Interior Al-A'zhom Grand Mosque Tangerang." ARTic 6, no. 1 (2023): 571–79. http://dx.doi.org/10.34010/artic.v6i1.10906.

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Al-A'zhom Grand Mosque is one of the historical and iconic mosques in Tangerang City. Its architecture is unique and full of important symbols for Muslims, because these symbols contain meanings that can provide a deeper understanding of Islam, as well as the values it contains. This makes it an interesting object of study in the field of interior design. This study aims to reveal the meaning in the symbols contained in the exterior and interior of the Al-A'zhom Grand Mosque, especially in the architectural elements found on the exterior and interior such as on the exterior (mosque shape, dome

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3

Z.M., Magomedova, and Matovnikov S.A. "DECOR AND ORNAMENT IN THE INTERIOR OF THE MOSQUE." ИННОВАЦИОННЫЕ НАУЧНЫЕ ИССЛЕДОВАНИЯ 2022. 12-3(24) (December 29, 2022): 57–71. https://doi.org/10.5281/zenodo.7491633.

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This article discusses ways to create the interior of a mosque, which can be used in the design for a more comfortable, calm and sincere pastime in it. The following techniques are accepted as a way to create such an interior: 1) arabesque, 2) shamail, 3 interlacing, 4) Arabic calligraphy 5) floral ornament (tulip) The interiors of mosques with ornaments, paintings, filled with meanings help to concentrate and humbly pray, to retire with the creator, find peace, and lead to a more reverent attitude towards religion. It will also help meet the basic needs of believers.

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Zakaria, Asyraf Darwisy, Mohd Farid Mohamed, Wardah Fatimah Mohammad Yusoff, Nur Amirah Abd. Samad, Muhammad Zaki Abd Manaf, and Ammar Amjed Maghrabi. "Strategi Reka Bentuk Pasif bagi Keselesaan Dalaman Masjid: Kajian Kes Masjid UKM." Jurnal Kejuruteraan 36, no. 6 (2024): 2549–62. http://dx.doi.org/10.17576/jkukm-2024-36(6)-24.

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It is important to maintain the interior thermal comfort of a mosque to ensure visitors are comfortable for worshipping activities. Usually, traditional mosques use passive design strategies to maintain interior thermal comfort. However, many modern mosques depend on air conditioning to ensure indoor thermal comfort. This leads to high energy use and being not sustainable. Therefore, an understanding of passive design is important to reduce dependency on air conditioners that require high energy. The objective of this study is to investigae the internal temperature of a selected mosque that us

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5

Erdem Atılgan, L., and D. Enarun. "A case study of lighting Turkish historic mosques using LEDs: Semsi Ahmet Pasha Mosque." Lighting Research & Technology 50, no. 6 (2017): 894–910. http://dx.doi.org/10.1177/1477153517698853.

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There are more than 86,000 mosques in Turkey, 6733 of these being historic mosques. This study aims at developing a novel LED lantern for enhancing the interior illumination of Turkish historic mosques while providing significant energy savings. In order to accomplish this, an LED lantern design is carried out, the photometric results of which are analysed using the world renowned architect Sinan’s Semsi Ahmet Pasha Mosque from 1580 as a model. With this lantern, the target is to maintain the recommended illuminances and comfort conditions in the interior of historic mosques while achieving su

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Rangga F, Nangkula U, Nazlina S, Sumarni I, and Ratri W. "EVALUATION OF UNIVERSAL DESIGN REQUIREMENTS APPLICATION IN PUBLIC MOSQUES IN BANDUNG." Malaysian Journal of Public Health Medicine 20, Special1 (2020): 238–42. http://dx.doi.org/10.37268/mjphm/vol.20/no.special1/art.692.

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A Number of studies have found the cases of facilities in public buildings which are inaccessible by users & visitors with different abilities. Thus, constructing user friendly and barrier-free architecture-interior design is necessary in the built environment. This research will evaluate the requirements for ease of access in public mosques with study cases Pusdai Mosque & Grand Mosque of Bandung in accordance with the Regulation of the Ministry of Public Works and Public Housing of the Republic of Indonesia No.14 2017. The regulation which stipulates the provision of facilities in bu

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Mohammed Alashari, Duaa, Abd Rahman Hamzah, and Nurazmallail Marni. "The Aesthetic of Islamic Calligraphy and Ornamentation in Prophet Mosque Interior of the Calligrapher Abdullah Zuhdi (Al-Masjid An-Nabawi)." UMRAN - International Journal of Islamic and Civilizational Studies 7, no. 2 (2020): 69–80. http://dx.doi.org/10.11113/umran2020.7n2.374.

