Log in

Relevant bibliographies by topics / National Theatre of Cyprus / Dissertations / Theses

To see the other types of publications on this topic, follow the link: National Theatre of Cyprus.

Dissertations / Theses on the topic 'National Theatre of Cyprus'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 dissertations / theses for your research on the topic 'National Theatre of Cyprus.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Demosthenous, Annika Coralia. "Poetry and national identity in Cyprus and Scotland." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:ad65856c-fba7-4a7f-89be-73ddef0c5522.

Full text

Abstract:

This thesis aims to engage with the poetry of Scotland and Greek-speaking Cyprus, and examine the relationship between poetry defined as high culture and articulations of national identity in the two places. Scotland and Cyprus share characteristics that make the establishment of a single, coherent national identity with the appearance of permanence challenging, including their relationships with culturally dominant neighbours, competition between local and official languages, and the insecurity of their status as nations. Both Scotland and Cyprus have historically had hybrid identities; in Sc

APA, Harvard, Vancouver, ISO, and other styles

2

Arslan-akfirat, Serap. "Strategic National/ethnic Identity Construction: The Northern Cyprus Case." Phd thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/2/12609735/index.pdf.

Full text

Abstract:

Present dissertation aims to achieve three related objectives. First, it is aimed at investigating the theoretical view of Reicher and Hopkins (2001) that some people called &lsquo<br>identity entrepreneurs&rsquo<br>actively try to re-define the limits and the contents of the social categories. For this purpose social political milieu of Northern Cyprus is chosen as it is intended to achieve the ingroup members&rsquo<br>support by portraying national/ethnic identity constructions of National Unity Party, which acknowledges supporting the independence of Turkish Republic of North Cyprus and the

APA, Harvard, Vancouver, ISO, and other styles

3

Yiangou, Michael S. "Colonial classrooms in Cyprus : teachers, schools and national identity." Thesis, University of Cambridge, 2004. https://www.repository.cam.ac.uk/handle/1810/272149.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Mallouri, Louiza. "A study of national identity in visual texts in Cyprus." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610408.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Agnew, Denis. "Contexts and concepts of a Scottish national theatre." Thesis, Queen Margaret University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.394545.

Full text

Abstract:

This thesis explores the concepts of a Scottish national theatre within the context of twentieth century theatrical development in Scotland. In considering this context, a brief review of earlier key theatrical developments in the British Isles and Europe is undertaken. The National Theatre of Great Britain is reviewed in relation to its failure to answer apparent Scottish requirements. An analysis of aspects of national identity and a detailed study of the key theatre companies that in a variety of ways endeavoured to create a national theatre for Scotland is offered. The inherent problems of

APA, Harvard, Vancouver, ISO, and other styles

6

Peristianis, Nicos. "Between nation and state : nation, nationalism, state, and national identity in Cyprus." Thesis, Middlesex University, 2008. http://eprints.mdx.ac.uk/6485/.

Full text

Abstract:

This thesis is a study of the emergence and diachronic development of Greek-Cypriot nationalism, and its relation to nation, state, and national identities. The broad perspective of historical sociology is used, and the more specific neo-Weberian analytic framework of cultural transformation and social closure, as developed by A. Wimmer, to demonstrate how nationalism, as the 'axial principle' along which modem societies structure inclusion and exclusion, did not lead to the development of a Cypriot nation state, but to a bi-ethnic national state instead; this was mainly because closure took p

APA, Harvard, Vancouver, ISO, and other styles

7

Sahin, Sanem. "The discursive construction of national identity by the newspapers in North Cyprus." Thesis, University of Westminster, 2008. https://westminsterresearch.westminster.ac.uk/item/917y9/the-discursive-construction-of-national-identity-by-the-newspapers-in-north-cyprus.

