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Journal articles on the topic 'Muséum maritime'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Selvaduray, Mahendrran, Yapa Mahinda Bandara, and Norhaslinda Yunus. "MARITIME MUSEUMS VS SEAPORT MUSEUMS NAVIGATING THE EVOLUTION FROM MARITIME PORT BUSINESS TO THE MARITIME TOURISM INDUSTRY." Journal of Maritime Logistics 3, no. 1 (2023): 46–73. http://dx.doi.org/10.46754/jml.2023.08.004.

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Ocean-based countries has more advantages compare to a landlock regions where there face challenges on the access to the oceanography activities. Beyond major maritime trading and transportation business, maritime tourism business is one of the economically contributing sectors for coastal region nations. The main aim of this paper is to (a) identify the role of seaport museum and maritime museum, (b) to explore the benefits of seaport museum and maritime museum towards seaport industry, (c) proposing a framework for the future research direction on seaport tourism as a complementary business

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Ma, Scott. "A lesson in port citizenship." História da Historiografia: International Journal of Theory and History of Historiography 16, no. 41 (2023): 1–29. http://dx.doi.org/10.15848/hh.v16i41.2091.

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This article applies the framework of François Hartog’s regime of historicity to a comparative and historical study of three successive maritime museums in postwar Yokohama, Japan. Each museum was operated by the city to educate its citizens about Yokohama’s maritime identity, though through different affectively-laced temporal organizations that reflected evolving conceptions of municipal identity. The article distinguishes between “scientific universalism” in the Marine Science Museum (1961-1988), “romantic futurism” at the Maritime Museum (1989-2009), and “nostalgic presentism” at the Port

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Tatarko, Iryna. "ELEMENTS OF THE FORMATION OF MARITIME EDUCATION: THE EXPERIENCE OF MARITIME MUSEUMS." Pedagogical Education:Theory and Practice 35 (March 21, 2024): 112–22. http://dx.doi.org/10.32626/2309-9763.2023-112-122.

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The article refers to the development of maritime museums in Ukraine and their influence on maritime education. The author highlights that one of the urgent tasks of significant economic increase in Ukraine during the years of independence is the preservation and development of the maritime industry. Higher educational institutions and maritime museums are of considerable importance in achieving this goal. There are many museums in Ukraine; however, the researchers have paid little attention to the study of maritime ones. It has been ascertained that there are 14 maritime museums in Ukraine. T

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Tatarko, Iryna. "Elements of the formation of maritime education: the experience of maritime museums." Pedagogical Education:Theory and Practice 35 (December 30, 2023): 112–22. https://doi.org/10.32626/2309-9763.2023-35-112-122.

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The article refers to the development of maritime museums in Ukraine and their influence on maritime education. The author highlights that one of the urgent tasks of significant economic increase in Ukraine during the years of independence is the preservation and development of the maritime industry. Higher educational institutions and maritime museums are of considerable importance in achieving this goal. There are many museums in Ukraine; however, the researchers have paid little attention to the study of maritime ones. It has been ascertained that there are 14 maritime museums in Ukraine. T

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Elia Kadang, Yegar Sahaduta, and Alvin Hadiwono. "PENERAPAN KONSEP ARSITEKTUR NARATIF PADA EKSTENSI MUSEUM BAHARI." Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 6, no. 2 (2024): 1087–96. http://dx.doi.org/10.24912/stupa.v6i2.30897.

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The Maritime Museum plays a crucial role in preserving and disseminating knowledge about maritime culture and history. In an effort to expand the functions and appeal of this museum, the application of the right architectural concept is paramount. This research explores how the application of the narrative architecture concept can be used to design an extension of the Maritime Museum. Narrative architecture, which incorporates storytelling elements into its design, allows visitors to experience and understand maritime history more deeply and interactively. Through case study analysis and field

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Torres, Nuno Cintra. "muSEAum – Branding the Sea Museums of Portugal Research findings and perspectives of an innovation journey." Revista Lusófona de Educação, no. 57 (March 25, 2023): 69–82. http://dx.doi.org/10.24140/issn.1645-7250.rle57.05.

