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Journal articles on the topic 'Music and songs'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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1

Hiller, James. "Music Therapists’ Preparation for Song Discussion: Meaning-Making With the Music." Music Therapy Perspectives 37, no. 2 (2019): 205–12. http://dx.doi.org/10.1093/mtp/miz005.

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Abstract Songs are powerful catalysts and resources for change processes in music psychotherapy. Not surprisingly, music therapists often invite clients to listen to recordings of popular songs. A common song listening method is song discussion, in which a therapist selects a relevant song to explore with a client or group and facilitates the listening and subsequent verbal processing. In the relevant music therapy literature, lyrics assume a primary focus (i.e., lyric analysis), and yet, the music of a song, as integrated with its lyrics, impacts both client’s and therapist’s meaning-making a

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Wafa, Mochammad Usman, Neli Purwani, and Abdul Malik. "Characteristics of Titounis Children Songs: A Study of Songs, Music Instruments and Onomatopoeia." Harmonia: Journal of Arts Research and Education 20, no. 2 (2020): 161–66. http://dx.doi.org/10.15294/harmonia.v20i2.25539.

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The purpose of the study is to describe an analysis of children’s song characteristics Titounis. This study used a musicological approach to recognize songs’ characteristics. The data collection were document study and, listen and take note. This study used a content analysis technique. The analysis cover three aspects: (1) songs’ analysis, (2) instruments’ analysis, (3) Onomatopoeia. The songs that were analyzed were (1) Petit Escargot, (2) Le Roues de l Autobus, (3) Les Chiffres, (4) Un kilometer en Roulant. In the song analysis, the patterns used were general patterns, using fun and cheerfu

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Hertz, Paul, and Barry Truax. "Song of Songs: Computer Music." Leonardo 31, no. 1 (1998): 74. http://dx.doi.org/10.2307/1576551.

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Barbiere, J. Michael, Ana Vidal, and Debra A. Zellner. "The Color of Music: Correspondence through Emotion." Empirical Studies of the Arts 25, no. 2 (2007): 193–208. http://dx.doi.org/10.2190/a704-5647-5245-r47p.

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College students listened to four song clips. Following each clip, the students indicated which color(s) corresponded to each of the four songs by distributing five points among eleven basic color names. Each song had previously been identified as either a “happy” or “sad” song. Each participant listened to two “happy” and two “sad” songs in random order. There was more agreement in color choice for the songs eliciting the same emotions than for songs eliciting different emotions. Brighter colors such as yellow, red, green, and blue were usually assigned to the happy songs and gray was usually

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Hitchcock, H. Wiley. "Ives's "114 [+ 15] Songs" and What He Thought of Them." Journal of the American Musicological Society 52, no. 1 (1999): 97–144. http://dx.doi.org/10.2307/832025.

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This essay reflects work toward a critical edition of 129 Ives songs (all those in whose publication he was directly involved)-mainly 114 Songs (1922) and the New Music issues of Thirty-Four Songs (1933) and Nineteen Songs (1935). It explores his value judgments of them, and also of 50 Songs (1923), containing unaltered reprints from 114. 114 Songs is eclectic and inclusive, a retrospective exhibition of various song types, including ones drastically foreign to conventional notions of a song. In 50 Songs, Ives responded to adverse reactions to 114 Songs and sought to reprint songs of "more gen

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Duinker, Ben. "Song Form and the Mainstreaming of Hip-Hop Music." Current Musicology 107 (January 27, 2021): 93–135. http://dx.doi.org/10.52214/cm.v107i.7177.

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Song form in North American hip-hop music has evolved along the genre’s journey from its origins as a live musical practice, through its commercial ascent in the 1980s and 1990s, to its dominance of mainstream popular music in the 21st century. This paper explores the nature and evolution of song form in hip-hop music and uses them as a musical lens to view the gradual and ongoing mainstreaming of this genre. With the help of a corpus of 160 hip-hop songs released since 1979, I describe and unpack section types common to hip-hop music—verses, hooks, and instrumentals—illustrating how these se

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Siddiquee, Md Mahfuzur Rahman, Md Saifur Rahman, Shahnewaz Ul Islam Chowdhury, and Rashedur M. Rahman. "Association Rule Mining and Audio Signal Processing for Music Discovery and Recommendation." International Journal of Software Innovation 4, no. 2 (2016): 71–87. http://dx.doi.org/10.4018/ijsi.2016040105.