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Islamic Calligraphy and ornamentation are using to decorate mosques as well as other sacred places all over the Islamic world. This paper provides some sources of information for understanding and studying Islamic calligraphy and ornamentation in the Prophet Mosque interior (Al-Masjid An-Nabawi). Indeed, this paper aimed to highlight the formation aesthetics of calligraphy and Islamic decorations in which the aesthetic values. There are many aesthetic values of the Islamic calligraphy and ornamentation that portrayed in the Prophet Mosque interior. The Prophet Mosque has been selected in the p

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Najimi, Ahmad, Saifullah Saifullah, and Riza Afrian Mustaqim. "THE AGREEMENT ON THE CONSTRUCTION OF MOSQUE INTERIORS IN THE PERSPECTIVE OF AL-IJĀRAH ALA AL- 'AMĀL CONTRACT IN ABDYA DISTRICT OF ACEH." Al-Mudharabah: Jurnal Ekonomi dan Keuangan Syariah 5, no. 2 (2023): 1–13. http://dx.doi.org/10.22373/al-mudharabah.v5i2.3388.

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The practice of Borongan work agreement on the manufacture of mosque interiors between CV Serba Na Plafon and the mosque BKM is carried out in the form of an oral agreement and both parties have agreed to the contents of the agreement. However, after the work was completed and the work contract ended, there was damage to the interior of the mosque and the BKM mosque asked for responsibility for CV Serba Na Plafon. This study examines how the work agreement between the management of the BKM Mosque and the contractor in making the interior of the mosque and the review of the al-ijārah ala al-amā

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Husien, Adnan, and Ramadisu Mafra. "Studi Ornamen pada Masjid di Daerah Kelurahan Bukit Lama Palembang." Jurnal TekstuReka 2, no. 2 (2024): 94. http://dx.doi.org/10.32502/tekstureka.v2i2.7627.

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In general, a mosque is a spiritual place for Muslims where a deep connection between human and Allah SWT is established. Upon entering the interior of the mosque, one often encounters ornaments that contribute to the beauty and aesthetic value of the mosque. However, it is not uncommon to find mosques that adopt minimalist and simple concepts to prioritize the primary function of the mosque itself. With the presence of these ornaments in the mosque, this research aims to inventory the ornaments found in 20 mosques in the Bukit Lama district, Palembang. The research methodology employed a qual

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Fuady, Mirza, Andrian Kevin, Nasrullah Ridwan, Buraida Buraida, and Rizal Munadi. "Evaluasi Kenyamanan Termal Masjid Baitul Musyahadah Kota Banda Aceh." PESARE: Jurnal Pengabdian Sains dan Rekayasa 2, no. 1 (2024): 10–20. http://dx.doi.org/10.24815/pesare.v2i1.37556.

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Many mosques in the city of Banda Aceh have used artificial ventilation systems to achieve thermal comfort conditions in the interior of the mosque. Meanwhile, the Baitul Musyahadah Mosque, which is classified as a large mosque in Banda Aceh City, currently still maintains an open mosque building design and utilizes a natural ventilation system. In this community service activity, field research was carried out with the aim of evaluating thermal comfort in the interior of the Baitul Musyahadah Mosque. The research method uses a quantitative descriptive approach by collecting data through field

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Books on the topic "Mosque interior"

1

Baldāwī, Muḥammad. Faḍāʼ al-masjid al-dākhilī wa-athāthuh. Dār Āyilah, 2010.

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Savina, I. A. Arkhitekturnoe nasledie Fëdora Shekhteli︠a︡ v Moskve. "Izdatelʹskiĭ dom Rudent︠s︡ovykh", 2009.

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Bilgin, Süreyya Eroğlu. Gaziantep camilerinde taş süslemeler. Gece Kitaplığı, 2017.

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Nigro, Giampiero, ed. Reti marittime come fattori dell’integrazione europea / Maritime Networks as a Factor in European Integration. Firenze University Press, 2019. http://dx.doi.org/10.36253/978-88-6453-856-3.