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The presence of the sea in Portuguese museums, monuments and sites is formidable, a multifaceted heritage providing experiences transposing history, exploration, industry, commerce, lifestyles, technologies, architecture, popular and fine arts. muSEAum focused on management competencies for the competitive exploration of museums’ characteristics, environment, and collection. The co-innovation project with a nationwide sample of sea-themed museological institutions – not just maritime or marine museums -- addressed the definition, management and communication of the museum brand, the benefits o

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Voronko, Aleksandr N. "Petrograd museums as a tool for the revival of the metropolis. 1920s." Vestnik of Saint Petersburg State University of Culture, no. 2 (47) (2021): 18–24. http://dx.doi.org/10.30725/2619-0303-2021-2-18-24.

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The article analyzes the trends in the development of scientific, technical and scientific museums in Petrograd in the 1920s. On the example of three newly created museums: the Museum of Maritime Transport and Ports, the Trade Museum and the museum «North». The history of creation, structure and concepts, social role, contribution to the economic recovery of the city during the nep period are considered.

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Mukhin, Andrei Sergeevich. "Actualization of the history of navigation in the image policy of the state (Estonian Maritime Museum in Tallinn)." Vestnik of Saint Petersburg State University of Culture, no. 4 (53) (December 2022): 65–70. http://dx.doi.org/10.30725/2619-0303-2022-4-65-70.

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The article is published based on the materials of the report of the same name, delivered at the second scientific and practical conference «Popularization of technical heritage in the museum» (Saint-Petersburg, GET, October 11, 2022). The author examines the transport thesaurus of maritime museums through the prism of state image policy. The Maritime Museum forms value categories related to the dignity of the state, its history, and the national narrative. The article examines the features of the exposition of the Estonian Maritime Museum in Tallinn, analyzes the place of finds in the phenome

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Daulay, Alya Maysarah. "Belawan Maritime Museum (Metaphor Architecture)." International Journal of Architecture and Urbanism 7, no. 3 (2023): 476–85. http://dx.doi.org/10.32734/ijau.v7i3.14609.

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Indonesia is a maritime nation with the world's biggest archipelago. Despite the fact that Medan, and particularly the Medan Belawan District, played a significant role in Indonesia's maritime history, the district's potential remains unrealized and has not been utilized and accommodated properly. Media is needed to accommodate and educate the public about the importance of maritime knowledge by providing a museum that can function as a place for preserving maritime history. Unfortunately, the interest of the Indonesian people in visiting museums is still relatively low. Therefore, facilities/

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Trannoy, Pierre, Claire Villemant, Patrick Roux, Vincent Bounes, and Jean-Christophe Gallart. "Dermatite à Paederus : gestion d’un cas par télémédecine par le Centre de Consultation Maritime Médicale (CCMM) de Toulouse et grâce à l’identification entomologique du Muséum National d’Histoire Naturelle." Toxicologie Analytique et Clinique 32, no. 1 (2020): 81–84. http://dx.doi.org/10.1016/j.toxac.2019.09.001.

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11

Kurokawa, Miyuki. "Kure Maritime Museum - YAMATO Museum." Marine Engineering 53, no. 1 (2018): 86–92. http://dx.doi.org/10.5988/jime.53.86.

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Kosiewski, Piotr. "MUSEUMS – VIEW FROM THE INSIDE." Muzealnictwo 58, no. 1 (2017): 0. http://dx.doi.org/10.5604/01.3001.0010.2669.

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The publication Museums, exhibits, museum professionals complements our knowledge of how museums functioned in the Communist period and their situation after 1989. The book includes discussions or memoirs by eleven people vital to Polish museology, who were connected with National Museums (in Cracow, Poznań and Wrocław), museum-residences (the Wawel Museum, the Royal Castle in Warsaw), specialised museums (the National Maritime Museum in Gdańsk, the Museum of Literature in Warsaw, the Jagiellonian University Museum), ethnographic museums (in Cracow and Toruń) and the Tatra Museum, which is an

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Nikolaev, Ivan R. "Visitors’ Perception of Maritime Museums: Preference Analysis." Observatory of Culture 19, no. 4 (2022): 390–99. http://dx.doi.org/10.25281/2072-3156-2022-19-4-390-399.

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The article considers the results of a sociological survey devoted to the analysis of preferences and perception of maritime museums by their potential visitors. The topic of maritime heritage and its museification is relevant due to a number of strategic documents devoted to the development of activities aimed at marine resources and affecting the preservation and actualization of maritime heritage. Although there are studies devoted to maritime museums in Russia and abroad, the attitude of visitors to this kind of expositions has not been studied before. This lacuna, along with the need to d

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Umiyati, Umiyati, and I. Nengah Tela. "IMPLEMENTASI ARSITEKTUR METAFORA PADA MUSIUM MARITIME DI KAWASAN WISATA BARELANG BATAM." SIGMA TEKNIKA 5, no. 2 (2022): 413–19. http://dx.doi.org/10.33373/sigmateknika.v5i2.4659.

