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Dissertations / Theses on the topic 'Muséum maritime'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

McCarthy, Meredith. ""It's Always Ourselves We Find in the Sea" maritime museums and education at Independence Seaport Museum /." Diss., Connect to the thesis, 2004. http://thesis.haverford.edu/70/01/2004McCarthyM.pdf.

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2

馮穎川 and Wing-chuen Edmond Fung. "Maritime Museum Park-scape." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31985178.

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Fung, Wing-chuen Edmond. "Maritime Museum Park-scape." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25945488.

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Wong, Kam-hon Lawrence, and 黃錦漢. "Maritime Museum in west Kowloon." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31986857.

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張錦慶 and Kam-leung Cheung. "Maritime museum and research centre." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31982669.

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6

Rodowsky, Robin Annie. "The Maritime Museum of Baltimore." Thesis, Virginia Tech, 2015. http://hdl.handle.net/10919/52961.

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The Maritime Museum finds its home in a corner of the Baltimore harbor near the intersection of Boston Street and Clinton Street in Canton. As an institution focusing on the historical context of Baltimore, I chose to align the building with Fort McHenry; a National Monument and Historic Shrine as well as a place that I have enjoyed visiting since childhood. The site itself, is an area that my family used frequently. Afternoons were spent in the small park located not far from a public works building and parking lot. The city keeps most of their unused equipment and vehicles behind that build

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7

Cheung, Kam-leung. "Maritime museum and research centre." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25951464.

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8

Wong, Kam-hon Lawrence. "Maritime Museum in west Kowloon." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25954520.

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9

Etamane, Anastasie Gael Mbarga Epse. "Histoire et mémoire de la ville de Douala à travers son musée maritime (1986-2013)." Master's thesis, Universidade de Évora, 2019. http://hdl.handle.net/10174/26943.

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Capitale économique du Cameroun, Douala est une ville historique et patrimoniale. En effet, elle est considérée par plusieurs auteurs comme la ville des « commencements », le berceau de l’histoire contemporaine de ce territoire qui allait devenir plus tard, République du Cameroun. L’histoire de cette ville est connue à travers une abondante littérature à son sujet. Toutefois, les autorités camerounaises et les populations de la ville ont jugé nécessaire de mettre sur pieds un musée dédié à l’histoire maritime du pays. C’est ainsi que fut construit le tout premier musée maritime de Douala en 19

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10

Carstoiu, Benjamin Jean. "Material Fluidity: Sense - Will - Form, Alexandria, Virginia Maritime Museum." Thesis, Virginia Tech, 2004. http://hdl.handle.net/10919/30834.

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The goal of my thesis was to produce a building that lives in the spirit of water - a universal substance that senses and responds to the will of the environment around it. Similar to water, the maritime museum adapts its form to external forces while borrowing and redistributing energy throughout an internal cohesive structure. The building serves as an instrument of measurement, etching the pattern of the tides in the night sky and measuring its own shifting form in relation to the moon - its form, constantly reformulates itself, and is analogous to the ebb and flow of progress in history

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11

Wiryawiwatt, Charupan. "Museum of royal barge : the kingdom of Thailand /." Thesis, Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25955809.

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Thesis (M. Arch.)--University of Hong Kong, 1997.<br>Includes special report study entitled: Water : the scientific and spiritual reading of water and its influences in Thai culture. Includes bibliographical references.

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12

Maréchal, Jean-Philippe. "Patrimoines maritimes et champ muséal en Bretagne : réflexions sur les possibilités de mise en réseau." Paris, Muséum national d'histoire naturelle, 2002. http://www.theses.fr/2002MNHN0006.

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Quarante sept établissements maritimes sont répartis sur le littoral de la région Bretagne. Ils représentent environ 9% de l'offre touristique globale. L'analyse présentée repose sur une démarche qui évolue en trois temps : définition qualitative des établissements et présentation d'une typologie structurante; élaboration d'un modèle de mise en réseau adapté au contexte breton, apportant une réponse à la présente situation. Le modèle typologique qualitatif élaboré dresse un bilan de l'environnement muséal maritime. Celui-ci est caractérisé par une grande diversité de structures, de statuts et

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13

ALINAM, MORTAZA. "Interactive Experience Design: Integrated and Tangible Storytelling with Maritime Museum Artefacts." Doctoral thesis, Università degli studi di Genova, 2022. https://hdl.handle.net/11567/1097215.

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Museums play the role of intermediary between cultural heritage and visitors, and are often described as places and environments for education and enjoyment. The European Union also encourages innovative uses of museums to support education through the cultural heritage resources. However, the importance of visitors’ active role in museums as places for education and entertainment, on the one hand, and the growing and indispensable presence of technology in the cultural heritage domain, on the other hand, provided the initial ideas to develop the research. This thesis, presents the study and

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14

Andrews, Charlotte. "Community uses of maritime heritage in Bermuda : a heritage ethnography with museum implications." Thesis, University of Cambridge, 2010. https://www.repository.cam.ac.uk/handle/1810/236188.