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In this research, the authors propose an intelligent system that can recommend songs to user according to his choice. They predict the next song a user might prefer to listen based on their previous listening patterns, currently played songs and similar music based on music data. To calculate music similarity the authors used a Matlab toolbox that considers audio signals. They used association rule mining to find users' listening patterns and predict the next song the user might prefer. As they propose a music discovery service as well, the authors use the information of music listening patter

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Siebenaler, Dennis J. "Student Song Preference in the Elementary Music Class." Journal of Research in Music Education 47, no. 3 (1999): 213–23. http://dx.doi.org/10.2307/3345780.

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In 1996, the Music Educators National Conference (now MENC—The National Association for Music Education) published a list of 42 songs that “every American should know” as part of a nationwide campaign to promote singing. The purpose of the present study was to determine student preferences for several songs on the list, as well as how familiarity with a song may be related to that preference. In addition, possible interactions of gender, grade level, language spoken at home, rehearsal, and self-evaluations of singing were also examined. Ten songs, all limited to a one-octave range, were select

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Brata, I. Putu Bayu Wira, and I. Dewa Made Bayu Atmaja Darmawan. "Mood Classification of Balinese Songs with the K-Means Clustering Method Based on the Audio-Content Feature." JELIKU (Jurnal Elektronik Ilmu Komputer Udayana) 9, no. 3 (2021): 331. http://dx.doi.org/10.24843/jlk.2021.v09.i03.p03.

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Bali is a province that has a diversity of arts and can not shunt from songs that come from Bali. Music in Balinese songs has a unique character, both in the variations of the tone that builds up a song and the lyrics contained in a Balinese song. Research on the classification of mood with energy and valence features of a song is often done, especially on western songs. Every music that is thought out has emotional energy that radiates and powerfully connects with human psychology. This research wants to explore whether the features used to classify western songs can also classify Balinese so

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Sparling, Heather. "“Music is Language and Language is Music”." Ethnologies 25, no. 2 (2004): 145–71. http://dx.doi.org/10.7202/008052ar.

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Abstract In this article, the author considers the effects of language attitudes, a sociolinguistic concern, on musical practice. This article assumes that language and music attitudes are related as different expressions in and of a common cultural context. The author demonstrates how Scots Gaelic language attitudes in Cape Breton (where a few hundred people still speak the language) have developed, and considers the possible interplay with current attitudes towards two particular Gaelic song genres. Gaelic language learners and native/fluent speakers in Cape Breton articulated distinct and o

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Stephenson, Jean. "“Quizás, quizás, quizás”. Translators’ dilemmas and solutions when translating spanish songs into english." DEDiCA Revista de Educação e Humanidades (dreh), no. 6 (March 1, 2013): 139–51. http://dx.doi.org/10.30827/dreh.v0i6.6968.

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Rendering songs into another language poses numerous difficulties for translators. Songs may be considered as poems set to music, and in translating them, these professionals confront not only routine translation problems such as expressing the meaning, ambience and style of the original work, but they also have to attend to other requisites such as creating a new version of the song within the restrictions of rhythm and rhyme. In this article, I examine songs from Spanish literature and from Spanish and South American popular music, and explore translators’ ways of converting the original tex

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Zilmi, Fauziatus, Abdul Rachman, and Moh Muttaqin. "Ngeroncongi And Ngepop : A Study Of Popular Song's Vocal Performance In Keroncong Music In Semarang." Jurnal Seni Musik 10, no. 1 (2021): 17–24. http://dx.doi.org/10.15294/jsm.v10i1.46812.

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Keroncong Music is a music that has different character from other musics, including several techniques in vocal performance, such as luk, nggandul, embat, gregeland cengkok. Nowadays keroncong music does not only perform keroncong songs but also performs popular songs accompanied by keroncong music. When performing popular songs accompanied by keroncong music, usually the performance of each singer will be different. This study aims to determine how the vocal performance of popular songs in keroncong music. The research method used was qualitative. Data collection techniques used observation,

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Prickett, Carol A., and Madeline S. Bridges. "A Comparison of the Basic Song Repertoire of Vocal/Choral and Instrumental Music Education Majors." Journal of Research in Music Education 48, no. 1 (2000): 5–9. http://dx.doi.org/10.2307/3345452.