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Pariwisata Batam merupakan sektor perekonomian terpenting untuk kepulauan Riau, pemerintahan kota batam harus memiliki kemampuan dalam mengolah kawasan wisata Barelang yang menjadi icon kota Batam, wisatawan local maupun mancanegara yang datang ke Batam merasa tidak lengkap kunjungannya, jika tidak mengunjungi kawasan Barelang, terutama jembatan 1 Barelang yang bernama jembatan Fisyabilillah. Lingkungannya yang berada di pinggir laut dan cocok dikatakan wisata bahari/maritim, namun bangunan di sekitar lokasi tersebut belum memberikan ciri bangunan bahari/maritim atau alam. Penelitian ini bertu

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Aracama, Annemette. "Marstal Maritime Museum." Mariner's Mirror 102, no. 4 (2016): 466–69. http://dx.doi.org/10.1080/00253359.2016.1240983.

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16

Goddard, David. "EXETER MARITIME MUSEUM." Mariner's Mirror 71, no. 2 (1985): 201–14. http://dx.doi.org/10.1080/00253359.1985.10656025.

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Studart, Denise C. "Museus e famílias: percepções e comportamentos de crianças e seus familiares em exposições para o público infantil." História, Ciências, Saúde-Manguinhos 12, suppl (2005): 55–77. http://dx.doi.org/10.1590/s0104-59702005000400004.

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Este artigo apresenta resultados de pesquisa de doutorado realizada em três exposições interativas, planejadas para o público infantil e famílias. Duas delas ocorreram em museus londrinos: All Hands Gallery, no National Maritime Museum e Launch Pad, no Science Museum. "Me & My Body", foi montada no Eureka! The Museum for Children, na cidade de Halifax. A metodologia adotada e os achados obtidos são uma contribuição para o estudo de público de família em museus e serve como referência e base de comparação para estudos na área desenvolvidos em outros países. No Brasil, são ainda poucas as pe

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Grácio, Rita. "Museums working with older people in times of pandemic." Working with Older People 24, no. 4 (2020): 313–19. http://dx.doi.org/10.1108/wwop-08-2020-0040.

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Purpose The purpose of this paper is to highlight some of the work with/for/about older people being undertaken by museums during the coronavirus disease (COVID-19) pandemic, thinking of museums as caregivers. Design/methodology/approach This paper reviews the responses from museums which work with older adults, in times of pandemic. It reviews how museums have addressed older people during the COVID-19 outbreak in the UK and Portugal. Two Portuguese maritime museums which have older adults as strategic audiences are selected and their Facebook webpage during the lockdown is analyzed. Findings

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Domżał, Robert. "SOCIAL RESPONSIBILITY IN EDUCATIONAL PROJECTS OF THE NATIONAL MARITIME MUSEUM IN GDANSK." Muzealnictwo 63 (September 14, 2022): 134–43. http://dx.doi.org/10.5604/01.3001.0015.9877.

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Social responsibility in museums is not an entirely new domain. For many years now activities locating museums among the institutions contributing to creating better social reality have been observed. This new paradigm overcomes the stereotypical perception of cultural institutions as organizations taking care only of tangible and intangible testimony to the past of mankind, at the same time imposing on them the responsibility versus society and the community. The National Maritime Museum (NMM) in Gdansk tries to face these challenges not only by implementing educational and conservation proje

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Scholl, Lars U. "Maritime history at maritime museums." International Journal of Maritime History 32, no. 2 (2020): 434–43. http://dx.doi.org/10.1177/0843871420921272.

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All museums do research into their collections. Some maritime museums, however, have started co-operations with adjacent universities and formed research bodies that initiated multidisciplinary research projects, as well as inaugurating PhD programmes and joining the transnational academic discourse. These initiatives are dependent on active promotion by research directors. Once these directors retire, their research initiatives are often jeopardised.

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Chen, Yi-An. "Empowering narratives: Rethinking Taiwan through the National Museum of History in Taiwan." ICOFOM Study Series 53(1-2) (2025): 142–56. https://doi.org/10.4000/14f8o.