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This research contributes to the fields of heritage and museum studies with a threefold objective: conceptualise heritage as a process, using an appropriate research method, with implications for museums. The work correspondingly helps to redress the undertheorisation of heritage, the inadequacy of methods for grasping heritage as an ethnographic object of study, and the disconnection between communities and their museums - and, underlying and linking these issues, the widespread incorrect and damaging presumption that individuals, or the communities they constitute, are heritage deficient. In

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15

Rio, Gaëlle. "Le musée national de la Marine : histoire d'une institution et de ses collections (1748-1998)." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL178.

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Figurant parmi les grands musées nationaux, le musée de la Marine est le plus ancien musée d’histoire maritime en France, dont les origines remontent au milieu du XVIIIe siècle. Fondé à partir de la collection de modèles de bateaux donnée au roi Louis XV par l’académicien Henri Louis Duhamel du Monceau en 1748, le musée Dauphin ouvre au Louvre en 1827 sous Charles X, à destination avant tout des élèves de l’école d’ingénieurs constructeurs de la Marine dans une finalité d’instruction. L’approche monographique et institutionnelle permet de mettre en évidence trois grands moments de l’histoire d

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16

Booth, Benjamin Keith Willoughby. "An investigation of museum data storage and access technologies including case studies on archaeological records at the National Maritime Museum and visitor information at the Science Museum." Thesis, University College London (University of London), 1996. http://discovery.ucl.ac.uk/1317527/.

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This dissertation investigates the technology for storage and access to data in museums, focusing on requirements for collections management and the information needs of visitors. The various components of museum information systems, including data structures and terminology, recording media, computer software and hardware, manual systems, and management procedures are comprehensively examined through case studies at the National Maritime and Science Museums. The first case study describes and assesses manual and computer based techniques developed for the storage and retrieval of records in t

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17

Boyer, Myriam. "Les Collections et les muséographies des musées de l'école et de l'Education en Europe : étude comparative à partir d'exemples significatifs." Paris, CNAM, 2009. http://www.theses.fr/2009CNAM0656.

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Qu’est-ce qu’un musée de l’école ou de l’éducation ? Une simple salle de classe historique ? Un livre ouvert d’histoire ? Un musée ethnographique ? Un musée de société en prise avec l’actualité ? À qui s’adresse-t-il ? Les collections, les présentations et l’ambition des institutions muséales varient selon les moyens, les soutiens et les statuts, mais aussi selon leur histoire qui, pour certaines d’entre elles, remonte aux années 1850-1914 lorsque des musées pédagogiques et scolaires sont fondés pour diffuser de nouveaux outils didactiques accompagnant l’instauration de la scolarisation obliga

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18

Amarante, Cristiane Eugenia da Silva. "Refletindo sobre musealização: um encontro entre público e arqueologia marítima em Santos." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/71/71131/tde-14052014-120829/.

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Essa pesquisa tem como objeto a musealização da arqueologia marítima na cidade de Santos. Para tanto, recorreu ao estudo de recepção com estudantes de uma escola municipal de Santos visando a coletar dados norteadores de política de comunicação inerente ao processo de musealização. O propósito é trabalhar com a arqueologia pública, utilizando-se de estratégias participativas que aproxime as pessoas da ciência arqueológica considerando o museu e seu público. O estudo apresenta as pesquisas em arqueologia na cidade de Santos. Essas investigações trouxeram outras possibilidades de leituras para a

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19

Pearson, Natali. "Salvaging a wreck: the afterlife of the Belitung shipwreck." Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/19622.

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Using the Belitung shipwreck as a case study, this thesis examines the question of what constitutes protection and preservation of underwater cultural heritage in a museum context, and advocates a re-appraisal of these concepts. My original contribution to knowledge is the articulation and interrogation of the post-discovery afterlife of the Belitung shipwreck, including the circumstances of its discovery, salvage and exhibition. This approach is informed by the idea that objects accumulate histories, meaning and significance through the events and people they encounter. As this thesis demonst

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20

Wares, Heather Lynne. "Maritime archaeology and its publics in post-apartheid South Africa." University of the Western Cape, 2013. http://hdl.handle.net/11394/5106.

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Magister Artium - MA<br>Since the end of apartheid and with that the construction of a new South Africa, archaeology has experienced what can be seen as a resurgence in the public domain. With the creation of a new nation imagined as existing since time immemorial, there has been an emergence of archaeological pasts providing evidence of a nation believed to have existed before apartheid and colonialism. Due to this resurgence of interest in the pre-apartheid and pre-colonial pasts, there has been a ballooning of research and exhibitions around paleontological finds, rock art sites and Iron A

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21

Shank, Patrick. "Below The Depths With USS Becuna: Reinterpreting Cold War History Through Submarines and Cartoons." Master's thesis, Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/445085.