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Following up on an earlier study, an audiotape of the tunes of 25 standard songs, assumed to be known by everyone who has finished 6th grade, was played for 135 undergraduate instrumental music education students and 79 undergraduate vocal/choral music education students. There was no significant difference in the ability of either group to identify the songs. The means for both groups indicated that neither had developed a strong repertoire of standard songs outside the college classroom. Several songs that music educators have stated are very important for children to learn could not be iden

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Et.al, ZaharulLailiddinSaidon. "The Development and Evaluation of a Song Album as an Instructional Material for the Teaching and Learning of Basic Arabic Language in Malaysian Primary Schools." Turkish Journal of Computer and Mathematics Education (TURCOMAT) 12, no. 3 (2021): 370–80. http://dx.doi.org/10.17762/turcomat.v12i3.741.

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This article reports on a research project aimed at developing and evaluating a song album as an instructional material for the teaching and learning of basic Arabic language in Malaysian primary schools. Generally, the procedure for undertaking the research project could be divided into four different stages, namely (i) the gathering of ideas for the music arrangement for all the nine songs in the album; (ii) development of the song album; (iii) evaluation of the developed song album; and(iv) improvement and refinement of the song album. The results show that characteristics of suitable music

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Killingly, Callula, Philippe Lacherez, and Renata Meuter. "Singing in the Brain." Music Perception 38, no. 5 (2021): 456–72. http://dx.doi.org/10.1525/mp.2021.38.5.456.

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Music that gets “stuck” in the head is commonly conceptualized as an intrusive “thought”; however, we argue that this experience is better characterized as automatic mental singing without an accompanying sense of agency. In two experiments, a dual-task paradigm was employed, in which participants undertook a phonological task once while hearing music, and then again in silence following its presentation. We predicted that the music would be maintained in working memory, interfering with the task. Experiment 1 (N = 30) used songs predicted to be more or less catchy; half of the sample heard tr

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Benetti, Lucia, and Eugenia Costa-Giomi. "Infant Vocal Imitation of Music." Journal of Research in Music Education 67, no. 4 (2019): 381–98. http://dx.doi.org/10.1177/0022429419890328.

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Infant vocal production has been studied mainly from the perspective of language development. We studied it from the perspective of singing development by analyzing a 15-month-old’s imitations of songs. The infant wore a recording device that yielded a continuous, 16-hr audio recording of all the sounds produced by him and around him throughout the day. We listened to the audio file and identified instances in which his unprompted vocalizations resembled songs he had heard earlier. One imitation was recognized by his father, who then sang the song himself and engaged in imitative turn taking w

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Revuluri, Sindhumathi. "French Folk Songs and the Invention of History." 19th-Century Music 39, no. 3 (2016): 248–71. http://dx.doi.org/10.1525/ncm.2016.39.3.248.

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A favorite project of scholars in late-nineteenth- and early-twentieth-century France was to collect folk songs from various French provinces and to add new harmonic accompaniments before publishing them. This folk-song project, like so many others, has obvious nationalist undertones: gathering songs from every French province and celebrating an essential and enduring French spirit. Yet the nuances of this project and its broader context suggest a diverse set of concerns. An examination of the rhetoric around folk-song collection shows how French scholars of the period conflated history and ge

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Salunke, Aniket, Ruchika Kukreja, Jayesh Kharche, and Amit Nerurkar. "Personalized Suggestion For Music Based On Collaborative Filtering." International Journal of Engineering and Computer Science 9, no. 05 (2020): 25047–51. http://dx.doi.org/10.18535/ijecs/v9i05.4487.

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With the advancement of technology there are millions of songs available on the internet and this creates problem for a person to choose from this vast pool of songs. So, there should be some middleman who must do this task on behalf of user and present most relevant songs that perfectly fits the user’s taste. This task is done by recommendation system. Music recommendation system predicts the user liking towards a particular song based on the listening history and profile. Most of the music recommendation system available today will give most recently played song or songs which have overall h

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Ye, Ye, and Erxin Wang. "Yuan-Ming Sanqu Songs as Communal Texts: Discovering Their Literary Vitality from a New Research Perspective." Journal of Chinese Literature and Culture 8, no. 1 (2021): 113–38. http://dx.doi.org/10.1215/23290048-8898648.

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Abstract When examining songs in Chinese literature, we can distinguish among literary, musical, and communal aspects of their circulation. Sanqu songs became popular in the form of musical texts in the Yuan and Ming dynasties, but the ci song lyrics, by the Southern Song dynasty (1127–1279) if not earlier, had already become a form of communal text in a broad sense. While relying on musical and literary aspects in the early stages of circulation, such ci song lyrics also became increasingly meaningful as social artifacts characterized by diverse forms of usage and participation, and they have

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Rolison, Jonathan J., and Judy Edworthy. "The Role of Formal Structure in Liking for Popular Music." Music Perception 29, no. 3 (2011): 269–84. http://dx.doi.org/10.1525/mp.2012.29.3.269.

