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Journal articles on the topic 'Nāy music'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Sevinç, Muhammet. "Klasik Türk Mûsikîsinin Temel Sazlarından Neyde Basit Göçürme (Şed) Teknikleri / Simple Transposition Techniques in the Nay, Which is Among the Basic Instruments of Classical Turkish Music." Journal of History Culture and Art Research 6, no. 6 (2017): 613. http://dx.doi.org/10.7596/taksad.v6i6.1356.

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<p><strong>Abstract </strong></p><p>Nay (red flute), the instrument of music, is one of the main instruments of Turkish classical music and especially religious music for centuries. In this article, we will provide information about history and shape of nay and some simple techniques regarding transposing. In terms of execution, this advanced technique is important to use the instrument effectively by moving a collection of notes up or down in pitch by a constant interval. Thus we explained a few of Turkish music modes for convenience. By transposing some music no

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2

Çetinkaya, Bayram Ali. "Mevlânâ ve Müzik." Marife 7, no. 3 (2007): 175–94. https://doi.org/10.5281/zenodo.3343877.

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Mevlânâ, gök cisimlerinin dönüşlerinde çıkardığı sesleri müziğin kaynağı olarak değerlendirir. Onun düşüncesinde, güzel ses âşıkların gıdasıdır. Mevlânâ eserlerinde saz, davul, zurna, rebâp, kemençe, kudüm, def, tanbur, kopuz ve neyden bahsetmektedir. Mevlânâ için ney, dosttur, sevgilidir, sırdaştır ve panzehirdir.<b>Mawlana and Music</b>Mewlânâ, considers that the source of music is sounds that the celestial objects give out while turning. In his thought of Mewlânâ the fine voice is the nourishment of lovers. In his Work Mewlânâ mentions saz, drum, zurna (a kind of pipe), rebâp, kemenche (sma

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3

Taner ELMAS, Dr Emin. "An Alternative Non-Surgical Cataract Treatment Method in Medicine and Ophthalmology; “Medi-Ultrasound Eye-Tronic Method”." Universal Library of Medical and Health Sciences 03, no. 03 (2025): 01–07. https://doi.org/10.70315/uloap.ulmhs.2025.0303001.

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This article is a study which introduces an alternative medical treatment method to cataract surgery. This is a non-surgical cataract treatment method in medicine and ophthalmology, so it will be called as “Medi-Ultrasound Eye-Tronic Method” or “Applied Medi-Ultrasound Eye-Tronic Method” This “Medi-Ultrasound Eye-Tronic Method” is not a treatment that has been applied so far, it was invented, first thought and designed by the author of this article, Emin Taner ELMAS, and can be put into practice with step-by-step development stages. As it is known, cataracts occur when proteins in the lens of

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4

Noyer, Justine. "Le scelte linguistiche nel rap italiano di oggi: il caso di Ghali." Italogramma, no. 20 (May 25, 2022): 1–16. http://dx.doi.org/10.58849/italog.2022.noy.

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Ghali’s trap music presents a hybridized experience where languages and cultures are combined to form unique compositions. Born in Milan from Tunisian parents, Ghali’s work merges official languages (Italian, French, English and Spanish) but also regional dialects(Milanese, Neapolitan and Tunisian) as well as contemporary vocabulary connected with digital popular culture (video games, music industry, social media). This article studies to what extent these various languages intermingle in the artist’s music and the reasoning behind the switches from one to another. The findings confirm that th

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5

Sezer, Fahri. "The psychological impact of Ney music." Arts in Psychotherapy 39, no. 5 (2012): 423–27. http://dx.doi.org/10.1016/j.aip.2012.07.003.

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Hassan, Scheherazade Qassim. "Takasim: Kaman, 'Ud, Kanun, Nay." Yearbook for Traditional Music 18 (1986): 200. http://dx.doi.org/10.2307/768541.

