Relevant bibliographies by topics / Motion picture industry – economic aspects

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Motion picture industry – economic aspects'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Motion picture industry – economic aspects"

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Thom, Michael. "Lights, Camera, but No Action? Tax and Economic Development Lessons From State Motion Picture Incentive Programs." American Review of Public Administration 48, no. 1 (2016): 33–51. http://dx.doi.org/10.1177/0275074016651958.

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Despite mixed results, state government use of targeted economic development programs has escalated. This study evaluates the impact of motion picture incentive programs, an array of tax incentives employed by over 40 states to entice film and television productions out of California and New York, on labor and economic conditions from 1998 through 2013. Results suggest that sales and lodging tax waivers had no effect on any of four different economic indicators. Transferable tax credits had a small, sustained effect on motion picture employment levels but no effect on wages. Refundable tax cre
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Hababou, Moez, Nawel Amrouche, and Kamel Jedidi. "Measuring Economic Efficiency in the Motion Picture Industry: a Data Envelopment Analysis Approach." Customer Needs and Solutions 3, no. 3-4 (2016): 144–58. http://dx.doi.org/10.1007/s40547-016-0069-0.

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Mehr, Linda Harris. "Oscar’s very special library: the Margaret Herrick Library of the Academy of Motion Picture Arts and Sciences." Art Libraries Journal 34, no. 3 (2009): 29–34. http://dx.doi.org/10.1017/s0307472200015996.

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‘Oscar’ is the best-known symbol of the Academy of Motion Picture Arts and Sciences. But there is more to the Academy than the golden statuette. The Academy’s Margaret Herrick Library, which has been in existence for 80 years, is widely regarded as the pre-eminent research and reference facility for the study of all aspects of motion pictures, as an art form and an industry. The non-circulating research and reference collection, located in Beverly Hills, California, is open to the public, free of charge, and is heavily used by students, scholars, industry personnel, journalists, filmmakers and
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Gutzeit, Lilly Joan, and Victor Tiberius. "Business and Management Research on the Motion Picture Industry: A Bibliometric Analysis." Journalism and Media 4, no. 4 (2023): 1198–210. http://dx.doi.org/10.3390/journalmedia4040076.

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The motion picture industry is subject to extensive business and management research conducted on a wide range of topics. Due to high research productivity, it is challenging to keep track of the abundance of publications. Against this background, we employ a bibliographic coupling analysis to gain a comprehensive understanding of current research topics. The following themes were defined: Key factors for success, word of mouth and social media, organizational and pedagogical dimensions, advertising—product placement and online marketing, tourism, the influence of data, the influence of cultur
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Garcia, Eddie, Hamed Yazdanshenas, Nicholas A. Kusnezov, and Arya Nick Shamie. "Costs of Musculoskeletal Injury in the California Film and Motion Picture Industry." Global Journal of Health Science 8, no. 11 (2016): 293. http://dx.doi.org/10.5539/gjhs.v8n11p293.

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<p><strong>INTRODUCTION:</strong> Musculoskeletal injuries may have a significant economic impact on the film and motion picture (FMP) industry. However, there is currently no comprehensive data on the cost of workers’ compensation (WC) claims in the FMP industry. We present the first analysis of the cost of musculoskeletal injuries in the California (CA) FMP industry.</p><p><strong>METHODS: </strong>We reviewed the WC claims database of the Workers’ Compensation Insurance Rating Bureau of California (WCIRB) from 2003 to 2007 and employment statistics
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Fischer, Conan. "Heavy Industry, Society and aspects of foreign Policy in the Weimar Republic." Revue d’Allemagne et des pays de langue allemande 30, no. 1 (1998): 53–61. http://dx.doi.org/10.3406/reval.1998.4049.

