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Journal articles on the topic 'Mosque interior'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Wibowo, Dymas Alameelas, and Siti Badriyah. "STUDI ELEMEN PEMBENTUK RUANG PADA INTERIOR LIWAN MASJID BESAR AL-MUBAROK NGANJUK." TEXTURE Art and Culture Journal 7, no. 2 (2024): 48–65. https://doi.org/10.33153/texture.v7i2.6226.

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Al-Mubarok Great Mosque is one of the mosques in Nganjuk Regency. The mosque was built in 1812 AD by K.R.T. SosroKoesoemo I or KanjengJimat. The facade of the mosque, which was previously characterised by Javanese style, has changed as a result of restoration. To protect its authenticity, the mosque is designated as a cultural heritage, covering the core building including the liwan room (the main room for worship) in the interior. The diversity of Javanese, Hindu-Buddhist and Chinese cultural patterns in the liwan interior design is a unique feature that is interesting to study. The study of

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2

Ajie, Arini Mustika, and Ahadiat Joedawinata. "Symbolic Content of Exterior and Interior Al-A'zhom Grand Mosque Tangerang." ARTic 6, no. 1 (2023): 571–79. http://dx.doi.org/10.34010/artic.v6i1.10906.

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Al-A'zhom Grand Mosque is one of the historical and iconic mosques in Tangerang City. Its architecture is unique and full of important symbols for Muslims, because these symbols contain meanings that can provide a deeper understanding of Islam, as well as the values it contains. This makes it an interesting object of study in the field of interior design. This study aims to reveal the meaning in the symbols contained in the exterior and interior of the Al-A'zhom Grand Mosque, especially in the architectural elements found on the exterior and interior such as on the exterior (mosque shape, dome

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3

Z.M., Magomedova, and Matovnikov S.A. "DECOR AND ORNAMENT IN THE INTERIOR OF THE MOSQUE." ИННОВАЦИОННЫЕ НАУЧНЫЕ ИССЛЕДОВАНИЯ 2022. 12-3(24) (December 29, 2022): 57–71. https://doi.org/10.5281/zenodo.7491633.

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This article discusses ways to create the interior of a mosque, which can be used in the design for a more comfortable, calm and sincere pastime in it. The following techniques are accepted as a way to create such an interior: 1) arabesque, 2) shamail, 3 interlacing, 4) Arabic calligraphy 5) floral ornament (tulip) The interiors of mosques with ornaments, paintings, filled with meanings help to concentrate and humbly pray, to retire with the creator, find peace, and lead to a more reverent attitude towards religion. It will also help meet the basic needs of believers.

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Zakaria, Asyraf Darwisy, Mohd Farid Mohamed, Wardah Fatimah Mohammad Yusoff, Nur Amirah Abd. Samad, Muhammad Zaki Abd Manaf, and Ammar Amjed Maghrabi. "Strategi Reka Bentuk Pasif bagi Keselesaan Dalaman Masjid: Kajian Kes Masjid UKM." Jurnal Kejuruteraan 36, no. 6 (2024): 2549–62. http://dx.doi.org/10.17576/jkukm-2024-36(6)-24.

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It is important to maintain the interior thermal comfort of a mosque to ensure visitors are comfortable for worshipping activities. Usually, traditional mosques use passive design strategies to maintain interior thermal comfort. However, many modern mosques depend on air conditioning to ensure indoor thermal comfort. This leads to high energy use and being not sustainable. Therefore, an understanding of passive design is important to reduce dependency on air conditioners that require high energy. The objective of this study is to investigae the internal temperature of a selected mosque that us

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Erdem Atılgan, L., and D. Enarun. "A case study of lighting Turkish historic mosques using LEDs: Semsi Ahmet Pasha Mosque." Lighting Research & Technology 50, no. 6 (2017): 894–910. http://dx.doi.org/10.1177/1477153517698853.

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There are more than 86,000 mosques in Turkey, 6733 of these being historic mosques. This study aims at developing a novel LED lantern for enhancing the interior illumination of Turkish historic mosques while providing significant energy savings. In order to accomplish this, an LED lantern design is carried out, the photometric results of which are analysed using the world renowned architect Sinan’s Semsi Ahmet Pasha Mosque from 1580 as a model. With this lantern, the target is to maintain the recommended illuminances and comfort conditions in the interior of historic mosques while achieving su

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Rangga F, Nangkula U, Nazlina S, Sumarni I, and Ratri W. "EVALUATION OF UNIVERSAL DESIGN REQUIREMENTS APPLICATION IN PUBLIC MOSQUES IN BANDUNG." Malaysian Journal of Public Health Medicine 20, Special1 (2020): 238–42. http://dx.doi.org/10.37268/mjphm/vol.20/no.special1/art.692.

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A Number of studies have found the cases of facilities in public buildings which are inaccessible by users & visitors with different abilities. Thus, constructing user friendly and barrier-free architecture-interior design is necessary in the built environment. This research will evaluate the requirements for ease of access in public mosques with study cases Pusdai Mosque & Grand Mosque of Bandung in accordance with the Regulation of the Ministry of Public Works and Public Housing of the Republic of Indonesia No.14 2017. The regulation which stipulates the provision of facilities in bu

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Mohammed Alashari, Duaa, Abd Rahman Hamzah, and Nurazmallail Marni. "The Aesthetic of Islamic Calligraphy and Ornamentation in Prophet Mosque Interior of the Calligrapher Abdullah Zuhdi (Al-Masjid An-Nabawi)." UMRAN - International Journal of Islamic and Civilizational Studies 7, no. 2 (2020): 69–80. http://dx.doi.org/10.11113/umran2020.7n2.374.

