Relevant bibliographies by topics / Nāy music

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Nāy music'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Nāy music"

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Sevinç, Muhammet. "Klasik Türk Mûsikîsinin Temel Sazlarından Neyde Basit Göçürme (Şed) Teknikleri / Simple Transposition Techniques in the Nay, Which is Among the Basic Instruments of Classical Turkish Music." Journal of History Culture and Art Research 6, no. 6 (2017): 613. http://dx.doi.org/10.7596/taksad.v6i6.1356.

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<p><strong>Abstract </strong></p><p>Nay (red flute), the instrument of music, is one of the main instruments of Turkish classical music and especially religious music for centuries. In this article, we will provide information about history and shape of nay and some simple techniques regarding transposing. In terms of execution, this advanced technique is important to use the instrument effectively by moving a collection of notes up or down in pitch by a constant interval. Thus we explained a few of Turkish music modes for convenience. By transposing some music no
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Çetinkaya, Bayram Ali. "Mevlânâ ve Müzik." Marife 7, no. 3 (2007): 175–94. https://doi.org/10.5281/zenodo.3343877.

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Mevlânâ, gök cisimlerinin dönüşlerinde çıkardığı sesleri müziğin kaynağı olarak değerlendirir. Onun düşüncesinde, güzel ses âşıkların gıdasıdır. Mevlânâ eserlerinde saz, davul, zurna, rebâp, kemençe, kudüm, def, tanbur, kopuz ve neyden bahsetmektedir. Mevlânâ için ney, dosttur, sevgilidir, sırdaştır ve panzehirdir.<b>Mawlana and Music</b>Mewlânâ, considers that the source of music is sounds that the celestial objects give out while turning. In his thought of Mewlânâ the fine voice is the nourishment of lovers. In his Work Mewlânâ mentions saz, drum, zurna (a kind of pipe), rebâp, kemenche (sma
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Taner ELMAS, Dr Emin. "An Alternative Non-Surgical Cataract Treatment Method in Medicine and Ophthalmology; “Medi-Ultrasound Eye-Tronic Method”." Universal Library of Medical and Health Sciences 03, no. 03 (2025): 01–07. https://doi.org/10.70315/uloap.ulmhs.2025.0303001.

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This article is a study which introduces an alternative medical treatment method to cataract surgery. This is a non-surgical cataract treatment method in medicine and ophthalmology, so it will be called as “Medi-Ultrasound Eye-Tronic Method” or “Applied Medi-Ultrasound Eye-Tronic Method” This “Medi-Ultrasound Eye-Tronic Method” is not a treatment that has been applied so far, it was invented, first thought and designed by the author of this article, Emin Taner ELMAS, and can be put into practice with step-by-step development stages. As it is known, cataracts occur when proteins in the lens of
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Noyer, Justine. "Le scelte linguistiche nel rap italiano di oggi: il caso di Ghali." Italogramma, no. 20 (May 25, 2022): 1–16. http://dx.doi.org/10.58849/italog.2022.noy.

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Ghali’s trap music presents a hybridized experience where languages and cultures are combined to form unique compositions. Born in Milan from Tunisian parents, Ghali’s work merges official languages (Italian, French, English and Spanish) but also regional dialects(Milanese, Neapolitan and Tunisian) as well as contemporary vocabulary connected with digital popular culture (video games, music industry, social media). This article studies to what extent these various languages intermingle in the artist’s music and the reasoning behind the switches from one to another. The findings confirm that th
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Sezer, Fahri. "The psychological impact of Ney music." Arts in Psychotherapy 39, no. 5 (2012): 423–27. http://dx.doi.org/10.1016/j.aip.2012.07.003.

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Hassan, Scheherazade Qassim. "Takasim: Kaman, 'Ud, Kanun, Nay." Yearbook for Traditional Music 18 (1986): 200. http://dx.doi.org/10.2307/768541.