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Il tema, di grande respiro, prende come punto di partenza il concetto braudeliano di Mediterraneo. La sua visione di un mare chiuso come una opportunità geografica per una integrazione economica fra popolazioni diverse per religioni, linguaggi ed entità etniche e politiche continua a funzionare come modello per studi applicati ad un ampio raggio di contesti. L’obiettivo che si è posta la 50ª Settimana di studi è stato quello di andare oltre lo studio dei singoli sistemi visti in modo isolato per combinare diverse analisi di mari aperti e chiusi o aree costiere, allo scopo di comprendere il ruo

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Dzhamii i mesdzhidi v Bŭlgarii︠a︡: (interior, eksterior, dekorat︠s︡ii︠a︡). Izdatelstvo na BAN "Prof. Marin Drinov", 2017.

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6

Une histoire du carreau-mosaïque: De la couleur dans la maison. REF.2C éditions, 2013.

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Vos, M. De, and M. D. e. Vos. L'Egittomania in Pitture E Mosaici Romano-Campani Della Prima Eta Imperiale-Testo Italiano Di A. De Vos: Testo Italiano Di A. De Vos (Education and Society in the Middle Ages and Renaissance). Brill Academic Publishers, 1997.

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Book chapters on the topic "Mosque interior"

1

van Dijk, Dennis Olaf. "Between Heaven and Earth: Dome Interior from the Hagia Sophia to the Süleymaniye Mosque." In Advances in Science, Technology & Innovation. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-69634-3_9.

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"mosque." In The Fairchild Books Dictionary of Interior Design. Fairchild Books, 2021. http://dx.doi.org/10.5040/9781501365171.2578.

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3

Lewis, Bernard. "An Islamic Mosque." In From Babel to Dragomans. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195173369.003.0002.

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Abstract The Suleymaniye Mosque in Istanbul was begun in 1550 and completed in 1556. It is one of the supreme masterpieces of Mimar Sinan (c. 1489– 1588), by common consent the greatest of Ottoman architects. It bears the name of Sultan Suleyman, known to Europe as the Magnificent. His reign (1520–66) is generally regarded as the apogee of Ottoman Imperial greatness. The structure and decoration of this mosque, begun almost a century after the Turkish conquest of Constantinople, illustrate both the enrichment of Islam by earlier streams of tradition and the essential originality of its own rel

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4

Laurence, Jonathan. "The Domestication of State-Mosque Relations." In The Emancipation of Europe's Muslims. Princeton University Press, 2012. http://dx.doi.org/10.23943/princeton/9780691144214.003.0005.

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This chapter addresses the failures of the “outsourcing” phase described briefly in Chapter 2, and other events and issues that prompted European interior ministries to wrest control of state–mosque relations from their foreign-ministry counterparts and undertake efforts to bring Islam to the table. First, there is a discussion of socioeconomic indicators of integration, followed by the growing problem of foreign government control over Muslims' religious life, an increasingly felt inadequacy of prayer space and imams, and finally, the rise of Political-Islam activism and Islamist terrorism. T

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Laurence, Jonathan. "Imperfect Institutionalization." In The Emancipation of Europe's Muslims. Princeton University Press, 2012. http://dx.doi.org/10.23943/princeton/9780691144214.003.0006.

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This chapter examines the second round of state–mosque relations that produced institutionalized Islam Councils. Interior ministries provided the first impetus to organize Islam as a “national” religion, and the government-led consultations established a variety of national councils between 1992 and 2006, from the Conseil français du culte musulman, to the Comisíon Islámica de España, to the Exécutif des musulmans de Belgique, to the Deutsche Islam Konferenz, to the Mosques and Imams National Advisory Board in Britain, to the Consulta per l'Islam italiano. These national processes are not iden

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6

Kostof, Spiro, Greg Castillo, and Richard Tobias. "The Renaissance: Ideal and Fad." In The History of Architecture: Settings and Rituals. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195083781.003.0019.

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Abstract In the years after the fall of Granada, Spain set out to complete its exorcism of those monuments that testified to the wonder of the long-lived Muslim culture, now permanently displaced. An unobtrusive Gothic chapel had already been inserted into the mosque of Cordoba toward the end of the century. In 1523 the clerics extracted from King Charles V the authorization to build a sizable cathedral in the middle of the Muslim sanctuary. When they were done, the arcades of the multiaisled interior and the reverberating vistas they afforded were rudely cut off.