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Islamic Calligraphy and ornamentation are using to decorate mosques as well as other sacred places all over the Islamic world. This paper provides some sources of information for understanding and studying Islamic calligraphy and ornamentation in the Prophet Mosque interior (Al-Masjid An-Nabawi). Indeed, this paper aimed to highlight the formation aesthetics of calligraphy and Islamic decorations in which the aesthetic values. There are many aesthetic values of the Islamic calligraphy and ornamentation that portrayed in the Prophet Mosque interior. The Prophet Mosque has been selected in the p

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Najimi, Ahmad, Saifullah Saifullah, and Riza Afrian Mustaqim. "THE AGREEMENT ON THE CONSTRUCTION OF MOSQUE INTERIORS IN THE PERSPECTIVE OF AL-IJĀRAH ALA AL- 'AMĀL CONTRACT IN ABDYA DISTRICT OF ACEH." Al-Mudharabah: Jurnal Ekonomi dan Keuangan Syariah 5, no. 2 (2023): 1–13. http://dx.doi.org/10.22373/al-mudharabah.v5i2.3388.

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The practice of Borongan work agreement on the manufacture of mosque interiors between CV Serba Na Plafon and the mosque BKM is carried out in the form of an oral agreement and both parties have agreed to the contents of the agreement. However, after the work was completed and the work contract ended, there was damage to the interior of the mosque and the BKM mosque asked for responsibility for CV Serba Na Plafon. This study examines how the work agreement between the management of the BKM Mosque and the contractor in making the interior of the mosque and the review of the al-ijārah ala al-amā

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Husien, Adnan, and Ramadisu Mafra. "Studi Ornamen pada Masjid di Daerah Kelurahan Bukit Lama Palembang." Jurnal TekstuReka 2, no. 2 (2024): 94. http://dx.doi.org/10.32502/tekstureka.v2i2.7627.

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In general, a mosque is a spiritual place for Muslims where a deep connection between human and Allah SWT is established. Upon entering the interior of the mosque, one often encounters ornaments that contribute to the beauty and aesthetic value of the mosque. However, it is not uncommon to find mosques that adopt minimalist and simple concepts to prioritize the primary function of the mosque itself. With the presence of these ornaments in the mosque, this research aims to inventory the ornaments found in 20 mosques in the Bukit Lama district, Palembang. The research methodology employed a qual

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Fuady, Mirza, Andrian Kevin, Nasrullah Ridwan, Buraida Buraida, and Rizal Munadi. "Evaluasi Kenyamanan Termal Masjid Baitul Musyahadah Kota Banda Aceh." PESARE: Jurnal Pengabdian Sains dan Rekayasa 2, no. 1 (2024): 10–20. http://dx.doi.org/10.24815/pesare.v2i1.37556.

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Many mosques in the city of Banda Aceh have used artificial ventilation systems to achieve thermal comfort conditions in the interior of the mosque. Meanwhile, the Baitul Musyahadah Mosque, which is classified as a large mosque in Banda Aceh City, currently still maintains an open mosque building design and utilizes a natural ventilation system. In this community service activity, field research was carried out with the aim of evaluating thermal comfort in the interior of the Baitul Musyahadah Mosque. The research method uses a quantitative descriptive approach by collecting data through field

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Persova, Svetlana G., and Marina M. Zubareva. "Tiled decoration of the Apanaevskaya mosque in Kazan: research and restoration." Podlinnik, no. 3 (September 2024): 9–26. https://doi.org/10.28995/3034-3224-2024-3-9-26.

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The Apanaevskaya Mosque in Kazan is a cultural heritage site of federal significance, one of the most striking examples of Tatar Muslim architecture. The mosque had a rich interior decoration: baroque stucco ceilings, tiled stoves, tiled panels on the walls. During its existence, the building underwent changes; during the Soviet period, the minaret, mihrab, ceilings and interior decoration were lost. But the historical appearance of the mosque was recreated in the process of comprehensive scientific restoration in the 1990s – 2000s. The authors examine the history of the study of the original

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Fitriana, Tiara Rijayanti, and Tiara Isfiaty. "Atap Pagoda pada Masjid Langgam Tiongkok." ARTic 7, no. 1 (2024): 771–84. https://doi.org/10.34010/artic.v7i1.14706.

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Pagoda roofs as a characteristic of Chinese-style mosques have a multilevel design and can affect the interior aspects. The impact of the pagoda roof on the interior is still quite limited. This research aims to examine the shape of the pagoda roof at Cheng Ho Mosque Surabaya on the function of interior natural lighting, and find the meaning of the roof shape. The method used is architectural morphology analysis based on Nicola Marzot's theory, direct observation data collection and documentation. The results showed that the Cheng Ho Mosque pagoda roof functions as an efficient natural lightin

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Difa, Salmauz, Sugiyamin, and Noor Fatih Ario Wicaksono. "Kajian Estetika Interior Masjid Saka Tunggal Jami’ Baitussalam Di Cikakak Banyumas." Cilpa: Jurnal Ilmiah Pendidikan Seni Rupa 9, no. 2 (2024): 30–43. http://dx.doi.org/10.30738/cilpa.v9i2.17941.