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History<br>M.A.<br>Connecting people to the past through thought-provoking interpretations is one of the chief aims of history museums. The submarine USS Becuna at the Independence Seaport Museum (ISM), however, has been without critical interpretation since its opening as a museum in 1976. In order to better fulfill its mission, the museum must interpret Becuna’s Cold War history. This project explores the Cold War though the history of the submarine’s service and the lives of the submariners. First by examining submarines during the early decades of the Cold War, this paper fills in the gaps

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22

Hicks, Robert Darrell. "The ideology of maritime museums, with particular reference to the interpretation of early modern navigation." Thesis, University of Exeter, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312411.

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23

Mameni-Bushor, Sara. ""Failed and Fell: Fell to Fail" : the narration of history in the works of Tacita Dean and Jeremy Deller." Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/2530.

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This Thesis is concerned with how history is narrated in two selected works by the British artists, Tacita Dean and Jeremy Deller. Chapter one considers Deller's The Battle of Orgreave (2001), a reenactment of a violent miners' strike against Margaret Thatcher's government in 1984-1985. The reenactment brought together reenactment hobbyist and ex-miners to perform the events at Orgreave and created a discourse around the imagined historical role of the working classes. Chapter two examines Dean's book Teignmouth Electron (1999), which recounts the failed voyage of Donald Crowhurst, one of the

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24

Fajersson, Malin. "Museicheferna och kreativiteten : Om institutioner, kreativitet, förhandlingspositioner och spårbundenhet vid Statens maritima museer." Thesis, Linköpings universitet, Institutionen för studier av samhällsutveckling och kultur, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-145633.

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Museums are important for maintaining trust and tolerance in society and their importance has in-creased as more and more people visit museums. Twenty-five million visits were made to museums in Sweden in 2014. The issue of creative idea generation in terms of exhibition projects is central to the museum's impact and success, and to its relevance to an increasingly complex audience. In order to download their collections with new content and stories, museums have to develop their vision of creative idea generation and be better at taking a creative approach to the exhibition topic. This is dif

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25

Chen, Qing. "Mosques of the maritime Muslim community of China : a study of mosques in the south and southeast coastal regions of China." Thesis, SOAS, University of London, 2015. http://eprints.soas.ac.uk/29805/.

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26

Desbordes, Moreigneaux Nathalie. "Le rapport des allemands à la mer au travers du centre de recherche et du musée du Deutsche Schiffahrtsmuseum de Bremerhaven." Lorient, 2009. http://www.theses.fr/2009LORIL156.

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27

Percheron, Bénédicte. "Les sciences naturelles à Rouen au XIXe siècle : muséographie, vulgarisation et réseaux scientifiques (1789-1923)." Rouen, 2014. http://www.theses.fr/2014ROUEL018.

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L’étude des sciences naturelles à Rouen au XIXe siècle, dans son acception la plus large, permet de révéler des pratiques sociales, culturelles, économiques, politiques ou encore, des idéologies scientifiques et philosophiques. De l’émergence du premier jardin botanique de Rouen à l’ouverture du Parc zoologique de Clères, en passant par la création des muséums d’histoire naturelle de Rouen et d’Elbeuf, cette thèse offre un panorama de l’histoire de cette discipline à travers le prisme de la muséographie, de la vulgarisation et des réseaux scientifiques. Elle interroge et confronte la cohabitat

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28

MASCIOPINTO, MICHELE CLAUDIO D. "Narrazione generativa del paesaggio: antropologia del mare, eredità patrimoniali e rappresentazioni di un borgo marittimo." Doctoral thesis, Università degli studi della Basilicata, 2022. http://hdl.handle.net/11563/158066.

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La tesi, sviluppata seguendo le linee di ricerca intraprese dalla Cattedra UNESCO dell’Università della Basilicata “Paesaggi culturali del Mediterraneo e comunità di saperi”, mira ad indagare il tema della “narrazione generativa del paesaggio” come strumento capace di incrementare la conoscenza del territorio e delle sue comunità, al fine di promuovere la valorizzazione del suo patrimonio culturale e lo sviluppo sostenibile del paesaggio e dei suoi abitanti. La ricerca è stato condotta attraverso un approccio multidisciplinare su tre linee di ricerca: il paesaggio, il linguaggio cinematografic

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29

Jemai, Slim. "Les arts plastiques à Nice dans l'entre-deux-guerres : fondements et institutions." Thesis, Nice, 2014. http://www.theses.fr/2014NICE2002.

