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Journal articles on the topic 'Narrative philosophy'

Author: Grafiati

Published: 28 May 2022

Last updated: 30 July 2025

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1

Saputra, Dogi Angga, Flora Pransiska, Jesicka Agustiana, Remikariasa, Rika, and Selma Veronika. "Philosophy and Theology Based on the Philosopher Réne Girard: A Reflection." Asian Journal of Philosophy and Religion 2, no. 1 (2023): 163–72. http://dx.doi.org/10.55927/ajpr.v2i1.1687.

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This study aims to examine in a simple way when talking about Réne Girard's mimetic desire to be connected with narratives of sacrifice that are synonymous with violence, especially—besides speaking in other scientific disciplines—theology in the narratives of the Judeo-Christian scripture tradition. This research uses qualitative research methods with literature study. Literature study by looking at the interplay of philosophy and theology through the lens of Réne Girard. The results of the research show that there is a rationalization/perpetuation of violence through narration to practice, b

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2

Filutowska, Katarzyna. "Schelling’s Narrative Philosophy and Ankersmit’s Narrative Logic – Is There Any Philosophy to Narrative?" Journal of Transcendental Philosophy 2, no. 2 (2021): 237–57. http://dx.doi.org/10.1515/jtph-2021-0013.

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Abstract This paper considers the problem of a narrative philosophy according to F. W. J. Schelling and narrative logic according to Franklin Ankersmit. Referring to these examples, I ask whether there is any philosophy to narrative at all. First, I discuss Schelling’s views from his unfinished work “The Ages of the World,” as well as his later dialectics of mythology of revelation from the system of the ages of the world. I focus on a dialectics of figurative and speculative order, which is at the core of Schelling’s project to tell philosophy in the form of poetry and demonstrate the origins

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3

Akasoy, Anna Ayse. "Philosophy in the Narrative Mode." Journal of Arabic and Islamic Studies 21 (January 4, 2022): 121–40. http://dx.doi.org/10.5617/jais.9372.

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Histories of Arabic and Islamic philosophy tend to focus on texts which are systematic in nature and conventionally classified as philosophy or related scholarly disciplines. Philosophical principles, however, are also defining features of texts associated with other genres. Within the larger field of philosophy, this might be especially true of ethics and within the larger body of literature this might be especially the case for stories. Indeed, it is sometimes argued that the very purpose of storytelling is to reinforce and disseminate moral conventions. Likewise, the moral philosopher can b

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Bell, Richard H. "Narrative in African Philosophy." Philosophy 64, no. 249 (1989): 363–79. http://dx.doi.org/10.1017/s0031819100044715.

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P. O. Bodunrin, in his 1981 essay, asks: ‘Is there an African Philosophy, and if there is, what is it?’ This question has occupied centre stage among younger African intellectuals for about a decade now. The most articulate among these intellectuals, who are themselves philosophers, are Bodunrin (Nigeria), Kwasi Wiredu (Ghana), H. Odera Oruka (Kenya), Marcien Towa and Eboussi Boulaga (Cameroon), and Paulin Hountondji (Benin). These philosophers among others are in dialogue with one another and currently are seen to be the principal architects of a new orientation in African thought.

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Warren, Anthony John. "Narrative triad and philosophy." Psychiatrist 34, no. 6 (2010): 260–61. http://dx.doi.org/10.1192/pb.34.6.260b.

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6

Cruz, Mariefe. "Ang Naging Makaldag na Lakbayin: Isang Pagsipat sa ilang Mahahalagang Yugto sa Kasaysayan ng Kritikal na Pamimilosopiyang Filipino." Mabini Review 11, no. 1 (2022): 61–88. https://doi.org/10.70922/c8ggma34.