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the effect of restructuring the form of three unfamiliar pop/rock songs was investigated in two experiments. In the first experiment, listeners' judgements of the likely location of sections of novel popular songs were explored by requiring participants to place the eight sections (Intro – Verse 1 – Chorus 1 – Verse 2 – Chorus 2 – Bridge (solo) – Chorus 3 – Extro) of the songs into the locations they thought them most likely to occur within the song. Results revealed that participants were able to place the sections in approximately the right location with some accuracy, though they were unabl

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Kaushik, Kartik. "Music Recommendation System using Machine Learning Algorithms." International Journal for Research in Applied Science and Engineering Technology 9, no. VII (2021): 2682–88. http://dx.doi.org/10.22214/ijraset.2021.36946.

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Music рlаys аn imроrtаnt rоle in humаn lifestyles. Humans рrefers tо hear tо musiс/songs mоre оften thаn аbig apple оther pursuit. With internet teсhnоlоgies, large quantity оf musiс соntent hold musiс оf several genres hаs beсоme’s eаsily аccessible tо milliоns оf user аrоund whole wоrld. Musiс group sinсe deсаde аnd соmрgrowing оf many genres оf musiс is accessible. The mаjоr diffiсulties thаt customer fасe is tо choose аррrорriаte song/musiс frоm suсh big collection of music. The objective оf our рrоjeсt wаs tо reсоmmend sоngs tо customers built exclusively оn their listening habits, with n

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Riman, Kristina, and Helena Pavletić. "Poetske, tematske i leksičke značajke uglazbljene dječje poezije 19. stoljeća na primjeru tekstova Ljudevita Varjačića." Magistra Iadertina 14, no. 2 (2020): 87–102. http://dx.doi.org/10.15291/magistra.3148.

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In the second half of the 19th century, children’s poems were mostly published in periodicals and poem collections. Until now less attention has been devoted to the poems that had been set to music and included in the songbooks published in the late 19th century. Ljudevit Varjačić was the acclaimed author of children’s verses used for song lyrics. He is known as a particularly prolific collaborator of the Smilje magazine, whose songs were often set to music. Among other things, he also published “Lira”, a songbook with music notation for male and female school youth, and his poems were set to

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Prickett, Carol A., and Madeline S. Bridges. "Familiarity with Basic Song Repertoire: Music Education/Therapy Majors versus Elementary Education Majors." Journal of Research in Music Education 46, no. 4 (1998): 461–68. http://dx.doi.org/10.2307/3345343.

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An audiotape of the tunes of 25 standard songs assumed to be known by everyone who has finished Grade 6 was played for 273 undergraduate music therapy and music education students and 306 elementary education students who were beginning a music skills class. Music majors identified significantly more tunes than did elementary education majors, but the means for both groups indicated that neither had developed a strong repertoire of standard songs outside the college classroom. Several songs that music educators have stated are very important for children to learn could not be identified by eve

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Gale, Emily Margot. "Stolen Youth." Journal of Popular Music Studies 33, no. 1 (2021): 42–49. http://dx.doi.org/10.1525/jpms.2021.33.1.42.

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In 1847 Atwill of New York published “The Lament of the Blind Orphan Girl.” Composed by William Bradbury, the song is written for voice and piano in a lilting 3/8 meter. Mary, the song’s protagonist, sings of “the silvery moon” and “bright chain of stars” over diatonic harmonies. A dramatic shift to the minor mode supports the climax: “Oh, when shall I see them? I’m blind, oh, I’m blind.” Mary explains that she and her brother have also lost their parents. On the sheet music cover a wreath of flowers encircles an image of a young white woman kneeling beneath a tree, alone at a grave. The title

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Rozinski, Tom. "Using Music and Lyrics to Teach Political Theory." PS: Political Science & Politics 48, no. 03 (2015): 483–87. http://dx.doi.org/10.1017/s1049096515000293.

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ABSTRACTSince the fall semester of 2008, I have used music to teach political theory to undergraduate students. I use song lyrics to make analogies to concepts used by political theorists, and I use the music to create associations that improve students’ memory of those concepts. Unlike other teachers who incorporate music into their classes by linking lyrics to concepts, I choose songs that reflect important ideas of specific theorists through multiple allusions to their ideas. The songs I choose serve four objectives: introducing concepts that may be difficult for students to appreciate, ill

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Gramit, David. "Orientalism and the Lied: Schubert's "Du liebst mich nicht"." 19th-Century Music 27, no. 2 (2003): 97–115. http://dx.doi.org/10.1525/ncm.2003.27.2.97.