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Historians of Weimar have often regarded heavy industry as instrumental in the Republic's eventual collapse. Socially reactionary and with undue political power, heavy industrialists allegedly sought an excessive share of resources and influence at the cost of labour and the more liberal newer industries. However this received picture is too simple. Heavy industry suffered repeated crises which triggered internal conflict, and inconsistencies in relations with government and labour. Furthermore, in unwitting anticipation of the European Union, there arose a tentative willingness to repair exte
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Zhu, Kevin. "Internet-based Distribution of Digital Videos: The Economic Impacts of Digitization on the Motion Picture Industry." Electronic Markets 11, no. 4 (2001): 273–80. http://dx.doi.org/10.1080/101967801753405562.

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Shesha, Lamia Saud, and Nadia Yusuf. "The Socio-economic Potential of the Emerging Film Industry in Saudi Arabia." European Journal of Sustainable Development 10, no. 1 (2021): 239. http://dx.doi.org/10.14207/ejsd.2021.v10n1p239.

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The Kingdom of Saudi Arabia transformed from a developing Middle Eastern nation into a regional power with ambitious projects in a variety of sectors. In this framework, the government proceeded to legalize cinemas in 2018, with an unprecedented step of issuing seven licenses for major cinema operating businesses. All of the prominent steps designed to promote the film industry align with the broader concept of expanding Saudi Arabia’s cultural and economic boundaries by adopting a path towards modernization and diversification. As the study seeks to investigate the social and economic prospec
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Reza, Manjurul Hossain. "The Ins and Outs of the Leather Industry in Bangladesh." Journal La Bisecoman 3, no. 2 (2022): 49–58. http://dx.doi.org/10.37899/journallabisecoman.v3i2.564.

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The leather industry in Bangladesh is growing thanks to the country's expanding economic prosperity. Hides and skins, which are by-products of the meat and meat products sector, are often used as raw materials in the leather business. This research aims to offer a complete picture of Bangladesh's leather industry's performance, products, tanning, investment, and environmental impact. This research focused on the technique that will be utilized to gather sufficient data to support this study, as well as the way by which it will be carried out. This study is based upon the literature survey for
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KIEL, DANIEL, JULIAN M. MÜLLER, CHRISTIAN ARNOLD, and KAI-INGO VOIGT. "SUSTAINABLE INDUSTRIAL VALUE CREATION: BENEFITS AND CHALLENGES OF INDUSTRY 4.0." International Journal of Innovation Management 21, no. 08 (2017): 1740015. http://dx.doi.org/10.1142/s1363919617400151.

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The Industrial Internet of Things (IIoT) poses several implications on manufacturers in terms of economic, ecological, and social aspects referring to the Triple Bottom Line (TBL) of sustainable value creation. Due to its technical core, the current research focused on its technical fundamentals, whereas the economic discussion is still in its infancy. This paper aims at painting a comprehensive and structured picture of IIoT-related economic, ecological, and social benefits and challenges. For this purpose, we employ an exploratory multiple case study approach based on semi-structured expert
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Dissertations / Theses on the topic "Motion picture industry – economic aspects"

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Bahmad, Jamal. "Casablanca belongs to us : globalisation, everyday life and postcolonial subjectivity in Moroccan cinema since the 1990s." Thesis, University of Stirling, 2014. http://hdl.handle.net/1893/19847.

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This dissertation examines the representations of Casablanca in Moroccan cinema and their articulation of postcolonial subjectivity since the 1990s. To overcome a deep economic recession and simmering social unrest in the early 1980s, Morocco embarked on a comprehensive programme of structural adjustment policies under the aegis of the International Monetary Fund. Market reforms ushered in novel forms of spatial development and social relations in Moroccan cities over the next decades. In the cultural field, a popular cinema emerged in the early 1990s and has projected the complex structures o
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McKenzie, Jordi. "An economic analysis of motion pictures in the Australian cinema industry, 1997-2000." Connect to full text, 2005. http://hdl.handle.net/2123/1794.