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ABSTRAK Masjid Saka Tunggal Jam’i Baitussalam merupakan salah satu masjid yang antik, unik, dan bersejarah di Banyumas, dengan memiliki satu saka yang menopang bagian tengah bangunan. Material pada masjid ini kebanyakan dari bahan kayu jati, mahoni serta bambu. Kekhasan masjid ini yakni adanya satu Saka Guru atau Saka Tunggal yang terdapat pada bangunannya. Apakah elemen pada Masjid Saka Tunggal Jam’i Baitussalam memiliki nilai estetika selain pada saka tunggalnya. Untuk itu, dilakukan penelitian ini bertujuan untuk mendeskripsikan bagaimana nilai estetika interior yang terdapat pada Masjid Sa

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14

Iskandar, Layla Nurina Kartika, Cama Juli Rianingrum, and Ahadiat Joedawinata. "PENERAPAN ELEMEN-ELEMEN ARSITEKTURAL DAN INTERIOR MASJID TIMUR TENGAH PADA BANGUNAN MASJID BAITUL MUTTAQIEN SAMARINDA, KALIMANTAN TIMUR (Kajian Dalam Perspektif Ilmu-Ilmu Desain)." Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain 3, no. 2 (2021): 215. http://dx.doi.org/10.25105/jsrr.v3i2.9429.

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<p>Abstract</p><p><br />Baitul Muttaqien Mosque is one of the mosques in Indonesia, precisely in Samarinda, East Kalimantan<br />with a variety of facilities and infrastructure in its interior, so it is dubbed the Islamic Center Mosque. The<br />application of architectural and interior elements applied reflects two different cultures namely Middle<br />Eastern culture and local culture, East Kalimantan. This is not just to beautify the mosque building, but<br />there is a philosophical content contained in the two different cultural elements.&lt

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15

Al-Tamimi, Sakher, and Marina Pankina. "Impact of Islamic Art on the Architectural Design of Mosques in Amman." American Journal of Art and Design 9, no. 4 (2024): 83–89. https://doi.org/10.11648/j.ajad.20240904.12.

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Objectives: This article aims to highlight and study traditional and contemporary Islamic Art in Jordanian mosques. Methods:. Comparative analysis of Islamic Art concerning the mosque architecture in Amman, analysis of theoretical works on this topic, and historical approach. The study will also include a study of mosques in Amman. Results: When designing new mosques, architects need to study not only traditions, design experience, the space-planning solution of the mosque, and the functional organization of space but also the meaning of ornaments. The ornaments on the facade and interior, as

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Alimin, Nurhayatu Nufut. "MASJID RAYA SUMATRA BARAT SEBAGAI SIMBOL PERSATUAN MUSLIM DI SUMATRA BARAT." INVENSI 1, no. 1 (2017): 80–89. http://dx.doi.org/10.24821/invensi.v1i1.1605.

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Masjid Raya Sumatera Barat merupakan masjid terbesar di Sumatera Barat, Indonesia. Masjid ini dirancang oleh Tim Khusus yang dibentuk oleh pemerintah Sumatra Barat. Berbeda dari kebanyakan masjid lainnya, masjid ini memiliki bentuk yang unik yaitu dengan menggabungkan unsur-unsur dari rumah gadang, dan unsur modern, bentuk yang unik menimbulkan persepsi yang bermacam-macam dari masyarakatnya sendiri, baik positif maupun negatif. Dari persepsi yang bermacam-macam tersebut penulis mencoba menelusuri apa makna yang muncul dari bentuk bangunan masjid tersebut. Pencarian makna pada desain masjid in

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17

Meidianto ; Indri Astrina, Muhammad Rifki. "COMPARISON OF MASSING AND SPACE CONFIGURATION ON THE SANG CIPTA RASA GREAT MOSQUE CIREBON AND THE KAUMAN GEDHE MOSQUE YOGYAKARTA." Riset Arsitektur (RISA) 4, no. 1 (2020): 50–65. http://dx.doi.org/10.26593/risa.v4i1.3686.50-65.

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Abstract- The spread of Islam in Indonesia left cultural diversity due to acculturation, especially on Java. Among them are rituals or activities of ancient Javanese that are adapted and combined with Islamic culture. The local cultural activities or religious rituals certainly require space. A mosque is also a place for these activities with spaces in it that support their activities. These activities certainly influenced the spatial and massing configuration of mosques. Cirebon and Yogyakarta, which are the two Islamic kingdoms or Sultanates in Java, at that time certainly had the main mosqu

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Foenna, Fala, Bambang Karsono, and Fidyati Fidyati. "Telaah Arsitektur Eklektik pada Bangunan Masjid Haji Keuchiek Leumiek." ETNIK: Jurnal Ekonomi dan Teknik 2, no. 11 (2023): 1019–28. http://dx.doi.org/10.54543/etnik.v2i11.257.