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Franz Schubert's "Du liebst mich nicht" (D. 756) has often been discussed as an extreme example of chromatic harmony, but one important possible motivator of the song's extravagance--its representation of one of the most exotic of the Orientalizing texts that Schubert set--has largely been overlooked. By considering the song and its interpretation by several recent critics, this essay suggests that the exotic is here represented not by overtly Orientalistic stylistic features, but rather by a pervasive ambiguity, which parallels the features ascribed to the Oriental in a variety of contemporar

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Yang, Chenghai. "Tibetan Folk Songs and Dances in Diebu – The Musical Characteristics of Gerba (Gar Pa)." Journal of Contemporary Educational Research 5, no. 8 (2021): 41–46. http://dx.doi.org/10.26689/jcer.v5i8.2412.

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Folk songs and dances originated from people’s sacrificial activities in the struggle against nature in the primitive society. Their origins are related to the ideology and living environment of the people at that period of time. These activities were expressed in the form of primitive songs and dances, and gradually evolved into folk songs and dances. The gar pa song and dance from Diebu, in Gannan region, is a unique song and dance of a Tibetan region on the eastern edge of Qinghai-Tibet Plateau. Its content and form are unique. It still retains the original trinity feature which includes po

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Domokos, Mária, and Katalin Paksa. "The Hungarian folk song in the 18th century." Studia Musicologica 49, no. 1-2 (2008): 105–25. http://dx.doi.org/10.1556/smus.49.2008.1-2.6.

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In Hungary, the concept of “folk song” was clarified at the beginning of the 20th century only, accordingly, there were no “folk songs” noted down in the 18th century. Still, the number of music sources relating to folk music increased significantly in the 18th century. As a result of their scientific analysis the melodic parallels of some five hundred 18th-century tunes were found in the central folk music collection of the Institute for Musicology of the Hungarian Academy of Sciences. These melodic parallels involve 153 folk song types. In a specific era of folk culture there is always a coe

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Jeziński, Marek. "Obrazy miasta w utworach polskich grup alternatywnych lat 80. XX wieku." Kultura Popularna 3, no. 53 (2018): 81–90. http://dx.doi.org/10.5604/01.3001.0010.8269.

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In the paper I analyse the ways in which a city, urbanism, city space and people living in urban environment are portrayed in Polish popular music, especially in the songs of Polish alternative bands of the 80. inthe 20th century. In popular music, the city is pictured in several ways, among which the most important is the use of words as song lyrics that illustrate urban way of life. The city should be treated as an immanent part of the rock music mythology present in the songs and in the names of bands. In the case of Polish alternative rock music of the 80.such elements are found in songs o

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McGuire, Kenneth M. "Common Songs of the Cultural Heritage of the United States: A Compilation of Songs That Most People “Know” and “Should Know”." Journal of Research in Music Education 48, no. 4 (2000): 310–22. http://dx.doi.org/10.2307/3345366.

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Recently, there have been attempts to identify songs common to the heritage of the United States. Although researchers in previous investigations have studied songs that are common to specific geographical areas, this studys purpose was to determine which songs are familiar to U.S. citizens across several regions and also to uncover various epistemological definitions of what it means to “know” a song. By cross-referencing modern lists with the contents of two songbooks popular during the community song movements of the World Wars I and II, I sought to determine which songs were common across

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Colquhoun, Shane. "Popular Music Genres, Music Producers, and Song Creation in the General Music Classroom." General Music Today 31, no. 2 (2017): 17–20. http://dx.doi.org/10.1177/1048371317710311.

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In secondary general music classes, music educators have the opportunity to bridge the gap between the music students’ experiences in school and the music they engage with outside of school. According to Williams, nontraditional music students have musical lives outside of school but choose not to participate in traditional ensembles. In this article, I explore three teaching strategies that can be used to engage students with popular music. These strategies are through studying music genres, studying music producers, and listening to popular songs to distinguish if a song is a remake, cover,

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Rakib, NA, Md MB Sobhan, SMZ Farhan, and MI Zaber. "Automatic classification of music based on the correlation between mood, linguistic and audio features." Bangladesh Journal of Scientific and Industrial Research 51, no. 1 (2016): 55–60. http://dx.doi.org/10.3329/bjsir.v51i1.27063.

