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1

Claus-Bachmann, Martina. Mahayana-buddhistische Liturgie im heutigen Indonesien: Musikkulturelle Überlieferung chinesischer Migranten. Lit, 1998.

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2

Pulgyo ŭmak kamsang: Buddhism music appreciation. Unjusa, 2005.

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3

Từ, Thanh. Phật giáo trong lòng dân tộc. Nhà xuất bản Văn hóa thông tin, 2008.

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4

Hanʾguk ŭi Pulgyo ŭmak: Buddhism music of Korea. Unjusa, 2005.

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5

Xue yu yue xue xin lun. Zhong yang min zu da xue chu ban she, 2007.

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6

Bukkyō to ongaku. Sakuyō Gakuen Shuppanbu, 1999.

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7

Osho. Ancient music in the pines: In zen mind suddenly stops :the way of effortless effort. Osho Media International, 2009.

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8

Haḷadaṇakara, Babanarāva. Milanotsuka do tānūpare: Jayapura evaṃ Āgarā gāyakī ke saundaryatattva. Vidyānidhi Prakāśana, 2001.

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9

Haḷadaṇakara, Babanarāva. Juḷū pāhaṇāre dona tambore: Āgrā, Jayapūra gāyakī. Rājahãsa Prakāśana, 1992.

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10

Uta ni hisomu Bukkyō no kokoro. Kokusho Kankōkai, 2009.

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11

Uta ni hisomu Bukkyō no kokoro. Kokusho Kankōkai, 2009.

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12

Uta ni hisomu bukkyō no kokoro. Kokusho Kankōkai, 2009.

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13

Chos-dbyiṅs. Khams pa Sgar źes yoṅs grags Smad ʼBrug chos sde chen po ma lag daṅ bcas paʼi riṅ lugs Gsar Rñiṅ gar ʼchams skor gyi rtsa tshig daṅ deʼi rol moʼi chiṅs kyi reg gzigs glegs bam phyogs bsgril: The collected instructions on the performance of the sacred dance with accompanying cymbal percussion notation as performed in the Khams-pa Sgar monasteries in eastern Tibet containing the Tshes-bcu and Mgon-po Sgrub-chen dances. Khampas Gar Sungrab Nyamso Gyunphel Parkhang, 1985.

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14

Kyŏngsanje Pulgyo ŭmak: Kaesŏng chiyŏk Pulgyo ŭmak kwaŭi kwallyŏnsŏng. Minsogwŏn, 2013.

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15

Pulgyo, hwach'ŏng ŭisik pogwŏn e kwanhan yŏn'gu. Book Lab, 2013.

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16

Zen guitar. Simon & Schuster, 1998.

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17

Zen guitar. Simon & Shuster, 1997.

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18

Jianping, He, ed. Han wen fo jing zhong de yin yue shi liao. Ba Shu shu she, 2002.

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19

Chan yu yue. Wen hua yi shu chu ban she, 2012.

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20

1933-, Yi Chong-ch'an, ed. Yŏkchu Sari yŏngŭnggi. Sejong Taewang Kinyŏm Saŏphoe, 2013.

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21

Hội thảo khoa học Sư Nguyệt Chié̂u với sự nghiệp nhạc lẽ̂ cỏ̂ truyè̂n Nam Bộ (2007 Bạc Liêu, Vietnam). Sư Nguyệt Chié̂u với sự nghiệp nhạc lẽ̂ cỏ̂ truyè̂n Nam Bộ. Nhà xuá̂t bản Văn hóa thông tin, 2007.

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22

Zhang, Zhentao. Ji zhong Houtu chong bai yu yin yue ji xian. Xianggang Zhong wen da xue chong ji xue yuan zong jiao yu Zhongguo she hui yan jiu zhong xin, 2001.

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23

Bukkyō to gagaku. Hōzōkan, 2013.

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24

Nebesky-Wojkowitz, René de. Tibetan religious dances: Tibetan text and annotated translation of the ʾChams yig. Pilgrims, 1997.

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25

Ssanggyesa ŭmak kihaeng. T'aehaksa, 2005.

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26

Pulgyo ŭisik ŭmak yŏnʼgu: Pulgyo ŭisik ŭmak ui yŏnwŏn mit chongnyu, yŏksa, pŏmp'ae ŭi kusŏng kwa chakpŏp chŏlch'a, kŭ t'ŭkching kwa ŭimi tŏngŭl chonghapchŏk ŭro kochʻal = Studies of Buddhist ritual music. Unjusa, 2012.

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27

Bargainin' for salvation: Bob Dylan, a Zen master? Continuum, 2009.

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28

Sŏnamsa ŭmak kihaeng. T'aehaksa, 2005.

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29

Bei ye li zan: Dai zu nan chuan fo jiao jie qing yi shi yin yue yan jiu. Zong jiao wen hua chu ban she, 2003.

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30

Kun-dgaʼ-rgyal-mtshan, Sa-skya Paṇḍi-ta. Zlos gar daṅ mkhas ʼjug. Mi rigs dpe skrun khaṅ, 2004.

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31

Bian wen jiang chang yu Hua Fan zong jiao yi shu. Shanghai san lian shu dian, 2002.

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32

1965-, Wang Jiaping, and Ji Zhenxing 1967-, eds. Bian wen jiang chang yu Hua Fan zong jiao yi shu. Fo guang shan wen jiao ji jin hui, 2002.

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33

Jiao li xing guo: Fo jiao zong pai guan. Zong jiao wen hua chu ban she, 2011.