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Norton, Sean, Kong Nay, Dunnara Meas, Pierre Bois, and Frank Kane. "Kong Nay. Un barde cambodgien: Chant et luth chapey/ Kong Nay. A Cambodian Bard: Singing and Lute Chapey." Yearbook for Traditional Music 35 (2003): 228. http://dx.doi.org/10.2307/4149356.

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Custodis, Michael. "Elly Ney als Kunstikone in der jungen BRD." Archiv für Musikwissenschaft 75, no. 2 (2018): 117–34. http://dx.doi.org/10.25162/afmw-2018-0007.

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Nguyen Dinh, Lam. "Exploring Ethnic Identity through Traditional Music: A Comparative Study of the Folk Music Cultures of Pa Ko and Ta Oi Peoples in Thua Thien-Hue Province, Vietnam | Khám phá bản sắc tộc người qua âm nhạc truyền thống: Một nghiên cứu so sánh văn hóa âm nhạc dân gian của người Pa Kô và Tà Ôi ở tỉnh Thừa Thiên - Huế, Việt Nam". SPAFA Journal 8 (2 липня 2024): 61–85. http://dx.doi.org/10.26721/spafajournal.mg4s6452ro.

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The cultural identity of different ethnic groups is evident through various factors, particularly in traditional music. Therefore, studying folk music is crucial in identifying cultural and ethnic differences. This research focuses on the field investigation of the folk music of the Pa Ko and Ta Oi ethnic communities in Thua Thien-Hue province. The study confirms that the Pa Ko ethnic group has a unique folk music background, which is expressed through folk song genres, instrument systems, performance forms, and usage concepts. By comparing the musical characteristics of the Pa Ko people with
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Marcus, Greil. "The Billboard Book of Number One Hits. By Fred Bronson. New York: Billboard Publications (1515 Broadway, N.Y., N.Y. 10036), 1985. 616 pp." Popular Music 6, no. 1 (1987): 110–12. http://dx.doi.org/10.1017/s0261143000006711.

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Dissertations / Theses on the topic "Nāy music"

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Silvereke, Aramis. "Komponerande på ny mark : En resa till Island i jakt på inspiration." Thesis, Örebro universitet, Musikhögskolan, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-86522.

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Tunevi, Filip. "Att skriva ny musik för traditionell popblåssektion." Thesis, Kungl. Musikhögskolan, Institutionen för jazz, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2458.

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Hellsten, Eli. "Långstråkigt : En självstudie i inlärning av ny repertoar på kontrabas." Thesis, Karlstads universitet, Institutionen för konstnärliga studier (from 2013), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-73418.

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Den föreliggande studien är en självobservation med syfte att studera hur min inlärningsprocess tar form vid instuderingen av stycket Old French Song för solokontrabas, och studien utgår ifrån ett designteoretiskt perspektiv på lärande. Instuderingsprocessen fortgick under fem veckor hösten 2018 med sammanlagt 22 övningspass. Av dessa dokumenterades fem med hjälp av videoinspelning. I resultatet presenteras de resurser som användes vid designen av inlärningen, och på vilket sätt de användes. Resultatet visar också på vilket sätt resurser kombinerades för att göra inlärningsprocessen multimodal
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Nyberg, Pål. "Etyder : Hur studier i Lennie Tristanos musik och metoder lett fram till ny musik." Thesis, Kungl. Musikhögskolan, Institutionen för jazz, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3147.

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Abstract This master thesis discloses how studies in the music and methods associated with pianist, composer and educator Lennie Tristano (1919-1978) have led to the creation of new music.  Through transcription of some of Tristano’s most pivotal improvisations and compositions I have highlighted musical concepts e. g. melodic lines, vertical structures, superimposed harmony and meter that I have found idiosyncratic to him. Then I have alsoanalyzed Tristano’s approach to these concepts. Finally, to turn theory into practice I have composed études that treat the aforementioned concepts. Through
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Chi, Catherine Kai-ling. "Building an ideal high school instrumental ensemble program in Taiwan : based on the theory of multiple intelligences and Ithaca High School Band Program from 1955 to 1967 directed by Frank Battisti /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/11411.

