Relevant bibliographies by topics / National Theatre of Cyprus

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'National Theatre of Cyprus'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "National Theatre of Cyprus"

1

Pefanis, George P. "Archive, Repertory, Supplement: Thinking Theatre through Intersections." New Theatre Quarterly 36, no. 3 (2020): 249–55. http://dx.doi.org/10.1017/s0266464x20000342.

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This article discusses the relationship between drama and performance, using the Derridean concept of ‘supplement’ in theatre, which exceeds polarities and attempts a more dialectic approach. A review of Marvin Carlson’s theories of illustration, separation, translation, and fulfilment is a starting point for a comprehensive analysis of the views that encourage the binary drama-performance. This is examined in combination with Diane Taylor’s distinction between the ‘archive’, which preserves and bears all the written culture, and the ‘repertory’, which contains the world of performance. The ‘s
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Pefanis, George P. "Is the ‘Animal-Event’ Possible? Animal Precariousness and Moral Indeterminacy in Performance." New Theatre Quarterly 34, no. 2 (2018): 176–85. http://dx.doi.org/10.1017/s0266464x18000076.

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In this article, George P. Pefanis discusses two major aspects of the ‘event’, as formed and developed in late Derridean philosophy – namely, the ‘possibility of the impossible’ and the ‘experience of perhaps’. These aspects are examined in order to reveal the potential for precariousness and uncertainty engendered by performance art, as in the case of the animal-event. With its increased degree of indeterminacy and its projected singular, here-and-now character, performance art could leave open the way to the ‘other’, the unpredictable, and the unexpected that is the ‘animal-event’, since an
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Lazarou, Chrystalleni, and Elpidoforos S. Soteriades. "Physical Activity Patterns Among Preadolescent Children in Cyprus: The CYKIDS Study." Journal of Physical Activity and Health 6, no. 2 (2009): 185–94. http://dx.doi.org/10.1123/jpah.6.2.185.

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Purpose:The purpose of this study was to summarize patterns of correlations between variables and reduce a large number of variables to a smaller number of factors.Methods:During 2005 we conducted a national, cross-sectional, multistage study among 1140 children (mean age = 10.70 ± 0.98). Principal component analysis was employed to extract the main factors out of 21 variables assessing children’s duration of physical and sedentary activities.Results:Eight factors emerged as important, explaining 63% of the total variance in children’s PA patterns. The combined explained variance of 3 factors
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Georgopoulou, Xenia, Eleni Pilla, Urszula Kizelbach, and Jacek Fabiszak. "Theatre Reviews." Multicultural Shakespeare: Translation, Appropriation and Performance 12, no. 27 (2015): 147–65. http://dx.doi.org/10.1515/mstap-2015-0012.

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Romeo and Juliet for Two. Dir. Kostas Gakis, Athina Moustaka, Konstantinos Bibis. 104 Theatre, Athens, Greece.
 Lady Macbeth. Dir. Marios Mettis. Theatro Thentro, Nicosia, Cyprus
 Hamlet. Dir. Jan Klata. Gdańsk Shakespeare Theatre, Gdańsk, Poland
 The Taming of the Shrew [Poskromienie złośnicy]. Dir. Katarzyna Deszcz. Stefan Żeromski Theatre, Kielce, Poland
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Filewod, Alan. "National Theatre / National Obsession." Canadian Theatre Review 62 (March 1990): 5–10. http://dx.doi.org/10.3138/ctr.62.001.

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Why have Canadian theatre critics been so obsessed with the absence of a national theatre? The question of what kind of national theatre might be most appropriate to this country has worried cultural pundits for a century, and occupies most of the deliberations on theatre in the Massey Report, the seminal document presented to Parliament in 1951 that shaped the development of the arts in Canada over the subsequent four decades. The Massey Report didn’t invent that obsession. Since the 1890s theatre critics in Canada have wrestled with what appeared to be a simple problem: if we have a Canadian
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Pilla, Eleni. "Review of Shakespeare'sOthello(directed by Nikos Charalambous for the Cyprus Theatre Organization) at Latsia Municipal Theatre, Nicosia, Cyprus, 27 November 2010." Shakespeare 9, no. 3 (2013): 365–66. http://dx.doi.org/10.1080/17450918.2013.816359.