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This article examines the Oceanic Taiwan exhibition at Taiwan’s National Museum of History (NMH) as a pivotal moment in reshaping national identity through museum narratives. Departing from its Sinocentric legacy, the NMH engaged diverse non-state actors to construct a maritime-centered curatorial assemblage that foregrounded Taiwan’s settler-colonial history and ongoing democratization. Using Bennett’s museum theory and Latour’s Actor-Network Theory, the study analyzes the exhibition’s agency in producing a counternarrative that simultaneously advanced decolonial aims and revealed representat

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Iwamoto, Katsumi. "Meiji-maru Maritime Museum." Marine Engineering 53, no. 1 (2018): 99–104. http://dx.doi.org/10.5988/jime.53.99.

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Rich, Vera. "Maritime museum plan scuttled." Nature 314, no. 6010 (1985): 396. http://dx.doi.org/10.1038/314396b0.

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Hagmark-Cooper, Hanna. "The Åland Maritime Museum." Mariner's Mirror 100, no. 4 (2014): 454–57. http://dx.doi.org/10.1080/00253359.2014.974331.

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Nikčević, Danijela. "The Seventieth Anniversary of the Maritime Museum of Montenegro in Kotor." Časopis Pomorskog fakulteta Kotor - Journal of Maritime Sciences 23, no. 2 (2022): 1–21. http://dx.doi.org/10.56080/jms221101.

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In September 2022 the Maritime Museum of Montenegro celebrated the solemn academy on its seventieth anniversary. This significant anniversary was marked by the solemn academy held in the church of Saint Spirit – the concert hall of the Music School “Vida Matjan” Kotor. Also, we arranged the exhibition named A Walk through Time and Events by the authors Radojka Abramović, Danijela Nikčević, Dijana Đurašković, Ilija Mlinarević and Tomislav Bonić. The aim of the solemn academy and the exhibition was to sum up, reflect and recapitulate the achievements during the last seven decades of the existenc

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Arief, Fadilah Husna, Aulia Ardista Wiradarmo, Redha Widharsyah, and Muliadi Palesangi. "Designing an Interactive and Educational Virtual Reality Game for Museum Bahari." VCD 10, no. 1 (2025): 149–73. https://doi.org/10.37715/vcd.v10i1.5281.

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This study explores the potential of Virtual Reality (VR) technology to enhance museum visitor engagement through the “Jelajah Bahari” VR game at Museum Bahari, DKI Jakarta. By integrating VR, the museum offers an immersive and interactive experience that brings Indonesia’s maritime heritage to life. This VR game combines educational content with an engaging narrative, allowing users to embody a Pinisi ship captain on a journey to Kepulauan Seribu. It was tested by museum staff and evaluated qualitatively. It showed positive responses to the game’s design and educational value, highlighting VR

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Yamaguchi, Shinichi. "Nagoya Maritime Museum and FUJI Antarctic Museum." Marine Engineering 53, no. 1 (2018): 77–82. http://dx.doi.org/10.5988/jime.53.77.

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Kim, Seojin, Bart Ankersmit, and Marc H. L. Stappers. "Application of Climate Data Analysis to Customizing Climate Control Standards for Sustainable Collection Management." Journal of Conservation Science 40, no. 5 (2024): 747–56. https://doi.org/10.12654/jcs.2024.40.5.06.

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In this study, climate data analysis was conducted at two Korean museums to demonstrate its benefits for developing customized climate control standards to preserve artifacts in a sustainable manner. Case studies were conducted at Taean National Maritime Museum and Jungwon National Research Institute of Cultural Heritage where monitoring data were collected over a 7-month period. The results showed that display cases greatly mitigated the risks associated with mold and mechanical deformation: they maintained a consistent relative humidity of 50%–60% while the galleries had a much wider varianc

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Абдуллаева, А. К. "Музеефикация затонувших гражданских судов XVIII–XIX веков в музеях Санкт-Петербурга". Hydrocosmos 3, № 9-10 (2025): 108–20. https://doi.org/10.26175/urc.2025.63.53.006.