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Bromander, Vilhelm. "Solokontrabas : hur akustik, intonation och perception inspirerat till ny musik." Thesis, Kungl. Musikhögskolan, Institutionen för jazz, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2380.

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Acoustics, intonation and perception are fields that musicians deal with every day. Even so, they are rarely taught extensively in musical education. In my artistic project I investigated how new knowledge in these fields could work as a musical resource and inspire to new solo music for double bass.  My method has been to compose studies, to make use of this new knowledge in a musical setting. In the etudes I have isolated small areas such as; beating, multiphonics, overpressure, just intonation intervals, the pitch-rhythm continuum, difference tones and microtonal modulation. This work has c
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Q, Larsson Martin. "Ars Subtilior i ny belysning : Magister Zaxharias Sumite karissime." Thesis, Uppsala universitet, Institutionen för musikvetenskap, 1998. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-174135.

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Abstract Martin Q Larsson. Ars Subtilior i ny belysning. Magister Zacharias' Sumite karissimi. Uppsala: Musikvetenskap  l998. 60 p. Vid slutet av 1300-talet levde och verkade ett antal tonsättare/poeter i södra Frankrike, Italien samt på Cypern, som kallade sig själva och sin konst Ars Subtilior – den subtilare konsten. De byggde musikaliskt vidare på Machauts musik, men utvecklade den betydligt, i framför allt rytmiskt avseende. Uppsatsens syfte är att lyfta denna så gott som bortglömda musik åter till ytan, att placera den i ett samhälleligt perspektiv, samt att studera hur en tonsättare ino
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Mattei, Pietro, and Stefan Stolica. "SoundCubes prototyp : Tillhandahålla ny stimulerande hörselträning för personer med hörselnedsättningar." Thesis, Södertörns högskola, Medieteknik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-32111.

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Målet med projektet är att skapa en fungerande hörseltränings prototyp som kan vara användbar för en vidareutveckling av träningssystem för personer med nedsatt hörsel. Idén bygger på “The Music Puzzle” (Hansen et al. 2012). Prototypen benämndes SoundCubes och består av tre kuber med olika motiv (Fiducial markörer) på fyra av de sex sidorna. Ett ljudspår delades i tre delar och tilldelades till kuberna. Varje del fragmenterades i fyra nivåer där den första spelar upp ett instrument ända fram till att alla instrumenten hörs. Dessa faser tilldelades till Fiducial markörerna på kubens fyra sidor.
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Danielsen, Dane Holger. "A graduate recital in wind band conducting featuring analysis of : Gustav Holst's First suite in E-flat, Ney Rosauro's Japanese overture, and Daniel Bukvich's Inferno." Manhattan, Kan. : Kansas State University, 2010. http://hdl.handle.net/2097/4208.

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Vaske, Camilla. "Dolda meddelanden i musik : En ny metod för musikalisk steganografi." Thesis, Högskolan i Halmstad, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-34787.

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Steganografi är vetenskapen om att dölja kommunikation. Information döljs i bärarobjekt såsom bilder, program, filmer och musik. För att dölja information i musik kan olika tekniker tillämpas beroende på musikfilens format. Den här studien beskriver musikalisk steganografi i allmänhet, men särskilt fokus ägnas åt MIDI-steganografi. MIDI är ett standardprotokoll för musikteknik som används runt om i världen för att skapa musik och göra det tillgängligt för uppspelning. Då ingen allmänt tillgänglig metod för MIDI-steganografi har kunnat hittats (även om det finns metoder beskrivna i litteraturen
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Books on the topic "Nāy music"

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Çıpan, Mustafa, Aziz Şenol Filiz, Niyazi Sayın, and Nuri Uygun. Ney ... 2nd ed. Konya Valiliği İl Kültür ve Turizm Müdürlüğü, 2014.