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The emergence of the music in recent times has been enviable. Some people consider music to be an integral part of their regular lives, while others sometimes even consider music to be some divine inspiration setting the mood for them for the rest of the day. For such people, a well-trimmed precise playlist of the songs that they would love to listen to, based on genre or mood of the songs, is priceless. Genre of an individual song is very much available, as that information is mostly provided within the song, but getting to judge the mood of the song is much more of a challenge. If it is a ch

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Hu, Ke Nicole. "The Effects of Mood, Language, and Order of Songs on Writing Productivity." International Journal of Psychological Studies 13, no. 1 (2021): 12. http://dx.doi.org/10.5539/ijps.v13n1p12.

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With music consumption being increasingly prominent in everyday modern life, it has become critical to examine the impact of music on the performance of cognitive tasks. Despite preexisting academic literature on the correlation between music and memorization, test-taking ability, and executive planning, conclusions from past studies regarding these cognitive tasks may not be directly applicable to writing, leaving the effects of music on writing tasks a relatively unexplored territory. Given the prevalence of music in the 21st century among all age groups, the current study explores the effec

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Ekaningrum, Prastiana. "The Analysis of Meanings and Forms in The A.T. Mahmud’s Song Lyrics." Harmonia: Journal of Arts Research and Education 15, no. 1 (2015): 9. http://dx.doi.org/10.15294/harmonia.v15i1.3691.

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<p>The purpose of this study is to describe the analysis of meanings in the A.T. Mahmud’s song lyrics. This research used the approach of music compositions and the language approach in semantics to find out the meanings of the lyrics. This research used content analysis techniques. The analysis includes two aspects; they are: (1) the analysis of the meanings of the song lyrics based on the language aspects; and (2) the analysis based on the aspects of the music compositions. The songs to be analyzed are <em>Bintang Kejora</em>, <em>Pelangi</em>, and <em>Cic

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Pradana, Yuda Adi, and Imas Emalia. "Dimensi Tasawuf dalam Musik Religi Bimbo, 1974-1980: Sebuah Kajian Sejarah." Buletin Al-Turas 26, no. 1 (2020): 189–206. http://dx.doi.org/10.15408/bat.v26i1.14360.

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This article discusses Islamic da'wa delivered through music with its song lyrics. The purpose of this study is to uncover Islamic da'wa in Bimbo songs. Bimbo's type of music is categorized as seasonal music which is only popular at certain times, especially the month of Ramadan. The research used a historical approach to uncover the development of Bimbo songs, and a semantic approach is also used to analyze the meaning and Sufism message contained in their song lyrics. Based on data analysis conducted, it is known that in Indonesia, Bimbo was a music group established in Bandung in 1974 that

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Savage, Patrick E., Adam T. Tierney, and Aniruddh D. Patel. "Global Music Recordings Support the Motor Constraint Hypothesis for Human and Avian Song Contour." Music Perception 34, no. 3 (2017): 327–34. http://dx.doi.org/10.1525/mp.2017.34.3.327.

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There has recently been renewed interest in using quantitative data to explore questions about musical universals. One explanation for certain musical universals is that they reflect ways of singing that are most energetically efficient, as opposed to biological specializations for human music. Previous research found support for this “motor constraint hypothesis” by comparing pitch contour shapes in samples of human and avian songs, but the sample of human songs was limited to notated scores of European and Chinese folk songs from the Essen database. Here we test this hypothesis using a more

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PINARBAÅžI, Fatih. "DEMYSTIFYING MUSICAL PREFERENCES AT TURKISH MUSIC MARKET THROUGH AUDIO FEATURES OF SPOTIFY CHARTS." TURKISH JOURNAL OF MARKETING 4, no. 3 (2019): 264–79. http://dx.doi.org/10.30685/tujom.v4i3.62.

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Online music streaming services are one of the important actors in music consumption for todayâ€™s consumers. In addition to widespread use of mobile devices, many changes in the patterns of music consumption are witnessed such as the purchase of single tracks instead of albums, listening to music on different platforms, and personalized music consumption options. This study aims to examine the concept of music consumption in Turkey through audio characteristics of popular songs. Top 200 popular song-lists for 6 months period are chosen as sample and audio characteristics provided by Spotify A

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Adeniji, Adenike Olusola. "Composition Of Songs Using Symmetric Group." JOURNAL OF ADVANCES IN MATHEMATICS 14, no. 2 (2018): 7983–8003. http://dx.doi.org/10.24297/jam.v14i2.7514.