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FOUSKAS, VASSILIS K. "Uncomfortable Questions: Cyprus, October 1973–August 1974." Contemporary European History 14, no. 1 (2005): 45–63. http://dx.doi.org/10.1017/s0960777304002140.

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Scholarly research to date has analysed the Cyprus issue from the perspective of Greek–Turkish relations, suggesting that the United States was attempting to strike a balance between them in order to safeguard the cohesion of NATO's southern flank during the cold war. This article, without undermining the validity of previous historical findings on the issue, nevertheless constitutes an attempt to move towards a differing research agenda: it locates Cyprus in the Middle Eastern theatre and suggests that the Yom Kippur war of October 1973 may have more linkages to the Cyprus crisis of summer 19
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Jones, Roger. "COLLABORATORS JOHN HODGE: National Theatre — Cottesloe Theatre." British Journal of General Practice 62, no. 594 (2012): 39. http://dx.doi.org/10.3399/bjgp12x616436.

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Grene, Nicholas. "The Abbey: National Theatre or Little Theatre?" Journal of Irish and Scottish Studies 1, no. 1 (2007): 211–20. http://dx.doi.org/10.57132/jiss.201.

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Grene, Nicholas. "The Abbey: National Theatre or Little Theatre?" Journal of Irish and Scottish Studies 1, no. 1 (2007): 211–20. http://dx.doi.org/10.57132/jiss.201.

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Dissertations / Theses on the topic "National Theatre of Cyprus"

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Demosthenous, Annika Coralia. "Poetry and national identity in Cyprus and Scotland." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:ad65856c-fba7-4a7f-89be-73ddef0c5522.

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This thesis aims to engage with the poetry of Scotland and Greek-speaking Cyprus, and examine the relationship between poetry defined as high culture and articulations of national identity in the two places. Scotland and Cyprus share characteristics that make the establishment of a single, coherent national identity with the appearance of permanence challenging, including their relationships with culturally dominant neighbours, competition between local and official languages, and the insecurity of their status as nations. Both Scotland and Cyprus have historically had hybrid identities; in Sc
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Arslan-akfirat, Serap. "Strategic National/ethnic Identity Construction: The Northern Cyprus Case." Phd thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/2/12609735/index.pdf.

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Present dissertation aims to achieve three related objectives. First, it is aimed at investigating the theoretical view of Reicher and Hopkins (2001) that some people called &lsquo<br>identity entrepreneurs&rsquo<br>actively try to re-define the limits and the contents of the social categories. For this purpose social political milieu of Northern Cyprus is chosen as it is intended to achieve the ingroup members&rsquo<br>support by portraying national/ethnic identity constructions of National Unity Party, which acknowledges supporting the independence of Turkish Republic of North Cyprus and the
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Yiangou, Michael S. "Colonial classrooms in Cyprus : teachers, schools and national identity." Thesis, University of Cambridge, 2004. https://www.repository.cam.ac.uk/handle/1810/272149.

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Mallouri, Louiza. "A study of national identity in visual texts in Cyprus." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610408.

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Agnew, Denis. "Contexts and concepts of a Scottish national theatre." Thesis, Queen Margaret University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.394545.

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This thesis explores the concepts of a Scottish national theatre within the context of twentieth century theatrical development in Scotland. In considering this context, a brief review of earlier key theatrical developments in the British Isles and Europe is undertaken. The National Theatre of Great Britain is reviewed in relation to its failure to answer apparent Scottish requirements. An analysis of aspects of national identity and a detailed study of the key theatre companies that in a variety of ways endeavoured to create a national theatre for Scotland is offered. The inherent problems of
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Peristianis, Nicos. "Between nation and state : nation, nationalism, state, and national identity in Cyprus." Thesis, Middlesex University, 2008. http://eprints.mdx.ac.uk/6485/.

