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Dissertations / Theses on the topic 'Music publications'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Bassett, Amy Lynn. "The Bassoon Pedagogy and Publications of Simon Kovar." The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1180538766.

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2

Carrera, Alessandro. "The philosophy of popular music : aesthetical categories and cultural relevance : a commentary on my publications." Thesis, University of Huddersfield, 2016. http://eprints.hud.ac.uk/id/eprint/28415/.

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In the mid-1970s, my approach to popular music was shaped by aesthetical categories developed in the fields of Euroclassical music and continental philosophy. In fact, my interest in the avant-garde movements of the 20th century predated my involvement with popular music. In 1980, however, when I completed my philosophy thesis on Arnold Schönberg at the “Università degli Studi” in Milan, Italy, I had already been working for years in the field of rock, jazz, and folk music. Now that the borders between musical languages have become more porous, my double background in classical and popular mus

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3

Fabbri, Franco. "Genre theories and their applications in the historical and analytical study of popular music : a commentary on my publications." Thesis, University of Huddersfield, 2012. http://eprints.hud.ac.uk/id/eprint/17528/.

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There can be little doubt that the usage of the concept of genre remains widespread in discourses around music, cinema, theatre, literature. However, for a long period of time, musicologists have paid little attention to genre which is considered to be an outdated legacy of positivism: a concept belonging to amateurish criticism or daily musical practice – and incompatible with the hegemonic ideology of ‘absolute music’. In the commentary that follows, the history of my own efforts to bring genre back to the theoretical core of musicological debate is outlined, and intertwined with the work of

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4

Haug, Rachel E. "An Introduction to Twentieth-Century Flute Music by Norwegian Composers: With Emphasis on Øistein Sommerfeldt and Publications by Norsk Musikforlag." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429628301.

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5

Meador, Rebecca Rae. "A History of Extended Flute Techniques and an Examination of Their Potential as a Teaching Tool." University of Cincinnati / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ucin991163381.

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6

Pappel, Kristel. "Music History Writing and National Culture. Proceedings of a seminar Tallinn, December 1-3, 1995. Eesti Muusikaloo Toimetised I [Publications in Estonian Music History I], ed. by Urve Lippus,Tallinn (Eesti Keele Instituut) 1995; Kristel Pappel, Muusikateater Tallinnas XVIII sajandi lõpus ja XIX sajandi esimesel poolel [Musiktheater in Tallinn am Ende des 18. Jahrhunderts und in der ersten Hälfte des 19. Jahrhunderts]. Eesti Muusikaloo Toimetised 2. [Beiträge zur Geschichte der Musik in Estland, 2] Üldtoim. U. Lippus. Vihiku toim. H. Soobik. [Hrsg. U. Lippus. Hrsg. des Bandes H. Soobik]. Tallinn (Eesti Keele Instituut) 1996; Virve Lippus, Eesti pianistliku kultuuri kujunemine [Die Formierung der estnischen pianistischen Kultur], zusammengestellt von U. Lippus, (= Eesti Muusikaloo Toimetised 3 [Beiträge zur Geschichte der Musik in Estland, Band 3] ) Üldtoim. U. Lippus, toim. M. Sedrik [Hrsg. U. Lippus, Hrsg. des Bandes M. Sedrik] Tallinn (Eesti Keele Instituut) 1997 [Rezension]." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-222522.