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Thesis (Ph. D.)--Discipline of Economics, University of Sydney, [2006?].<br>Title from title screen (viewed 27th June, 2007). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Discipline of Economics, University of Sydney. Degree awarded 2006?; thesis submitted 2005. Includes bibliographical references. Also issued in print.
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Street, Sarah. "Financial and political aspects of state intervention in the British film industry, 1925-1939." Thesis, University of Oxford, 1985. http://ora.ox.ac.uk/objects/uuid:aeedf404-aa82-4a7e-a1b7-feb626ffff81.

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During this period the state's interest in the film industry took several different forms. The area of films policy explored in this thesis is the economic protection of the commercial film industry against the high percentage of American films screened in Britain and the Empire. I begin in 1925 because it was not until then that active steps were taken by the government, in response to agitation from producers and those who saw film as a bond of Empire and advertisement for British goods and 'way of life', leading to the Cinematograph Films Act, 1927. This proposed, for political, cultural, m
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Brown, Anna Marie. "Cinerati." PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/808.

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From the polluted canals of turn-of-the-century Birmingham, England, William Moxley is an ineffectual captain of industry burning for a Music Hall life. With his unlikely bride Elvina in tow, he journeys to the west coast of the United States, only to shipwreck against his lifelong dream--a vaudeville hall called "The Sunshine." In "Dear Clara," a depression-era love story, Warren Wilkerson has been a Sunshine fixture since the age of six; suddenly forced out by the theatre's back-stabbing, bootlegging "owner," Warren must resort to desperate measures in order to pay for his dying wife's insul
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Lam, Sui-kwong Sunny, and 林萃光. "The impact of translated Japanese comics on Hong Kong cinematic production: cultural imperialism or localredeployment?" Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B29902289.

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Mills, Jane Kathryn. "Hollywood and its others : porous borders and creative tensions in the transnational screenscape." Thesis, View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/19823.

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This dissertation challenges how Hollywood is typically imagined as monolithic, homogenous and homogenising, and separated from other cinemas by fixed and impermeable borders. This influential cinematic paradigm posits a centre-periphery model underpinned by binary oppositions in which most cinemas are negatively defined as Hollywood’s ‘other’ and perceived as fixed in permanent states of opposition and assimilation. It is a perception reinforced by the influential critical paradigm which focuses on the films’ formal stylistic and narrative properties. This conceptualisation ignores, or fails
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Nambiar, Gleema. "Using identity politics to address artworld issues : a case study of the New Initiatives in Film program at the National Film Board of Canada." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85192.

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The Canadian government introduced its Multicultural and Employment Equity policies in a series of attempts to induce federally-controlled institutions to reflect the racial diversity of the Canadian population in their programs and workforces. This is a case study of one institution's response to these policies. It examines the implementation of the six-year New Initiatives in Film (NIF) program begun in 1990 by the now-defunct women's filmmaking unit, Studio D of the National Film Board of Canada (NFB) and exposes the fault lines along which the goals of the NFB's various constituent
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Hall, Martin. "Theories of the subject : British cinema and 1968." Thesis, University of Stirling, 2018. http://hdl.handle.net/1893/28597.

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Aiming to make an intervention in critical theory, film-philosophy and British Cinema scholarship, this thesis investigates what a marriage of Lacanian and Badiouian theories of the subject can bring to the study of the radical British feature film of 1968: films which in differing ways represent the political and intellectual debates current in the culture. The question of what can be learnt through an analysis situated within theories of the subject has not been addressed within British Cinema studies. Psychoanalytic film theory in its previous incarnations utilised a section of Lacan's thou
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"Image capital: a case study of the spatialization and semioticization processes at Hengdian World Studios." 2012. http://library.cuhk.edu.hk/record=b5549512.