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Indonesia is a country where the majority of the population is Muslim, especially Aceh. So it is not surprising that you can find many mosques with magnificent architecture and a great historical background. With globalization, many new architectural styles have emerged, for example eclectic architecture which influences the exterior and interior shapes of mosques. The application of eclectic architecture in the design process by adopting elements that are considered the best originating from local and non-local architecture so as to produce a building model that has its own charm and characte

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Fitriana, Tiara Rijayanti, and Tiara Isfiaty. "CULTURAL ACCULTURATION IN THE INTERIOR OF CHENG HO PANDAAN MOSQUE IN EAST JAVA." Proceeding of International Conference on Business, Economics, Social Sciences, and Humanities 7 (June 26, 2024): 147–56. http://dx.doi.org/10.34010/3n6k5w09.

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The culture of Islam spreaders can be acculturated with local culture and affect the visual of the mosque. The research object is Cheng Ho Pandaan Mosque in Pasuruan. The research was conducted using qualitative method through observation and literature study. The results show that there is cultural acculturation in Cheng Ho Pandaan Mosque, it can be seen through interior elements and the use of colors. Chinese architectural principles influence the visual appearance of the mosque. The purpose of the research is to find out the form of implementation of cultural acculturation in Cheng Ho Panda

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‫عزب‬, ‫خالد‬, та ‫شيماء‬ ‫السايح‬. "‫الجامع الكبير بجزر الملاديف‬ (The Foundation Text of the Old Mosque of Male)". Abgadiyat 6, № 1 (2011): 121–29. http://dx.doi.org/10.1163/22138609-90000009.

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The Old Mosque of Male, which is known by the Old Friday Mosque of Male, is one of the most important mosques in Male. It was constructed in CE 1656 by Sultan Ibrahim Iskandar I. This Mosque remains in the minds of the Maldivian people because of its unique works of traditional art. The stone and wooden structures in the interior of the Mosque of Male are decorated with intricately carved designs and inscriptions. The inscriptions are mainly in two languages; Arabic and Dhivehi. Some historical facts about the construction of this Mosque are also inscribed. These inscriptions are quotations fr

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Rony, Rony. "Ikonografi Arsitektur dan Interior Masjid Kristal Khadija Yogyakarta." Journal of Urban Society's Arts 1, no. 2 (2014): 121–34. http://dx.doi.org/10.24821/jousa.v1i2.793.

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Masjid Kristal Khadija (MKK) adalah sebuah masjid yang berada di kompleksYayasan Budi Mulia Dua di Yogyakarta. Masjid ini memiliki keunikan pada arsitekturdan desain interiornya. MKK sebagai karya seni akan dikaji dengan metodeikonografi. Metode ini adalah suatu studi untuk mengungkapkan makna dari suatukarya seni dengan tahapan-tahapan, yakni deskripsi praikonografi, analisis ikonografi,dan interpretasi ikonologi. Ketiga proses tahap kajian tersebut bersifat prerequisiteatau prasyarat dari tahapan satu ke tahapan selanjutnya. Hasil penelitian padatahap deskripsi praikonografi bahwa wujud arsi

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Hariyanto, Vernanda Juni, and Siti Badriyah. "STUDI IKONOGRAFI ORNAMEN PADA INTERIOR MASJID AGUNG AL FATTAH MOJOKERTO." Sanggitarupa 2, no. 2 (2022): 128–42. http://dx.doi.org/10.33153/sanggitarupa.v2i2.4767.

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The Great Mosque of Al Fattah is a mosque built in 1877 which was the first Muslim worship building in Mojokerto City. This research uses qualitative research methods based on Panofsky's Iconography theory. The research was conducted through three stages, namely pre-iconography, iconographic analysis, and iconography interpretation. The results showed that the ornaments on the Great Mosque of Al Fattah have a stylistic meaning that is in accordance with the interior style, namely Majapahit-Middle East, but there are some ornaments whose use is not appropriate to the interior style of Majapahit

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Mulyana, Yusup, and Rezza Fauzi Muhammad Fahmi. "Aesthetic The Grand Mosque of Cimahi." Jurnal Riset Agama 3, no. 1 (2023): 191–207. http://dx.doi.org/10.15575/jra.v3i1.23516.

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The Grand Mosque of Cimahi is the Cimahi city government mosque which is located in West Bandung Regency, West Java Province. The Grand Mosque of Cimahi has its own characteristics and uniqueness, this can be seen from the aesthetic value found in the interior aspects. Aesthetic values are analyzed with a semiotic review which is the focus of this research. The research process is carried out with field research and library research. Field research is carried out by directly visiting the research object. Library research was conducted to find and use sources from books, journal articles, and t

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Nabila, Ayesya Ainun, Ayu Safira Septiana, Githa Nabila, and Resky Annisa Damayanti. "PENERAPAN ORNAMEN KHAS BETAWI DALAM INTERIOR MASJID RAYA KH. HASYIM ASYARI JAKARTA BARAT." Jurnal Dimensi Seni Rupa dan Desain 16, no. 2 (2020): 101–12. http://dx.doi.org/10.25105/dim.v16i2.7052.