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Apart from being an academic and a researcher, a philosopher also faces a great challenge to fulfill their role as a critic of their society. In response to this challenge, the current article seeks to unveil some manifestations of this role in the Filipino context by means of glimpsing into some significant stages in the History of Critical Filipino Philosophy. This discussion is divided into three parts: (1) the Beginnings of Critical Filipino Philosophy during the time of the Propagandists, (2) its decline entering the 1970’s due to the brewing Marcos Dictatorship, and (3) its re-strengthen

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Grim Feinberg, Joseph. "The Story of Dialectics and the Trickster of History." Praktyka Teoretyczna, no. 1(43) (August 1, 2022): 131–53. http://dx.doi.org/10.19195/prt.2022.1.6.

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Drawing on Hegel’s interpretation of narrative and Lyotard’s rejection of “grand” dialectical narratives, this paper addresses the relationship between emancipatory dialectics and narrative form. It begins by establishing the intimate connection between dialectical thought and narration. On this basis, the paper argues that varying conceptions of dialectics can be associated with varying structures of narrating history. Finally, the paper makes the case for identifying a specific narrative form adequate to the radical rereadings of Hegel that have replaced the perspective of the master (the su

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Rendtorff, Jacob Dahl. "Paul Ricœur and Danish Philosophy." Danish Yearbook of Philosophy 53, no. 1 (2020): 84–107. http://dx.doi.org/10.1163/24689300-05301002.

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This article presents the influence on Danish philosophy of the French phenomenologist and hermeneutic philosopher Paul Ricœur. Paul Ricœur’s poetic hermeneutics was an inspiration for Danish phenomenology and existentialist thought. Moreover, Ricœur had an influence on the development of poetic and narrative research in theology and the human and social sciences in Denmark. In addition, Ricœur provided a hermeneutic framework for research in the different disciplines of bioethics and biolaw, philosophy of law, philosophy of education and nursing philosophy. In particular, Peter Kemp has been

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9

Ulatowski, Joseph. "Self as One and Many Narratives." Balkan Journal of Philosophy 13, no. 1 (2021): 11–20. http://dx.doi.org/10.5840/bjp20211313.

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There are different approaches to the narrative self. I limit myself to one approach that argues narratives have an important role to play in our lives without it being true that a narrative constitutes and creates the self. My own position is broadly sympathetic with that view, but my interest lies with the question of whether there is truth in the claim that to create one’s self-narrative is to create oneself. I argue that a self-narrative may be multiply realised by the inner self—impressions and emotions—and the outer self—roles in work and life. I take an optimistic attitude to the idea t

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10

Stroud, Scott R. "Desire, Truth, and the Role of Narrative Skepticism in Democratic Experience." Journal of Speculative Philosophy 35, no. 4 (2021): 349–70. http://dx.doi.org/10.5325/jspecphil.35.4.0349.

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Abstract Many see narrative as important for life in terms of its persuasive value, including through the process of identification. This article examines narrative and argument with particular attention to how desire and self-image warp processes of narrative judgment and appropriation. In seeking a way to transcend only accepting narratives or storied accounts of important events that confirm what we want to believe, this article proposes the idea of narrative skepticism as a limiting disposition to our reactions to narratives we are poised to accept and those accepted by our partisan oppone

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Matravers, Derek. "Non-Fictions and Narrative Truths." Croatian journal of philosophy 22, no. 65 (2022): 145–60. http://dx.doi.org/10.52685/cjp.22.65.1.

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This paper starts from the fact that the study of narrative in contemporary Anglo-American philosophy is almost exclusively the study of fictional narrative. It returns to an earlier debate in which Hayden White argued that “historiography is a form of fiction-making.” Although White’s claims are hyperbolical, the paper argues that he was correct to stress the importance of the claim that fiction and non-fiction use “the same techniques and strategies.” A distinction is drawn between properties of narratives that are simply properties of narratives and properties of narratives that play a role

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12

Siddiqi and Young. "Rethinking Dostoevskii: Literature, Philosophy, Narrative." Slavonic and East European Review 99, no. 1 (2021): 31. http://dx.doi.org/10.5699/slaveasteurorev2.99.1.0031.

