Academic literature on the topic 'Music Tuning'

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Journal articles on the topic "Music Tuning"

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Wisuttipat, Nattapol. "Relative Nature of Thai Traditional Music through its Tuning System." International Journal of Creative and Arts Studies 2, no. 1 (2017): 86. http://dx.doi.org/10.24821/ijcas.v2i1.1441.

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Thai traditional music exhibits number of relative characteristics, though many of them are not expressed explicitly but only demonstrated orally. Its tuning system, despite having been put through many scientific studies for decades, cannot be given the absolute pitch frequencies. It is therefore possible that the tuning system does not have any absolute pitch frequencies but possesses relative nature. This papers aims to present the historic background, characteristics, past, current practices of Thai traditional music’s tuning system and to put forward the theoretical idea of non-existence
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Avery, Lanice R., L. Monique Ward, Lolita Moss, and Dilara Üsküp. "Tuning Gender." Journal of Black Psychology 43, no. 2 (2016): 159–91. http://dx.doi.org/10.1177/0095798415627917.

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Although analyses indicate that mainstream media are a prominent force in the gender socialization of Black youth, little is known about the nature of gender messages in contemporary music, especially in music by Black artists. To explore this issue, we conducted a systematic content analysis of 527 top songs by Black artists released from 1990 to 2010, coding each song for the presence of 23 attributes reflecting hegemonic masculinity and femininity. Analyses also examined differences in gender messages based on time period and genre. Findings indicated that representations of hegemonic mascu
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Gurney, O. R. "Babylonian Music Again." Iraq 56 (1994): 101–6. http://dx.doi.org/10.1017/s0021088900002849.

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In Iraq 30 (1968) I published a fragmentary text from Ur, then numbered 7/80, containing part of a treatise on the tuning of the sammû instrument, and with the collaboration of the musicologist David Wulstan, who himself contributed a companion article, I added an interpretation, with a table showing that the text described seven different tunings, with instructions in two chapters for the conversion of each one to the next, first by lowering, then by raising the pitch of one string by a semitone. The copy of the text was subsequently published again as UET VII 74 and the number 7/80 was aband
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Selvendran, Subothini, Nikhil Aggarwal, and Vassilios Vassiliou. "Tuning the heart with music." Journal of the Royal Society of Medicine 108, no. 11 (2015): 462–64. http://dx.doi.org/10.1177/0141076815600906.

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Bhattacharjee, Sudip, Ram D. Gopal, James R. Marsden, and Ramesh Sankaranarayanan. "Re-tuning the music industry." Communications of the ACM 52, no. 6 (2009): 136–40. http://dx.doi.org/10.1145/1516046.1516081.

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Perani, Daniela, Mari Tervaniemi, and Petri Toiviainen. "Tuning the brain for music." Cortex 47, no. 9 (2011): 1023–25. http://dx.doi.org/10.1016/j.cortex.2011.05.021.

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Pollens, Stewart, Jean Denis, and Vincent J. Panetta. "Harpsichord Tuning." Musical Times 130, no. 1754 (1989): 213. http://dx.doi.org/10.2307/966468.

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Jamnongsarn, Surasak. "TRANSKULTURASI MUSIK ANTARAGAMELAN JAWA, ANGKLUNG, DAN MUSIK TRADISI THAILAND." MELAYU ARTS AND PERFORMANCE JOURNAL 2, no. 2 (2020): 158. http://dx.doi.org/10.26887/mapj.v2i2.975.

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Javanese gamelan and angklung to Thailand music gives the impact on the development of Thailand traditional music. That musical transculturation exists in the musical instrument of angklung and the musical concept of Javanese gamelan that are then mixed with the system of Thailand traditional music involving gamut (tuning system), presentment method, and its function in society. This transculturation shows the understanding of cultural relation between Thailand traditional music that has the background of Buddhism philosophy and Gamelan that has the background of Kejawen syncretism. These two
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Bozkurt, Barış. "A System for Tuning Instruments Using Recorded Music Instead of Theory-Based Frequency Presets." Computer Music Journal 36, no. 3 (2012): 43–56. http://dx.doi.org/10.1162/comj_a_00128.

