Relevant bibliographies by topics / Mythopoeic paradigm

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Academic literature on the topic 'Mythopoeic paradigm'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Mythopoeic paradigm"

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ZUYENKO, M. "MYTHOPOEIC PARADIGM IN ENGLISH BAROQUE DRAMA (JOHN WEBSTER “THE WHITE DEVIL”)." Philological Studies, no. 33 (April 19, 2021): 56–58. http://dx.doi.org/10.33989/2524-2490.2020.33.228234.

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The article deals with the mythopoeic analysis of the play of revenge “The White Devil” by John Webster. The historical background of the play is also under examination. The tragedy “White Devil” (1612) is known in the translations by I. Aksenov, T. Potnitseva. The genre of tragedy in the XVII th century reflects the writers’ appeal to the biblical text and its transformation in motives, images, stylistic and generic systems, this tradition is particular important for the baroque writers, the constant feature of the English dramaturgy of the XVIIth century is appeal to the antique mythology an
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Devadevan, Manu. "Lying on the Edge of the Burning Ground: Rethinking Tinais." Journal of the Economic and Social History of the Orient 49, no. 2 (2006): 199–218. http://dx.doi.org/10.1163/156852006777502063.

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AbstractThis paper seeks to interrogate the prevailing paradigm in the historiography of early Tamil Nad, which treats tinais as constituting the geographic basis for early economic practices. On the one hand the case of Kodumanal excavations is juxtaposed as an archaeological instance vis-à-vis tinais. On the other, it is argued through a close reading of Sangam texts that tinais were aesthetic structures employed in the configuration of space in Sangam mythopoeic imagination. It is also argued that the form and content of the tinai-based aesthetics reveals the crisis of a milieu in transitio
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Kryvoruchko, S. "Baroque: Myth, Mythopoeia, and Mythopoetic Paradigm." Fìlologìčnì traktati 12, no. 2 (2020): 153–54. http://dx.doi.org/10.21272/ftrk.2020.12(2)-17.

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Зуєнко, Марина Олексіївна. "МІФОПОЕТИКА МЕТАФІЗИЧНОЇ ЛІРИКИ Е. МАРВЕЛЛА ТА ЛІТЕРАТУРНИЙ ПРОЦЕС В АНГЛІЇ ХVII СТ." Наукові записки Харківського національного педагогічного університету імені Г.С. Сковороди "Літературознавство" 2, № 81 (2015): 110–25. https://doi.org/10.5281/zenodo.32952.

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Questions of the correlation of myth and the English baroque literature has been widely debated in the English literary criticism, by such scholars as P. Devidson, S. Zwicker, C. Burrow, N. Smith. However, they have not adequately addressed the issue of mythopoeia of E. Marvell’s lyrics. Specifically, in my prospect, I am looking at the implementation of myth, especially biblical myth about the last day and the ancient myth of fertility, in order to show them in modern days and their value from the view of eternity (“The Unfortunate Lover”, “The Garden’, “Th
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Kindrya, Nataliya A., and Andrei V. Mitichkin. "Dendrocentric mythopoeic paradigm in the poem “Italy – to Lord” by Jane Draycott and the specificity of the translation into Russian." XLinguae 12, no. 3 (2019): 139–61. http://dx.doi.org/10.18355/xl.2019.12.03.11.

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Goodell Ugalde, Elliot. "Utilising Mythopoetic Paradigms for Subverting Prescriptive Linguistic Colonial Supremacies." COMPASS 3, no. 2 (2023): 106–18. http://dx.doi.org/10.29173/comp87.