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This thesis is a study of the emergence and diachronic development of Greek-Cypriot nationalism, and its relation to nation, state, and national identities. The broad perspective of historical sociology is used, and the more specific neo-Weberian analytic framework of cultural transformation and social closure, as developed by A. Wimmer, to demonstrate how nationalism, as the 'axial principle' along which modem societies structure inclusion and exclusion, did not lead to the development of a Cypriot nation state, but to a bi-ethnic national state instead; this was mainly because closure took p
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Sahin, Sanem. "The discursive construction of national identity by the newspapers in North Cyprus." Thesis, University of Westminster, 2008. https://westminsterresearch.westminster.ac.uk/item/917y9/the-discursive-construction-of-national-identity-by-the-newspapers-in-north-cyprus.

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The research investigates the discursive construction of a Turkish Cypriot national identity by the newspapers in North Cyprus. The aim is to discover the representation and reconstruction processes of national identity within the press and examine the various practices employed to mobilise readers around certain national imaginings. Therefore, as well as examining the changing concepts of Turkish Cypriot identity throughout history, it focuses on how these concepts have been moulded through the Turkish Cypriot media. Highlighting historical, political, economic and cultural factors, which con
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Roussou, Nayia. "Television and the cultural identity of Cyprus youth." Thesis, Coventry University, 2001. http://curve.coventry.ac.uk/open/items/2be4ef68-0b65-78c1-9fe8-3e42e4285e06/1.

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The present thesis was begun in October 1996, with the aim of exploring the relationship between Cyprus television and aspects of the national and cultural identity of Cyprus youth. The thesis consists of seven chapters in all, which can be summarized as follows: In the first chapter, a survey of the historical, political and media realities in Cyprus establishes the ground for the present study, while in the second chapter, a literature review presents the writings on culture and identity, media theories and their development, with a discussion of important theoretical concepts and perspectiv
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Wilson, Anna Elisabeth. "Argentine theatre in twenty-first century Barcelona : cultural exchange and (trans)national identities." Thesis, Queen Mary, University of London, 2013. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8679.

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This thesis examines the impact of Argentine theatre on Barcelona’s stage culture in the twenty-first century. Catalan theatre is caught up in conflicting cultural discourses that centre on the relation between language, politics and identity, tensions further compounded by globalisation and changing patterns of migration. Although publications in this field demonstrate the complexity of the inter-relationship of theatre to cultural identity (as with Sharon Feldman, In the Eye of the Storm [Bucknell University Press, 2009]; Maria Delgado, ‘Other’ Spanish Theatres [Manchester University Press,
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Armstrong, Esther M. "A scenographic analysis of emergent British 'national' identity, on the stages of the National Theatre between 1995-2005." Thesis, University of the Arts London, 2010. http://ualresearchonline.arts.ac.uk/5369/.

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This thesis examines space within the context of scenography and investigates its presence as a theme exposing the unstable condition of identity. It does this by examining how 'national' identity has been presented through the medium of design on the stages of the UK's National Theatre during an era where identity is being used as a political tool. The 'new ideologies' of regionalism,multiculturalism and globalisation are identified as provocative catalysts that are expressed within selected designs and are seen as challenging fixed notions of identity. Influenced by Henri Lefebvre's Producti
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Books on the topic "National Theatre of Cyprus"

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Phōtopoulos, Vasilēs. National Theatre: 100 years. Eurobank Ergasias, 2001.

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Helka, Mäkinen, Wilmer S. E, and Worthen William B. 1955-, eds. Theatre, history and national identities. Helsinki University Press, 2001.

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Helka, Mäkinen, Wilmer Stephen Elliot, and Worthen William B. 1955-, eds. Theatre, history, and national identities. Helsinki University Press, 2001.

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name, No. Theatre, History and National Identities. Helsinki University Press, 2001.

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E, Wilmer S., ed. Writing & rewriting national theatre histories. University of Iowa Press, 2004.

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Remport, Eglantina. Lady Gregory and Irish National Theatre. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76611-9.