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Musical instrument tuners are devices that help musicians to adjust their instruments such that the played notes have the desired fundamental frequencies. In a conventional tuner, the reference tuning frequencies are preset, where the presets are obtained from tuning (musical scale) theory, such as twelve-tone equal temperament, or are user-specified temperaments. For many kinds of music in oral traditions, especially nonwestern music, widely accepted theoretical presets for tuning frequencies are not available because of the use of non-standard tunings. For such contexts, the “reference” is a
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Yarbrough, Cornelia, Brant Karrick, and Steven J. Morrison. "Effect of Knowledge of Directional Mistunings on the Tuning Accuracy of Beginning and Intermediate Wind Players." Journal of Research in Music Education 43, no. 3 (1995): 232–41. http://dx.doi.org/10.2307/3345638.

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The purpose of this research was to study the effect of knowledge of directional mis-tunings on the tuning accuracy of beginning and intermediate wind players. Subjects (N = 197) were instrumental wind players who tuned to either an For a B-flat with both their own instrument—a performance task—and the tuning knob of a variable-pitch keyboard—a perception task. The subjects were randomly assigned to one of three treatment groups: Group 1 knew that their instruments and the tuning knob were mis-tuned in the sharp direction; Group 2 knew that their instruments and the tuning knob were mistuned i
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Dissertations / Theses on the topic "Music Tuning"

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Palmblad, Simon. "A = 432: A superior tuning or just a different intonation? How tuning standards affects emotional response, timbre and sound quality in music." Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-15414.

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The purpose of this study was to explore the ways tuning to A = 432 Hz affects emotional response, timbre, sound quality, character and tone compared to the standard tuning of A = 440 Hz, and whether or not it is humanly possible to discern a difference between these two. This was all done in an effort to evaluate claims that A = 432 Hz is superior to standard tuning in regards the previously mentioned factors. For this to be done, the history and development of tuning standards as well as intonation systems, presented alongside theories on the basic physics of sound, the effect of spectral ma
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Arvay, Brandon M. "A Comprehensive Method for Tuning and Pedaling Timpani." UKnowledge, 2015. http://uknowledge.uky.edu/music_etds/43.

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Method books are an integral part of the percussion pedagogy. Because of the vast number of instruments a modern percussionist is expected to play, they often look for progressive, concise, and effective resources that can make learning such a variety of instruments more efficient. Instructional books currently exist for many areas of percussion performance, including snare drum, mallet percussion, timpani, World music, accessories, and marching percussion. Included in these books are information and procedures on music reading, rhythm studies, listening skills, part preparation, and technical
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Bae, Yoo Jin. "The distribution, construction, tuning, and performance technique of the African log xylophone." The Ohio State University, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=osu1399554107.

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Toll, Abigail. "Matrices of Vision : Sonic Disruption of a Dataset." Thesis, Kungl. Musikhögskolan, Institutionen för komposition, dirigering och musikteori, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4152.

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Matrices of Vision is a sonic deconstruction of a higher education dataset compiled by the influential Swedish higher education authority Universitetskanslersämbetet (UKÄ). The title Matrices of Vision and project theme is inspired by Indigenous cyberfeminist, scholar and artist Tiara Roxanne’s work into data colonialism. The method explores how practical applications of sound and theory can be used to meditate on political struggles and envision emancipatory modes of creation that hold space through a music-making practice. The artistic approach uses just intonation as a system, or grid of
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Kom, Brian S. R. "Tuning In to a Hit Parade Pedagogy." Thèse, Université d'Ottawa / University of Ottawa, 2014. http://hdl.handle.net/10393/30559.

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Contemporary popular music is a ubiquitous social, cultural, and pedagogical force. Enabled by ever-evolving and -expanding technology, its songs and lyrics are transmitted into our most public and private spaces. For this study, I present the Billboard music charts as a functioning pedagogy and curriculum. Riffing on Richter’s denkbilder, Aoki’s curricular worlds of plan and lived experience, Giroux’s public pedagogy, and Giroux & Simon’s theorizing on youth culture, I sound out messages and motives embedded within the hit parade pedagogy. DJing a methodology of qualitative inquiry, autoethno
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Annoni, Maria Therese. "Tuning, temperament and pedagogy for the vihuela in Juan Bermudo's Declaracion de instrumentos musicales (1555) /." The Ohio State University, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487599963592937.

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Cheon, Sera. "Scordatura Tuning in Performance and Transcription:A Guide Using Domenico Gabrielli’s Seven Ricercari for Violoncello Solo." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1368026434.

