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Relevant bibliographies by topics / Music Music Mahayana Buddhism / Dissertations / Theses

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Dissertations / Theses on the topic 'Music Music Mahayana Buddhism'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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1

Ungpho, Rewadee [Verfasser], Gretel Akademischer Betreuer] Schwörer-Kohl, and Marianne [Akademischer Betreuer] [Bröcker. "Chinese ceremonial music in Mahayana Buddhism in Southern Thailand / Rewadee Ungpho. Betreuer: Gretel Schwörer-Kohl ; Marianne Bröcker." Halle, Saale : Universitäts- und Landesbibliothek Sachsen-Anhalt, 2010. http://d-nb.info/1025133870/34.

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2

Sota, Yuji. "Independence and interdependence in John Cage's adoption of Zen Buddhism and anarchism." Thesis, State University of New York at Buffalo, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3726001.

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<p> The composer John Cage adopted Indian aesthetics, Zen philosophy, and anarchism to underpin his music and aesthetic. Although his interest in each ideology has been studied, the reason why he incorporated ones from disparate values remains unclear. Considering the trajectory of his intense quest for the theories that reinforced his music and aesthetic, elucidating the commonalities and differences among Indian aesthetics, Zen philosophy, and anarchism should reveal what he ultimately pursued. This dissertation explores comparative analyses of his interests in order to detect the notion of

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3

Nakao, Kyohei. "Hoichi for Orchestra." Diss., The University of Arizona, 2014. http://hdl.handle.net/10150/347089.

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Hoichi is an original musical composition for orchestra. It is approximately 42 minutes in length. The piece is inspired by a Japanese folk tale entitled Hoichi, the Earless. This story about a blind lute player takes place in Shimonoseki, the city in which I was born. The contrast between chamber sonority and orchestral forces symbolizes Hoichi's battle against evil spirits. Although he eventually loses his ears and dies the music turns into a strong life assertion toward the end. I relate this to a Zen Buddhist notion: when you lose (transcend) everything, you gain everything. The piece ends

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4

Kishimoto, Masashi. "Tracing the Development of Japanese Choral Tradition, and the Influence of Buddhism and Western Music." Diss., North Dakota State University, 2012. https://hdl.handle.net/10365/26861.

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This research deals with the origin and development of Japanese choral music emphasizing Japanese folk tunes. The process of how modern styles of Japanese choral music evolved is rather complicated, and has been greatly influenced by the paralleled development of society, tradition, culture, language, politics, and religion. In order to truly understand the essence and evolution of traditional Japanese music, it is crucial to recognize the cultural influences that make up Japanese history. In the late fifth century, Japan started to absorb new music from mainland Asia into its own culture. Thi

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5

Griffith, Dana Gregory. "Collected Toons of the Blues Buddha." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1214920403.

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6

Yang, Serena. "John Cage and Van Meter Ames: Zen Buddhism, Friendship, and Cincinnati." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1378195094.

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7

Thorpe, Josh. "Here hear my recent compositions in a context of philosophy and western 20th century experimental art /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ59209.pdf.

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8

Cockrell, Brittany B. "Mindfulness and authentic creativity developing a healthy lifestyle." Honors in the Major Thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/362.

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The contemporary society of the United States of America is becoming an increasingly stressful environment to live in. Our rapid advances and developments in virtual, electronic, and high-speed technology have led us to a lifestyle that operates more quickly. However, our attachment to such a face-paced lifestyle has unfortunately led us towards an increasingly stressful lifestyle. This research focuses on identifying our current society's perceptual outlook and illustrating how the practice of mindfulness can help reduce the anxieties, struggles, and mental flaws which cloud our perception. T

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9

Chen, Pi-Yen. "Morning and evening service : the practice of ritual, music, and doctrine in the Chinese Buddhist monastic community /." 1999. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:9934032.

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10

Maguire, Randy Allen. "When the horse runs off." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-3503.

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"When the horse runs off" is a one-act chamber opera, which features an original libretto by playwright Sarah Saltwick, and is based on a Buddhist fable. The piece is scored for four singers and six instrumentalists. Similar to the manner in which the original fable is used as a point of departure, the opera incorporates folk music of Nepal and China into a larger, more varied palette of sounds. These are places from which this fable could have originated, so this is a natural way to create a world within the piece that feels organic.<br>text

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11

Lai, Shinn-chuang, and 賴信川. "The Research of Gyo-san-sho-myo-shu-- The Investigation of Development of Chinese Buddhism Ritual Music." Thesis, 1999. http://ndltd.ncl.edu.tw/handle/24877436700172943202.