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7

Norton, Sean, Kong Nay, Dunnara Meas, Pierre Bois, and Frank Kane. "Kong Nay. Un barde cambodgien: Chant et luth chapey/ Kong Nay. A Cambodian Bard: Singing and Lute Chapey." Yearbook for Traditional Music 35 (2003): 228. http://dx.doi.org/10.2307/4149356.

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8

Custodis, Michael. "Elly Ney als Kunstikone in der jungen BRD." Archiv für Musikwissenschaft 75, no. 2 (2018): 117–34. http://dx.doi.org/10.25162/afmw-2018-0007.

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9

Nguyen Dinh, Lam. "Exploring Ethnic Identity through Traditional Music: A Comparative Study of the Folk Music Cultures of Pa Ko and Ta Oi Peoples in Thua Thien-Hue Province, Vietnam | Khám phá bản sắc tộc người qua âm nhạc truyền thống: Một nghiên cứu so sánh văn hóa âm nhạc dân gian của người Pa Kô và Tà Ôi ở tỉnh Thừa Thiên - Huế, Việt Nam". SPAFA Journal 8 (2 липня 2024): 61–85. http://dx.doi.org/10.26721/spafajournal.mg4s6452ro.

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The cultural identity of different ethnic groups is evident through various factors, particularly in traditional music. Therefore, studying folk music is crucial in identifying cultural and ethnic differences. This research focuses on the field investigation of the folk music of the Pa Ko and Ta Oi ethnic communities in Thua Thien-Hue province. The study confirms that the Pa Ko ethnic group has a unique folk music background, which is expressed through folk song genres, instrument systems, performance forms, and usage concepts. By comparing the musical characteristics of the Pa Ko people with

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10

Marcus, Greil. "The Billboard Book of Number One Hits. By Fred Bronson. New York: Billboard Publications (1515 Broadway, N.Y., N.Y. 10036), 1985. 616 pp." Popular Music 6, no. 1 (1987): 110–12. http://dx.doi.org/10.1017/s0261143000006711.

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Hoàng Thị, Thảo. "VẬN DỤNG QUY LUẬT LƯỢNG - CHẤT VÀO VIỆC NÂNG CAO CHẤT LƯỢNG RÈN LUYỆN NGHIỆP VỤ SƯ PHẠM CHO SINH VIÊN NGÀNH ÂM NHẠC Ở CÁC TRƯỜNG ĐẠI HỌC, CAO ĐẲNG HIỆN NAY". Tạp chí Khoa học, № 03 (15) T10 (26 жовтня 2022): 101. http://dx.doi.org/10.55988/2588-1264/114.

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The accumulation of knowledge, skills and experience in the learning process of students of Music Education is extremely important and necessary. That determines the formation of students' pedagogical capacity to become a real teacher. This is the foundation for students of Music Education to develop their teaching competence after graduation. However, the training of pedagogical profession has not met that requirement. Therefore, applying the law of quality and quantity to improve the training quality of pedagogical profession to students of Music Education is necessary with scientific and pr

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12

Senay, Banu. "Artists, antagonisms and the ney in the popularization of ‘Sufi Music’ in Turkey." European Journal of Cultural Studies 18, no. 1 (2014): 52–69. http://dx.doi.org/10.1177/1367549414557805.

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13

Everist, M. "'Il n'y a qu'un Paris au monde, et j'y reviendrai planter mon drapeau!': Rossini's Second Grand Opera." Music and Letters 90, no. 4 (2009): 636–72. http://dx.doi.org/10.1093/ml/gcp079.

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Smith, Catherine Parsons. "Dane Rudhyar: His Music, Thought, and Art. By Deniz Ertan. Rochester, N.Y.: University of Rochester Press, 2009." Journal of the Society for American Music 4, no. 1 (2010): 95–98. http://dx.doi.org/10.1017/s1752196309990836.

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15

Butler, Nicholas Michael. "Dance and Its Music in America, 1528–1789. By Kate Van Winkle Keller. Hillsdale, N.Y.: Pendragon Press, 2007." Journal of the Society for American Music 5, no. 1 (2011): 120–22. http://dx.doi.org/10.1017/s1752196310000556.