Full text

Abstract:

The research investigates the discursive construction of a Turkish Cypriot national identity by the newspapers in North Cyprus. The aim is to discover the representation and reconstruction processes of national identity within the press and examine the various practices employed to mobilise readers around certain national imaginings. Therefore, as well as examining the changing concepts of Turkish Cypriot identity throughout history, it focuses on how these concepts have been moulded through the Turkish Cypriot media. Highlighting historical, political, economic and cultural factors, which con

APA, Harvard, Vancouver, ISO, and other styles

8

Roussou, Nayia. "Television and the cultural identity of Cyprus youth." Thesis, Coventry University, 2001. http://curve.coventry.ac.uk/open/items/2be4ef68-0b65-78c1-9fe8-3e42e4285e06/1.

Full text

Abstract:

The present thesis was begun in October 1996, with the aim of exploring the relationship between Cyprus television and aspects of the national and cultural identity of Cyprus youth. The thesis consists of seven chapters in all, which can be summarized as follows: In the first chapter, a survey of the historical, political and media realities in Cyprus establishes the ground for the present study, while in the second chapter, a literature review presents the writings on culture and identity, media theories and their development, with a discussion of important theoretical concepts and perspectiv

APA, Harvard, Vancouver, ISO, and other styles

9

Wilson, Anna Elisabeth. "Argentine theatre in twenty-first century Barcelona : cultural exchange and (trans)national identities." Thesis, Queen Mary, University of London, 2013. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8679.

Full text

Abstract:

This thesis examines the impact of Argentine theatre on Barcelona’s stage culture in the twenty-first century. Catalan theatre is caught up in conflicting cultural discourses that centre on the relation between language, politics and identity, tensions further compounded by globalisation and changing patterns of migration. Although publications in this field demonstrate the complexity of the inter-relationship of theatre to cultural identity (as with Sharon Feldman, In the Eye of the Storm [Bucknell University Press, 2009]; Maria Delgado, ‘Other’ Spanish Theatres [Manchester University Press,

APA, Harvard, Vancouver, ISO, and other styles

10

Armstrong, Esther M. "A scenographic analysis of emergent British 'national' identity, on the stages of the National Theatre between 1995-2005." Thesis, University of the Arts London, 2010. http://ualresearchonline.arts.ac.uk/5369/.

Full text

Abstract:

This thesis examines space within the context of scenography and investigates its presence as a theme exposing the unstable condition of identity. It does this by examining how 'national' identity has been presented through the medium of design on the stages of the UK's National Theatre during an era where identity is being used as a political tool. The 'new ideologies' of regionalism,multiculturalism and globalisation are identified as provocative catalysts that are expressed within selected designs and are seen as challenging fixed notions of identity. Influenced by Henri Lefebvre's Producti

APA, Harvard, Vancouver, ISO, and other styles

11

Fridén, Gunnar. "National theatre and the 20th century Irish dream play /." Göteborg : Department of Languages and Literature, University of Gothenburg, 2010. http://gup.ub.gu.se/gup/record/index.xsql?pubid=121509.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Pophaides, Irene. "The genesis of Greek Cypriot national identity in British-occupied Cyprus, 1878-1931." Thesis, University of Cambridge, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.611696.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Myles, A. Clifton. "The Story of NADSA (The National Association of Dramatic and Speech Arts, Inc.)." Diss., Virginia Tech, 2000. http://hdl.handle.net/10919/28292.

Full text

Abstract:

As the 25th president of the National Association of Dramatic and Speech Arts, Inc. (NADSA), it was my goal to develop a plan of action for NADSA in the 21st century. Not only is my responsibility to continue the legacy established by others, but also it was my desire to develop ideas based on a thorough and exhaustive historical analysis of the organization, which laid the foundation for a self study of this sort to happen. The purpose of this study is to thoroughly investigate the history of the NADSA for two reasons: 1) to determine what is the driving force behind this organizational struc

APA, Harvard, Vancouver, ISO, and other styles

14

Campbell-Thomson, Olga. "Exploring the process of national identity construction in the context of schooling in the Turkish Republic of Northern Cyprus." Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/exploring-the-process-of-national-identity-construction-in-the-context-of-schooling-in-the-turkish-republic-of-northern-cyprus(2b7095ab-336b-4a14-870b-78581b03b51e).html.