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13

Bencivenga, Ermanno. "The narrative element of philosophy." Human Affairs 31, no. 4 (2021): 380–85. http://dx.doi.org/10.1515/humaff-2021-0032.

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Abstract A narrative element is essential to philosophy, because nothing gets going in it without some vision, some story about what the world, or the subject, is like. The argumentative element can only structure the story from the inside; it can never prove it true. And, whatever clarification arguments provide for the story, the latter remains in all its ambiguous glory, ready to originate new arguments and to spawn new visions.

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Gaita, Raimond. "Narrative, Identity and Moral Philosophy." Philosophical Papers 32, no. 3 (2003): 261–77. http://dx.doi.org/10.1080/05568640309485127.

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15

Didenko, L. V. "Philosophy of science: scientific narrative." Актуальні проблеми філософії та соціології, no. 51 (2024): 56–65. https://doi.org/10.32782/apfs.v051.2024.10.

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Shchedrina, Irina O. "Ecological Narrative as a Cultural-historical Phenomenon." Voprosy Filosofii, no. 8 (2022): 107–14. http://dx.doi.org/10.21146/0042-8744-2022-8-107-114.

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In modern ecologically oriented interdisciplinary research, there is an increased interest in narrative methodology, which allows us to take a new look at seemingly well-established ideas about the relationship between nature and man. Narratives about how a person destroys the world around him, and how dangerous his active intervention in biogeocenoses (where the person himself is immersed as a biological being) is, allows modern scientists to direct their efforts to develop not only technological innovations, but also to take into account risk intensity. In addition, the narrative focuses

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17

Daude, Matthew. "Camel, Lion, Child." International Journal of Philosophical Practice 9, no. 1 (2023): 22–33. http://dx.doi.org/10.5840/ijpp2023913.

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Philosophical practice is as varied as the methods and subject matter of philosophy itself, and thus may include approaches that involve analysis of the narrative self employing the methods and materials of philosophy. Empirical research suggests that the coherence of the constellation of the narratives constituting the narrative self is associated with an increased sense of purpose, meaning, and authenticity. In this paper, a practitioner (Daude) and a client (Peters) present the use of a philosophical parable, the Three Metamorphoses of the Spirit,” from Nietzsche's Also Sprach Zarathustra,

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18

Sidorova, Maria A. "The interconnection of four approaches to history in Paul Ricoeur’s philosophy: textual, narrative, epistemological and public." Вестник Пермского университета. Философия. Психология. Социология, no. 4 (2024): 483–93. https://doi.org/10.17072/2078-7898/2024-4-483-493.

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The narrative paradigm dominates the philosophy of history but it needs to be supplemented and adjusted. Paul Ricoeur changes this paradigm. He writes about not only the narrative but also the textual, epistemological, and public approaches to history. Using the method of philosophical reconstruction and hermeneutic interpretation, the author of the paper analyzes the interconnection between these approaches. The study reveals the inclusion of the textual approach in Ricoeur’s narrative representation of history. The article defines the narrative and textual foundations of Ricoeur’s epistemolo

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19

Afanasiev, Alexander, and Irina Vasilenko. "LITERARY TEMPTATIONS OF PHILOSOPHY." Doxa, no. 1(35) (December 22, 2021): 129–39. http://dx.doi.org/10.18524/2410-2601.2021.1(35).246733.

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The article examines the features of literature that are attractive for philosophy. Literary temptations are diverse: from special literary means of expression to a literary style of thinking, from posing common human problems to special ways of representing the world, from studying literary phenomena to following them. The differences between philosophy and literature took shape in antiquity. Philosophy posed a question and gave a reasoned answer, while literature described an interesting adventure. Further evolution has accumulated many differences in means, and in goals, and in perception.

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20

Petkov, Stefan. "Historical Narratives and Understanding." Balkan Journal of Philosophy 13, no. 1 (2021): 33–44. http://dx.doi.org/10.5840/bjp20211315.