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Pasaribu, Gumarpi Rahis, Ayu Febriyanti, Khoirunisa Khoirunisa, and Sri Muliatik. "ANALISIS NILAI MORAL PADA FILM" BILA ESOK IBU TIADA" KARYA NUY NANIGA”." LUMBUNG AKSARA 5, no. 1 (2025): 5–13. https://doi.org/10.47662/lumra.v5i1.1103.

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This research aims to analyze the moral values contained in the film Bila Esok Ibu Tiada. This film raises the theme of family conflict, responsibility, and the value of sacrifice in caring for parents. The research method used is qualitative descriptive with data collection techniques through direct observation of films and analysis of dialogues and scenes. The results of the study show that this film contains various moral values, such as children's responsibilities to parents, the importance of communication in the family, gender equality, and the consequences of neglect of parents. The dir

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17

Tavakkol, Ekhsan. "Extra-musical content and ways of its embodiment in the Concerto for Persian Ney and Orchestra “Toward That Endless Plain” by Reza Vali." Aspects of Historical Musicology 18, no. 18 (2019): 264–80. http://dx.doi.org/10.34064/khnum2-18.15.

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Background. This article discusses the features of the program, the origins and symbolism of extra-musical images of the Concerto for Persian Ney and Orchestra “Toward That Endless Plain” by the Iranian-American composer of the XX–XXI centuries Reza Vali. There are also some features of the Concerto’s musical material analyzed: the form, instrumentation, and thematic, as well as the influence of Iranian musical traditions. There are no published scientific musicological materials devoted to the consideration of this Concerto from the point of view the comprehensive analysis. In periodical non-

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18

Scott-Sutherland, Colin. "Thoughts on Ronald Stevenson's MacDiarmid Songs." Tempo, no. 188 (March 1994): 2–9. http://dx.doi.org/10.1017/s004029820004780x.

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There is no more apposite coalescence between Ronald Stevenson the musician and Hugh MacDiarmid the poet than in those lines (a lyric from the long philosophical poem-sequence To Circumjack Cencrastus), which Stevenson set around 1975 as The Song of the Nightingale. There are few singers in today's world, even though there is much left to sing about. But the singer – if he can be found – is of necessity a solitary: an individual (nay an individualist) whose pipings, heard perhaps in Eden, are now all too often swamped in the chaotic noise of what passes in so many areas, not least in music (wh

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Eyerly, Sarah. "The Music of the Moravian Church in America. Edited by Nola Reed Knouse. Rochester, N.Y.: University of Rochester Press, 2008." Journal of the Society for American Music 2, no. 4 (2008): 583–87. http://dx.doi.org/10.1017/s1752196308081364.

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Ledbetter, Steven. "Music in German Immigrant Theater: New York City, 1840–1940. By John Koegel. Rochester, N.Y.: University of Rochester Press, 2009." Journal of the Society for American Music 4, no. 4 (2010): 521–24. http://dx.doi.org/10.1017/s1752196310000428.

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Brewer, Charles. "Aspects of Early Music and Performance. By Audrey Ekdahl Davidson. AMS Studies in Music 1. Brooklyn, N.Y.: AMS, 2008. xi + 220 pp. $92.50 cloth." Church History 79, no. 3 (2010): 702–3. http://dx.doi.org/10.1017/s0009640710000764.

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22

Samatova, Dilnoza Salaidinovna, and Shohida Nematillo qizi Omankulova. "PECULIARITIES OF PERFORMANCE OF UZBEK FOLK INSTRUMENTS." Results of National Scientific Research 1, no. 3 (2022): 43–46. https://doi.org/10.5281/zenodo.6635452.