Full text

Abstract:

The research reported in this thesis explores national identity construction by students in the Turkish Republic of Northern Cyprus (TRNC). A lower secondary school (6-8 grades, 11-14 years) was the site where the research took place. The study was designed to examine the relationship between students’ construction of national identity and their educational experience. The aim was to reveal and examine the sense of national self this age-group of students in Northern Cyprus had, how through their education they were placed in the immediate community and the broader social and geo-political spa

APA, Harvard, Vancouver, ISO, and other styles

15

Monroe, Rebecca A. "The Federal Theatre Project fractured national identity and the silencing of America's only national theatre: with a special look at Sinclair Lewis's It can't happen here /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1996. http://www.kutztown.edu/library/services/remote_access.asp.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Barraclough, Penelope. "W.B. Yeats: Searching for a National Identity through the Ritual of Theatre." Thesis, The University of Sydney, 2015. http://hdl.handle.net/2123/14214.

Full text

Abstract:

W.B. Yeats was a leading figure in the Irish Literary Revival, a movement which set out to promote Irish literature in an attempt to create a sense of national pride and identity amongst its people. As part of this movement, Yeats and his colleagues established the National Theatre Society, with the aim of raising the awareness of the Irish to their cultural heritage through the medium of theatre. This thesis sets out to show that Yeats’ dramatic works made little impact on the national consciousness, primarily because the plays were more concerned with the expression of his personal views an

APA, Harvard, Vancouver, ISO, and other styles

17

Robinson, Rebecca Charlotte. "From theory to practice : The National Theatre of Scotland, 1999-2009." Thesis, University of Glasgow, 2009. http://theses.gla.ac.uk/2915/.

Full text

Abstract:

The National Theatre of Scotland is a unique, non building-based, commissioning and producing cultural institution, established in the wake of the devolution of the Scottish Parliament. This thesis explores how the NTS responded to its ‘national’ remit within the context of both post devolution Scotland and an increasingly globalized world in which the significance and boundaries of the ‘nation’ are often ambiguous and contested. The public sphere in the United Kingdom has always held a tension between the interweaving national identities of its four constituent nations. However, the constitut

APA, Harvard, Vancouver, ISO, and other styles

18

Gunson, Hannah Mahrii. "The Performing Female Body: The National Theatre Frankenstein as Performance Art." BYU ScholarsArchive, 2019. https://scholarsarchive.byu.edu/etd/9096.

Full text

Abstract:

The National Theatre's Frankenstein is not the first time Shelley's novel has been adapted for the stage, but it is the first time a stage adaptation has returned the popular story to its source material's feminist themes. Departing from the iterations that portrayed Victor Frankenstein as a Byronic hero, Nick Dear's adaptation has re-designed Frankenstein to be misogynistic and calloused. His new nature is best observed in the scene wherein Frankenstein presents the Woman-Creature he's built for his first Creature. She is naked, silent, submissive, and viciously dismembered at the end of the

APA, Harvard, Vancouver, ISO, and other styles

19

Dawn, Karalee. "Searching for home the establishment of the National Theatre of Scotland /." College Park, Md.: University of Maryland, 2007. http://hdl.handle.net/1903/7807.

Full text

Abstract:

Thesis (M.A.) -- University of Maryland, College Park, 2007.<br>Thesis research directed by: Dept. of Theatre. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

APA, Harvard, Vancouver, ISO, and other styles

20

Osborn, Adam Gardner. "Bill Hicks: A Study in National Character." W&M ScholarWorks, 2002. https://scholarworks.wm.edu/etd/1539626348.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Entell, Bettina S. "Post-Tian'anmen: a new era in Chinese theatre experimentation during the 1990s at Beijing's China National Experimental Theatre/CNET." Thesis, University of Hawaii at Manoa, 2002. http://hdl.handle.net/10125/3016.