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碩士<br>華梵大學<br>東方人文思想研究所<br>87<br>Title of thesis: The Research of Gyo-san-sho-myo-shu-- The Investigation of Development of Chinese Buddhism Ritual Music Name of Institute: The Institute of Oriental Humanities of Hufan University Graduate date: June 1999 Degree conferred: Master Student: Shinn-chuang Lai 賴信川 Advisor: Prof. Wan-nai Chen 陳萬鼐 Prof. Kwong-yim Ho 何廣棪 Abstract Fan-bai(梵唄, the name of Chinese Buddhism ritual music) is a kind of art about Buddhist art an

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12

Kuo, Yu-Ju, and 郭玉茹. "An Analytical Research on the Ritual Music of Yogacara Ulkā-Mukha Dharma Service of the Traditional Chinese Buddhism in Taiwan." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/efv84r.

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碩士<br>南華大學<br>宗教學研究所<br>103<br>When Śikṣānanda first translated the “Yogacara Ulkā-mukha,” its content was merely a personalpractice of alms-giving the dead (shishi), or offering food to hungry ghosts. A thousand years later, theYogacara Ulkā-mukha Dharma Service flourished into a large-scale ancestral worship ceremony. Thisthesis studies the processes of this change. 　　In Taiwan, the vocal formulae used in the Yogacara Ulkā-mukha Dharma Service is comprised ofthe so-called “gushan tone” and the “haichao tone.” The “gushan tone” is a Taiwanese style of Buddhistchanting that was acquired from Y

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13

"《香港佛敎天童精舍焰口佛事之儀式音樂硏究》". 1999. http://library.cuhk.edu.hk/record=b5890139.

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蔡懿嫻.<br>論文 (哲學碩士)--香港中文大學, 1999.<br>參考文獻 (leaves 246-256).<br>附中英文摘要.<br>Cai Yixian.<br>Lun wen (zhe xue shuo shi) -- Xianggang zhong wen da xue, 1999.<br>Can kao wen xian (leaves 246-256).<br>Fu Zhong Ying wen zhai yao.<br>緒論 --- p.1<br>Chapter (一) --- 硏究源起 --- p.1<br>Chapter (二) --- 中國佛教音樂的硏究現況 --- p.1<br>Chapter (三) --- 本選題的意義及硏究目的 --- p.5<br>Chapter (四) --- 本論文採用之硏究方法 --- p.6<br>Chapter 第一章 --- 佛教及其音樂在中國之發展槪況 --- p.8<br>Chapter 第一節 --- 佛教之傳入 --- p.8<br>Chapter 第二節 --- 佛教音樂在中國的發展槪況 --- p.10<br>Chapter (一) --- 漢代至東晉的初弘階段 --- p.10<br>Chapter (二) --- 南北朝的建立階段 --- p.12<br>Chapter (三)

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14

"Study of the music tradition and its contemporary change of the Theravada Buddhist Festival ritual performance of Dai ethnic nationality in Yunnan (Chinese text)." 2002. http://library.cuhk.edu.hk/record=b6073828.

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論文(哲學博士)--香港中文大學, 2002.<br>參考文獻 (p. 341-355).<br>中英文摘要.<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Mode of access: World Wide Web.<br>Zhong Ying wen zhai yao.<br>Lun wen (Zhe xue bo shi)--Xianggang Zhong wen da xue, 2002.<br>Can kao wen xian (p. 341-355).

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15

"香港寶蓮禪寺廣東燄口佛事音樂個案研究: 儀式中音樂的神聖與世俗". 2007. http://library.cuhk.edu.hk/record=b5893388.

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陳韋燕.<br>"2007年12月".<br>論文(哲學碩士)--香港中文大學, 2007.<br>參考文獻(leaves 266-272).<br>"2007 nian 12 yue".<br>Abstracts in Chinese and English.<br>Chen Weiyan.<br>Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2007.<br>Can kao wen xian (leaves 266-272).<br>Chapter 第一章： --- 緒論 --- p.1<br>Chapter 第二章： --- 佛樂在中國的變遷 --- p.10<br>Chapter 第一節： --- 佛教音樂 --- p.11<br>Chapter 第二節： --- 佛教音樂在中國 --- p.12<br>Chapter 第三節： --- 香港佛教 --- p.16<br>Chapter 第三章： --- 瑜伽燄口佛事 --- p.20<br>Chapter 第一節： --- 「燄口佛事」 --- p.20<br>Chapter 第二節： --- 「廣東燄口」 --- p.24<br>Chapter 第四章： --- 寶蓮禪寺廣東燄口佛事個案記錄 --- p.48<br>Chapter 第一節

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16

Gorgonio, Marie Antoinette R., and Marie Antoinette R. Gorgonio. "The Study of the Impact of the Influence of Humanistic Buddhism Music on the Participants of the “Biography of the Buddha” Musical Production in the Philippines." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/20037507075830117496.

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碩士<br>佛光大學<br>佛教學系<br>98<br>ABSTRACT This thesis directs to probe the influence of the Humanistic Buddhism music of Fo Guang Shan to the participants of the “Biography of the Buddha” musical production and its general influence in the Philippines. To make the thesis feasible, a descriptive qualitative research was employed with the use of in-depth interview. The core questions that propelled in the process of this query are: 1) how did these participants encounter the FGS Chu-un temple and this musical production, 2) where there challenges and adaptations made by the organizers towards its

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