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Les arts plastiques à Nice dans l’entre-deux-guerres se développent au sein de deux catégories d’institutions : les institutions privées et les institutions publiques. Ces deux catégories ne sont pas homogènes étant donné la variété des structures, des objectifs et des formes d’art plébiscitées au sein des institutions publiques et privées. La période étudiée s’étend de 1919, au lendemain de la Première Guerre mondiale, jusqu’au début de la Deuxième Guerre mondiale en 1939 ; elle est marquée par les conséquences de la Grande Guerre, la crise économique mondiale de 1929 et la montée des tension

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30

Badulescu, Cristina. "Médiation muséale et dispositif de préfiguration du sens : nouvelle approche expographique du Musée international de la parfumerie (Grasse)." Thesis, Dijon, 2010. http://www.theses.fr/2010DIJOL009.

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La médiation muséale comme dispositif préfiguratif est ici étudiée selon une approche sémio-pragmatique avec une attention particulière accordée aux processus de production de sens ainsi qu’aux contextes de communication. Partant de l’étude expographique du Musée International de la Parfumerie comme situation de médiation, cette recherche envisage l’analyse de la médiation muséale sous deux angles : un angle épistémologique (comme pratique culturelle et comme concept en soi) et un angle pragmatique à travers la notion de dispositif de médiation. Dans l’espace muséal, la notion de dispositif de

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31

(9252701), Andrea Witcomb. "Floating the museum: A cultural study of the Australian National Maritime Museum." Thesis, 1996. https://figshare.com/articles/thesis/Floating_the_museum_A_cultural_study_of_the_Australian_National_Maritime_Museum/26308819.

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<p dir="ltr">This dissertation seeks to bring together museums, popular culture and cultural studies. It does so by focusing on one particular museum - the Australian National Maritime Museum in Sydney's Darling Harbour. In many ways it works around discourses of change - not only in museums but also in museological practices, intellectual cultures and the economic, technological and policy contexts which surround and inform them. I argue that these new contexts are best understood by seeing the Australian National Maritime Museum as a point of convergence between new articulations of nationho

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32

Santos, Elisabete Mateus Ferreira. "Museu e Visitantes no Âmbito de uma Pandemia Mundial - O caso do Museu Marítimo de Ílhavo." Master's thesis, 2021. http://hdl.handle.net/10316/96960.

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Relatório de Estágio do Mestrado em Património Cultural e Museologia apresentado à Faculdade de Letras<br>O presente estudo surgiu no âmbito da realização de um estágio curricular que decorreu durante seis meses no Museu Marítimo de Ílhavo, tratando-se este relatório da etapa final da investigação desenvolvida nesse período. Das tarefas levadas a cabo neste projeto de investigação destaca-se a realização de inquéritos aos visitantes, fundamentais para compreender e analisar as motivações das visitas e identificar quais os sentimentos experienciados pelos visitantes num momento tão particular c

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33

Tsai, Cho-Hsuan, and 蔡卓軒. "User Interface Design of the Image-based Virtual Environment at Tamkang University Maritime Museum." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/85804178625477477799.

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碩士<br>淡江大學<br>教育科技學系<br>88<br>Over the past decade, there have been dramatic advances in the technology used to present image-based information. The focus of this study is to evaluation and design friendly interface for users to interact successfully in an Image-based environment. By using qualitative methods such as expert review, interview and observation, two imaged based Quick-time Virtual Reality software were examined to see what interface design elements were used and how they were implemented in relation to current virtual environment. Hot spot return, zoom in/out, show hot

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Santos, Doris Joana Simões dos. "Arte, museus e memórias marítimas. Identidade e representação visual da Nazaré." Doctoral thesis, 2020. http://hdl.handle.net/10362/107858.

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A presente tese tem o desígnio de analisar o contributo da arte, nomeadamente das artes visuais, na produção imagética sobre o mar e as comunidades marítimas tradicionais, bem como a sua apresentação em contexto museológico, selecionando o caso paradigmático da Nazaré. A representação da Nazaré “Terra de Pescadores” assumiu contornos de grande visualidade, que ainda hoje fundamenta o sentimento de pertença da comunidade e a sua comunicação com o Outro, no seio de reptos turísticos onde a modernidade se entrecruza com memórias e tradições. Nesta construção visual, influíram múltiplos ar

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Fitzpatrick, Peter Gerard Media Arts College of Fine Arts UNSW. "The Doulgas Summerland collection." 2007. http://handle.unsw.edu.au/1959.4/44257.

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The Douglas Summerland Collection is a fictional "monographically based history"1. In essence this research is concerned with the current debates about history recording, authenticity of the photograph, methods of history construction and how the audience digests new 'knowledge'. The narrative for this body of work is drawn from a small album of maritime photographs discovered in 2004 within the archives of the Port Chalmers Regional Maritime Museum in New Zealand. The album contains vernacular images of life onboard several sailing ships from the nineteenth and twentieth centuries, including

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