Full text

Abstract:

The 1990s was a period of rapid transformation in China. Leaders Jiang Zemin and Zhu Rongji accelerated policies initiated by Deng Xiaoping, as China embraced "Socialism with Chinese Characteristics." Far-reaching socioeconomic and cultural change cut across every facet of Chinese society and had a tremendous impact on huaju ("spoken drama") and the State Theatre System. This study examines how and to what extent the conditions and challenges of the 1990s fostered a climate for experimentation and impacted the aesthetics of huaju. The research first establishes a context for huaju--its evoluti

APA, Harvard, Vancouver, ISO, and other styles

22

Makriyianni, Chara. "History, museums and national identity in a divided country : children's experience of museum education in Cyprus." Thesis, University of Cambridge, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.612726.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Valladares, Susan. "English Romantic theatre during the Peninsular War." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:a6dc8702-5827-41c9-bb82-94a52ecb5dee.

Full text

Abstract:

Between 1808 and 1814 England was committed to an expensive and bloody campaign against the French invasion of the Iberian Peninsula. The Peninsular War, as it came to be known, was initially celebrated as a war of national independence that attracted widespread support. Soon after, it was characterised by political scandal and public controversy. Literary scholars have devoted much attention to the political, social and cultural effects of the French Revolution, but have written surprisingly little about the later years of the campaign against Napoleonic France. The principle objective of thi

APA, Harvard, Vancouver, ISO, and other styles

24

Nevzat, A. (Altay). "Nationalism amongst the Turks of Cyprus: the first wave." Doctoral thesis, University of Oulu, 2005. http://urn.fi/urn:isbn:9514277511.

Full text

Abstract:

Abstract The rise of competing nationalisms in Cyprus first drew world attention in the 1950's, yet the origins of nationalism in Cyprus can clearly be traced to the closing stages of Ottoman rule on the island during the nineteenth century. While the earlier development of nationalism in the Greek Orthodox community of Cyprus is commonly acknowledged, the pre-World War II evolution of nationalism amongst Cyprus' Moslem Turks is consistently overlooked or misrepresented. Contrary to the conventional wisdom, this work contends that Turkish nationalism in Cyprus did not first emerge in the 1950'

APA, Harvard, Vancouver, ISO, and other styles

25

Calder, Barnabas William Luke. "Committees and concrete : the genesis and architecture of Denys Lasdun's National Theatre." Thesis, University of Cambridge, 2007. https://www.repository.cam.ac.uk/handle/1810/252043.

Full text

Abstract:

This thesis looks at the genesis of one of Britain’s most important post-war public buildings, and analyses its architecture. Part I offers a brief account of the campaign for a National Theatre from the nineteenth century onwards, and describes the struggle to obtain the funds to start construction and thereafter to complete it. It then examines the process by which Denys Lasdun and Partners were appointed, and discuses Lasdun’s charismatic gifts in winning clients. Part II traces the protracted committee and individual consultations which provided the architects with their brief. The buildin

APA, Harvard, Vancouver, ISO, and other styles

26

Teoh, Remedios A., and remedios teoh@deakin edu au. "Gender and national identity: The people's theatre in the Philippines (1967-2000)." Deakin University. School of Social and International Studies, 2004. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20061207.150434.

Full text

Abstract:

The Philippine Education Theater Association (PETA), the Peoples Theatre in the Philippines was founded within the bounds of the nationalist leftist tradition. Its origin therefore determines to a great extent the contours of the discourse on the feminist movement in the Philippines, its participation within the cultural movement and the founding years of the pioneering Peoples Theatre in the country. As a grass roots theatre from a Third World nation, the PETA theatre model responded to the needs in raising socio-political and economic consciousness and can therefore serve as an alternati

APA, Harvard, Vancouver, ISO, and other styles

27

Lawton, John Brooks. "Performing politics : a theatre-based analysis of the 1996 National Nominating Conventions /." The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487953204282719.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Cook, Patricia Margaret Anne de Gruchy Carleton University Dissertation Canadian Studies. "National cultures and popular theatre; four collective companies in Quebec and Newfoundland." Ottawa, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

29

Salhi, Kamal. "Nedjma and Algeria in the works of Kateb Yacine : towards a national identity." Thesis, University of Exeter, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.303173.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Latiševičius, Janis. "Tautos reprezentacijos problema postsovietiniame Lietuvos dramos teatre." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110804_094905-81040.