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This paper defends the view that narratives that bring understanding of the past need not be exhaustively analyzable as explanatory inferences, nor as causal narratives. Instead of treating historical narrative as explanations, I argue that understanding of history can be analyzed by the general epistemic criteria of understanding. I explore one such criterion, which is of chief importance for good historical narratives: potential inferential power. As a corollary, I dispute one of the distinctive features of narratives described by some philosophers: the non-aggregativity of narrative histori

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21

BARWELL, ISMAY. "Understanding Narratives and Narrative Understanding." Journal of Aesthetics and Art Criticism 67, no. 1 (2009): 49–59. http://dx.doi.org/10.1111/j.1540-6245.2008.01334.x.

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22

van den Akker, Chiel. "The Exemplification Theory of History: Narrativist Philosophy and the Autonomy of History." Journal of the Philosophy of History 6, no. 2 (2012): 236–57. http://dx.doi.org/10.1163/187226312x650764.

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Abstract The “exemplification theory of history” is proposed to account for the relationship between the past and historical narratives. The theory states that what belongs to the past according to some narrative does so in order to exemplify the historical thesis of that narrative. As such the theory explains how the past receives its meaning. This implies that the past has no intrinsic historical meaning itself. Moreover, it follows that historical narratives possess an autonomy of their own with regard to the past. It is argued that the exemplification theory of history goes to the heart of

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23

Moslemi, Amir Abbas. "Philosophic (In)Felicity: Protean Narrativity." International Letters of Social and Humanistic Sciences 56 (July 2015): 15–21. http://dx.doi.org/10.18052/www.scipress.com/ilshs.56.15.

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Philosophic contingency embedded in James Joyce’s avant-garde novel, ranging from Aristotelian notion of mimesis to the possibility of a Marxian reading, stemming from Hegel’s dialectic, added to the linguistic pragmatics, pave the way to focus on the process of realization and mental performance by a leading contemporary philosopher of analytic philosophy, J.L. Austin, as an epistemological triggering in the course of implication through a narrative, here Proteus, teleologically speaking, resulting a meta-utterance in a broader scale, much far from constative type, a metaphorical narration, e

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Vice, Samantha. "Literature and the Narrative Self." Philosophy 78, no. 1 (2003): 93–108. http://dx.doi.org/10.1017/s0031819103000068.

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Claims that the self and experience in general are narrative in structure are increasingly common, but it is not always clear what such claims come down to. In this paper, I argue that if the view is to be distinctive, the element of narrativity must be taken as literally as possible. If we do so, and explore the consequences of thinking about our selves and our lives in this manner, we shall see that the narrative view fundamentally confusues art and life. We learn from art itself that our selves and lives transcend narratives and that thinking in a narrative manner ignores the rich complexit

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Еzhova, O. A. "Philosophy in the context of a narrative crisis." Abyss (Studies in Philosophy, Political science and Social anthropology), no. 4(30) (2024): 119–28. https://doi.org/10.33979/2587-7534-2024-4-119-128.

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The transformation of the meaningful aspect of philosophical knowledge leads to postmodernism's understanding of the crisis of metanarrations, which led to the crisis of metaphysics, which has lost its meaning and is comprehended through the crisis of narration. The crisis of metanarrations is revealed in the context of the deconstruction project, which, on an anthropological basis, manifests itself both in the loss of identity and in the formation of new paradoxical identities. Postmodernism as a crisis of traditional values generates the superficial character of mass culture with an everyday

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DOBROLYUBSKA, Yuliya, Oleksii PRYSIAZHNIUK, Maria RODIAN, and Yana SEMKO. "Modern Ukrainian Grand Narrative: Prospects for Evolution." WISDOM 3, no. 2 (2022): 23–31. http://dx.doi.org/10.24234/wisdom.v3i2.757.

