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Journal articles on the topic 'Music publications'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Hadi, Sumasno. "Bibliografi Musik di Kalimantan Selataan (1978-2017)." Pelataran Seni 2, no. 1 (2017): 37. http://dx.doi.org/10.20527/jps.v2i1.9257.

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IntisariPenelitian ini bertujuan untuk memeroleh data bibliografis tentang kesenian musik di Kalimantan Selatan. Penelitian berjenis kualitatif-deskriptif ini menggunakan metode studi kepustakaan (literature research), dilakukan selama tiga bulan dari Maret hingga Mei 2017. Sumber data berupa bahan pustaka tentang musik di Kalimantan Selatan diperoleh dari berbagai perpustakaan di Kota Banjarmasin. Selain itu, dalam pengumpulan data, peneliti juga melakukan observasi, wawancara dan studi dokumen terkait subjek penelitian ini. Keabsahan data penelitian ini diperoleh melalui perpanjangan keikuts

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2

Osadtsia, Olga. "Music publications in Galicia in the 19th — beginning of the 20th centuries: production, advertising, pricing." Proceedings of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv, no. 11(27) (2019): 481–99. http://dx.doi.org/10.37222/2524-0315-2019-11(27)-20.

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The main forms and methods of distribution of music publications in Galicia in the XIX — early XX centuries are scrutinized. The demand for the relevant music production is one of the determining factors in the formation of the musical publishing repertoire, its structure and special features in the process of the existence of music publications in society. It is noted that export-import trade in books has become especially widespread in Galicia; there are facts about the links between publishers and booksellers in Lviv and Warsaw. The basic types of presentation of book advertising of music p

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3

Chaloupková, Lenka, Adéla Tichá, and Dominika Moravčíková. "Wang Guangqi and Feng Zikai: Two Ways of Appreciating European Art Music in China." Paedagogia Musica 5 (2023): 5–30. http://dx.doi.org/10.24132/zcu.musica.2023.05.5-30.

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This paper focuses on two musical textbooks written by Wang Guangqi 王光祈 (An Outline of the History of Western Music, 1930) and Feng Zikai 丰子恺 (Introduction to Music, 1926). During the 1930s in China, these publications emerged as the dominant genres of literature explaining Western art music: music history and music theory textbooks. The paper examines the influence of German comparative musicology on these notable works. By conducting a comparative analysis of these publications in the context of the themes and values of comparative musicology, the paper seeks to investigate how these influen

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4

Levine, Zachary, Mackenzie Campbell, Abeer Adil, Shaul Kruger, and David Alter. "50-year proliferation of music medical science research: A bibliometric review." Music and Medicine 15, no. 1 (2023). http://dx.doi.org/10.47513/mmd.v15i1.903.

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The extent to which music research has penetrated the medical science literature relative to other forms of research remains unclear. We sought to explore temporal changes in the number of music related publications relative to all medical literature as well as prespecified research subdomains of drug therapy, alternative therapy, and neuroscience between 1970 and 2019. We conducted a bibliometric review in which we quantified the number of annual publications between 1970 and 2019 using MEDLINE (PUBMED) search engine and mesh terms of “Music”; “Drug therapy”; “Alternative Medicine”; “Neurosci

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5

Kalliodi, Christina, and Giorgos Tsiris. "New International Publications (2013-2014)." Approaches: An Interdisciplinary Journal of Music Therapy 6, no. 2 (2014). http://dx.doi.org/10.56883/aijmt.2014.432.

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The section New International Publications aims to raise the awareness of the readership for the current international literature regarding music therapy, special music education and the wider field of music and health. This section includes international publications of books and articles that have been published during the current and previous calendar year. Only texts written in English language are included. This section is published in the second issue of each volume of Approaches. Relevant information for publication on Approaches can be sent to: approaches.editor@gmail.com

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6

Roper, Amelie. "From print to digital: First steps in collecting digital music publications in UK legal deposit libraries." Alexandria: The Journal of National and International Library and Information Issues, November 4, 2020, 095574902096786. http://dx.doi.org/10.1177/0955749020967860.

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As a result of the 2013 Non-Print Legal Deposit Regulations, the United Kingdom’s legal deposit libraries acquired two large collections of digital music publications in PDF format: 43,165 from Music Sales and 13,167 from Faber Music. These constitute their back catalogues for the period 2013 to 2018. This article considers the genres of music that were collected, the relationship between printed and digital output and intended users. The increasing prevalence of digital publication in the United Kingdom’s music publishing industry was evident, with 99% of the content collected from these firm

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7

Pavlidou, Dora, and Giorgos Tsiris. "New International Publications (2011-2012)." Approaches: An Interdisciplinary Journal of Music Therapy 4, no. 2 (2012). http://dx.doi.org/10.56883/aijmt.2012.488.