Full text

Abstract:

Šio darbo analizės objektas – tautinio identiteto išraiškos teatre. Jame siekta išsiaiškinti, kokio pobūdžio tautiškumas atsispindi dramos teatrų spektakliuose. Pasirinkta analizuoti įvairius šaltinius (teatrų repertuarai, spektaklių recenzijos), taip pat atlikti interviu su teatralais bei padaryti visuomenės anketinę apklausą, siekiant išsiaiškinti, kokią vietą teatras užima visuomenės gyvenime. Lietuvoje veikia 13 valstybinių teatrų, iš jų 8 – dramos teatrai. Toks skaičius gali būti sietinas su nusistovėjusia tradicija Lietuvos kultūriniame gyvenime. Tyrimui pasirinkti 4 valstybinių dramos t

APA, Harvard, Vancouver, ISO, and other styles

31

Lignou, Tsamantani Ariadni [Verfasser]. "Between, Against, Beyond: Challenging National Identities in Contemporary Greek Theatre / Ariadni Lignou Tsamantani." Berlin : Freie Universität Berlin, 2021. http://d-nb.info/1234451581/34.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Garlick, Barbara. "Australian travelling theatre 1890-1935 : a study in popular entertainment and national ideology /." Online version, 1994. http://bibpurl.oclc.org/web/19943.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Burke, A. C. "Dramatic techniques in performing Aeschylus' Agamemnon : the Oresteia at the Royal National Theatre." Thesis, Queen Margaret University, 2005. https://eresearch.qmu.ac.uk/handle/20.500.12289/7332.

Full text

Abstract:

This thesis explores the theoretical and dramaturgical challenges faced by modern productions of the Oresteia with particular reference to two modern Royal National Theatre productions: Sir Peter Hall's (1981) and Katie Mitchell's (1999). It argues that to appreciate these challenges requires a detailed knowledge of the theatricality of the original text. In support of this position, this thesis contains a detailed analysis of Aeschylus' Agamemnon exploring how the playwright creates the play's world in text and performance. The discussion's focus concentrates on how theatrical space (seen, im

APA, Harvard, Vancouver, ISO, and other styles

34

Bandy, Katherine A. "The National World War II Museum - Entertainment Department." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/aa_rpts/187.

Full text

Abstract:

This report contains the details of internship completed at the National WWII Museum in New Orleans, Louisiana. It will discuss the structure and practices of the Museum’s Entertainment Department through a 480 hour internship. Alongside Victoria Reed, the Director of Entertainment, I assumed the role of Entertainment Production Assistant in June of 2015. I completed this internship with the purpose of earning an Arts Administration degree at the University of New Orleans. The Entertainment Department at the National WWII Museum is but a fraction of what makes this organization a successfu

APA, Harvard, Vancouver, ISO, and other styles

35

Kaoullas, Lambros George. "Cyprus, 1963-64 : a new conceptual framework for chaotic security structures and momentous phases in polity-building." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/25832.

Full text

Abstract:

My work explores the development of the security and defence structures of the Cypriot state in the turbulent post-colonial years 1959-65. After a series of political imbroglios, exacerbated by the involution of external actors in the internal affairs of the nascent bicommunal Republic of Cyprus (established in 1960, preceded by a Greek Cypriot national-liberation revolution), the constitutional arrangement between Greek Cypriots and Turkish Cypriots collapsed. In the 1959-63 period, new bicommunal institutions are set, and the creation of these institutions is characterised by political arbit

APA, Harvard, Vancouver, ISO, and other styles

36

Xypolia, Ilia. "Contextualizing the emergence and the development of Turkish Nationalism in Cyprus : the British imperial impact, 1923-1939." Thesis, Keele University, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.699665.