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Ayesha, Taslim, and Pakistan National Council of the Arts., eds. Puppets in Pakistan, National puppet theatre. Pakistan National Council of the Arts, 2008.

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Nikola, Batusic, ed. Zagreb Croatian National Theatre, 1860-1985. Hrvatsko Narodno Kazaliste u Zagreb, 1985.

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1937-, Harrison Tony, ed. The trackers of Oxyrhynchus (National Theatre). Bloomsbury, 2013.

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Craig, Barker, and Gabrieli Smadar, eds. Fabrika: An ancient theatre of Paphos. Moufflon Publications, 2004.

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Book chapters on the topic "National Theatre of Cyprus"

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Synodinou, Tatiana-Eleni. "Cyprus." In Balancing Copyright - A Survey of National Approaches. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-29596-6_13.

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Hamali, Maria. "Cyprus (Greek)." In The Routledge Companion to Contemporary European Theatre and Performance. Routledge, 2023. http://dx.doi.org/10.4324/9781003082538-10.

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Papadopoulos, Thomas. "National Report on Cyprus." In Ius Comparatum - Global Studies in Comparative Law. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-36697-1_16.

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Holdsworth, Nadine. "National iconography." In Theatre & Nation. Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-01377-4_4.

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Allgood, Sara. "The National Theatre." In The Abbey Theatre. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-08508-8_19.

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Itzin, Catherine. "The National Theatre." In Stages in the Revolution. Routledge, 2021. http://dx.doi.org/10.4324/9781003194255-38.

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Yeats, W. B. "Irish National Drama." In The Abbey Theatre. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-08508-8_22.

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Roberts, George. "The National Theatre Society." In The Abbey Theatre. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-08508-8_5.

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Reid, Trish. "Engagements: National and International." In Theatre & Scotland. Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-29664-1_4.

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Cummings, Scott T. "National identity." In The Theatre of Les Waters. Routledge, 2022. http://dx.doi.org/10.4324/9781003170808-42.

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Conference papers on the topic "National Theatre of Cyprus"

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Papaioannou, Maria, Andreas Neocleous, Panayiotis Savva, et al. "A Prototype of the National EHR system for Cyprus." In 2021 43rd Annual International Conference of the IEEE Engineering in Medicine & Biology Society (EMBC). IEEE, 2021. http://dx.doi.org/10.1109/embc46164.2021.9630760.

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SCHMICH, I., C. ROUGIER, Z. XIANGDONG, Y. XIANG, and L. GUO-QI. "SUBJECTIVE EVALUATION OF THE BEIJING NATIONAL GRAND THEATRE OF CHINA." In Auditorium Acoustics 2008. Institute of Acoustics, 2023. http://dx.doi.org/10.25144/17497.

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Neocleous, Andreas, Maria Papaioannou, Panayiotis Savva, et al. "The International Patient Summary: Proposal for a National Implementation for Cyprus." In 2022 E-Health and Bioengineering Conference (EHB). IEEE, 2022. http://dx.doi.org/10.1109/ehb55594.2022.9991445.

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ROMAN, Diana. "The Actor, Between the Self from Theatre and the Other from Music." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0021.

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The worlds of music and theatre have been brought together under the sign of scenic creation since the origins of the appearance of the theatre, the interdisciplinary artistic dialogue between the two arts sharing common aesthetic, psychological, psycho-social landmarks. The interactions between these worlds gave birth, finally, going through different forms and long searches, to the most original and popular theatre genre, the Musical. At the same time with technology and the digital revolution, live music, the orchestra, the musicians present on the stage of the theatre, were replaced with r
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SOREANU, Ioana. "Theatre and radio – ethical dilemmas in the doctoral research of common history." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2024. https://doi.org/10.35218/icds-2024-0022.

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Theatre and the radio have systematically intersected since the beginning of the existence of this means of mass communication. It is known that the radio included in its modes of expression those of the theatre. Entertainment shows, radio theatre, children's stories, poetry recitals are just a few examples of elements that have become inseparable in radio programmes. Moreover, the role of the theatre professional on the radio has also evolved over time, and the main influences relate to the historical, political and cultural changes in Romania. The study anticipates a number of ethical dilemm
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BOCA, Vladimir Bogdan. "Ethical perspectives on the representation of sexuality through puppets in theatre performances." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2024. https://doi.org/10.35218/icds-2024-0017.