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Abstract The Mosque is the buildings of worship for Muslims who can accommodate the worshipers. In the Mosque’s interior design is identical to the use of typical Middle Eastern ornaments such as calligraphy, but over time the Mosques in Indonesia have begun to apply the special ornaments of the area where the Mosque is located, for example the Great Mosque KH Hasyim Asyari which applying Betawi ornaments to the exterior and interior. Betawi ornaments themselves are identical applied to Betawi traditional houses, for example Gigi Balang ornaments that are applied to the house’s lisplang, and a

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Septia, Defni. "Analisis Desain Interior Eksterior Terhadap Kenyamanan Pengunjung Masjid Raya Al-Azhar Universitas Negeri Padang." VCoDe : Visual Communication Design Journal 2, no. 2 (2023): 162. http://dx.doi.org/10.26887/vcode.v2i2.3675.

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ABSTRAKTujuan penelitian ini untuk mengetahui bagaimana tanggapan pengnjung terhadap Masjid Raya Al-Azhar Universitas Negeri Padang, dengan menganalisis desain interior eksterior terhadap kenyamanan pengunjung saat beribadah. Peneliti menggunakan jenis penelitian deskriptif dengan pendekatan kualitatif. Pengumpulan data peneltian ini yaitu wawancara, angket, dan dokumentasi. Responden meliputi pengurus masjid, petugas kebersihan dan pengunjung masjid sebagai informan wawancara, kemuadian 100 responden pengisian angket pengunjung. Berdasarkan hasil analisis penelitian dari hasil wawancara denga

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Gaber, Tammy. "A A Question of Presence and Agency: Mosques in the West, North and South." American Journal of Islamic Social Sciences 36, no. 4 (2019): 89–99. http://dx.doi.org/10.35632/ajiss.v36i4.607.

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New scholarship, covered by the books in this review essay, include studies of mosques in the UK, Canada, Spain and Australia and demonstrate that the proclamation of presence of the architecture of the mosque works on a number of levels. The exterior façade, of course, functions to symbolize some sort of landmark and identity in a variety of possible architectural languages. However, the interior, is where the differences truly lie between the mosque in constructed in the Muslim world and those constructed outside of the Muslim world. For minority communities, the mosque program necessarily i

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Gaber, Tammy. "A Question of Presence and Agency." American Journal of Islam and Society 36, no. 4 (2019): 89–99. http://dx.doi.org/10.35632/ajis.v36i4.607.

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New scholarship, covered by the books in this review essay, include studies of mosques in the UK, Canada, Spain and Australia and demonstrate that the proclamation of presence of the architecture of the mosque works on a number of levels. The exterior façade, of course, functions to symbolize some sort of landmark and identity in a variety of possible architectural languages. However, the interior, is where the differences truly lie between the mosque in constructed in the Muslim world and those constructed outside of the Muslim world. For minority communities, the mosque program necessarily i

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Uldiman, Uldiman, Indiani Hasanah Putri, Uccy Adeh Putri, and Hafizul Hamdi. "Student Assessment of Worship Facilities in Higher Education." International Journal of Multidisciplinary Research of Higher Education 3, no. 1 (2020): 23–31. http://dx.doi.org/10.24036/ijmurhica.v3i1.172.

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This research aims to explore students' assessments of worship facilities in higher education. This research uses a quantitative method with a survey approach, data sources were taken using a questionnaire from one hundred and thirty respondents who were students from twenty-nine universities in Indonesia, and analyzed using descriptive analysis techniques using SPSS version 20 software. The results of the analysis show that students agree with the fifteen indicators for assessing worship facilities in higher education, the fifteen assessment indicators are; i) The mosque/prayer room has a com

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Drançolli, Orges. "Architectural Study of Koca Sinan Pasha Mosque at Kaçanik, Kosova." Journal of Islamic Architecture 7, no. 2 (2022): 314–22. http://dx.doi.org/10.18860/jia.v7i2.17609.

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Koca Sinan Pasha Mosque is one of the oldest classical mosques built in Kosova during the reign of the Ottoman Empire (1389-1912). The mosque bore the name of its donor and was completed in 1594/95. It is located in a small town in the southern part of the country, in Kaçanik. Regarding its compositional scheme, the monument belongs to the examples of Ottoman-style mosques in the Balkans with local elements. Its compositional scheme comprises a prayer hall, portico, and a minaret. The paper focuses on a brief history of the Koca Sinan Pasha, the history of the mosque, architecture, pictorial a

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Othman, R., and Z. J. Zainal-Abidin. "The Importance of Islamic Art in Mosque Interior." Procedia Engineering 20 (2011): 105–9. http://dx.doi.org/10.1016/j.proeng.2011.11.144.

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Al-Tamimi, Sakher, and Marina V. Pankina. "MODERN TRENDS IN MOSQUE ARCHITECTURE: THE PROBLEM OF PRESERVING OF CULTURAL IDENTITY." Articult, no. 4 (December 2024): 112–33. https://doi.org/10.28995/2227-6165-2024-4-112-133.

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The article analyzes the main architectural features of traditional mosques and the specific features of modern mosques in different countries. The absence of strict canons defined by religious texts allows architects to freely interpret the plasticity and image of the building. New social challenges, the possibilities of modern structures and technologies inspired architects to abandon the historical and neoclassical models that dominated the national religious architecture. Architects rethink not only the form of the mosque, but also its functions, planning solutions, decor and ornaments. Tr

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Fikriyati, Ulya. "Architectural Interpretations of Qur’anic and Hadith Influences in Traditional Indonesian Mosques During the Walisanga Era." Jurnal Studi Ilmu-ilmu Al-Qur'an dan Hadis 24, no. 2 (2023): 253–84. http://dx.doi.org/10.14421/qh.v24i2.4657.