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本文提出「影像/形象資本」作為考察影像/形象、資本及權間關係的工具。「影像/形象資本」發展至自布爾迪卮的文化資本，但「影像/形象」資本把焦點放在視覺或形象資源如何在文化/經濟、生產/消費以及上層建築/下層建構界線越趨模糊的符號空間經濟主導代，成為文化場域中新的權資源。<br>透過考察橫店影視城一個結合影視生產及遊的中國影城生產地域化及經濟符號化的過程，本文嘗試對「影像/形象資本」的概作深入的分析。沿著布爾迪卮的框架，影視城被視為一個由擁有同影像/形象資本的能動者構成的場域，而這些能動者自在地及跨境的生產及消費網絡。在橫店影視城生產、積與轉換的過程的探中，本文嘗試回答：一)影像/形象在文化場域中的功能及其轉換為經濟或其他資本的條件；二) 影像/形象資本在國際文化分工成員中的分佈以及其結構對影像資本的價值及轉換的影響。第一條問題旨在闡釋經濟符號化的過程，第二條問題則希望剖析影像/形象與資本主義結下的地域分工以及動政治。作為一個可以同時探究影像帶的可能性及限制的概，影像/形象資本把媒介影像的研究，從批判學派對影像呈現的控制及霸權形成，展至影像對同能動者、以至在符號經濟時代中冒升的社會機構所產生的建設性及壓迫性的權的多重探索。<br>This thesis develops the concept of image capital to investigate the relationsh
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Sebok, Bryan Robert 1978. "Convergent Hollywood, DVD, and the transformation of the home entertainment industries." Thesis, 2007. http://hdl.handle.net/2152/3679.

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In 1997, DVD was introduced to the American public, beginning the fastest diffusion of any consumer electronics product in history. In this dissertation, I show how DVD, via favorable conditions in industry, technology, culture, economics, and the regulatory environment, replaced existing home video and computing technologies while transforming home entertainment. I analyze how DVD was successfully developed and commercialized by member firms in the filmed entertainment, consumer electronics, and computing industries from 1994-2002. I demonstrate how a new industry developed around DVD through
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Books on the topic "Motion picture industry – economic aspects"

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Oommen, M. A. Economics of Indian cinema. Oxford & IBH Pub. Co., 1991.

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Perretti, Fabrizio. Economia del cinema: Principi economici e variabili strategiche del settore cinematografico. ETAS, 2003.

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Confederation, Irish Business and Employers. The economic impact of film production in Ireland 1994. Irish Business and Employers Confederation, 1995.

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Creton, Laurent. Economie du cinéma: Perspectives stratégiques. 3rd ed. Nathan, 2001.

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Creton, Laurent. Cinéma et marché. A. Colin, 1997.

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Langl, Barbara. Film made in Austria: Finanzierung, Produktion, Verwertung. StudienVerlag, 2003.

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Simsi, Simon. Ciné-passions: 7e art et industrie de 1945 à 2000. Dixit, 2000.

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Ḥasanayn, Nāṣir Jalāl. al- Abʻād al-iqtiṣādīyah li-azmat ṣināʻat al-sīnimā al-Miṣrīyah. al-Hayʾah al-Miṣrīyah al-ʻĀmmah lil-Kitāb, 1995.

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Boschetti, Carlo. Risorse e strategia d'impresa: Il caso delle imprese cinematografiche. Società editrice Il mulino, 1999.

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Frank, Björn. Zur Ökonomie der Filmindustrie. S + W Steuer- und Wirtschaftsverlag, 1993.

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Book chapters on the topic "Motion picture industry – economic aspects"

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Yuan, Shufan. "Attaining Bargaining Power over the Intermediate Firm from Supplier-Buyer Alliance: A Case from the Motion Picture Industry." In Proceedings of the 2022 4th International Conference on Economic Management and Cultural Industry (ICEMCI 2022). Atlantis Press International BV, 2023. http://dx.doi.org/10.2991/978-94-6463-098-5_189.

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Muchunku, Charles, and Georg Heinemann. "Identifying Effective Electrification Approaches and Combinations Thereof to Meet Universal Electricity Access Targets in Eastern Africa." In Energiepolitik und Klimaschutz. Energy Policy and Climate Protection. Springer Fachmedien Wiesbaden, 2022. http://dx.doi.org/10.1007/978-3-658-38215-5_9.

