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Journal articles on the topic 'Mythe italien'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Tabet, Xavier. "La « troisième Venise » : un mythe italien de l’entre-deux-guerres." Laboratoire italien, no. 6 (May 1, 2006): 137–72. http://dx.doi.org/10.4000/laboratoireitalien.199.

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2

Darnis, Jean-Pierre, Catherine Brice, and Marie-Anne Matard-Bonucci. "Le mythe de la Méditerranée dans le discours politique italien contemporain." Mélanges de l’École française de Rome. Italie et Méditerranée 110, no. 2 (1998): 805–32. http://dx.doi.org/10.3406/mefr.1998.4590.

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3

Ganne, Bernard. "PME et districts industriels : quelques réflexions critiques à propos «du modèle italien»." Revue internationale P.M.E. 2, no. 2-3 (2012): 273–85. http://dx.doi.org/10.7202/1007939ar.

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La mise en avant actuelle des districts industriels italiens comme nouveau modèle de référence ne risque-t-elle pas de contribuer à entretenir en fait un mythe et à occulter ce qui constitue peut- être l’originalité et la spécificité de ces systèmes ? Au-delà du « modèle» prôné et des « success stories» faites actuellement, l’important n’est-il pas aujourd’hui de mieux rendre compte de la diversité de ces ensembles, de leurs fluctuations historiques et donc de leurs dynamiques d'adaptation, aussi bien que du cadre socio-politique global qui les conditionne et dans lequel ils s'inscrivent ? Plu

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4

Mariniello, Silvestra. "Techniques audiovisuelles et réécriture de l’histoire. De la représentation à la production du temps au cinéma." Cinémas 5, no. 1-2 (2011): 41–56. http://dx.doi.org/10.7202/1001003ar.

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La matérialité de l’image cinématographique fait du cinéma un « art » du présent. Le cinéma, institutionnalisé en tant qu’art narratif (ou antinarratif chez les avant-gardes), s’est donné la possibilité de représenter le passé. Mais quand le cinéma résiste au modèle littéraire et explore sa matérialité, un temps différent se produit dans les images, qui met en question la linéarité et la dialectique de l’histoire occidentale. Dans ce texte, l’auteure prend en considération la problématique du temps chez le metteur en scène italien Pasolini. En particulier, elle essaie de montrer comment son «

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5

Venturi, Antonello. "Un collectivisme impossible : Le double miroir du mythe italien et l'identité du socialisme russe, 1900-1914." Cahiers du monde russe et soviétique 34, no. 4 (1993): 493–505. http://dx.doi.org/10.3406/cmr.1993.2366.

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6

Moge, Charlotte. "Valentino Rossi : la construction médiatique du mythe." Italies, no. 23 (December 2, 2019): 363–83. http://dx.doi.org/10.4000/italies.7641.

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7

Golubtsova, A. "EARLY RECEPTION OF MAXIM GORKY’S BIOGRAPHICAL MYTH IN ITALY." Voprosy literatury, no. 4 (October 2, 2018): 42–59. http://dx.doi.org/10.31425/0042-8795-2018-4-42-59.

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The article examines the reception of M. Gorky in Italy in the late 19th – early 20th centuries, and the process of his becoming mythologized. Right from the beginning, Italians’ idea of Gorky gets woven into the European myth about Russia, with him epitomizing the Russian soul and blending with the stereotypical Russian landscape. Early Italian reception of Gorky’s autobiography never distinguishes between his life story and creative work: both critics and common readers draw their idea of the Russian author from biographical sketches as well as his own writings, seen as a proof compelling en

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8

Splendorini, Ilaria. "La représentation de l’athlète grec entre mythe et découverte." Italies, no. 23 (December 2, 2019): 35–62. http://dx.doi.org/10.4000/italies.6899.

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9

Splendorini, Ilaria. "Le mythe de « l’Estero »dans Menzogna e sortilegio d’Elsa Morante." Italies, no. 17/18 (October 1, 2014): 667–81. http://dx.doi.org/10.4000/italies.4930.