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The article analyzes the features of the modern Ukrainian narrative. Particular attention is paid to interpreting the term “grand narrative”. By “grand narrative”, we mean the global intellectual narrative of concepts of experience and knowledge, which emerged in the Enlightenment. The paper notes that the grand narrative not only managed to systematize European thinking but has made an intellectual expansion into the whole scientific world. Today, the grand narrative is a rather broad concept, and it means a new method of historiography. The article pays attention to historical research metho

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Mark Freeman. "Why Narrative Matters: Philosophy, Method, Theory." Storyworlds: A Journal of Narrative Studies 8, no. 1 (2016): 137. http://dx.doi.org/10.5250/storyworlds.8.1.0137.

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28

McGuinness, Barbara. "Rorty, literary narrative and political philosophy." History of the Human Sciences 10, no. 4 (1997): 29–44. http://dx.doi.org/10.1177/095269519701000402.

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Harrelson, Kevin J. "Narrative Pedagogy for Introduction to Philosophy." Teaching Philosophy 35, no. 2 (2012): 113–41. http://dx.doi.org/10.5840/teachphil201235215.

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Kuzmina, Svitlana, and Liudmyla Bachurina. "Rousseau in narratives of Kyiv academic philosophers of the late 19th and early 20th centuries." Sententiae 42, no. 3 (2023): 6–21. http://dx.doi.org/10.31649/sent42.03.006.

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This article aims to reveal the semantic dynamics of narratives on Rousseau in Kyiv academic philosophy of the 19th and early 20th centuries. through the separation of the informational layer from the rhetorical one in their content and the identification of hidden (unarticulated) elements that determined both the general nature of the narrative and the evaluative judgments of the narrators. Based on archival primary sources and printed editions (mostly bibliographic rarities), a historical and philosophic study of the narratives on Jean-Jacques Rousseau and his philosophy of education perform

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Mackenzie, Catriona, and Jacqui Poltera. "Narrative Integration, Fragmented Selves, and Autonomy." Hypatia 25, no. 1 (2010): 31–54. http://dx.doi.org/10.1111/j.1527-2001.2009.01083.x.

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In this paper we defend the notion of narrative identity against Galen Strawson's recent critique. With reference to Elyn Saks's memoir of her schizophrenia, we question the coherence of Strawson's conception of the Episodic self and show why the capacity for narrative integration is important for a flourishing life. We also argue that Saks's case and reflections on the therapeutic role of “illness narratives” put pressure on narrative theories that specify unduly restrictive constraints on self-constituting narratives, and clarify the need to distinguish identity from autonomy.

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Šuch, Juraj, and Ivan Jančovič. "Reflection on Wolf Schmid's Narratological Model and Historical Narrative." Human Affairs 32, no. 1 (2022): 3–13. http://dx.doi.org/10.1515/humaff-2022-0001.

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Abstract This contribution responds to the ongoing discussion about the narrativity of history and looks at some differences between fictive and historical narrative. The objective of this contribution is to further elaborate on the ideas of narrative transformations developed by Wolf Schmid, focusing particularly on historical narratives. The authors see differences between both kinds of narrative, especially on the level of reference (which is in line with the views of D. Cohn, P. Ricouer and L. Doležel). The problem of fiction and reference is illustrated by Schmid's four tiered narratologi

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Qvortrup and Nielsen. "Dwelling Narratively: Exploring Heideggerian Perspectives in the Narrative Paradigm." Philosophy & Rhetoric 52, no. 2 (2019): 142. http://dx.doi.org/10.5325/philrhet.52.2.0142.

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Adler, Daniel R. "Making Visible the "Mental Wreckage": A Historical Materialist Reading of Milkman." Journal of Modern Literature 47, no. 2 (2024): 133–45. http://dx.doi.org/10.2979/jml.00023.

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Abstract: In Anna Burns's 2018 novel Milkman , the unnamed protagonist "middle sister" retrospectively confronts the tripartite levels of hegemony—political, social and personal—which dominated Troubles-era Belfast by recounting her own narrative of sexual abuse during the late 1970s. Walter Benjamin's Theses on the Philosophy of History , in particular his concept of "homogeneous empty time," apply to middle sister's narration of her experiences decades later as she confronts the male-dominated, nationalistic grand narratives of the Troubles. Middle sister's digressive re-narration of the pas

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Goldstein, Leon J. "Narrative Logic." International Studies in Philosophy 19, no. 3 (1987): 62–63. http://dx.doi.org/10.5840/intstudphil198719369.