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AbstractThe gains made in increasing electricity access between 2010 and 2018 indicate the benefit of a multi-pronged approach to electrification, which combines on-grid and off-grid electrification approaches and efforts from both public and private actors. The gains still fall short of the rate of increase needed to achieve universal access to electricity by 2030, indicating the need to increase the effectiveness of the multi-pronged approach. To do this the paper applies the triple embeddedness framework theory. Within the scope of Eastern Africa, we consider actors in the delivery of elect
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Morton, David. "“Assurances of Full Cooperation”." In Motion Picture Paradise. University Press of Florida, 2024. https://doi.org/10.5744/florida/9780813069999.003.0006.

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This chapter examines how Governor Reubin Askew’s (1971–79) “Open Letter to the Motion Picture Industry” initiated an unprecedented moment of statewide cooperation with the motion picture industry. Working in tandem with his predecessor Governor Claude Kirk’s (1967–71) courtship of the Walt Disney Corporation, Askew sought to increase the prevalence and presence of film and television productions in the state to help bolster its fledgling economy following the onset of the 1973–75 recession. Meanwhile, social upheavals in South Florida in 1980 (including the Mariel Boatlift and McDuffie Rebell
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"Movie stars and the distribution of financially successful films in the motion-picture industry." In An Economic History of Film. Routledge, 2004. http://dx.doi.org/10.4324/9780203358047-13.

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Sheen, Erica. "Economic Iron Curtains." In Geopolitical Shakespeare. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780191995163.003.0004.

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Abstract This chapter presents an account of the confrontation between British actor Laurence Olivier and American producer David O. Selznick over what were effectively rights of property in films of Shakespeare plays. In April 1946, Selznick registered the titles of seven Shakespeare plays, including Hamlet, with the Title Registration Bureau of the Motion Picture Association of America. Following his refusal to allow Vivien Leigh to take the part of Katherine in Henry V, Selznick used this registration to try to frustrate Olivier’s plans for his celebrated production of Hamlet. The chapter d
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Skliarenko, Roman Petrovich. "Preodolenie protivorechii razvitiia mirovoi obshchekhoziaistvennoi i tovarnoi koniunktury na osnove additivnykh i kognitivnykh tekhnologii v ramkakh modeli ekonomicheskogo iadra i periferii." In Principles of the New Ecosystem Formation: economic aspects. Publishing house Sreda, 2023. http://dx.doi.org/10.31483/r-108652.

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The presented chapter partially reveals the problem of transforming the methods of management of developed and developing countries under the influence of mass application in the economy cognitive and additive technologies. The chapter considers partially changes in the work of financial and construction sectors as having multiplicative effect on other branches of economy. With few exceptions, the names of modern firms, banks, investment funds not used to make the author look interested. The theoretical basis is works of Nobel laureates of last decade on the economy. The author’s estimative op
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Gillespie, Michael Patrick. "Gothic Forms in Irish Cinema." In Irish Gothic. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399500555.003.0005.

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Though many Irish films have aspects of the Gothic, their structures generally adhered in a programmatic fashion to the guidelines of Classic Hollywood Cinema, and in this way they are similar to generic motion picture structures that could come from international studios in any part of the world. A select few films have produced uniquely Irish Gothic narratives, that is to say motion pictures that echoed the post-Modern tendencies of German Expressionists with unapologetically fragmented cultural contexts. To underscore these contrasts, this essay offers a sampling of the more conventional ap
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Lupack, Barbara Tepa. "Seeking “Old Opportunity”." In Silent Serial Sensations. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501748189.003.0002.