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This research investigates the reception of the Qur’ān within the realm of mosque architecture, traditionally assessed through the study of text integrated into mosque ornamentation. This article introduces a reception studies to Walisanga mosques architecture, encompassing considerations of spatial design, essence, illumination, and interior ambiance. Notably, this study diverges from conventional methods by abstaining from the inclusion of Qur’anic or hadith text. The primary objectives of this article are twofold: a) to elucidate the relationship between the architecture of traditional Indo

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Sanjaya, Randi, Rachmita Maun Harahap, and Henny Gambiro. "STUDI PENERAPAN DESAIN UNIVERSAL PADA MASJID MANARUL AMAL KAMPUS MERUYA DI UNIVERSITAS MERCU BUANA JAKARTA BARAT." Narada : Jurnal Desain dan Seni 6, no. 3 (2019): 339. http://dx.doi.org/10.22441/narada.2019.v6.i3.001.

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Mosque design based on the universal design principle is a design concept for a mosque architecture that can be used by a person with disability users. Mosque as the center of religious activities is ‘Allah’s house’ where the congregation conducts praying. Shalat is essential to worship in Islam done at least five times a day and cannot be abandoned unless very specific condition happens (as explained in Al Qur’an). But in fact, hearing disability users still find difficulties in accessing mosques, most mosques are not accessible. This study aims to describe of study of universal design applic

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Lutfi, Muhamad, Nurul Chayati, and Asrul Adriansyah. "STRUCTURAL DEVELOPMENT OF MOSQUE BUILDING BASED ON ADDITIONAL CAPACITY OF PRAYER ROOM." astonjadro 11, no. 1 (2021): 30. http://dx.doi.org/10.32832/astonjadro.v11i1.5279.

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<p>Mosques serve as a place of worship and foster Muslims who live around the mosque, so the function of this can give a positive impact for Muslims’ life. Mosques also function as a place for developing people’s activities from the time of Prophet Muhammad to the present. It certainly plays important roles so the condition of the mosque, especially the interior, needs to have comfort element in order to get more solemnity when carrying out those activities. Mosque Al-Hidayah is located in Kampung Belentuk RT 001 RW 001, Kelurahan Cimahpar, Kecamatan Bogor Utara, Kota Bogor. This Belentu

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Soegoto, Eddy Soeryanto, Tri Widiati Natalia, Yayah Sutisnawati, Mari Maryati, and Dedi Sulistiyo Soegoto. "Pendampingan Kepada Masyarakat Dalam Renovasi Masjid Daarut Taqwa." Indonesian Community Service and Empowerment (IComSE) 1, no. 1 (2020): 1–9. http://dx.doi.org/10.34010/icomse.v1i1.2789.

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ABSTRACT Daarut Taqwa Mosque is one of the Jami mosques which is very crowded with various religious activities, such as Friday prayers, Tarawih prayers and Islamic studies routinely carried out by DKM Daarut Taqwa Mosque. The more activities of congregants, DKM Daarut Taqwa Mosque seeks to renovate the mosque to fulfill and accommodate all the congregant who come. The purpose of this article is to show community service activities carried out by the UNIKOM Team in assisting the renovation of the Daarut Taqwa Mosque and assistance in designing the interior and exterior image concept of t

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Thamrin, Nur Husniah, and Hatta Musthafa Adham Putra. "AKULTURASI BUDAYA PADA MASJID JAMI’ SHIRATAL MUSTAQIEM SEBAGAI OBJEK DESTINASI WISATA RELIGI DI SAMARINDA." Jurnal Arsitektur ARCADE 4, no. 3 (2020): 194. http://dx.doi.org/10.31848/arcade.v4i3.352.

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In its development of mosque architecture, various forms and styles of mosque buildings emerged throughout the Islamic world, including Indonesia. The shape is diverse, depending on various factors, including geographical conditions, local culture, mixing culture and technology. Thus the building of the Islamic world mosque shows its own image due to the different climate, building materials, technology, or expertise of artists. The Jami ’Shirathal Mustaqiem Mosque is one of the oldest religious buildings now incorporated by the East Kalimantan cultural heritage body as a religious tourism obj

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Mansour Safran, Dr. "The colors of the domes in the desert- a review." International Journal of Engineering & Technology 7, no. 4 (2019): 6956–63. http://dx.doi.org/10.14419/ijet.v7i4.23112.

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This paper mainly studies The Colors of the Domes in the desert; the mosque is for Muslims the clearest symbol of faith, a place of prayer and even in social gatherings. In Jordan, this religious building is so widespread within the large towns, small villages and in some cases the margin of the boundless desert areas. The spread of radical mosques throughout the country, from north to south of Jordan, took particular elements of recognition and visibility to differentiate the homogeneity of the constructed building that saturates the urban areas of towns and villages continues to grow. The mo

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Seyedeh, Masoumeh Fotokian. "The role of the Context in the internal form of the roof of Akbari Mosque." Sprin Journal of Arts, Humanities and Social Sciences 01, no. 02 (2022): 98–107. https://doi.org/10.5281/zenodo.6290661.