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When we look at the history of music, we see that the Uzbek people have always been interested in art and the study of art. In particular, they studied the composition and performance of musical instruments. These are also reflected in the music literature. “As a result of archeological expeditions organized in the 30s and 40s of the century (led by S.L. Tolstov, V.A. Vyatkin, M.B. Masson and others), valuable information was obtained in the study of Central Asian culture, including folk instruments. Found cultural monuments; a flute, a rubab-shaped instrument, a drum resembling a modern

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23

Strimple, Nick. "Joža Karas. Music in Terezín, 1941–1945. Stuyvesant, N.Y.: Pendragon Press, 1985. Pp. xxvii, 223, illus." Austrian History Yearbook 25 (January 1994): 265–66. http://dx.doi.org/10.1017/s0067237800006743.

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24

Tavakkol, Ehsan. "STRUCTURE AND FORM BUILDING IN THE DOUBLE CONCERTO „SEGÂH” FOR PERSIAN NEY, KAMANCHEH AND ORCHESTRA BY REZA VALI." Музикознавча думка Дніпропетровщини, no. 19 (December 30, 2020): 203–13. http://dx.doi.org/10.33287/222047.

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The purpose of this represented scientific article is to reveal the specialized peculiarities of the structure and the form concerning the process of formation in the double Concerto for Persian Ney, kamancheh, and the orchestra „Segâh” by famous contemporary composer Reza Vali. There are research methods into the submitted investigative work a namely compositional and dramatic, contributing to the understanding of the laws of the organization of the selected Concert; analysis and synthesis, which help to dismember and generalize certain, most characteristic features of the structure and shape

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Balogun, Noah Opeyemi, and Temidayo David Oladipo. "An examination of the strategic logic of nonviolent resistance in Fela's Afrobeat." International Journal of Arts and Humanities 5, no. 1 (2024): 192–202. http://dx.doi.org/10.25082/ijah.2024.01.001.

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This study explores Fela Anikulapo Kuti, arguably Africa’s most iconic resistant artist of the twentieth century by analysing the strategic logic of Nonviolence in his responses to numerous violent attacks by the repressive and oppressive regimes of the post independent Africa, nay Nigeria. Using the conceptual tool of music as social process and philosophical tool of critical and constructive analysis, the study combines documentary data in Fela’s Afrobeat and Key Informant Interview, in order to demonstrate the strategic logic of nonviolence in conflict engagement and transformation in Fela.

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Balogun, Noah Opeyemi. "The philosophy of nonviolent resistance in Fela's Afrobeat." International Journal of Arts and Humanities 4, no. 1 (2023): 181–91. http://dx.doi.org/10.25082/ijah.2023.01.006.

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This study explores Fela Anikulapo Kuti, arguably Africa's most iconic resistant artist of the twentieth century by analysing his philosophy of nonviolence in his responses to numerous violent attacks by the repressive and oppressive regimes of the post independent Africa, nay Nigeria. Using the conceptual tool of music as social process and philosophical tool of critical and constructive analysis, the study combines documentary data in Fela's Afrobeat and Key Informant's Interview, in order to demonstrate the philosophical status of nonviolence resistance in conflict engagement and transforma

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27

Tavakkol, Ehsan. "Specifics of the structure of the cycle and the musical form in the Concerto for Persian Ney and Orchestra «Toward That Endless Plain» by Reza Vali." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 59, no. 59 (2021): 185–201. http://dx.doi.org/10.34064/khnum1-59.13.

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The article considers the peculiarities of the structure of the cycle and the form of the Concerto for the Persian Ney with Orchestra «Toward That Endless Plain» by the modern Iranian-American composer of the XX–XXI centuries Reza Vali (b. 1952). It was found that the unusual structure and musical form of this Concert are manifested in the combination between traditional Western European principles of cycle composition with the principles of musical form each part that is characteristic of classical Iranian music. The cycle of the Concerto is three-part with additional sections. This model of

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Vasile, Vasile. "Dimitrie Cantemir – the first Romanian musician of European magnitude. Reflections and recognitions in Western and Romanian culture (I)." Arta 33, no. 2 (2024): 13–53. https://doi.org/10.52603/arta.2024.33-2.02.