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This chapter details how Ted Wharton got into the entertainment business. The early years that Ted spent on and behind the stage gave him an invaluable introduction to virtually all aspects of the entertainment industry, especially to the performance and production of melodrama. They also taught him the technical and improvisational skills that would serve him well as he graduated from vaudeville performance and legitimate stage acting to direction of film shorts and production of serials, particularly since he was often experimenting as he developed the conventions and devices that would beco
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Procter, Ben. "Hollywood, San Simeon, and Expansion." In William Randolph Hearst. Oxford University PressNew York, NY, 1997. http://dx.doi.org/10.1093/oso/9780195325348.003.0006.

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Abstract Early in the 1900s, nestled in the valleys and foothills of the Santa Monica Mountains in northwest Los Angeles, lay the peaceful community of Hollywood. Because of the warm southern California climate, with a terrain caressed by Pacific Coast breezes and “aglow with orange groves, fruit trees, palms, and poinsettias;’ Hollywood was considered an ideal place to live. But by 1926 the business and economic complexion of the area had changed significantly “from a paradise for retired Iowan farmers into a seventh heaven for youth:’ More than eighty percent of the motion picture trade, whi
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Jackson, Robert H. "That Man As Economist." In That Man. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195168266.003.0007.

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Abstract Many of The Litigations and other matters that presented legal aspects were also economic matters. It always seemed to me that the President was at his weakest in dealing with economic or business problems. He had not engaged in business as my law practice had compelled me to do, and he had no personal knowledge of its methods or its problems. He tended to think of economic matters as personal rather than impersonal forces. He was much inclined to think about economic matters in terms of rights and wrongs. He was inclined to think that we were prosecuting a group of businessmen becaus
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Conference papers on the topic "Motion picture industry – economic aspects"

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Ventikos, Nikolaos P., Lokukaluge P. Perera, Panagiotis Sotiralis, Emmanouil Annetis, and Eirini V. Stamatopoulou. "A Life-Cycle Cost Framework for Onboard Emission Reduction Technologies: The Case of the Flapping-Foil Thruster Propulsion Innovation." In ASME 2022 41st International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2022. http://dx.doi.org/10.1115/omae2022-79031.

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Abstract To deal with the decarbonization challenge in an efficient way in terms of cost-effectiveness, reliability and feasibility for newbuilding and retrofit solutions in maritime industry, Seatech H2020 project develops a flapping-foil thruster propulsion innovation, together with a dual-fuel engine innovation to increase fuel efficiency and reduce emissions. The focus of this study is on the foil thruster, which is arranged at the bow and slightly in front of the ship, and it utilises the energy from wave-induced motions by converting it into thrust. For such innovations, a clear picture
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Paltrinieri, Nicola, Gabriele Landucci, and Pierluigi Salvo Rossi. "Real-Time Data for Risk Assessment in the Offshore Oil and Gas Industry." In ASME 2017 36th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/omae2017-61486.

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Recent major accidents in the offshore oil and gas (O&amp;G) industry have showed inadequate assessment of system risk and demonstrated the need to improve risk analysis. While direct causes often differ, the failure to update risk evaluation on the basis of system changes/modifications has been a recurring problem. Risk is traditionally defined as a measure of the accident likelihood and the magnitude of loss, usually assessed as damage to people, to the environment, and/or economic loss. Recent revisions of such definition include also aspects of uncertainty. However, Quantitative Risk Asses
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Sierra, Leopoldo, and Connor Lovingfoss. "Hydraulic Fracturing Design Considerations for Carbon Capture, Utilization, and Storage (CCUS)." In SPE Hydraulic Fracturing Technology Conference and Exhibition. SPE, 2024. http://dx.doi.org/10.2118/217816-ms.

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Abstract Hydraulic fracturing, a well-established technique in the oil and gas industry, has gained significant attention as a potential method to improve the short- and long-term efficiency of the Carbon Capture, Utilization, and Storage (CCUS) process. Most of the scoping studies on CCUS have centered on the reservoir aspects, such as storage and CO2 movement. Very little has been done evaluating what the fracture designs might look like in this process. This paper presents a review of the application of hydraulic fracturing in CCUS projects, examining its technical feasibility, fluids, sust
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