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10

Grotteria, Giusi La. "L’enfance à la campagne : entre mythe littéraire et enjeu politique." Italies, no. 22 (October 20, 2018): 135–48. http://dx.doi.org/10.4000/italies.6217.

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11

Salter, Sarah H. "A Hero and His Newspaper: Unsettling Myths of Italian America." MELUS 45, no. 2 (2020): 108–33. http://dx.doi.org/10.1093/melus/mlaa019.

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Abstract Italian American ethnic identity has long been constituted by struggles and inequalities endured by Italians in post-unification rural Italy and their subsequent racialized oppression in urban centers of the US North in the era of mass migration. Until now, the presumed stability of mass migration identity has created the general terms for understanding Italian America. In this essay, a New Orleans microhistory illuminated through the 1849 newspaper Il Monitore del Sud, the first Italian-language newspaper published in the United States, reshapes foundational understandings of Italian

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12

Beyers, Leen. "From Class to Culture: Immigration, Recession, and Daily Ethnic Boundaries in Belgium, 1940s–1990s." International Review of Social History 53, no. 1 (2008): 37–61. http://dx.doi.org/10.1017/s0020859007003331.

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Each society has myths about the successful adaptation of former migrants. Historians need to deconstruct these myths by dealing with the imagined boundaries between “indigenous” and “foreign” people that give way to them. This essay does so by comparing how children of Polish interwar immigrants and children of Italian postwar immigrants came to be seen as insiders in the Belgian Limburg mining region. Oral testimonies, associational records, and population data reveal that Poles achieved the status of industrious, adapted people around 1960, due to the equal promotion of Polish and indigenou

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13

RIALL, LUCY. "The Fascist Party and the Problem of Popular Opinion in the Provinces." Contemporary European History 24, no. 2 (2015): 323–27. http://dx.doi.org/10.1017/s0960777315000132.

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As a non-specialist in the historiography of Fascism and Nazism, I enter this discussion with trepidation. Viewed from the outside, antagonism and rigidity have long characterised historical debate about the causes, nature and consequences of both regimes, although it is clear (and as the other contributions published here have pointed out) that some of this fierceness has attenuated of late with the rise of a new generation of historians. I don't propose to go over the various points of disagreement about fascist Italy – the problem of popular ‘consensus’ for the regime, the reasons for colle

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14

Prina, Francesca, and Julie N. Schatz-Stevens. "Sexism and Rape Myth Acceptance: The Impact of Culture, Education, and Religiosity." Psychological Reports 123, no. 3 (2019): 929–51. http://dx.doi.org/10.1177/0033294119826896.

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This study explores the influence of education and religiosity on sexist attitudes towards women and rape myth acceptance in two samples totaling 399 participants from the United States and Italy. Both samples completed a demographic questionnaire that assessed age, area of residence, and racial and gender identification. Three questions about religiosity and three about education were included, as well as the Attitudes Towards Women Survey and the Acceptance of Modern Myths about Sexual Aggression. In the Italian pool, 44 held at least a bachelor’s degree, 108 had completed some college, and

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15

Gouchan, Yannick. "Le mythe repensé dans l’œuvre de Giacomo Leopardi,sous la direction de Perle Abbrugiati." Italies, no. 21 (December 21, 2017): 502–5. http://dx.doi.org/10.4000/italies.5871.

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16

Zini, Stefania, and Nikita V. Khokhlov. "The Migration Flows from the Italian Peninsula to Crimea (end of XVIII – beginning of XX centuries)." Вестник антропологии (Herald of Anthropology) 47, no. 3 (2019): 52–71. http://dx.doi.org/10.33876/2311-0546/2019-47-3/52-71.