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Mathematics of music and sound production brings to bear the physical and practical application of Mathematics in the field of Music. The composition of songs involves the principle of key scaling, their respective interval as calculated with the aid of an appropriate key division which suites the generality of songs composed in different keys with the keyboard. Melodies, harmonies and rhythms produced in the stage of rendition is characterized by transposition and inversion of key to suite each song. With the aid of keyboard, elements of Symmetric group are used to compose songs.

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Varade, Apurva. "A Review on Life Cycle Assessment of Solar PV Panel." International Journal for Research in Applied Science and Engineering Technology 9, no. VI (2021): 941–44. http://dx.doi.org/10.22214/ijraset.2021.35134.

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Humans tend to connect the music they hear, to the emotion they are feeling. The song playlists though are, at periods too large to sort out automatically. It would be accommodating if the music player was “smart enough” to sort out the music based on the current state of emotion the individual is feeling. The main idea of this project is to automatically play songs based upon the emotions of the adherent. Based on the emotion, the music will be played from the predefined playlist. It aims to deliver user-preferred music with emotional attentiveness. In the existing system user want to manuall

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Pramudita, Gita Tiara Putri Quraisyma. "AN INTERPRETING ANALYSIS OF IU’S HIT SONGS THAT ACHIEVE PERFECT ALL-KILL." PROJECT (Professional Journal of English Education) 4, no. 3 (2021): 360. http://dx.doi.org/10.22460/project.v4i3.p360-368.

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Nowadays, all about K-Pop (Korean Pop) widely known in the world, South Korea’s music industry is known to have a music chart system that is very influential on the career and achievement of a singer. The system is to measure the success of a group or solo singer when they release a song. Some of the terms that are known by most K-Pop fans are real-time all-kill (RAK) certificates, certified all-kill (CAK), and perfect all-kill (PAK). Songs that receive RAK, CAK, or PAK certificates, can be interpreted as best-selling songs played on digital music services in Korea. This is an interpreting ana

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Halpern, Andrea R. "Perceived and Imagined Tempos of Familiar Songs." Music Perception 6, no. 2 (1988): 193–202. http://dx.doi.org/10.2307/40285425.

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Two studies investigated the similarity of metronome settings to perceived and imagined familiar songs by subjects unselected for musical ability. In Study 1, mean tempo settings in the two tasks were about 100 beats per minute. Songs with slower perceived tempos tended to be faster in the imagery task and vice versa. In Study 2, subjects set fastest and slowest acceptable tempos for the same set of songs in the imagery mode. These settings were positively correlated with the preferred tempo for the song. Most subjects thought that there were limits on how fast or slow a song could be imagined

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Jiddy Abdillah, Ibnu Asror, and Yanuar Firdaus Arie Wibowo. "Emotion Classification of Song Lyrics using Bidirectional LSTM Method with GloVe Word Representation Weighting." Jurnal RESTI (Rekayasa Sistem dan Teknologi Informasi) 4, no. 4 (2020): 723–29. http://dx.doi.org/10.29207/resti.v4i4.2156.

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The rapid change of the music market from analog to digital has caused a rapid increase in the amount of music that is spread throughout the world as well because music is easier to make and sell. The amount of music available has changed the way people find music, one of which is based on the emotion of the song. The existence of music emotion recognition and recommendation helps music listeners find songs in accordance with their emotions. Therefore, the classification of emotions is needed to determine the emotions of a song. The emotional classification of a song is largely based on featur

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Arnold, Alison. "Popular film song in India: a case of mass-market musical eclecticism." Popular Music 7, no. 2 (1988): 177–88. http://dx.doi.org/10.1017/s0261143000002749.

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The ubiquitous songs in India's commercial feature films play a dual role in Indian society: they serve as both film songs and pop songs for India's 800 million people. India is the largest film-producing country in the world and one fifth of its current annual production of approximately 750 films is made in Hindi, each film having an average of five to six songs (Dharap 1985). As the major form of mass entertainment available on a national scale, rivalled only by the government-run television network, Hindi cinema plays a prominent and influential role in Indian society. Yet its songs, which

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Griffiths, Dai. "Internal rhyme in ‘The Boy with a Moon and Star on His Head’, Cat Stevens, 1972." Popular Music 31, no. 3 (2012): 383–400. http://dx.doi.org/10.1017/s026114301200030x.

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Abstract‘The Boy with a Moon and Star on His Head’ was written and recorded by Cat Stevens in 1972. This paper briefly examines the song's subject matter, before analysing its musical structure and that of the words to the song. As well as the standard pattern of end rhyme, a pattern of internal rhyme is also analysed, using tools derived from literary analysis. The words to the song are transcribed by a method which mediates between transcription of the words that make it look like a poem and the words as they appear in sheet music. Finally, the song's pattern of internal rhyme is placed into

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Brewer, Charles E. "The songs of Johannes Decanus." Plainsong and Medieval Music 20, no. 1 (2011): 31–49. http://dx.doi.org/10.1017/s0961137110000185.