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<em>Background and contextualism in traditional Iranian architecture are one of its inseparable features. However, in the contemporary era after the emergence of modernism in the West, attention to the field intensified. One of the types of contextualism is climate contextualism, which pays special attention to climate strategies. Iran has different climatic regions, so each region creates its climate. This climatic context has greatly contributed to the sustainability of old buildings and cities. Lahijan Akbariyeh Mosque is one of the traditional Iranian buildings that was built during the Qa

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Huda, Miftahul, and Lukman Santoso. "Masjid Wakaf dan Transformasi Sosial Umat di Masjid Besar Imam Ulomo Sampung Ponorogo." Tapis : Jurnal Penelitian Ilmiah 1, no. 01 (2017): 84. http://dx.doi.org/10.32332/tapis.v1i01.731.

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Great Mosque Imam Ulomo Sampung Ponorogo is a waqf mosque located in the countryside. Making the mosque as a partner devotion is ikhtiyar Masjid realize that far from urban areas and are in the corners to not only as a religious social center but also pursued into the mosque advanced and progressive socio-economic and even become an example for others in the interior of the mosque. Based on the above discussion, this article examines Waqf Masjid and Social Transformation of People in the Great Mosque of Imam Ulomo Sampung Ponorogo. The aim of this devotion as an Islamic community development e

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Wisdianti, Dara. "The Design of Mosque at Living Lab Glugur Rimbun, Kutalimbaru District." International Journal of Research and Review 10, no. 4 (2023): 469–75. http://dx.doi.org/10.52403/ijrr.20230457.

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Kutalimbaru District is included in the area of Deli Regency Serdang, North Sumatra Province. Natural condition of Kutalimbaru District in general has 2 (two) seasonal climates, namely the dry season and rainy season where both climates are influenced by sea breezes and mountain breeze. Kutalimbaru is one of the sub-districts in Deli Serdang Regency, Sumatra Province North, has 14 villages. This research is a qualitative descriptive research with a literature study research method through literature studies. As the zoning concept of Living Lab, Kutalimbaru, the mosque zone is H and part of res

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NAZHAR, RYANTY DERWENTYANA. "KAJIAN MAKNA: MIHRAB MASJID KONTEMPORER AL-IRSYAD KOTA BARU PARAHYANGAN." Serat Rupa Journal of Design 1, no. 2 (2018): 292. http://dx.doi.org/10.28932/srjd.v1i2.454.

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Al-Irsyad mosque at Kota Baru Parahyangan is a religious building that has the power of narrative and full of meaning. The elements of interior and exterior are designed by the architect to deliver messages to users. One element of the interior which is the orientation for the user is the Mihrab. Mihrab of this mosque has a unique concept of shape and philosophy. The concept can contain messages that can even up on the ideology that is intended for users who use the facility, and when elements of the space is interpreted (signified), then it becomes a sign (sign). Meaning analysis method that

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Bateman, Roger. "South Asian Islam in Early Australia, 1880s to 1930." Journal of Islamic Archaeology 11, no. 2 (2025): 190–214. https://doi.org/10.1558/jia.29395.

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In the period ca. 1880 to 1930, thousands of south Asian men migrated to Australia to work in the transport industry as cameleers in the country’s arid interior, particularly within the growing mining industry. Most of these men were Muslims, and they maintained their faith by constructing mosques where they travelled and worked throughout the country. An historical archaeological study of three mosques in Western Australia revealed considerable detail about the men’s religious lives and the elements of Asian Islam that were imported into Australia. These three mosques showed active Islamic li

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Irvan Maulana and Diana Susilowati. "Kajian Langgam Pada Bangunan Masjid Raya Bogor." JAUR (JOURNAL OF ARCHITECTURE AND URBANISM RESEARCH) 7, no. 1 (2023): 21–30. http://dx.doi.org/10.31289/jaur.v7i1.9201.

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The mosque is a place of worship for the Muslim community which has the capacity for a large number of congregations, over time the mosque is not only a place of worship but the mosque can also be a place for socializing in religious matters, in every city and region it has its own characteristics regarding the design and style that is in the mosque. The style of a marker or pattern on a building based on a certain period is usually the style of the mosque found on the exterior and interior of the building such as the shape of the door, the shape of the column, the shape of the roof, the shape

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Ningtyas, Dwi Wahyu, Nuhan Nabawy, Laily Nur Syayidah, and Askin Toyibah. "MANAJEMEN AKAD WAKAF DALAM PEMBERDAYAAN MASJID AR-RAHMAN DI KOTA BLITAR." PROPHETIK: Jurnal Kajian Keislaman 2, no. 1 (2024): 75–87. https://doi.org/10.35457/prophetik.v2i1.3582.

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This research is motivated by the viral Ar-Rahman mosque which is a miniature of the Nabawi Mosque in Medina and as an Islamic Center in Blitar City. The Ar-Rahman Mosque is a mosque built on waqf land covering an area of 2,806 square meters which is estimated to be able to accommodate 1,000 worshipers. The mosque was built with architecture like the Nabawi Mosque of Medina starting from the interior, green dome, building height, to the umbrella ornament of the mosque courtyard. This study aims to determine the management of waqf contracts carried out at the Ar-Rahman Mosque. The method used i

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Tewfik, Mohammed Jarallah, та Ahmed Mohammed Yahya Al-Abbasi. "[DESIGN INDEPENDENCE A COMPLEMENTARY PRINCIPLE IN THE DESIGN OF INTERIOR SPACES OF MALAYSIAN MOSQUE CASE STUDY] الاستقلالية التصميمية مبدأ تكميلي في تصاميم الفضاءات الداخلية للمساجد الماليزية دراسة حالة". Malaysian Journal Of Islamic Studies (MJIS) 4, № 2 (2020): 94–125. http://dx.doi.org/10.37231/mjis.2020.4.2.148.