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The article is dedicated to the history of the Italians of Crimea. The history of the group is still little studied and rich in myths and legends. Our complex historical-anthropological and genetic study of the community allowed us to dispel some myths, which are widespread among the members of the community and far beyond it, and to recreate the history, geography and causes of migrations that took place in the XIX century. The historical part of the research was mainly based on sources and documents found in the Russian and Italian archives. We used documents from the State Archive of the Sa

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17

Iandoli, Gerardo. "« Gratter les croûtes » : la rhétorique de la désillusion comme anti-epos du mythe sportif contemporain." Italies, no. 23 (December 2, 2019): 385–97. http://dx.doi.org/10.4000/italies.7689.

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18

Toppano, Michela. "Émigration et fierté nationale, ou le mythe du bon retour chez Luigi Capuana et Enrico Corradini." Italies, no. 14 (December 1, 2010): 305–20. http://dx.doi.org/10.4000/italies.3320.

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19

Foot, John. "How Italian Football Creates Italians: The 1982 World Cup, the ‘Pertini Myth’ and Italian National Identity." International Journal of the History of Sport 33, no. 3 (2016): 341–58. http://dx.doi.org/10.1080/09523367.2016.1175440.

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20

Piperno, Franco. "Music and Italian National Identity: Mme de Staël’s Corinne ou l’Italie." Studia Musicologica 52, no. 1-4 (2011): 231–40. http://dx.doi.org/10.1556/smus.52.2011.1-4.18.

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Mme De Staël’s Corinne ou l’Italie (1807) offered the most influential statement on Italy and the Italians by a foreign writer in 19th-century Europe. It gives a fruitful opportunity to investigate what a 19th-century foreign writer thought both of Italian music and of music as a symbol of the Italian national identity. The overview of the Italian operatic repertoire and opera productions leads to the conclusion that Italy as a nation was substantially absent from the operatic scene while, on the contrary, the Italian society made of opera the most typical entertainment and of the ‘palchetto’

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21

Fabrizio-Costa, Silvia. "Isabella Andreini du stéréotype au mythe : de comédienne de l’Arte à Académicienne, ou le rachat par l’écriture amoureuse." Italies, no. 11 (October 1, 2007): 559–74. http://dx.doi.org/10.4000/italies.899.

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22

Pytel, Ewelina. "O micie uroczej Italii i przystojnego Włocha w najnowszych polskich powieściach romansowych." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 17 (October 12, 2018): 220–34. http://dx.doi.org/10.24917/20811853.17.19.

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The myth of lovely Italy and handsome Italian men in the contemporary Polish romance novelsAbstractThe article aims at explaining the phenomenon of mass interest in Italy as a setting forcontemporary Polish romance novels. In order to understand said phenomenon, the authoranalyzes three romance novels published within the last decade. The article is divided intothree parts corresponding to aspects of the analyzed phenomenon: representation of thespace of Italy, representations of the Italian men and descriptions of changes occurring infemale characters due to their stay in Italy. The analysis,

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23

Stoltzfus, Nathan. "The German Mountain Troops and Their Opponents, 1943 to the Present." German Politics and Society 38, no. 4 (2020): 72–90. http://dx.doi.org/10.3167/gps.2020.380404.

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The most significant World War II battle between Germans and Italians outside of Italy was the September 1943 battle for the Greek island of Cephalonia, ending in the post-battle execution by German Mountain Troops of thousands of Italian soldiers. The recent clash between two German groups over what happened illustrates ongoing disputes about guilt and responsibility—how governments, historians, and civilians mobilize facts to write history. The Mountain Troops’ Veterans Association, which has influenced official German memory of the war, used the Cephalonia case to reassert the myth of Wehrm

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24

Vanacker, Janis. "Salmacis et Hermaphrodite à la Renaissance et à l’Âge Baroque: Traductions et réecritures italiennes d’un mythe ovidien." Quaderni d'italianistica 32, no. 2 (2012): 47–73. http://dx.doi.org/10.33137/q.i..v32i2.16308.