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7

Pappel, Kristel. "Music History Writing and National Culture. Proceedings of a seminar Tallinn, December 1-3, 1995. Eesti Muusikaloo Toimetised I [Publications in Estonian Music History I], ed. by Urve Lippus,Tallinn (Eesti Keele Instituut) 1995; Kristel Pappel, Muusikateater Tallinnas XVIII sajandi lõpus ja XIX sajandi esimesel poolel [Musiktheater in Tallinn am Ende des 18. Jahrhunderts und in der ersten Hälfte des 19. Jahrhunderts]. Eesti Muusikaloo Toimetised 2. [Beiträge zur Geschichte der Musik in Estland, 2] Üldtoim. U. Lippus. Vihiku toim. H. Soobik. [Hrsg. U. Lippus. Hrsg. des Bandes H. Soobik]. Tallinn (Eesti Keele Instituut) 1996; Virve Lippus, Eesti pianistliku kultuuri kujunemine [Die Formierung der estnischen pianistischen Kultur], zusammengestellt von U. Lippus, (= Eesti Muusikaloo Toimetised 3 [Beiträge zur Geschichte der Musik in Estland, Band 3] ) Üldtoim. U. Lippus, toim. M. Sedrik [Hrsg. U. Lippus, Hrsg. des Bandes M. Sedrik] Tallinn (Eesti Keele Instituut) 1997 [Rezension]: Music History Writing and National Culture. Proceedings of a seminar Tallinn, December 1-3, 1995. Eesti Muusikaloo Toimetised I [Publications in Estonian Music History I], ed. by Urve Lippus,Tallinn (Eesti Keele Instituut) 1995; Kristel Pappel, Muusikateater Tallinnas XVIII sajandi lõpus ja XIX sajandi esimesel poolel [Musiktheater in Tallinn am Ende des18. Jahrhunderts und in der ersten Hälfte des 19. Jahrhunderts]. Eesti Muusikaloo Toimetised 2. [Beiträge zur Geschichte der Musik in Estland, 2] Üldtoim. U. Lippus. Vihiku toim. H. Soobik. [Hrsg. U. Lippus. Hrsg. des Bandes H. Soobik]. Tallinn (Eesti Keele Instituut) 1996; Virve Lippus, Eesti pianistliku kultuuri kujunemine [Die Formierung der estnischen pianistischen Kultur], zusammengestellt von U. Lippus, (= Eesti Muusikaloo Toimetised 3 [Beiträge zur Geschichte der Musik in Estland, Band 3] ) Üldtoim. U. Lippus, toim. M. Sedrik [Hrsg. U. Lippus, Hrsg. des Bandes M. Sedrik] Tallinn (Eesti Keele Instituut) 1997 [Rezension]." Musikgeschichte in Mittel- und Osteuropa ; 4 (1999), S. 190-195, 1999. https://ul.qucosa.de/id/qucosa%3A15533.

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8

McLaughlin, Elbert H. "The coalescence of music and the Internet, a hybrid solution for the use of music materials in World-Wide Web publication." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ44097.pdf.

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9

McLaughlin, Elbert H. "The coalescence of music and the internet : a hybrid solution for the use of music materials in world-wide web publication." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=20232.

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The World-Wide Web (WWW) is currently witnessing a dramatic trend toward the incoporation of multimedia elements into on-line publishing. These elements can be very effective for communicating ideas that are difficult to explain with text alone. For the presentation of music, the WWW brings the capability of embedding audio files (recordings) into a document, thus providing audible musical excerpts in addition to textual references to selected points of interest in a musical score. However, there are technical challenges and copyright issues to be addressed when providing musical excerpts on t

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10

McGinnis, Julie Kay 1959. "German Harmonielehren, 1800-1854: An annotated bibliography with discussion of the societal and technological factors in their development and publication." Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/282202.

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As a result of the French Revolution and its aftermath, the early nineteenth century saw substantial social changes in Germany which fueled unprecedented activity in the field of music theory. The more progressive democratic spirit introduced to Germany by early Napoleonic reforms was a major factor in the solidifying of a real class consciousness among the bourgeoisie and, perhaps more importantly, a strong sense of pride in this newly defined identity. This fact helps to explain the increased public interest in the more sophisticated aspects of music such as wazzu music theory, and the found

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11

Schäfer, Thomas. "The Goals and Effects of Music Listening and Their Relationship to the Strength of Music Preference." Universitätsbibliothek Chemnitz, 2016. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-qucosa-201941.

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Individual differences in the strength of music preference are among the most intricate psychological phenomena. While one person gets by very well without music, another person needs to listen to music every day and spends a lot of temporal and financial resources on listening to music, attending concerts, or buying concert tickets. Where do these differences come from? The hypothesis presented in this article is that the strength of music preference is mainly informed by the functions that music fulfills in people’s lives (e.g., to regulate emotions, moods, or physiological arousal; to promo

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12

Laghi, Simone. "Italian string quartets and late eighteenth-century London : publication and production : with a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810)." Thesis, Cardiff University, 2017. http://orca.cf.ac.uk/107709/.

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This dissertation presents an overview of the situation of the printed string quartet output in London in the years between 1765 (year of publication of Gaetano Latilla's set) and 1790 (year of publication of last set of quartets by Felice Giardini). Between these years the London publishers printed about one hundred string quartets by musicians operating within or at the margins of the King's Theatre environment. Many of them were opera composers, several were prominent violinists and some of them were singers, as in the case of Venanzio Rauzzini (1746-1810), who published two set of six stri

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13

Schäfer, Thomas, Doreen Zimmermann, and Peter Sedlmeier. "How we remember the emotional intensity of past musical experiences." Universitätsbibliothek Chemnitz, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-qucosa-151432.