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Post-colonial scholars often confront the dual nature of colonial languages. While these languages provide pivotal communication avenues, especially for diverse marginalized groups like certain Indigenous communities, they simultaneously embody colonial biases, making them challenging mediums for emancipatory discourse. This paper proposes mythopoeticism to leverage the extensive reach of such languages, circumventing their constructive norms. We spotlight this through the prism of the Chiapas Mesoamerican communities' mythopoetics during the 1994 National Army of Zapatista Liberation (EZLN) u
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Voronchenko, T. V., E. V. Fyodorova, and Yu M. Kruglova. "Mythopoetic chronotope of Rudolfo Anaya’s short novel “The Village the Gods Painted Yellow” in the paradigm of magical realism." Philology and Culture, no. 4 (December 28, 2024): 215–21. https://doi.org/10.26907/2782-4756-2024-78-4-215-221.

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The article determines the mythopoetic chronotope functions in Rudolfo Anaya’s short novel “The Village the Gods Painted Yellow” (1982). The study focuses on the elements of magical realism, which allows us to expand our understanding of the features characterizing creative thinking of the twentieth-century Mexican-American (Chicano) writer. The methodological basis of the work is formed by E.M. Meletinsky, A.F. Kofman and V.N. Toporov’s works concerning the concepts of “myth”, “mythopoetics”, “mythopoetic chronotope” and “magical realism”. The mythopoetic method is used to explore the literar
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Mikhaylenko, Kristina A. "The image of Siberia in the memoirs of the Decembrists." Vestnik Tomskogo gosudarstvennogo universiteta, no. 504 (2024): 41–52. https://doi.org/10.17223/15617793/504/4.

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The article analyzes the documentary and artistic image of Siberia created in the memoir text. The aim of the study is to comprehend the specifics of the representations of the image of Siberia in the memoirs of exiled Decembrists and their wives, due to the individually authorial nature of its reception, and the originality of the imagological reception of the Siberian territory as a “foreign” land, developed “involuntarily”, common to all Decembrist memories. This demonstrates the transformation of the paradigm of the myth of the region among the progressive representatives of the Russian no
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Strelnikova, Ekaterina Sergeevna. "Initiatory nature of the opposition “child – adult” opposition in the mythopoetic paradigm of Vladimir Mayakovsky's works of the early period." Litera, no. 8 (August 2021): 20–29. http://dx.doi.org/10.25136/2409-8698.2021.8.36174.

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This research analyzes Vladimir Mayakovsky’s works of the early period (1912-1916) within the framework of a neo-mythological approach, which allows reconstructing the individual authorial mythopoetic discourse. The article substantiates the inclusion of the literary works of Mayakovsky into the philosophical-culturological context, the importance of their consideration as a poetic and peacebuilding whole with its own patterns of transformation of the archetypal and mythological. The object of this research is the individual mythopoesis of the writer. The described “Dionysi
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Khabirov, Kirill Aleksandrovich, and Svetlana Viktorovna Rudakova. "Mythopoetics of the hero's image in the novels of A. A. Astvatsaturov." Litera, no. 6 (June 2025): 166–81. https://doi.org/10.25136/2409-8698.2025.6.74943.

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The article explores the mythopoetics of the novels by Andrei Alekseevich Astvatsaturov ("Skunksamera," "Autumn in Pockets") as a vivid manifestation of the transformation of mythological structures in contemporary artistic practices. The aim of this work is to identify the characteristics of the rethinking and integration of ancient mythologems into the modern Russian novel, examining how the ancient myths of Sisyphus and Odysseus, stripped of traditional heroic pathos, acquire new philosophical and existential meanings through the author's ironic and humorous distancing. The subject of analy
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Book chapters on the topic "Mythopoeic paradigm"

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Ivanov, Nikolai N. "Mythopoetic Paradigm of M. Gorky’s Creativity." In Maxim Gorky and World Culture: A Collection of Scientific Articles (Materials of the Gorky Readings 2018 “World Value of M. Gorky (on the 150th Anniversary of the Birth)”. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0693-2-273-281.