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Dans cette contribution nous examinons les versions italiennes du mythe ovidien de Salmacis et Hermaphrodite proposées par les volgarizzatori du XIVe et du XVIe siècles et par le poète baroque Girolamo Preti dans La Salmace. Avant d’entamer la lecture de ces textes, qui, jusqu’à présent, n’ont pas souvent été étudiés, nous parcourons le contenu du mythe raconté dans les Métamorphoses et nous offrons une brève présentation des traductions et de l’évolution du genre du volgarizzamento en Italie. Ensuite nous analysons — en focalisant sur la thématique amoureuse exprimée par le mythe — les modifi

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25

Lichtner, Giacomo. "The age of innocence? Child narratives and Italian Holocaust films." Modern Italy 17, no. 2 (2012): 197–208. http://dx.doi.org/10.1080/13532944.2012.665287.

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This article critically assesses the use of children as narrators in two recent Italian Holocaust films: Roberto Benigni's La Vita é Bella (1997) and Ettore Scola's Concorrenza Sleale (2001). The analysis places the films and their choice of narrator in the context of the child in European Holocaust film and argues that the child's perspective, often used to qualify the actions of adult characters and cast a questioning or even accusatory gaze on them, is used in these Italian films to perform the opposite function. Focusing on cinema as a site of memory and as a site of emotions, the article

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26

Fournier-Finocchiaro, Laura. "Mythes et figures du soldat patriote et de la nation armée chez Carducci et Pascoli." Italies, no. 20 (December 1, 2016): 111–26. http://dx.doi.org/10.4000/italies.5606.

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27

Campioni, Giuliano. "Nietzche, Wagner y el Renacimiento italiano." Theoría. Revista del Colegio de Filosofía, no. 10 (June 1, 2001): 85–106. http://dx.doi.org/10.22201/ffyl.16656415p.2000.10.252.

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The purpose of this essay is to redefine Nietzsche’s relationship with the Renaissance, beyond some outstanding and terrible simplifications, and the literary and aesthetic creations of myths focused on the constellation superman, Renaissance-will-of-power, and Antichrist. Richard Wagner strongly conditions Nietzsche’s ideas with his valuations of the Renaissance. There is, in the young author of The Birth of Tragedy, a strong diffidence on the footsteps of the German ideology of the musician and of his rooted aversion to the Renaissance. The Italian Opera seems to be a false revival of the Gr

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28

Poggioli-Kaftan, Giordana. "Modernity’s fears of depopulation and sterility in Mario Sironi’s urban landscapes." Forum Italicum: A Journal of Italian Studies 55, no. 1 (2021): 185–203. http://dx.doi.org/10.1177/0014585820976549.

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This article focuses on Fascist artist Mario Sironi’s urban landscapes as a site of modernity and its contradictions. With their gloomy buildings and deserted streets, Sironi’s landscapes highlight two of modernity's woes: The periferia of the “liberal” city and the fear for its inhabitants’ degeneration and sterility. In his “Il discorso dell’Ascensione,” Mussolini openly accuses industrial urbanism of its sterilizing effect on the Italian race, thus, jeopardizing his imperial ambitions. By giving an aesthetic form to the Regime’s fears, Sironi reaches two goals: The aestheticization of fasci

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29

Freedman (book author), Luba, and Giancarla Periti (review author). "Classical Myths in Italian Renaissance Painting." Renaissance and Reformation 36, no. 3 (2013): 164–66. http://dx.doi.org/10.33137/rr.v36i3.20555.

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30

Cigliana, Simona. "Silvia Contarini, La femme futuriste : mythes, modèles et représentations de la femme dans la littérature futuriste, 1909-1919." Italies, no. 11 (October 1, 2007): 716–24. http://dx.doi.org/10.4000/italies.4267.

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31

Toroš, Ana. "Auto-stereotypes and Hetero-stereotypes in Slovene and Italian Poetry About Trieste From the First Half of the 20th Century." Interlitteraria 21, no. 2 (2017): 290. http://dx.doi.org/10.12697/il.2016.21.2.10.