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If the previous centuries, starting with the one Dimitrie Cantemir lived in, focused on the philosophical, historical, orientalist, ethnological, literary, etc. ideas of the scholar, the XX century brought under the magnifying glass the figure of the musician Dimitrie Cantemir, in his multiple poses: musical performer, music theorist, creator of a musical semiographic system, professor, musicologist, author of musical anthologies and, in fact, the first Romanian musician of European magnitude recognized as such in Western culture. We started from the premise to which other specialists also sub

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Nguyễn Duy, Thái, Phúc Hoàng Văn та Hải Lê Thanh. "DOA-CNN: Mô hình tự động hiệu chỉnh sai số hệ thống, nâng cao độ chính xác ước lượng hướng đến của tín hiệu vô tuyến". Journal of Military Science and Technology 89 (25 серпня 2023): 43–51. http://dx.doi.org/10.54939/1859-1043.j.mst.89.2023.43-51.

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Bài báo trình bày kết quả nghiên cứu đề xuất mạng nơ-ron tích chập học sâu, đặt tên là DOA-CNN, cho bài toán ước lượng hướng đến (DOA: Direction of Arrival) của tín hiệu vô tuyến sử dụng mảng ăng ten tuyến tính đồng đều (ULA: Uniform Linear Array) nhằm nâng cao độ chính xác ước lượng trong các trường hợp xảy ra lỗi hệ thống phổ biến, như: sai lệch vị trí các phần tử của mảng ăng ten; sai số biên độ và pha gây ra do sai lệch đường truyền tuyến thu. Mô hình DOA-CNN được thiết kế với các lớp nhân tích lũy nhằm tăng cường đặc trưng đại diện cho dữ liệu thông qua các tầng tích chập, từ đó có thể th

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Zsovár, Judit. "In Favour with Queen and Nation: Giulia Grisi, the “Fugitive Norma” in London." Studia Musicologica 59, no. 3-4 (2018): 419–38. http://dx.doi.org/10.1556/6.2018.59.3-4.9.

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Abstract Giulia Grisi (1811–1869), the first Adalgisa in Vincenzo Bellini's Norma (Milan, 1831), broke her Italian contract and left for Paris in 1832, where she became prima donna under Gioachino Rossini at the Théâtre Italien. In addition, she made her London debut in 1834, replacing Maria Malibran in the young Victoria's eyes and ears with her singing, acting, and flawless beauty, especially in the operas of the future Queen's favourite, Vincenzo Bellini. Grisi's real goal, however, was to conquer Giuditta Pasta's throne by embodying Norma: she first performed the role in London in 1835, an

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Boutwell, Brett. "Copland Connotations: Studies and Interviews. Edited by Peter Dickinson. Wood-bridge, Suffolk: Boydell Press, 2002. - CageTalk: Dialogues with and about John Cage. Edited by Peter Dickinson. Rochester, N.Y.: University of Rochester Press, 2006." Journal of the Society for American Music 2, no. 4 (2008): 572–79. http://dx.doi.org/10.1017/s1752196308081340.

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Ovchinnikov, Pavel. ""Russian Jazz" by Nikolai Levinovsky in the context of Russian Jazz Art of the 1970s-1980s." PHILHARMONICA. International Music Journal, no. 3 (March 2023): 1–11. http://dx.doi.org/10.7256/2453-613x.2023.3.40880.