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The paper clarifies the role of myth, myth and poetics in the formation of M. Gorky’s type of artistic thinking. At the same time, the functional aspects of the myth in philosophy, aesthetics and, in part, the writer’s artistic language were concretized. The influence of myth, mythopoetics on M. Gorky is considered in the context of the development of Russian neorealism of the early 20th century, its artistic-ontological and aesthetic searches. The diverse embodiment of myth in the form of motifs and archetypes in the works of Gorky is revealed. Preference is given to Slavic mythologism, which
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Andrushchenko, Elena A. "“Appear gorgeous, quiet Osuga…”: originality of country “estate topos” in Dmitry Merezhkovsky’s play “Romantics”." In Russian Estate in the World Context. A.M. Gorky Institute of World literature of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.22455/978-5-9208-0627-7-228-238.

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D.S. Merezhkovsky’s play “Romantics” (1917) rarely attracts a researcher’s interest, although it is a notable attempt to revisit the rich material on the family history of the Bakunins contained in A.A. Kornilov’s work “Mikhail Bakunin’s young years. From the history of Russian romanticism” (1915). Merezhkovsky’s “bookishness” in the play is apparent in the creation of the idyllic image of Pryamukhino, where he relied on Kornilov’s book and composed a stylization, in which he handled “someone else’s” text and “point of view”. The stylization is reflected in the “estate topos”, which acts as a
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Ertner, Elena N. "Mythopoetics of the Siberian estate in the Russian prose of the end of the XIX — the first third of the XX centuries." In Russian Estate in the World Context. A.M. Gorky Institute of World literature of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.22455/978-5-9208-0627-7-127-137.

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For the first time in the history and criticism of literature the article regards the features of the Siberian “estate topos” as a new modification of the Russian culture “estate text”, typical for the literature of the late XIX — the first third of the XX centuries. In the prose of N.A. Lukhmanova, M.M. Prishvin, N.M. Yadrintsev Tyumen merchant estate transforms into a new “cultural space”. The shift from the philosophy of the rural life to the “business” philosophy and the idea of the commercial Siberian estate bring forward the new topos-related notions: “estate is a factory” and “tannery L
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Badenkova, Viktoriia, and Iryna Korniienko. "LEXICAL MEANS OF VERBALIZATION OF THE CONCEPTOSPHERE OF THE SACRED IN THE POETIC IDIODYSTLE OF D. KREMEN." In Trends of philological education development in the context of European integration. Publishing House “Baltija Publishing”, 2021. http://dx.doi.org/10.30525/978-9934-26-069-8-1.

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The article is devoted to the isolation and analysis in the poetic texts of D. Kremen, groups sacred concepts, microconceptospheres, the discovery of conceptual meanings in nature which clearly feels the spiritual, linguistic and cultural and individual-authorial components. The relevance of the chosen topic is due to the increasing attention of linguists, on the one hand, to the problems of linguoculturology and linguoconceptology, on the other - to the set concepts filled with religious, sacred meaning in general. The aim of the article is to trace how in the modern scientific paradigm one o
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Maystrenko, Lyudmila. "THE ORIGINALITY OF THE MYTHOLOGY OF EROS PLATO IN THE POETRY OF VERGILIUS." In Modernization of research area: national prospects and European practices. Publishing House “Baltija Publishing”, 2022. http://dx.doi.org/10.30525/978-9934-26-221-0-26.

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Eros is one of the main themes of world literature. The theory of love, dialectically expounded by Plato in The Banquet, had a great influence on all European cultures, especially on morality, fiction, and fine arts. The experience of world literature confirms Plato’s theory, including the poetry of Virgil, his works «Bucolic», «Georgica» and «Aeneid». The purpose of the paper is to identify the characteristic features of the mythology of Eros in the works of Virgil, to clarify the nature of the eternal relevance of Plato’s philosophical discovery of earthly love and heavenly love, his vitalit
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Conference papers on the topic "Mythopoeic paradigm"

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Ovsianytska, H. V. "IDENTITY AND MEMORY THEME IN MYTHOPOETIC PARADIGM OF “KOMU VNYZ” (“WHOM TO GO DOWN”) LYRICS: CONCEPT OF BOUNDARIES." In MODERN PHILOLOGY: THEORY, HISTORY, METHODOLOGY. PART 2. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-425-2-40.

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