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34

Greene, Paul D. Contemporary Buddhist Chanting and Music. Edited by Michael Jerryson. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199362387.013.27.

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Music and patterned expressions of sound (whether classified as music or not) serve Buddhist cultures and practices in many important ways. This chapter takes stock of the many diverse practices of the world’s Buddhist cultures, in the vehicles of Theravada, Mahayana, Vajrayana, and Zen. Functions of music, sound, and chanting include proclaiming, memorizing, and contemplating the Dhamma; signaling transitions in rituals; repeating mantras; narrating Jataka stories; cultivating a sense of community within Buddhist lay groups; and performing a rich pageantry of processual music to glorify shrin
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35

Bhattacharya. Music and Chants of Buddhism. Audio-Forum, 1987.

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36

Music in the Undergraduate Curriculum: A Reassessment Report on Study Groups. College Music Society, 1990.

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37

Emet, Joseph. Basket of Plums Songbook: Music in the Tradition of Thich Nhat Hanh. Parallax Press, 2016.

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38

Hanh, Nhat, and Joseph Emet. Basket of Plums Songbook: Music in the Tradition of Thich Nhat Hanh. Parallax Press, 2013.

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39

(Korea), Kungnip Namdo Kugagwŏn, ed. Ssanggyesa ŭmak kihaeng. T'aehaksa, 2005.

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40

(Korea), Kungnip Namdo Kugagwŏn, ed. Sŏnamsa ŭmak kihaeng. T'aehaksa, 2005.

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41

Jerryson, Michael, ed. The Oxford Handbook of Contemporary Buddhism. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199362387.001.0001.

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Over the last two hundred years, Buddhists have witnessed incredible transformations, and often they have participated in making them. Throughout history, religious systems have been intimately connected to economics, politics, and societies. These relationships were profoundly affected in the nineteenth and twentieth centuries with the loss of monarchies and the advents of print technology, capitalism, socialism, and the nation-state. Such transformations had enormous impacts on Buddhism. The changes manifested both within Buddhist populated countries and beyond through Buddhist transnational
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42

Stephenson, Barry. 6. Ritual as performance. Oxford University Press, 2015. http://dx.doi.org/10.1093/actrade/9780199943524.003.0007.

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Cross-culturally, ritual typically includes elements commonly associated with performance events: music or rhythmic accompaniment; dance or other stylized bodily movements; and masking, costuming, and makeup. ‘Ritual as performance’ considers performance theory and performance studies and some of the work of significant theorists in these fields: J. L. Austin and Richard Schechner. By looking at the kōan tradition of Zen Buddhism, Schechner's approach to ritual can be better understood. Schechner places performance on a continuum that runs from efficacy to entertainment. The notions of embodim
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43

Flood, Gavin, ed. The Oxford History of Hinduism. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198733508.001.0001.

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This history of Hindu religious practices examines traditions of asceticism, yoga, and devotion (bhakti), including dance and music, developed in Hinduism over a long period of time, placing the theme of practice within a broader trajectory of cultural history. Some of these practices, notably those denoted by the term yoga, are orientated towards salvation from the cycle of reincarnation and go back several thousand years, borne witness to in ancient texts called Upaniṣads, as well as in other traditions, notably early Buddhism and Jainism. Practices of meditation are also linked to asceticis
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44

Corrigan, John. Introduction: The Study of Religion and Emotion. Edited by John Corrigan. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780195170214.003.0001.

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This book is about religion and emotion. It explores the emotional component in religion within the framework of a certain tradition, focusing on emotion in new religious movements. There are essays on Judaism, Christianity, Hinduism, Japanese religions, Buddhism, and Islam. The book remarks on ways that emotion has been overlooked in the study of religious traditions, and how a focus on the emotional can lead to fresh understandings about how persons create, through religion, relationships with nature, deities, and each other. It also includes essays that address the emotion component in vari
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45

Corrigan, John, ed. The Oxford Handbook of Religion and Emotion. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780195170214.001.0001.

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This book offers a range of critical perspectives on the academic study of religion and emotion, in the form of syntheses, provocations, and prospective observations. The academic study of religion has recently turned to the investigation of emotion as a crucial aspect of religious life. Researchers have set out in several directions to explore that new terrain and have brought with them an assortment of instruments useful in charting it. This volume collects essays under four categories: religious traditions, religious life, emotional states, and historical and theoretical perspectives. In th
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46

Saussy, Haun. Translation as Citation. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198812531.001.0001.

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Translation as Citation denies that translating amounts to the composition, in one language, of statements equivalent to statements previously made in another. Rather, translation works with elements of the language and culture in which it arrives, often reconfiguring them irreversibly: it creates, with a fine disregard for precedent, loan words, calques, forced metaphors, forged pasts, imaginary relationships, and dialogues of the dead. Creativity, in this form of writing usually considered merely reproductive, is the subject of this book. When the first proponents of Buddhism arrived in Chin
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47

Harvey, Paul, and Kathryn Gin Lum, eds. The Oxford Handbook of Religion and Race in American History. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190221171.001.0001.

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The Oxford Handbook of Religion and Race in American History is a reference work in which thirty-seven leading scholars from the fields of History, Religious Studies, Sociology, Anthropology, and others investigate the complex interdependencies of religion and race through American history. The book covers the religious experience, social realities, theologies, and sociologies of racialized groups in American religious history. It explores how religion contributed to their racialization, and race to perceptions about the validity of their religious expressions. Religion played a significant pa
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