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The subject of the research is the work of jazz pianist and composer Nikolai Yakovlevich Levinovsky, the creator and leader of one of the most popular jazz ensembles in the 1980s, "Allegro", a representative of Russian jazz. His performing and composing activities during the 1970s and 1980s are considered in the socio-cultural context that determines the transformation of ideological and cultural norms. The author evaluates the activity of the Philharmonic chamber jazz ensemble "Allegro" by N. Y. Levinovsky as an important factor in activating the process of institutionalization of jazz in the

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Richards, Jeffrey. "Dave Russell. Popular Music in England, 1840-1914: A Social History. (Music and Society.) Manchester: Manchester University Press; dist. by St. Martin’s Press, New York, N.Y. 1997. Pp. xvii, 331. $29.95 paper. ISBN 0-7190-5261-0. - Andrew Blake. The Land Without Music: Music, Culture and Society in Twentieth-Century Britain. (Music and Society.) Manchester: Manchester University Press; dist. by St. Martin’s Press, New York, N.Y. 1997. Pp. xiv, 256. $19.95 paper. ISBN 0-7190-4299-2." Albion 31, no. 2 (1999): 325–27. http://dx.doi.org/10.1017/s0095139000063109.

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Dalzell, Victoria M. "Giving God Glory." HIMALAYA 40, no. 1 (2020): 4–17. https://doi.org/10.2218/himalaya.2020.7546.

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In Nepal, ethnicity is often constituted through ritual practice. If ritual participation is a key way of exercising membership in an ethnic group, how might Christians--who no longer participate in many community rituals--demonstrate their belonging in ethnic communities? In this article, I argue that modifying traditional songs and dances for a church context is one way that Christian Tharus continue to identify with their ethnic communities within a multicultural Christian community. I examine two Christian Tharu performances: performing the huri nāc (a Kathariya Tharu song and dance genre

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Stegmann, V. "Music in the Works of Broch, Mann, and Kafka. By John A. Hargraves. Rochester, N.Y.: Camden House, 2002. xix x 204 pages. $65.00." Monatshefte XCV, no. 1 (2003): 141–43. http://dx.doi.org/10.3368/m.xcv.1.141.

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Adams, Byron. "Valerie Langfield. Roger Quilter: His Life and Music. Rochester, N.Y.: The Boydell Press. 2002. Pp. Xviii, 375. $70.00. ISBN 0-85115-871-4." Albion 35, no. 4 (2004): 694–95. http://dx.doi.org/10.2307/4054342.

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Denery, D. G. "ELIZABETH EVA LEACH. Sung Birds: Music, Nature, and Poetry in the Later Middle Ages. Ithaca, N.Y.: Cornell University Press. 2007. Pp. xiii, 345. $55.00." American Historical Review 112, no. 5 (2007): 1596–97. http://dx.doi.org/10.1086/ahr.112.5.1596.

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Flacks, Richard. "Songs of the Factory: Pop Music, Culture, and Resistance. By Marek Korczynski. Ithaca, N.Y.: ILR Press, 2014. Pp. xii+223. $75.00 (cloth); $24.95 (paper)." American Journal of Sociology 121, no. 4 (2016): 1301–2. http://dx.doi.org/10.1086/683626.

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Lau, Frederick. "Gender in Chinese Music. Edited by Rachel Harris, Rowan Pease, and Shzr Ee Tan. Rochester, N.Y.: University of Rochester Press, 2013. viii, 316 pp. $85.00 (cloth)." Journal of Asian Studies 74, no. 1 (2015): 193–94. http://dx.doi.org/10.1017/s0021911814001831.

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Tan-Tangbau, Stan B. H., та Nguyễn Thanh Nhàn. "From Light Music to Jazz Việt: Jazz in the Print Media of Socialist Vietnam". Jazz & Culture 7, № 2 (2024): 74–95. https://doi.org/10.5406/25784773.7.2.04.

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Abstract This article examines Vietnamese print media reporting on jazz between 1989 and 2001 that paralleled the emergence of live jazz performances in socialist Vietnam. Our analysis suggests that in the late 1980s, print media played a part in helping to affirm the status of jazz as a mainstream international music art form that recently became accepted as proper style in the sonic public culture of Vietnam. Following saxophonist Quyền Văn Minh's creation of Jazz Việt as an aesthetically nuanced sound, print media presented jazz as a genre performed by Vietnamese musicians that had embraced

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Carter, Tim. "‘In Love's harmonious consort’? Penelope and the interpretation of Il ritorno d'Ulisse in patria." Cambridge Opera Journal 5, no. 1 (1993): 1–16. http://dx.doi.org/10.1017/s0954586700003852.