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Listening to music usually elicits emotions that can vary considerably in their intensity over the course of listening. Yet, after listening to a piece of music, people are easily able to evaluate the music's overall emotional intensity. There are two different hypotheses about how affective experiences are temporally processed and integrated: (1) all moments' intensities are integrated, resulting in an averaged value; (2) the overall evaluation is built from specific single moments, such as the moments of highest emotional intensity (peaks), the end, or a combination of these. Here we investi

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Schäfer, Thomas, David Huron, Daniel Shanahan, and Peter Sedlmeier. "The sounds of safety: stress and danger in music perception." Universitätsbibliothek Chemnitz, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-qucosa-177650.

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As with any sensory input, music might be expected to incorporate the processing of information about the safety of the environment. Little research has been done on how such processing has evolved and how different kinds of sounds may affect the experience of certain environments. In this article, we investigate if music, as a form of auditory information, can trigger the experience of safety. We hypothesized that (1) there should be an optimal, subjectively preferred degree of information density of musical sounds, at which safety-related information can be processed optimally; (2) any devia

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15

Schutz, Lionel. "Neue Musik : le concept de modernité en pays allemand après 1918." Université Marc Bloch (Strasbourg) (1971-2008), 2007. https://publication-theses.unistra.fr/public/theses_doctorat/2007/SCHUTZ_Lionel_2007.pdf.

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L'expression de Neue Musik, apparue au début du 20e siècle en Allemagne et en Autriche, a été liée à l'émergence d'un répertoire et aux postulats d'une avant-garde. La suspension de la tonalité et le tournant esthétique accompli entre 1907 et 1910 ont exprimé l'aspiration à un champ expressif nouveau et ont été à l'origine de nombreux débats esthétiques au début des années vingt. Critiques et musicologues ont porté leur intérêt vers ce répertoire en en soulignant les critères déterminants et les principales tendances. Cette prise de conscience, qui a formé une phase constitutive de la modernit

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16

Costa, Jacopo. "L'expérimentation dans la musique rock : recherches historiques, socio-économiques et analytiques." Thesis, Strasbourg, 2018. https://publication-theses.unistra.fr/restreint/theses_doctorat/2018/Costa_Jacopo_2018_ED520.pdf.

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La thèse traite des musiques qui, tout en étant enracinées dans la tradition du rock, dépassent les frontières — stylistiques mais aussi sociologiques et économiques — propres au rock : pour cette raison elles sont souvent regroupées dans le « genre » du rock expérimental. Mes recherches portent sur un choix d'artistes qui sont universellement considérés comme faisant du rock expérimental, à savoir Frank Zappa, le collectif Rock In Opposition, ainsi que le groupe italien Yugen, toujours en activité et en quelque sorte héritier de Rock In Opposition. L'analyse des démarches artistiques de ces a

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17

Fogel, Betty Cruikshank. "An Analysis of Methods of Promoting Country Music Records in the Atlanta, Georgia Area." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc500568/.

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This study examined promoting recorded country music from Atlanta, Georgia, and explored why Atlanta is important in this field. It was learned, through interviews, that promoters wanted radio airplay and top trade publication chart ratings. Radio station program directors decided upon playlists from reading trade publications, efforts by record promoters, listener requests and focus groups, and from reported sales. Stores used album and poster displays, charts, and played music for promotion. The business is one of personalities and experience, as much as product promoted. Large conglomerates

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18

Shichijo, Megumi. "Les suites instrumentales issues des opéras de Lully publiées à Amsterdam : études historique, philologique et musicale sur l’éditeur Estienne Roger (1665/66 - 1722)." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040109.

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Les opéras de Jean-Baptiste de Lully (1632-1687) ont joui d’une diffusion européenne tant de son vivant que de manière posthume. Parmi les pays où ses opéras suscitèrent un véritable engouement, la Hollande bénéficiait d’une situation particulière. En effet, les opéras ont paru aussi bien dans les théâtres que dans l’édition musicale. Concernant l’édition musicale, la ville d’Amsterdam occupa un rôle primordial, où les opéras de Lully furent publiés non seulement en partitions générales et réduites, mais aussi en extraits vocaux et instrumentaux, dont les derniers ont pu être considérés comme

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19

De, Silva Dayaneetha. "Taking on the big boys : rock music and oppositionality in Singapore." Thesis, 1996. http://hdl.handle.net/1885/144345.