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ABSTRACTIncluded in the collection of cantiones and Benedicamus tropes copied at the end of the Moosburger Graduale (München, Universitätsbibliothek, CIM 100 [olim 2o Cod. ms. 156], ff. 30v–250v) are five songs attributed to ‘Johannes Decanus’ (Johannes de Perchausen, †15.VIII.1362). In his preface to the song collection, Johannes describes three distinct repertoires (those ‘sung from antiquity’, ‘a few modern songs’ and ‘some of my own [songs]’) and through the examination of concordances it is possible to sort the songs into each of Johannes's categories. Against this background, three of Jo

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Hadi, Sumasno, and Sulisno Sulisno. "Popular Banjar Song: Study on Music Form and Media Culture." Harmonia: Journal of Arts Research and Education 21, no. 1 (2021): 168–77. http://dx.doi.org/10.15294/harmonia.v21i1.29349.

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Technological developments in society and their social practices contribute to the popularity of folk songs. In this regard, this study aims: (1) to analyze the form of popular Banjar song music, and (2) to analyze the discourse and culture-media context that underpins the popularity of the Banjar song. This research was conducted using qualitative methods with data collection strategies including observation, document studies, questionnaires, and interviews. In the aspect of content, analysis of the form of music is carried out in stages: (1) notating the popular Banjar song document; (2) ana

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Щітова, С. А., and О. М. Якимець. "THE INNOVATIVE INTERPRETATION OF THE CHAMBER-VOCAL GENRE IN THE LATE WORKS OF SCHUBERT." Музикознавча думка Дніпропетровщини, no. 15 (November 4, 2019): 163–71. http://dx.doi.org/10.33287/221913.

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The purpose of the study is to prove the innovative approaches of F. Schubert in vocal works on the example of his later opuses – the vocal cycle „Winterreiseˮ, op. 90 („Winter Roadˮ) and the song collection „Der Schwanengesangˮ („Swan Songˮ). The methods of this proposed scientific article are based on the research approaches (historical, compare, analytical), which allow to us to follow the path of dramatization of the song in the late works of F. Schubert, as well as to determine the conformity of the vocal intonation to the poetic text. The material of scientific intelligence there are ten

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Sesigür, Onur. "How to approach collecting music on streaming services." Interactions: Studies in Communication & Culture 11, no. 1 (2020): 65–74. http://dx.doi.org/10.1386/iscc_00006_1.

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Consumption, collection and curation activities on streaming music services are a relatively new phenomenon that has not yet been offered an abundance of ways to be approached. This article addresses the information nature of a song and the collection and curation practices on a streaming platform to propose a methodological approach at the intersection of personal information management (PIM) and collection studies. By discussing the state of ownership and experience on streaming, this methodological approach uses the concept of mediality to redefine the collectible as information and decentr

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Cox, Gordon. "Towards the National Song Book: The History of an Idea." British Journal of Music Education 9, no. 3 (1992): 239–53. http://dx.doi.org/10.1017/s0265051700009128.

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This paper traces the relationship between music and national feeling which permeated popular education during the latter part of the nineteenth century, culminating in the publication ofThe National Song Book(Stanford, 1906). By the First World War there was hardly a school in the country which did not possess a copy. The roots of the idea of national songs are traced back to Herder and Engel, and in particular to William Chappell'sPopular Music of the Olden Time(1858–9). The paper argues that music educationists developed distinct theories about the educative value of such songs in developin

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Soladi, Soladi, Wisnu Mintargo, and Kiswanto Kiswanto. "LAGU SETIA JANJIKU: BENTUK PEMBARUAN MUSIK KERONCONG GAYA ISMANTO." Sorai: Jurnal Pengkajian dan Penciptaan Musik 13, no. 1 (2020): 13–22. http://dx.doi.org/10.33153/sorai.v13i1.2841.

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Songs that develop in keroncong music have been classified strictly based on their form, including the keroncong asli, langgam, stambul, and several other forms. The classification has become a very chain rule, as a result the creativity that emerges among keroncong musicians is often considered to be incompatible with the standards or parameters aesthetic of keroncong music by most keroncong music performers. These conditions do not always limit the composers and / or creators of keroncong songs to be creative in producing new products with different styles. One of them can be found in Ismant

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