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In the next article we will try to answer the following questions: What boundaries exist outside the ethical norms of staging the obscene? To what extent can we consider the depiction of sexuality as artistic expression? Can a puppet diminish the vulgarity unwanted by the audience in a sexual scene? How much can be accepted in the representation of sexual intercourse on stage, even if it is to be performed with the help of puppets?
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Kılıç Akıncı, Sevcan. "National Drug Policy Coordination: A Key Element of Success." In Panel on "Effective Drug Control Strategies in Northern Cyprus: Challenges and Opportunities in 2024". Emanate Publishing House Ltd., 2024. http://dx.doi.org/10.70020/ehass.2024.7.5.

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Inadequate coordination is one of the major barriers to effective intervention in to the growing drug menace. Effective coordination of stakeholders is key to success in the implementation of anti-drug policies. This paper presents the network governance model as a means of highlighting the importance of coordination in the fight against drugs. The paper focuses on two research objectives: to describe the official coordination systems employed in different countries, and to provide recommendations to strengthen the coordination mechanism for drug strategy formulation and implementation globall
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Isakov, Vera, Miomir Mijic, Dragana Sumarac-Pavlovic, and Drasko Masovic. "Analysis of sound level in the orchestra pit of the National Theatre in Belgrade." In 2012 20th Telecommunications Forum Telfor (TELFOR). IEEE, 2012. http://dx.doi.org/10.1109/telfor.2012.6419449.

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TOMUȘ, Ionuț. "General Considerations on Performing Poetry in the Current Performing Arts Context." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0012.

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The contemporary theatre landscape seems to have strayed away from the feelings specific to poetry and to reciting it in front of an audience. The topics preferred by theatrical productions now, at the beginning of the XXIst Century, are strongly connected to the social realities one encounters on a daily basis. Certainly, it is reasonable for things to be this way, as theatre depends on firmly anchoring itself in reality, and the means of expression and of conveying emotion have, now, particularities that no one would have thought of fifty years ago. The present study intends to bring perform
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Kulić, Milena Ž. "„POZORIŠNI LIST“ BRANISLAVA NUŠIĆA: KNjIŽEVNOST, KRITIKA I VIZIJA." In XVI načni skup mladih filologa Srbije. University of Kragujevac, Faculty of Philology and Art, Serbia, 2025. https://doi.org/10.46793/mfxvi-2.265k.

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This paper provides a synthesis of previous findings regarding The Theatrical Journal, edited by Branislav Nušić (1901–1902), in an attempt to offer an overview of the literary topics addressed by the editorial board. This journal was the official periodical publication of the National Theatre in Belgrade, serving as a significant testament to the theatre of that era. Although literary themes were not the primary focus of this journal, this paper will discuss the problematization of literary and cultural issues in relation to the events in Serbian theatre during Nušić’s time, exploring his sty
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Reports on the topic "National Theatre of Cyprus"

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Theophanous, Andreas, and Mary Varda. Rising discontent with the EU, the Rise of the Right and the 2024 European Parliament Elections in Cyprus. European Center for Populism Studies (ECPS), 2024. http://dx.doi.org/10.55271/rp0065.

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The objective of this chapter is to discuss the causes of rising discontent in Cyprus and assess the political outcomes. Within this framework we briefly assess how the EU has dealt with various crises in the last few years. Perceptions in Cyprus about the EU have changed over time. In the 9 June European elections, a member of the extreme right-wing party, National People’s Front (Ethniko Laiko Metopo, ELAM), was elected for the first time to the European Parliament. Understanding the circumstances in Cyprus that have gradually led to disillusionment with the national political system and the
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Cereghino, Albert. Italy 1830-1848: the role of the press and the theatre in the formation of the national spirit. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.935.

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