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This article brings to light the socio-political conditions in the Triestine region, at the end of the 19th century and in the fi rst half of the 20th century. Th ese conditions infl uenced the formation of stereotypical, regionally coloured perceptions of Slovenes and Italians in the Slovene and Italian poetry about Trieste from the fi rst half of the 20th century, which were specific to the Triestine area or rather the wider region around Trieste, where the Slovene and Italian communities cohabited. This article also points out that these stereotypes are constructs. The Italian Triestine lit

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32

Blanchard, Mélissa. "Citoyenneté européenne, nationalité italienne et « mythe institutionnel » du retour : le cas des Argentins et des Chiliens descendants d’émigrés italiens." Ethnologie française N°179, no. 3 (2020): 545. http://dx.doi.org/10.3917/ethn.203.0545.

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33

Hadfield, Andrew. "Briton and Scythian: Tudor representations of Irish origins." Irish Historical Studies 28, no. 112 (1993): 390–408. http://dx.doi.org/10.1017/s0021121400011354.

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It is a commonplace of recent British historiography that in the early modern period a sophisticated and sceptical concept of writing history began to develop which involved, among other things, historians becoming significantly less credulous in their use of sources. Often the crucial break with medieval ‘chronicles’ is seen to have been brought about by the triumph of the exiled Italian humanist, Polydore Vergil, over the fervently nationalistic band of British historians and antiquarians led by John Leland, establishing that the Arthurian legends were no more than an origin myth. Jack Scari

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34

Balard, Michel. "Les républiques maritimes italiennes et le commerce en Syrie-Palestine (XI-XIII siècles)." Anuario de Estudios Medievales 24, no. 1 (2020): 313. http://dx.doi.org/10.3989/aem.1994.v24.976.

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Après un rappel des premiers contacts des villes maritimes italiennes avec le Levant, dans les décennies qui ont précédé les croisades, l'article étudie les modalités d'implantation des Italiens en Syrie-Palestine après 1098: les acteurs, la chronologie des concessions qui leur sont accordées, la répartition topographique des comptoirs dans les differents États nés de la croisade. Vient ensuite une étude détaillée des privilèges consentis aux marchands italiens: exemption des taxes, concessions financières et foncières. L'examen des conditions de navigation, des investissements, de la nature

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35

Cajani, Luigi. "The Image of Italian Colonialism in Italian History Textbooks for Secondary Schools." Journal of Educational Media, Memory, and Society 5, no. 1 (2013): 72–89. http://dx.doi.org/10.3167/jemms.2013.050105.

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This article reconstructs the evolution of the representation of Italian colonialism in history textbooks for upper secondary schools from the Fascist era to the present day. Textbook analysis is conducted here in parallel with the development of Italian historiography, with special attention being paid to the myth of the "good Italian", incapable of war crimes and violence against civilians, that has been cherished by Italian public opinion for a long time. Italian historians have thoroughly reconstructed the crimes perpetrated by the Italian army both in the colonies and in Yugoslavia and Gr

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36

Walli, Thomas. "Die getrennte Erinnerung. Der Resistenza-Mythos in Italien von 1943 bis heute: Ursprünge – Wandel – Ausblick." historia.scribere, no. 9 (June 9, 2017): 9. http://dx.doi.org/10.15203/historia.scribere.9.556.

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The following bachelor thesis is about the Resistance myth in postwar Italy and its transition during the last seven decades. Starting with an overview of its origins in the first years after the war, the paper describes its transition from an important reference point for all political parties (except the neofascist MSI) towards a controversial locus of memory. It then puts a special emphasis on the last two years, while a center left-wing coalition has been ruling and reinterpreting the myth – again.

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37

ROBERTS, DAVID D. "Myth, Style, Substance and the Totalitarian Dynamic in Fascist Italy." Contemporary European History 16, no. 1 (2007): 1–36. http://dx.doi.org/10.1017/s0960777306003602.