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Swoger-Ruston, John Paul. "The fifteen-cent guitar re-tempering the standard six-string guitar /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ59201.pdf.

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Coy, Benjamin R. "Pitch Performance: A Rational Approach to the Acquisition of Intonation Skills." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338080884.

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Ayers, William R. "Structural Properties and Compositional Processes in Microtonal Equal Temperaments." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin153570341690339.

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Books on the topic "Music Tuning"

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Johnson, Chad. Alternate tuning chord dictionary. Hal Leonard, 2002.

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Kronman, Ulf. Steel paning tuning: A handbook for steel pan making and tuning. Musikmuseet, 1992.

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Guitar Tunings. Taylor and Francis, 2006.

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Tuning, timbre, spectrum, scale. 2nd ed. Springer, 2005.

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Tuning, timbre, spectrum, scale. Springer, 1998.

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Guitar tunings: A comprehensive guide. Routledge, 2006.

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Graves, Tomás. Tuning up at dawn: A memoir of music and Majorca. Harper Perennial, 2005.

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Graves, Tomás. Tuning up at dawn: A memoir of music and Majorca. Fourth Estate, 2004.

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Inc, Creative Publications, ed. Sounds all around us: Tuning in to sound and music. Creative Publications, 1997.

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Ruth, HaCohen, ed. Tuning the mind: Connecting aesthetics to cognitive science. Transaction Publishers, 2003.

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Book chapters on the topic "Music Tuning"

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Mazzola, Guerino, Maria Mannone, and Yan Pang. "Just Tuning." In Computational Music Science. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-42937-3_28.

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Mazzola, Guerino. "Tuning, Intonation, and Dynamics." In Computational Music Science. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-11838-8_7.

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Eargle, John M. "Scales, Temperament, and Tuning." In Music, Sound, and Technology. Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-011-7070-3_3.

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Eargle, John M. "Scales, Temperament, and Tuning." In Music, Sound, and Technology. Springer US, 1995. http://dx.doi.org/10.1007/978-1-4757-5936-5_3.

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Mazzola, Guerino. "Combining Tempo, Tuning, and Dynamics." In Computational Music Science. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-11838-8_8.

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Sethares, William A. "A “Music Theory” for 10-tet." In Tuning, Timbre, Spectrum, Scale. Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-4177-8_12.

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Hanser, Suzanne B. "Tuning in: The Music Therapist’s Journey." In Integrative Health through Music Therapy. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-38477-5_6.

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Mazzola, Guerino. "Just and Well-Tempered Tuning." In The Topos of Music IV: Roots. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64495-0_13.

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Neuwirth, Erich. "The Mathematics of Tuning Musical Instruments — a Simple Toolkit for Experiments." In Mathematics and Music. Springer Berlin Heidelberg, 2002. http://dx.doi.org/10.1007/978-3-662-04927-3_14.

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Pareyon, Gabriel. "Tuning Systems Nested Within the Arnold Tongues: Musicological and Structural Interpretations." In Computational Music Science. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47337-6_23.

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Conference papers on the topic "Music Tuning"

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Qin, Yi, and Alexander Lerch. "Tuning Frequency Dependency in Music Classification." In ICASSP 2019 - 2019 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2019. http://dx.doi.org/10.1109/icassp.2019.8683340.

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Brown, H. C. "Auto-tuning mother nature: Waves in music and water." In OCEANS 2012. IEEE, 2012. http://dx.doi.org/10.1109/oceans.2012.6404781.

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McNally, Kevin. "Tuning into the unfamiliar." In Learning Connections 2019: Spaces, People, Practice. University College Cork||National Forum for the Enhancement of Teaching and Learning in Higher Education, 2019. http://dx.doi.org/10.33178/lc2019.35.

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This research project sits at the intersection of Community Music, Ethnomusicology and Arts Practice Research. The overall aim to explore a more ecological way of being in the world in which sound rather than vision is the primary source of knowledge. This acoustic epistemology (coined ‘acoustemology’ by ethnomusicologist Steven Feld) differs from standard ocular-centric epistemology in several respects. Where vision distinguishes objects as fixed and separate from the perceiving subject, sound is intensely relational. For sociologist Jean-Paul Thibaud, attending to sound produces “a resonant
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