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The section New International Publications aims to raise the awareness of the readership for the current international literature regarding the fields of music therapy and special music education. This section includes international publications of books and articles that have been published during the current and previous calendar year. Only texts written in English language are included. This section is published in the secondissue of each volume of Approaches. Relevant information for publication on Approaches can be sent to the Links and Upcoming Events Manager (Dora Pavlidou, dorapavlidou

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8

Pavlidou, Dora, and Giorgos Tsiris. "New International Publications (2010-2011)." Approaches: An Interdisciplinary Journal of Music Therapy 3, no. 2 (2011). http://dx.doi.org/10.56883/aijmt.2011.517.

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Abstract:

The section New International Publications aims to raise the awareness of the readership for the current international literature regarding the fields of music therapy and special music education. This section includes international publications of books and articles that have been published during the current and previous calendar year. Only texts written in English language are included. This section is published in the second issue of each volume of Approaches. Relevant information for publication on Approaches can be sent to the Links and Upcoming Events Manager (Dora Pavlidou, dorapavlido

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9

Li, Kailimi, Linman Weng, and Xueqiang Wang. "The State of Music Therapy Studies in the Past 20 Years: A Bibliometric Analysis." Frontiers in Psychology 12 (June 10, 2021). http://dx.doi.org/10.3389/fpsyg.2021.697726.

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Purpose: Music therapy is increasingly being used to address physical, emotional, cognitive, and social needs of individuals. However, publications on the global trends of music therapy using bibliometric analysis are rare. The study aimed to use the CiteSpace software to provide global scientific research about music therapy from 2000 to 2019.Methods: Publications between 2000 and 2019 related to music therapy were searched from the Web of Science (WoS) database. The CiteSpace V software was used to perform co-citation analysis about authors, and visualize the collaborations between countries

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10

"Publications Received." Journal of the American Musicological Society 48, no. 3 (1995): 540–44. http://dx.doi.org/10.2307/3519843.

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"Publications Received." Journal of the American Musicological Society 73, no. 3 (2020): 819–21. http://dx.doi.org/10.1525/jams.2020.73.3.819.

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12

"Publications Received." Yearbook for Traditional Music 29 (1997): 182–87. http://dx.doi.org/10.1017/s0740155800009942.

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13

"Publications Received." Yearbook for Traditional Music 30 (1998): 173–79. http://dx.doi.org/10.1017/s0740155800000308.

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14

"Publications Received." Yearbook for Traditional Music 28 (1996): 219–21. http://dx.doi.org/10.1017/s0740155800009346.

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15

"Publications Received." Yearbook for Traditional Music 25 (1993): 174. http://dx.doi.org/10.1017/s0740155800019640.

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16

"Publications Received." Journal of the American Musicological Society 75, no. 2 (2022): 430–33. http://dx.doi.org/10.1525/jams.2022.75.2.430.

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17

"Publications Received." Journal of the American Musicological Society 75, no. 1 (2022): 212–16. http://dx.doi.org/10.1525/jams.2022.75.1.212.

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18

"Publications Received." Journal of the American Musicological Society 74, no. 1 (2021): 228–32. http://dx.doi.org/10.1525/jams.2021.74.1.228.

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"Publications Received." Journal of the American Musicological Society 74, no. 3 (2021): 719–20. http://dx.doi.org/10.1525/jams.2021.74.3.719.

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20

"Publications Received." Journal of the American Musicological Society 74, no. 2 (2021): 457–60. http://dx.doi.org/10.1525/jams.2021.74.2.457.

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21

"Publications Received." Journal of the American Musicological Society 62, no. 2 (2009): 506–14. http://dx.doi.org/10.1525/jams.2009.62.2.506.

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22

"Publications Received." Journal of the American Musicological Society 62, no. 3 (2009): 755–62. http://dx.doi.org/10.1525/jams.2009.62.3.755.

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23

"Publications Received." Journal of the American Musicological Society 63, no. 1 (2010): 181–88. http://dx.doi.org/10.1525/jams.2010.63.1.181.