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AbstractRecent studies of Italian Fascism have focused on ritual, spectacle, commemoration and myth, even as they also take seriously the totalitarian thrust of Fascism. But whereas this new culturalist orientation has usefully pointed beyond earlier reductionist approaches, it has often accented style and myth as opposed to their opposites, which might be summed up as ‘substance’. Some of the aspirations fuelling Fascism, responding to perceived inadequacies in the mainstream liberal and Marxist traditions, pointed beyond myth and style as they helped to shape the Fascist self-understanding –

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38

Bertino, Marina. "Niklas der Fisch." Scenario: A Journal of Performative Teaching, Learning, Research II, no. 1 (2008): 99–110. http://dx.doi.org/10.33178/scenario.2.1.6.

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Im folgenden Artikel wird über die wichtigsten Momente eines Theaterprojekts im Rahmen des fremdsprachlichen Deutschunterrichts an einer italienischen Sekundarschule berichtet. Als Textgrundlage diente eine sizilianische Legende. Die Inszenierung der Legende basierte auf den Techniken des Erzähltheaters (Teatro di narrazione) im Sinne des Sozialtheaters, einem wichtigen Genre im Neuen Theater (Teatro nuovo) Italiens. Dieser Beitrag beleuchtet, wie bereits im Anfängerunterricht das Erzählen und Inszenieren eigener Geschichten, Märchen und Mythen in der Fremdsprache eine motivierende und lernför

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39

Leshem, Bar. "From Grief to Superbia: the Myth of Niobe in Greek and Roman Funerary Art." Acta Classica Universitatis Scientiarum Debreceniensis 56 (September 1, 2020): 281–96. http://dx.doi.org/10.22315/acd/2020/18.

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The Greek myth of Niobe was known in the ancient world both by literary sources and visual representations. Both in Ancient Greece and in Ancient Rome, the myth was represented, alongside a variety forms of art, in funerary art, but in a different manner during each period of time. In Ancient Greece, the myth was represented on Apulian and South Italian vases, portraying the finale scene of the myth: Niobe’s petrification. In Ancient Rome, a shift is visible: the portrayal of the scene of the killing of Niobe’s children on sarcophagi reliefs. The aim of this paper is to follow the iconography

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40

Cuninghame, Patrick. "Autonomia in the 1970s: The Refusal of Work, the Party and Power." Cultural Studies Review 11, no. 2 (2013): 77–94. http://dx.doi.org/10.5130/csr.v11i2.3660.

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One of my aims is to unpack the myths and conspiracy theories surrounding Italian Autonomia and the 1970s to clarify better its role as a movement involved in the conflicts of a period of almost continuous political and economic upheaval and of profound cultural and social change.

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41

Trabado Cabado, José Manuel. "Herrera y Cervantes frente al mito de Ícaro en la poesía cancioneril." Estudios Humanísticos. Filología, no. 18 (December 15, 1996): 11. http://dx.doi.org/10.18002/ehf.v0i18.4074.

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<span class="titulo">The aim of this paper is the study of the device used by Herrera in order to introduce the myth of Icarus within the usual verse pattems of the cancioneril tradition, in which the use of mythology is most uncommon. To make this introduction possible, Herrera deftly manipulates several elements of XV century poetry such as boldness, fire, death, the lover identified with light, etc., which, added to the experience of Italian Petrarchists, allow him to make a series of allusions to the myth of the bold young, man. With this, we try to show a link between the poetry of

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42

Yampolskaya, A. V. "The works of Paolo Cognetti, or In praise of the wild boy." Voprosy literatury, no. 2 (June 17, 2021): 221–35. http://dx.doi.org/10.31425/0042-8795-2021-2-221-235.

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The author examines works by Paolo Cognetti in light of the myth he has created about a wild boy from the Alps and the wise mountain folk inhabiting various corners of the world. The myth, including the appeal to return to one's roots, to life in harmony with nature, has resonated with many people who are feeling out of place in modern urban civilisation. At the same time, Cognetti has developed his distinctive poetics by combining traditions of the American short story and those of Italian prose and by proposing a compelling stylistic ideal. The article dwells on the origins of Cognetti's wri

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43

Newell, James L. "The Italian election of May 2006: Myths and realities." West European Politics 29, no. 4 (2006): 802–13. http://dx.doi.org/10.1080/01402380600842437.