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The interior design of Malaysian Islamic mosques is a vivid example of further innovation and innovation based on design creativity in design relationships.As a result of the interaction of this level, the design process shows a clear independence as a result of the interaction of the subjective capabilities factor of the interior designer based on the study of the specificity of the objective capabilities that govern the processes of drafting innovative decorative arts.Therefore, it was necessary to study this issue by identifying the research problem, which is summarized by: showing the feat

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Putra, Hatta Musthafa Adham, Zakiah Hidayati, Raudah Ahmad, Dina Permata Sari, and Diky Ramadan. "Modern facade design for the renovation of Sabilul Muttaqin Mosque, Samarinda City." Community Empowerment 9, no. 12 (2024): 1845–51. https://doi.org/10.31603/ce.12569.

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This community service activity focuses on the planning and design of the renovation of the Sabilul Muttaqin Mosque in Perum Gemilang, Samarinda City. The main objective is to enhance the capacity and aesthetics of the mosque through the expansion of interior spaces, the renewal of a more modern exterior facade, and the replacement of the dome. The method used is a participatory approach, involving the Mosque Committee (DKM) in every stage of planning. The results of field observations and in-depth interviews indicate the need for a flexible multi-functional space and a facade design that comb

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Fadhilah, Rifa Nur, and D. A. Wahab Sya’roni. "The Meaning of Application of Symbolic Ornaments at the Mosque Gedhe Kauman Yogyakarta." Proceeding of International Conference on Business, Economics, Social Sciences, and Humanities 2 (December 1, 2021): 693–703. http://dx.doi.org/10.34010/icobest.v2i.335.

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In this study, the Gedhe Kauman Mosque is located in Yogyakarta, the mosque has a lot of beauty created in each of the areas contained in the space. The mosque building which is now a pattern and embodiment is a reflection of the love of Muslims for their God. Through a step-by-step process to arrive at a form that can be declared perfect that is carried out from generation to generation. This research, which was conducted at the Gedhe Kauman mosque, described the names of the ornaments and their symbolic meanings in the interior carvings found in the Gedhe Kauman Mosque, Yogyakarta. This rese

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Sani, Andi Asrul, Hendry Wijayanti, Zaenul Alim, and Muh Rofif Sobri. "Rancang Bangun Masjid Raya Universitas Samudera Aceh Berbasis Perencanaan Fungsional dan Strategis." Berdikari: Jurnal Inovasi dan Penerapan Ipteks 9, no. 1 (2021): 98–110. http://dx.doi.org/10.18196/berdikari.v9i1.9285.

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The aim of planning the construction of the Grand Mosque of Universitas Samudera Aceh (UNSAM) was to help Universitas Samudra in Langsa city so that the construction of a new mosque in the campus environment has a large capacity with self-managed construction. The methods used for the study were literature design, site survey, interior spatial analysis, design planning. The findings and implications of a well design and planning is that it is hoped the mosque becomes the pride of the campus residents in particular and the people of Langsa city in general. It is also hoped to be able to support

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Alifia Zahra Shafira, Fatimatuzzahra Nasution, Yenny Haidar Naburju, Rizqa Karima, and Isfira Ainy. "Analisis Semiotika Roland Barthes pada Arsitektur Masjid Agung Sultan Thaf Sinar Basarsyah di Lubuk Pakam." Jurnal Kajian dan Penelitian Umum 2, no. 6 (2024): 87–97. https://doi.org/10.47861/jkpu-nalanda.v2i6.1403.

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This research examines the meaning of architecture and ornaments in the Sultan Thaf Sinar Basarsyah Grand Mosque in Lubuk Pakam, Deli Serdang using Roland Barthes' semiotic approach. Using a qualitative research method, this study analyzes the denotation, connotation, and mythical meanings of various architectural elements of the mosque such as building form, interior space, color, and ornaments such as windows, mihrab, doors, calligraphy, and drum. The results show that the design of this mosque combines elements of local culture from three tribes (Karo, Simalungun, and Malay) with typical Mi

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Savitri, Pradianti Lexa, and B. Sumardiyanto. "Akulturasi Islam Dan Budaya Jawa pada Ruang Liwan Masjid Gedhe Mataram Kotagede." ARSITEKTURA 19, no. 1 (2021): 51. http://dx.doi.org/10.20961/arst.v19i1.45153.

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<p class="Abstract"><em>This article aims to demonstrate the acculturation of Islam and Javanese culture in the Liwan Room of “Gedhe Mataram” Mosque, Kotagede. Islamic and Javanese culture’s acculturation in the building, especially mosque, important known to add insight about the tolerance between two cultural elements that can occur in the architecture’s world. Liwan room is part of the space of a mosque which functions as a prayer area. Liwan Room at the “Gedhe Mataram” Mosque, Kotagede has a distinctive design considering this mosque is the first and oldest mosque in Yogyakarta

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