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20

"The publication of traditional pipa anthologies: 1819-1936." 2002. http://library.cuhk.edu.hk/record=b5891086.

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So Hon-tou.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2002.<br>Includes bibliographical references (leaves 55-59).<br>Text and abstracts in English and Chinese.<br>Abstract --- p.i<br>Table of contents --- p.iii<br>Introduction --- p.1<br>Chapter Chapter I: --- "Relationship between the pipa and the guqin, and other instruments" --- p.7<br>Chapter Chapter II: --- Establishment of authority and legitimacy of the editor's own edition --- p.17<br>Chapter Chapter III: --- Influence of the record industry --- p.21<br>Chapter Chapter IV: --- A Compilation of the Textual Parts from

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21

Laufer, Milton Ruben. "Isaac Albeniz and "La Vega": A publication history and new edition." Thesis, 2003. http://hdl.handle.net/1911/18549.

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La Vega represents Isaac Albeniz's compositional transformation from a salon-style composer for the piano into a composer of large-scale works employing sophisticated harmonic vocabulary and thematic development. The piece was published by A. Diaz and Cia. in San Sebastian, Spain, and was edited by an anonymous editor who copied the manuscript inaccurately. All of the subsequent publishers of the piece duplicated Diaz's printing, and consequently their inaccuracies. A new edition including the revisions that were made to La Vega as well as a publication history and catalog of editorial alterat

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22

Cheng, Sherlock Lin, and 鄭立中. "The Impacts of Internet on Intellectual Property Rights of Music Publication Industry." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/78248482747174799059.

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碩士<br>國立政治大學<br>科技管理研究所<br>90<br>The Impacts of Internet on Intellectual Property Rights of Music Publication Industry Advisor: Professor Paul C.B. Liu Author: Sherlock Lin Cheng Abstract This research is to discover the impacts of the two major internet data communication protocols, which are client-server and peer-to peer technology, on the intellectual property rights (IPR) of the music publication (recording) industry. The purpose of choosing this theme was that the popular audio file compressing technology, ISO-MPEG audio layer-3, mp3, has chang

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23

Fuller, Allison M. "Investigating the utilisation of visual schedules within music therapy practice : a mixed methods thesis by publication." Thesis, 2021. http://hdl.handle.net/1959.7/uws:67398.

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Visual schedules and other visual support materials are utilised within music therapy practice as a strategy to provide augmentative and alternative forms of communication for clients who require additional support. Writings on the use of these tools within music therapy have primarily focused on the population group of children on the autism spectrum; however, visual supports are being applied to a range of different population groups. A gap was identified in the published literature with regard to (a) the use of visual supports by Australian Registered Music Therapists (RMTs), (b) approaches

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24

Gilbert, Christiane. "An examination of gender trends and sexism among university composition faculty: conversations with female composition professors." Thesis, 2021. https://hdl.handle.net/2144/42397.

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Over the past few decades, there has been an exponential increase of females holding professional positions traditionally assigned to males. While female professors of music have become more commonplace over the past few decades, there continues to be a recognizable absence of women in the field of music composition. Additionally, publication and performance of music composed by women is minimal in comparison to their male counterparts. The purpose of this study was to examine the current employment practices of U.S. universities with leading music programs to ascertain if gender inequity was

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25

Lousada, Carlota. "How to attract new potential publication to Gulbenkian Musica without losing the current ones?: what should Gulbenkian musica do to converge the gold public and maket it advocate the brand and the experience to new publics?" Master's thesis, 2017. http://hdl.handle.net/10362/24661.

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26

Tetourová, Petra. "Hudební pedagog Jaroslav Herden." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-342454.

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The thesis introduces one of the most important personalities of the Czech musical pedagogy of the last century - professor PaedDr. Jaroslav Herden, CSc. Its aim of the thesis is to present the wide range of pedagogical activities he practiced. The thesis consists of six main chapters dealing with Herden's life with the focus on his musical activities, his education and professional growth. The chapters analyse Herden's experience at the Faculty of Education at Charles University in Prague and his publication and broadcast activities. This work also mentions the Summer School of Music, as Herd

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