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В статье рассматривается проблема музеефикации подводного культурного наследия России на примере затонувших гражданских судов Балтийского моря и дельты Невы XVIII–XIX веков, представленных в музеях Санкт-Петербурга. Цель исследования – анализ современной практики презентации морского культурного наследия в музеях Санкт-Петербурга. Принципиально важным является определение того, что представляет собой с доктринальной точки зрения само понятие «подводное культурное наследие». Анализ законодательства показывает, что существующие нормы права позволяют лишь частично определить юридический статус по

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Aritenang, Adiwan F., Zahara Sitta Iskandar, Pingkan Safitri, Riela Provi Drianda, and Laila Zohrah. "Assessing Participatory Practices in a Cultural Preservation Workshop of the Sriwijaya Museum." Journal of Regional and City Planning 32, no. 2 (2021): 165–78. http://dx.doi.org/10.5614/jpwk.2021.13.2.5.

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Among the great maritime trading empires of history, the Sriwijaya empire ranks among the most splendid and rich ones. Still, few people know about this empire and recognize it as an important part of the history of Indonesia. This study examined participatory practice in historic preservation by investigating stakeholders’ perspectives on the potential application of digital technology in the Sriwijaya Museum in Palembang. We introduced photogrammetry and color analysis technologies to identify some possible improvements to be implemented in the museum in the future. We invited some community

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Aritenang, Adiwan F., Zahara Sitta Iskandar, Pingkan Safitri, Riela Provi Drianda, and Laila Zohrah. "Assessing Participatory Practices in a Cultural Preservation Workshop of the Sriwijaya Museum." Journal of Regional and City Planning 32, no. 2 (2021): 165–78. http://dx.doi.org/10.5614/jpwk.2021.32.2.5.

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Among the great maritime trading empires of history, the Sriwijaya empire ranks among the most splendid and rich ones. Still, few people know about this empire and recognize it as an important part of the history of Indonesia. This study examined participatory practice in historic preservation by investigating stakeholders’ perspectives on the potential application of digital technology in the Sriwijaya Museum in Palembang. We introduced photogrammetry and color analysis technologies to identify some possible improvements to be implemented in the museum in the future. We invited some community

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Johnson, Paula J. "Maritime Museum of British Columbia." Public Historian 26, no. 4 (2004): 93–96. http://dx.doi.org/10.1525/tph.2004.26.4.93.

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Palmoja, Gordon. "PLANNING FOR A MARITIME MUSEUM." AICCM Bulletin 12, no. 1-2 (1986): 47–63. http://dx.doi.org/10.1179/bac.1986.12.1-2.004.

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Hicks, Robert D. "What Is a Maritime Museum?" Museum Management and Curatorship 19, no. 2 (2001): 159–74. http://dx.doi.org/10.1080/09647770100401902.

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Amorim, Inês, and Bruno Pinto. "Portugal in the European Network of Marine Science Heritage and Outreach (19th–20th Centuries)." Humanities 8, no. 1 (2019): 14. http://dx.doi.org/10.3390/h8010014.

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The gradual consciousness of the scientific and economic riches of marine life is rooted in the legacy of some pillars of scientific production and dissemination in institutions such as natural history museums, aquariums, and maritime stations. Nowadays, one of the biggest issues of these scientific collections of species (marine or others) is their contextual interpretation which demands its original collection point, collectors, and original aims. The current research focuses on the origin of collections of marine specimens in Portugal as well as their historical evolution. In this particula

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Reinhardt, Kim. "We Have to Change to Stay the Same - The Maritime Museum of the Atlantic (Nova Scotia, Canada)." Drassana 30 (March 8, 2023): 150–71. http://dx.doi.org/10.51829/drassana.30.696.

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In many ways, it seems that 2022 is a year for renewal. A re-start from a period of closures and other impacts of a devastating pandemic, and from a period of heightened global awareness on social injustice and inequality, racism, increasing threats of war, climate change, species at risk, and ocean conservation. The Maritime Museum of the Atlantic (MMA) hosted the 50th Anniversary International Congress of Maritime Museums (ICMM) in this renewal year offering a robust programme that was heavily influenced by these shared concerns. The combination of embarking on a new half-century, and an unp

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Priyanto, Priyanto. "DAYA TARIK DESTINASI PARIWISATA BUDAYA STUDI KASUS MUSEUM BAHARI JAKARTA." Media Bahasa, Sastra, dan Budaya Wahana 27, no. 1 (2021): 506–13. http://dx.doi.org/10.33751/wahana.v27i1.4124.