Full text

Abstract:

In Cyprus that experienced British imperial rule from 1878 until 1960, Greek and Turkish nationalism developed at different historical periods and at different paces. Relations between Turkish Cypriots and the British on the one hand, and Greek Cypriots and the British on the other, were asymmetrical. During the colonial era in Cyprus, the Muslim community had undergone an enormous change in terms of national/ethnic identity and class characteristics. Turkish Cypriot nationalism developed belatedly as a militant nationalist and anti-Enosis movement. Against this background this thesis explores

APA, Harvard, Vancouver, ISO, and other styles

37

Husnu, Senel. "National Stereotypes, In- Group Identification, Intergroup Bias, Social Categorization And In- / Out- Group Attitudes: The Case Of Cyprus." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/12607225/index.pdf.

Full text

Abstract:

The aim of the present research was to investigate the various determinants of intergroup relations, particularly national stereotypes, in- group identification, contact, and social categorization. In chapter one a total of 150 Turkish Cypriots filled a national stereotypes questionnaire, social identity scale, and a scale assessing intergroup contact. Factor analysis of the stereotypes of the Turkish Cypriots (autostereotypes) demonstrated the existence of four latent variables adopted as Positivity, Competency- Based, Negativity and Religiosity/ Conservatism. The same factor structure was ob

APA, Harvard, Vancouver, ISO, and other styles

38

Yiangou, George S. "Forms of nationalism and national identity : a comparative study of civic and ethnic nationalism in Switzerland and Cyprus." Thesis, University of Cambridge, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.620575.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Patton, Alec. "Funny Turns: Peter Nichols, The National Theatre, and the Royal Shakespeare Company, 1967-1982." Thesis, University of Sheffield, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.487619.

Full text

Abstract:

This thesis is a case study following Peter Nichols' career from his first major stage play in 1967 to his announced retirement from the theatre in 1982, focussing primarily on his work at the National Theatre (NT) and Royal Shakespeare Company (RSC) and looking in detail at the following plays: A Day in the Death ofJoe Egg, The National Health, Beasts of England, The Freeway, Privates on Parade, Passion Play, and Poppy. A great deal of its research comes from Peter Nichols' personal papers, which the British Library acqUired in 1999. It also includes material from firstperson interviews condu

APA, Harvard, Vancouver, ISO, and other styles

40

Schaaf, Jeanne. "Lieux et non-lieux du théâtre écossais : constellations identitaires à l’ère postnationale." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL061.

Full text

Abstract:

En tant qu’espace public, la scène théâtrale est le lieu de la construction et de la déconstruction de représentations de la nation, dans un dialogue incessant entre art et politique. En Écosse, la tension qui fragilise l’idée même de nation est exacerbée par le contexte géopolitique récent (référendum de dévolution en 1979, 1997 et référendum d’indépendance en 2014, puis Brexit en 2016). Miroir de cette instabilité, la scène écossaise réinvente ainsi son rapport à l’espace national en jouant sur les représentations spatiales et communautaires à différentes échelles, du local au global. Espace

APA, Harvard, Vancouver, ISO, and other styles

41

Strong, Paul Nicholas. "The economic consequences of ethno-national conflict in Cyprus : the development of two siege economies after 1963 and 1974." Thesis, London School of Economics and Political Science (University of London), 1999. http://etheses.lse.ac.uk/97/.

Full text

Abstract:

This thesis examines the economic aftermath of ethno-national conflict in a small European economy. Events in 1963 and 1974, led to the de facto division of a small nation-state, ethnically and geographically. Since the conflict, the different communities have remained on a war footing, having had no normal communications. For each, one of these watersheds is perceived as an economic catastrophe. The effect of arbitrarily dividing an already small economy was significant. It has been argued, however, that the large-scale uprooting of one community was seized on as a development opportunity, so

APA, Harvard, Vancouver, ISO, and other styles

42

Trimikliniotis, Nicos. "The role of state processes in the production and resolution of "ethnic" and "national" conflict : the case of Cyprus." Thesis, University of Greenwich, 2000. http://gala.gre.ac.uk/8693/.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Weir, Antony John. "Theatre as public discourse : a dialogic project." Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/24167.