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44

Barron, Emma. "Television audience enjoyment and theLascia o raddoppia?phenomenon." Modern Italy 21, no. 3 (2016): 227–43. http://dx.doi.org/10.1017/mit.2016.32.

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From the end of 1955 to the middle of 1959, the quiz programmeLascia o raddoppia?transformed the way that Italians watched television, attracting a mass audience and appealing to viewers of different class backgrounds and levels of education. The quiz, watched by 15 million Italians at its peak, was more than Italy’s first successful television show:Lascia o raddoppia?also reflected the social and cultural transformations of Italy’s economic ‘miracle’, and confirmed the growing importance of mass culture and education in modern Italy. Yet, the role and response of the viewer in this television

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45

Lenz, Markus Alexander. "A Prophet of Divine Wisdom?—Giambattista Vico and the Construction of the Pythagorean Myth." Philological Encounters 5, no. 1 (2020): 50–75. http://dx.doi.org/10.1163/24519197-12340069.

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Abstract In the nineteenth century, the reception of Giambattista Vico’s writings came along with nationalist interpretations of his Scienza Nuova as an ‘Italian Science’. This tendency was based upon an increased examination of the role that the philosopher Pythagoras and his Italian school of Croton played in Vico’s hierarchical conception of the ancient Greek and Italian civilizations. Writers, archaeologists and historians used the New Science as a metonymic reference work for their own nationalist concepts by updating the Pythagorean myth in accordance with relevant narratives of exclusiv

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Brizzi, Riccardo. "Italie : des errances de Berlusconi aux mythes de Prodi." Alternatives Internationales 36, no. 9 (2007): 54. http://dx.doi.org/10.3917/ai.036.0054.

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Gossett, Philip. "Giuseppe Verdi and the Italian Risorgimento." Studia Musicologica 52, no. 1-4 (2011): 241–57. http://dx.doi.org/10.1556/smus.52.2011.1-4.19.

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In the effort to show the extent to which the myth-making tendencies of the later 19th century have falsified the historical record, some non-Italian scholars have gone so far as to assert that Giuseppe Verdi and the operas he wrote were not prime figures in the Italian Risorgimento. But no Italian scholar has accepted this position, since it self-evidently flies in the face of so much evidence to the contrary. This paper will present evidence of the significance of Verdi and his music to several key moments of the Italian Risorgimento (the period leading up to the 1848 revolutions; the Cinque

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Varriale, Andrea. "The myth of the Italian Resistance Movement (1943-1945)." Kirchliche Zeitgeschichte 27, no. 2 (2014): 383–93. http://dx.doi.org/10.13109/kize.2014.27.2.383.

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Brady, Gordon L., and Cosimo Magazzino. "The sustainability of Italian fiscal policy: myth or reality?" Economic Research-Ekonomska Istraživanja 32, no. 1 (2019): 772–96. http://dx.doi.org/10.1080/1331677x.2019.1583585.

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Marsili, Francesco, Annalisa Morganti, and Alessia Signorelli. "The Italian Leadership on Inclusive Education: Myth or Reality?" Science Insights Education Frontiers 9, no. 2 (2021): 1241–63. http://dx.doi.org/10.15354/sief.21.or48.

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Abstract: Background: Italy is internationally known as a Country with a longstanding “tradition” of inclusive education. Objective: Aim of the paper is to provide a frame on the educational policies that, since 1970s, have steered the school system according to a “fully inclusive” model, highlighting the instruments of teaching – learning and evaluation tools for assessing the quality of the inclusive processes. Methodology: Starting from primary and secondary legislative sources, the paper identifies three main focus points: the passage from the inclusive “principle” to the teaching – learni

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