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Abstract This study aims to examine the use of the Jakarta Maritime Museum's resources as an attraction for cultural tourism destinations. This study uses a qualitative research approach with descriptive analysis. The stages in this research are observation, description and interpretation through the approach of the concept of cultural tourism and the concept of museology. Through this research, it is hoped that optimal results will be obtained on how to use Jakarta's maritime museum resources as an attraction for cultural tourism destinations. The results of this research are also expected to

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Sandy, Dwi Kurnia, and Kusumastuti Salma Fitri. "MUSEUM BAWAH AIR M. V. BOELONGAN: SEBUAH GAGASAN PEMBAHARUAN MUSEUM." JURNAL WALENNAE 17, no. 1 (2019): 1. http://dx.doi.org/10.24832/wln.v17i1.363.

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Museum is not only a place for storing various artifacts, but also as a media of learning. However, the current management of museums in Indonesia is still not serving visitors well. Museum is not only located on the land, but there are also underwater museums. The plan of build an underwater museum has been discussed by museum practitioners and academics. Many locations and objects that could be used as underwater museums in Indonesia, one of that is the M.V Boelongan Shipwreck. This ship was sunk by Japanese Army during the Second World War. Nowadays, M.V. Boelongan has been an attractive de

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Iswatiningsih, Daroe, and Fauzan Fauzan. "Semiotika budaya kemaritiman masyarakat Indonesia pada syair lagu." Satwika : Kajian Ilmu Budaya dan Perubahan Sosial 5, no. 2 (2021): 214–28. http://dx.doi.org/10.22219/satwika.v5i2.18073.

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Syair lagu merupakan rangkaian dan tatanan kata indah yang diberi notasi dan dilagukan. Syair lagu memuat simbol-simbol pesan yang hendak disampaikan pencipta kepada pendengarnya. Simbol dalam syair lagu tidak mudah dimengerti dan perlu penafsiran. Pencipta lagu menggunakan simbol verbal pada syair lagu guna mewakili segala hal terkait dengan maksud, harapan, perasaan serta kondisi yang terjadi di lingkungan fisik serta menerjemahkan kehidupan di dunia yang diketahuinya. Untuk memahami sistem tanda yang menggambarkan budaya kemaritiman dalam syair lagu digunakan pendekatan semiotik. Penelitian

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Górka, Jacek. "PROJECTS FROM THE AREA OF DIGITISATION AND NEW MEDIA IN THE SYBILLA CONTEST." Muzealnictwo 58, no. 1 (2017): 0. http://dx.doi.org/10.5604/01.3001.0010.3943.

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The dynamics of the social, economic and legal changes which took place from 2004 to 2014 related to Poland’s accession to the European Union has changed our reality and the functioning of the state and its institutions, including museums. New possibilities have arisen, together with serious challenges which museum managers and museum professionals have had to face. The National Institute for Museums and Public Collections, established in 2011, has become the organiser of the prestigious Sybilla Museum of the Year Contest, in line with its founding principles. Its organisers decided to carry o

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Sugiarto, Sheerly, Freddy H. Istanto, and Maureen Nuradhi. "PENGAPLIKASIAN KONSEP INTERAKTIF TERHADAP DESAIN MINI MARITIME MUSEUM DI SURABAYA." KREASI 2, no. 2 (2018): 63–94. http://dx.doi.org/10.37715/kreasi.v2i2.521.

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Indonesia sebagai negara yang berkembang dengan wilayah yang luas dan dilengkapi oleh kekayaan alam maupun budaya memiliki banyak potensi dalam peningkatan pembangunan tempat wisata / hiburan serta pendidikan. Perkembangan dalam pembangunan tempat wisata / hiburan serta pendidikan tersebut menimbulkan adanya kebutuhan akan desain interior yang dapat menggabungkan unsur hiburan dengan pendidikan (edutainment). Akibatnya, timbul kebutuhan akan konsultan interior yang dapat menciptakan tempat wisata edutainment. Oleh karena itu, Lig Interior Design Studio dibuat sebagai konsultan interior yang me

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Bigourdan, Nicolas, Kevin Edwards, and Michael McCarthy. "Steamships to Suffragettes." Museum Worlds 4, no. 1 (2016): 138–54. http://dx.doi.org/10.3167/armw.2016.040111.