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Cebik, L. B. "Narrative Remembering." International Studies in Philosophy 26, no. 1 (1994): 108. http://dx.doi.org/10.5840/intstudphil199426135.

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37

Ricoeur, Paul. "Narrative Identity." Philosophy Today 35, no. 1 (1991): 73–81. http://dx.doi.org/10.5840/philtoday199135136.

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Wolff, Robert Paul. "Narrative Time." Midwest Studies in Philosophy 15 (1990): 210–23. http://dx.doi.org/10.1111/j.1475-4975.1990.tb00215.x.

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Babich, Vladimir Vladimirovich. "In Defense of Narrative Identity." Философская мысль, no. 7 (July 2024): 74–91. http://dx.doi.org/10.25136/2409-8728.2024.7.71341.

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Over the past few decades, a number of philosophers, psychologists, and other scholars have used the concept of narrative as a basis for thinking about personal identity and ethical responsibility. It has been argued that, ethically, we should strive to achieve the unity that we discover in creating narratives about our lives. More recently, critical reactions to narrative theories have taken the form of a specific anti-narrative discourse. This article presents arguments in defense of the theory of narrative identity, based on the philosophy of Alasdair MacIntyre and Charles Taylor, in whose

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FITZPATRICK, Paul. "Narrative Art and Narrative Criticism." Louvain Studies 33, no. 3 (2008): 255–72. http://dx.doi.org/10.2143/ls.33.3.2045800.

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Atanasova, Nina A. "Three Roles of Narratives in the Treatment of Chronic Pain." Balkan Journal of Philosophy 13, no. 1 (2021): 77–82. http://dx.doi.org/10.5840/bjp20211319.

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In this paper, I discuss the roles narratives play in the diagnostics, treatment, and recovery of chronic pain patients. I show that the successes of this narrative approach to the treatment of chronic pain support the biopsychosocial model of disease. The central example of narrative interventions discussed in the paper is pain neuroscience education. This is an intervention which aims at helping chronic pain patients reconceptualize their pain experiences so as to align them with neuroscientific knowledge of pain. Multiple clinical trials have established the success of these interventions i

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Crone, Katja. "Strukturen der Identität und des Selbstverständnisses von Personen." Deutsche Zeitschrift für Philosophie 65, no. 1 (2017): 1–15. http://dx.doi.org/10.1515/dzph-2017-0001.

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AbstractThe article explores how persons conceive of themselves as individuals. Often, they attribute personality traits to themselves which they exemplify or justify by reference to former life episodes. According to dominant narrative approaches, this biographical self-understanding is entirely constituted by so-called “self-narratives,” that is, the way in which persons construct stories about themselves and their lives. Against this line of thought, it will be argued that the self-understanding of persons is not only characterized by narrative structures but also by certain phenomenal as w

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Bjørsnøs, Annlaug. "Beauvoir et Ricœur — L’identité narrative." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 43, no. 1 (2008): 107–23. http://dx.doi.org/10.1075/rro.43.1.09bjo.

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This article will examine the uses of Paul Ricœur’s theory of narrative identity for the study of Simone de Beauvoir’s L’invitée (She Came to Stay) and will show that there are significant parallels between the two writers’ philosophical perspectives. The notion of identity is central both to Beauvoir’s novel and to Ricœur’s philosophy. As an existentialist, Beauvoir is inspired by a notion of identity based on action and practical experience rather than on any essentialist premise. Similarly, Ricœur’s philosophy is generally regarded as a “philosophy of human action”, an interpretation which

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Моісєєва, Н. І., та С. С. Романова. "ФІЛОСОФІЯ ІСТОРІЇ В КОНТЕКСТІ ЛІНГВІСТИЧНОЇ (НАРАТИВНОЇ) ФІЛОСОФСЬКОЇ ТРАДИЦІЇ". Humanities journal, № 2 (29 жовтня 2018): 5–12. http://dx.doi.org/10.32620/gch.2018.2.01.