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Kiyānīʹnizhād, Muḥammad ʻAlī. Shīvah-ʼi nayʹnavāzī va shinākht-i sāzʹhā-yi bādī-i Īrān. Vāḥid-i Surūd va Āhangʹhā-yi Inqilābī-i Idārah-i Kull-i Irshād-i Islāmī, 1988.

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Kiyānīʹnizhād, Muḥammad ʻAlī. Shīvah-ʼi nayʹnavāzī va shinākht-i sāzʹhā-yi bādī-i Īrān. Vāḥid-i Surūd va Āhangʹhā-yi Inqilābī-i Idārah-i Kull-i Irshād-i Islāmī, 1988.

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Kiyānīʹnizhād, Muḥammad ʻAlī. Shīvah-ʼi nayʹnavāzī va shinākht-i sāzʹhā-yi bādī-i Īrān. Vāḥid-i Surūd va Āhangʹhā-yi Inqilābī-i Idārah-i Kull-i Irshād-i Islāmī, 1988.

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Ayvazoğlu, Beşir. Ney'in sırrı. Kapı Yayınları, 2007.

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ʻAbduh, Aḥmad Aḥmad. al-Inshād al-Ṣūfī wa-atharuhu fī intishār al-daʻwah al-Islāmīyah: Al-mawlawīyah namūdhajan. al-Wābil al-Ṣayyib lil-Nashr wa-al-Tawzīʻ, 2020.

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Ağaoğlu, Yavuz Selim. Neyzen Selâmi Bertuğ'un anılarından belgelerle Hazret-i Mevlâna'yı anma törenleri (1942-1974). Konya Büyükşehir Belediyesi, 2013.

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Graham, Masterton. Ghost music. Severn House, 2008.

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(Vietnam), Viện sân khá̂u, ed. Thực trạng chèo hôm nay. Sân khá̂u, 1995.

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American Music Center (New York, N.Y.). American Music Center membership directory. The Center, 1985.

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Book chapters on the topic "Nāy music"

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Feldman, Walter. "The Ney in Mevlevi Music." In From Rumi to the Whirling Dervishes. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474491853.003.0005.

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The reed flute nai/ney was one of the most ancient instruments of the Near East. It had been adopted as the classic instrument of medieval Persian Sufis, and it maintained that role among the Mevlevis until the present day. Beginning with Rumi, the ney has been the subject of a continuous poetic discourse, first in Persian and then in Turkish. These Turkish verses created mainly by Mevlevi but also by other Turkish Sufi poets, developed the symbolism of both music and the sema, in a manner rather distinct from the theoretical poetic treatises mentioned in the previous chapter. It seems that Me
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"4. The Ney in Mevlevi Music." In From Rumi to the Whirling Dervishes. Edinburgh University Press, 2022. http://dx.doi.org/10.1515/9781474491884-011.

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Şenay, Banu. "Music and Ethical Modification." In Musical Ethics and Islam. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043024.003.0007.

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Engaging with current debates in anthropology around ethics, moral subjectivity, and self-formation, this chapter examines the transformative power of this Islam-infused musical practice to cultivate in learners not only new artistic but also new ethical perceptions. It discusses the ways in which the process of becoming a skillful ney-player involves much more than technical competence, illustrating how students are socialized into new ways of being as well as into new ways of relating to other selves and to the city. I frame the transformative faculty of this musical enterprise ‘ethical modi
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Şenay, Banu. "A Biography of the Ney." In Musical Ethics and Islam. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043024.003.0002.

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This chapter traces the key shifts in the ney’s modern history, from its de-legitimization in the early Republican period, its survival in the transitional years of its learning through the master-disciple pedagogic system (meşk), to its re-invigoration in the 1990s. These episodes underline how the meanings informing the ney are context-bound and socially constructed. The chapter also sketches out the incredibly rich sonic landscape of the city of Istanbul with which the ney interacts. Attention is given to the creation and consumption of new forms of ‘Sufi music’, and the popularization of S
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"En ny musik til en ny tid." In Larmen på Strøget. Aarhus University Press, 2023. http://dx.doi.org/10.2307/jj.455872.7.