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Brenneman, Robert, and Brian J. Miller. "Space Bending When Matter Matters." In Building Faith. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190883447.003.0006.

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Religious congregations regularly take buildings not originally intended for religious use and convert them to spaces for worship and fellowship. This chapter includes five case studies: a Guatemalan evangelical megachurch that worships in a parking garage; a suburban Anglican congregation that transformed a former manufacturing plant; a group in Vermont that turned a former US Army horse barn into a mosque; a suburban non-denominational church that meets each week in a high school auditorium; and an Orthodox Christian congregation that altered a Missouri Synod Lutheran building for their use.

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Neumeier, Emily. "The Calligraphic Arts in the Age of Ottoman Architectural Renovation." In Hagia Sophia in the Long Nineteenth Century. Edinburgh University Press, 2024. http://dx.doi.org/10.3366/edinburgh/9781474461009.003.0004.

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Today, the eight calligraphic roundels hanging in Hagia Sophia’s cavernous interior remain one of the most visually striking interventions from the renovations initiated by Sultan Abdülmecid and led by Gaspare Fossati in the mid-nineteenth century. This series of monumental panels—some of the largest examples of Islamic calligraphy in the world—are often described by scholars as a unicum, conceived for the particular demands of restoring and outfitting this architectural space. This chapter situates these works within the broader context of what could be described as an age of architectural re

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AYTEKİN, Osman. "ARDANUÇ - GEVHERNİK KALESİ ARKEOLOJİK KAZI ÇALIŞMALARI." In CUMHURIYETIN BIRINCI YÜZYILINDA ANADOLU’DA TÜRK DÖNEMI ARKEOLOJI ÇALISMALARI. Türkiye Bilimler Akademisi, 2023. http://dx.doi.org/10.53478/tuba.978-625-8352-61-0.ch27.

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Ardanuç, one of the districts of Artvin province and located at the easternmost edge of the Eastern Black Sea Region, was conquered in 1551, during the reign of Suleiman the Magnificent, and joined the Ottoman lands. Until 1878, many Turkish- Islamic works were built and put into service of the society in today’s Adakale campus under Ottoman rule. The first mosque structure all across the province of Artvin was built in 1553 by Erzurum Governor Çerkez İskender Pasha, who conquered Ardanuç Castle and as it can be understood from the foundation certificate-charter dated 1565, continuation of the

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Ahmad, Irfan. "Prologue." In Religion as Critique. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469635095.003.0001.

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The genealogy of critique, received wisdom unequivocally maintains, started with Immanual Kant. Religion as Critique, in contrast, contends that it began much earlier. As a prelude to demonstrate this proposition and enable readers to begin to rethink the whole issue of critique afresh, the prologue presents Shah Valiullah’s (1703 —1763) work as an exemplification of critique preceding, as well as different from, Kant’s. In the precinct of Kaʿba and Prophet Muhammad’s mosque—Hijaz at large—generally construed as the place of mere submission beyond reason and an uncritical devotion to God, Vali

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Conference papers on the topic "Mosque interior"

1

Budiono, Budiono, Murni Rachmawati, Endang Darjosanjoto, and Muhammad Faqih. "Islamic Expression of Wali Mosque Interior and Architecture in Indonesia." In Proceedings of the 1st Conference of Visual Art, Design, and Social Humanities by Faculty of Art and Design, CONVASH 2019, 2 November 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.2-11-2019.2294889.

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Izani, Mohd, Abdul Samad Aalkhalidi, and Aishah Abdul Razak. "Photorealistic rendering for the Prophet Mosque in 3D Media: Issues and solutions." In 2022 Engineering and Technology for Sustainable Architectural and Interior Design Environments (ETSAIDE). IEEE, 2022. http://dx.doi.org/10.1109/etsaide53569.2022.9906324.

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Abudayyeh, Rana. "PATTERNED: Sensorial Material Effects and the Learning Machine." In 2019 ACSA Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.30.

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Patterns, murals, reliefs, and various types of surface articulations have long been an integral part of design. Attitudes towards surface are reflective of a broader climate of spatial production, gauging the necessity and commodity of agglomeration within spaces specifically, and the agency of liminal territories within architecture at large. Commonly deposited on surfaces within prized programs (such as churches, palaces, and mosques), patterns and their respective aggregations reference through their inscriptions deities and assert the influence of various authorities. They are also tellin

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