Full text

Abstract:

This project aims to develop and explore questions of theatre as public discourse and the representation of England and Englishness in contemporary British theatre during the period 2000-2010. I present a dual focus in this practice-led research process, creating an original creative work, Albion Unbound, alongside an academic thesis. I describe the relationship between play and thesis as ‘dialogic’ with reference to the work of Mikhail Bakhtin. His ideas on language, subjectivity and authorship offer an insightful perspective upon the theory and practice of theatre-making, but Bakhtin himself

APA, Harvard, Vancouver, ISO, and other styles

44

Polatoglu, Gamze. "Public Opinion And Thequestion Of Turkish Cypriot Identity In Turkish Republic Of Northern Cyprus." Master's thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/3/12611875/index.pdf.

Full text

Abstract:

This study explores how Turkish Cypriot identity is defined by Turkish Cypriot opinion leaders and Turkish Cypriot media in view of the longstanding interethnic dispute prevailing in the island. After a short historical review of the problem with reference to interethnic conflict and theoretical considerations pertinent to identity formation, short theoretical account of media and opinion formation, the state of the press in TRNC is displayed. This is followed by the analysis of the indepth interviews conducted within a sample of opinion leaders in TRNC and the press content in the Northern

APA, Harvard, Vancouver, ISO, and other styles

45

Klerides, Loris Eleftherios. "The discursive (re)construction of national identity in Cyprus and England, with special reference to history textbooks : a comparative study." Thesis, University College London (University of London), 2008. http://discovery.ucl.ac.uk/10020578/.

Full text

Abstract:

This thesis is an analysis of national identity construction in Cyprus and England in two historical times: the period following the Greek and Turkish military offensives in Cyprus (1974-93), and the period of the Conservative administration in Britain (1979-97). It examines identity formations in history textbooks across the two settings and addresses their relationship with intellectual and political constructs of identity. These periods were moments of a metamorphosis of identity in both settings. This identity reconstruction was firstly materialised in the signifying practices of politicia

APA, Harvard, Vancouver, ISO, and other styles

46

Davis, Cecil. "THE DESIGN PROCESS AS ASSISTANT ART DIRECTOR FOR THE FILM NATIONAL LAMPOON'S ROBODOC." Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3637.

Full text

Abstract:

In this thesis, I will detail and analyze the production design processes for National Lampoon's RoboDoc, written by Douglas Gordon M.D., filmed and produced in Orlando, Universal Studios and Ormond Beach, FL, as experienced through the art department. The direction of the thesis will be based on how a background in architecture and theatre guides the design motivation(s) within a production team for film. My documentation will include a process journal written throughout the production of the film to include design meeting topics, research and design inspiration, sketches, budget and location

APA, Harvard, Vancouver, ISO, and other styles

47

Murphy, Hugh M. "The Company of Four at the Lyric, Hammersmith : a paradigm for the emergent National Theatre concept /." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487588939090798.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Hybnerová, Tereza. "Národní divadlo jako symbol české emancipace a identity." Master's thesis, Vysoká škola ekonomická v Praze, 2011. http://www.nusl.cz/ntk/nusl-149940.

Full text

Abstract:

The thesis is focused on the influence of National Theatre on Czech national emancipation and creation of national identity. In the first chapter I analyze general meaning of national theaters in other countries and process of their development. Later I focus on circumstances of the development of Czech National Theatre. The next chapter concentrates on problems of the construction of the theatre and the meaning of decoration. The third chapter shows significant occasions of 20th century, when National Theatre played important role.

APA, Harvard, Vancouver, ISO, and other styles

49

Arthur, Michael Dry. "Think differently : South Africa theatre of/in transition and the Standard Bank National Arts Festival 1992-1996 /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Ondrůšová, Martina. "Slovinské národní divadlo v Lublani." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2009. http://www.nusl.cz/ntk/nusl-215577.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!