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ABSTRACTSince 1985 the shipwreck site and related artifacts from the steamship SS Xantho (1872) have been key elements in the Western Australian Museum Maritime Archaeology Department’s research, exhibition, and outreach programs. This article describes a continually evolving, often intuitive, synergy between archaeological fieldwork and analyses, as well as museum interpretations and public engagement that have characterized the Steamships to Suffragettes exhibit conducted as part of a museum in vivo situation. This project has centered on themes locating the SS Xantho within a network of tem

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Candra, Calvin De, and Nina Carina. "MUSEUM PINISI INDONESIA." Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 1, no. 1 (2019): 456. http://dx.doi.org/10.24912/stupa.v1i1.3949.

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Indonesia sebagai negara maritim memiliki nilai budaya dan kearifan lokal yang sangat kental didalamnya, kegiatan maritim sendiri merupakan budaya penting yang membentuk Indonesia sejak dulu. Nilai dari budaya maritim tersebut menjadi nilai penting yang perlu di jaga dan di kembangkan yang memiliki potensi dalam perkembangan pariwisata di Indonesia. Kegiatan pariwisata sendiri sudah menjadi pemasukan devisa negara yang cukup siknifikan. Kebudayaan maritim sendiri memiliki nilai pariwisata, dengan tujuan untuk menjaga kebudayaan atau kearifan lokal masyarakan Indonesia dan menjadikan wisata yan

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Kusumawati, Dyah, and Santi Delliana. "BERBAGI KREATIVITAS VISUAL: PELATIHAN DASAR VIDEOGRAFI DAN EDITING UNTUK STAF HUBUNGAN MASYARAKAT MUSEUM BAHARI." BESIRU : Jurnal Pengabdian Masyarakat 1, no. 3 (2024): 79–119. http://dx.doi.org/10.62335/33hg6f95.

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A community service program has been designed with the main aim of introducing the basic concepts of videography to public relations staff at the Maritime Museum, while also promoting tourism promotion. Through this training, participants will be given an in-depth understanding of the stages of video production, from pre-production to post-production, as well as basic techniques in shooting, composition and editing using editing applications. It is hoped that the participants will have sufficient skills to create interesting and informative visual content for the promotion of the Maritime Muse

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Endo, Akane. "NYK Maritime Museum and NYK HIKAWAMARU." Marine Engineering 53, no. 1 (2018): 109–13. http://dx.doi.org/10.5988/jime.53.109.

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Rodriguez, Antonio Espinosa. "A new maritime museum for Malta." International Journal of Nautical Archaeology 19, no. 3 (1990): 250. http://dx.doi.org/10.1111/j.1095-9270.1990.tb00266.x.

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Goetze, Nikolaus, Werner Sobek, Frank Tarazi, and Christian Brensing. "Maritime Museum, Lingang New City, China." Steel Construction 3, no. 2 (2010): 120–24. http://dx.doi.org/10.1002/stco.201010016.

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Svihus, Årstein. "Annika Bünz: Museum, Place, Architecture and Narrative: Nordic Maritime Museums’ Portrayals of Shipping, Seafarers and Maritime Communities AnnikaBünzMuseum, Place, Architecture and Narrative: Nordic Maritime Museums’ Portrayals of Shipping, Seafarers and Maritime CommunitiesBerghahn Books, 2022, ISBN 9781800733886." Maritime perspektiver 1, no. 1 (2024): 66–70. https://doi.org/10.18261/mp.1.1.8.

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Raheem, Jesmil Abdul, and Shakirullah . "EXAMINING THE MUSLIM NUMISMATIC EVIDENCE IN SRI LANKA TO COMPREHEND THE MUSLIM HERITAGE." Pakistan Journal of Social Research 05, no. 02 (2023): 1218–28. http://dx.doi.org/10.52567/pjsr.v5i02.1343.

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Numerous different Islamic coins have been found in Lanka. Some of them, meanwhile, are hardly notable for the island's economic history. Although they may have been incorrectly identified as coins, they are either not coins at all or have only ever been discovered in commercial settings. Although several Islamic coins have been discovered in Sri Lanka, it is still unknown if these coins originated there, in India, or in other Muslim world. We are only on solid ground when dealing with Islamic money. The aim of this research is to develop a catalogue of coins with origins that have never befor

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O’Beirne, Rónán. "PORT – The Maritime Information Gateway200210PORT – The Maritime Information Gateway. Greenwich: National Maritime Museum 2002. gratis." Online Information Review 26, no. 5 (2002): 356–57. http://dx.doi.org/10.1108/oir.2002.26.5.356.10.

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