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The authors consider the problem of the disciplinary status of linguistic (narrative) philosophy of history. The problem is examined in the context of analysis of its basic assumptions, which have been described in the works of A. Danto and F. R. Ankersmit. This philosophical tradition mainly developed in the first half of the twentieth century as a reaction to the impossibility of empirical verification of the scientific adequacy of the theoretical concepts of the regularities of historical development, which were established within the classic philosophy of history. Rejection of the gnosiolo

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Stroud, Scott R. "Narrative as Argument in Indian Philosophy: The Astavakra Gita as Multivalent Narrative." Philosophy and Rhetoric 37, no. 1 (2004): 42–71. http://dx.doi.org/10.1353/par.2004.0011.

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BOHMANN, ULF. "Narrative, History, Critique." Dialogue 56, no. 4 (2017): 717–29. http://dx.doi.org/10.1017/s0012217317000798.

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In Chapter 8 ofThe Language Animal, Charles Taylor claims that narratives are unsubstitutable for an appropriate understanding of social life and ‘human affairs’ in general. In order to identify open questions in his argumentation as well as unwanted consequences of his outlook, I proceed in three consecutive steps. I first problematize Taylor’s distinction between laws and stories, then go on to address his intentional blurring of stories and histories, and finally suggest that the concept of genealogy might be a promising candidate for describing Taylor’s approach, concluding that he implici

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Karimov, Vitaliy. "NARRATIVE APPROACH IN THE HISTORY OF PHILOSOPHY." Respublica literaria, no. 1 (December 25, 2020): 96–99. http://dx.doi.org/10.47850/s.2020.1.27.

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The report is devoted to a narrative approach in history of philosophy. The narrative method opposes, but does not compete with traditional work of the history of philosophy. The dialogue way of writing and reading philo-sophical texts is one ofthe most suitable objects for a narrative approach and is able to give a new look at the problems facing the history of philosophy, since it gives the reader an opportunity to engage in dialogue and in-teract with the author. Thus, texts written in the dialogue genre in earlier eras could without prejudice to their content and understanding, be moved in

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Noy, Chaim. "Gestures of closure: A small stories approach to museumgoers' texts." Text & Talk 40, no. 6 (2020): 733–53. http://dx.doi.org/10.1515/text-2020-2076.

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AbstractMuseums are familiar public institutions whose primary mode of mediation is narration. They are geared toward narrating collective stories that are authoritative, linear, and grand in scope. Yet with the historical turn museums have recently taken from collection-centered to audience-centered institutions – coupled with a participatory mode of mediation – more than ever museumgoers are now invited to participate in these grand narrations. This article examines the institutional interaction between museums and museumgoers, and the texts that the latter produce in situ. It analyzes over

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Foley, Amy A., and David M. Kleinberg-Levin. "The Philosopher’s Truth in Fiction." Chiasmi International 21 (2019): 75–101. http://dx.doi.org/10.5840/chiasmi20192113.

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This interview with David Kleinberg-Levin, Professor Emeritus in the Department of Philosophy at Northwestern University, concerns his recent trilogy on the promise of happiness in literary language. Kleinberg-Levin discusses the relationship between and among philosophy, phenomenology, and literature. Among others, he addresses questions regarding literature’s ability to offer redemption, its response to suffering and justice, literary gesture, the ethics of narrative logic, and the surface of the text.Cet entretien avec David Kleinberg-Levin, Professeur émérite au département de philosophie

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Potamskaya, Vera Pavlovna. "F.R. ANKERSMIT: NARRATIVE LINGUISTIC PHILOSOPHY (PART 1)." Bulletin of the Tver State Technical University Series «Social Sciences and Humanities», no. 2 (2021): 5–10. http://dx.doi.org/10.46573/2409-1391-2021-2-5-10.

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