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Stoynoff, Jim. "Pericles Halkias (1909–2005)." In Greek Music in America. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496819703.003.0027.

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Pericles Halkias was a celebrated clarinet player from Epirus, who played in Athens tavernas from the 1930s to the 1950s. After settling in Astoria, NY in 1962, he became the most sought after Epirot clarinetist in New York.In the early 1980s, he formed the Halkias Family Orchestra, which played traditional music for Epirot events. He was awarded the National Endowment for the Arts Fellowship in 1985.
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Şenay, Banu. "Improvisation and Journey." In Musical Ethics and Islam. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043024.003.0005.

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This chapter examines how ney musicians learn to improvise their own self-generated melodies. Because improvisation (taksim) affords players the greatest freedom to show their wares, it is considered to be the most sublime sonic statement of one’s artistry. Yet there is more in this skilled action than its revelation of the musical or artistic capabilities of the player. Alongside the player’s musical self, the social/moral persona, too, is understood to be expressed in improvisation. According to ney masters, the art of improvising connects to the art of living, sounding out an aural revelati
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Kildea, Paul. "Sir Arthur Bliss At 75 (1966)." In Britten on Music. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780198167143.003.0086.

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Abstract When one is very young, tales of one’s elders’ youthful exploits set one’s sympathy strongly vibrating ... ‘so they know too what it is to be young and frustrated’. In my boyhood you, Arthur, twenty years older than myself, were the avant-gardist of Rout and Conversations and daring (possibly apocryphal) Parisian exploits. You were almost a myth.When one is very young no one is growing older, least of all oneself: time may pass, but we stand still. For me the zestful avant-gardist of Madame Noy still peeps out of the silvery halo of today. Happy you, who can preserve youthful exuberan
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Palisca, Claude V. "The Alterati of Florence Pioneers in the Theory of Dramatic Music." In Studies in the History of Italian Music and Music Theory. Oxford University PressOxford, 1994. http://dx.doi.org/10.1093/oso/9780198161677.003.0015.

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Abstract This essay was first published in New Looks at Italian Opera: Essays in Honor of Donald]. Grout (Ithaca, NY: Cornell University Press, 1968), 9-38. It is a reworking of a paper read at a meeting of the Greater New York Chapter of the American Musicological Society at the New York Public Library on 28 April 1962. The research in Florence in 1960–1 on which this essay was based was made possible by a fellowship from the John Simon Guggenheim Memorial Foundation.
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Niknafs, Nasim. "Nā-kojā-Ābād." In The Oxford Handbook of Asian Philosophies in Music Education. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780190621681.013.17.

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Abstract The founder of the Illuminationist (Ishraq) philosophy, Shihab al-Din al-Suhrawardi (1154–1191) ranks as one of the most prominent Persian philosophers. Suhrawardi’s command of logic and philosophy and his mastery of Sufi spirituality led him to develop his masterwork, the Philosophy of Illumination, where he laid his groundwork on the nature of knowing. In the current chapter, by explicating this philosophy in its original context and detailing some of its salient constructs, including the Imaginal World, Light of Lights, and Nā-kojā-Ābād (Place of No-where), the author posits that t
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Conference papers on the topic "Nāy music"

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Al-ghawanmeh, F., I. Jafar, M. Al-taee, M. Al-ghawanmeh, and Z. Muhsin. "Development of improved automatic music transcription system for the arabian flute (NAY)." In 2011 8th International Multi-Conference on Systems, Signals and Devices (SSD 2011). IEEE, 2011. http://dx.doi.org/10.1109/ssd.2011.5993561.

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Al-Taee, Majid A., Mohammad S. Al-Rawi, and Fadi M. Al-Ghawanmeh. "Time-frequency analysis of the Arabian flute (Nay) tone applied to automatic music transcription." In 2008 IEEE/ACS International Conference on Computer Systems and Applications (AICCSA). IEEE, 2008. http://dx.doi.org/10.1109/aiccsa.2008.4493636.

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