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24

"Publications Received." Journal of the American Musicological Society 63, no. 2 (2010): 418–24. http://dx.doi.org/10.1525/jams.2010.63.2.418.

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25

"Publications Received." Journal of the American Musicological Society 63, no. 3 (2010): 727–34. http://dx.doi.org/10.1525/jams.2010.63.3.727.

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"Publications Received." Journal of the American Musicological Society 64, no. 1 (2011): 277–83. http://dx.doi.org/10.1525/jams.2011.64.1.277.

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27

"Publications Received." Journal of the American Musicological Society 64, no. 2 (2011): 485–91. http://dx.doi.org/10.1525/jams.2011.64.2.485.

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"Publications Received." Journal of the American Musicological Society 64, no. 3 (2011): 749–54. http://dx.doi.org/10.1525/jams.2011.64.3.749.

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29

"Publications Received." Journal of the American Musicological Society 65, no. 1 (2012): 301–7. http://dx.doi.org/10.1525/jams.2012.65.1.301.

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30

"Publications Received." Journal of the American Musicological Society 65, no. 2 (2012): 625–31. http://dx.doi.org/10.1525/jams.2012.65.2.625.

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31

"Publications Received." Journal of the American Musicological Society 65, no. 3 (2012): 900–906. http://dx.doi.org/10.1525/jams.2012.65.3.900.

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32

"Publications Received." Journal of the American Musicological Society 66, no. 1 (2013): 326–32. http://dx.doi.org/10.1525/jams.2013.66.1.326.

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33

"Publications Received." Journal of the American Musicological Society 66, no. 2 (2013): 594–600. http://dx.doi.org/10.1525/jams.2013.66.2.594.

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34

"Publications Received." Journal of the American Musicological Society 66, no. 3 (2013): 906–11. http://dx.doi.org/10.1525/jams.2013.66.3.906.

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35

"Publications Received." Journal of the American Musicological Society 67, no. 1 (2014): 310–15. http://dx.doi.org/10.1525/jams.2014.67.1.310.

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36

"Publications Received." Journal of the American Musicological Society 67, no. 2 (2014): 611–16. http://dx.doi.org/10.1525/jams.2014.67.2.611.

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37

"Publications Received." Journal of the American Musicological Society 67, no. 3 (2014): 883–88. http://dx.doi.org/10.1525/jams.2014.67.3.883.

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38

"Publications Received." Journal of the American Musicological Society 68, no. 1 (2015): 247–52. http://dx.doi.org/10.1525/jams.2015.68.1.247.

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39

"Publications Received." Journal of the American Musicological Society 68, no. 2 (2015): 490–91. http://dx.doi.org/10.1525/jams.2015.68.2.490.

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40

"Publications Received." Journal of the American Musicological Society 68, no. 3 (2015): 711–16. http://dx.doi.org/10.1525/jams.2015.68.3.711.

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41

"Publications Received." Journal of the American Musicological Society 69, no. 1 (2016): 288–93. http://dx.doi.org/10.1525/jams.2016.69.1.288.

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42

"Publications Received." Journal of the American Musicological Society 69, no. 2 (2016): 588–92. http://dx.doi.org/10.1525/jams.2016.69.2.588.

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43

"Publications Received." Journal of the American Musicological Society 69, no. 3 (2016): 894–97. http://dx.doi.org/10.1525/jams.2016.69.3.894.

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"Publications Received." Journal of the American Musicological Society 70, no. 1 (2017): 278–82. http://dx.doi.org/10.1525/jams.2017.70.1.278.

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"Publications Received." Journal of the American Musicological Society 70, no. 2 (2017): 578–80. http://dx.doi.org/10.1525/jams.2017.70.2.578.

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46

"Publications Received." Journal of the American Musicological Society 70, no. 3 (2017): 881–85. http://dx.doi.org/10.1525/jams.2017.70.3.881.

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47

"Publications Received." Journal of the American Musicological Society 71, no. 1 (2018): 281–85. http://dx.doi.org/10.1525/jams.2018.71.1.281.

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48

"Publications Received." Journal of the American Musicological Society 71, no. 2 (2018): 589–92. http://dx.doi.org/10.1525/jams.2018.71.2.589.

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"Publications Received." Journal of the American Musicological Society 71, no. 3 (2018): 863–66. http://dx.doi.org/10.1525/jams.2018.71.3.863.

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"Publications Received." Journal of the American Musicological Society 72, no. 1 (2019): 308–11. http://dx.doi.org/10.1525/jams.2019.72.1.308.

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