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Recent Monteverdi scholarship has set great store by the composer's last work for the new ‘public’ opera houses of Venice, L'incoronazione di Poppea (1643). The problematic status of the sources for Poppea – at least some of its music is not by Monteverdi – and a rather prurient fascination with its supposed amoral excess have provided ample scope for scholars to play their textual and critical games, often with impressive results. But this has deflected attention from Monteverdi's first Venetian opera, Il ritorno d'Ulisse in patria (1640), written to a libretto by Giacomo Badoaro. Once a caus

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Gordon, Philip. "Raising PG Kids in an X-Rated Society. By Tipper Gore. Nashville: Parthenon Press, 1987. 219 pp. - De Snider's Teenage Survival Guide or How to Be a Legend in Your Own Lunchtime. By Dee Snider and Philip Bashe. Garden City, N.Y.: Doubleday, 1987. 240 pp." Popular Music 8, no. 1 (1989): 120–22. http://dx.doi.org/10.1017/s026114300000324x.

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Mundy, John. "Jan G. Swynnoe. The Best Years of British Film Music, 1936-1958. Rochester N.Y.: The Boydell Press. 2002. Pp. xvii, 243. $70.00. ISBN 0-85115-862-5." Albion 35, no. 3 (2003): 536–37. http://dx.doi.org/10.2307/4054119.

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Cook, S. C. "Jazz and the Germans: Essays on the Influence of "Hot" American Idioms on 20th-Century German Music. By Michael J. Budds. Hillsdale, N.Y.: Pendragon, 2002. xiv + 213 pages. $38.00." Monatshefte XCVI, no. 2 (2004): 303–4. http://dx.doi.org/10.3368/m.xcvi.2.303.

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Baier, Martin, Sri Kuhnt-Saptodewo, H. J. M. Claessen, et al. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 150, no. 3 (1994): 588–623. http://dx.doi.org/10.1163/22134379-90003081.

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- Martin Baier, Sri Kuhnt-Saptodewo, Zum Seelengeliet bei den Ngaju am Kahayan; Auswertung eines Sakraltextes zur Manarung-Zeremonie beim totenfest. München: Akademischer Verlag,1993 (PhD thesis, Ludwig-Maximilian-Universitiy München). - H.J.M. Claessen, Annette B. Weiner, Inalienable Possessions; The paradox of keeping-while-giving. Berkeley: University of California Press, 1992, 232 pp. Bibl. Index - Charles A. Coppel, Wang Gungwu, Community and Nation; China, Southeast Asia and Australia. Sydney: Asian studies of Australia in association with Allen & Unwin, 1992 (2nd revised edition), v

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Skenazi, Cynthia. "Marie Dentière et la prédication des femmes." Renaissance and Reformation 33, no. 1 (1997): 5–18. http://dx.doi.org/10.33137/rr.v33i1.11322.

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Dans son Epistre très utile (1539), Marie Dentière s'approprie le modèle de la prédication donné par Farel pour dénoncer avec fougue la corruption de l'Église romaine. La réaction de Farel et de Calvin à l'activité d'une femme qui, en outre, contrairement aux interdits religieux, prêche en public à Genève est moins négative qu'il n'y paraît. Dans ce sens, l'oeuvre de cette ancienne abbesse de Tournai, excommuniée, pourrait avoir constitué un premier pas vers la remise en cause du silence des femmes dans l'Église.

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Fenlon, Iain. "Lorenzo Candelaria . The Rosary Cantoral: Ritual and Social Design in a Chantbook from Early Renaissance Toledo.(Eastman Studies in Music.)Rochester, N.Y. : University of Rochester Press . 2008 . Pp. x, 212. $55.00." American Historical Review 114, no. 5 (2009): 1537. http://dx.doi.org/10.1086/ahr.114.5.1537.

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Gessert, George. "The Tulip by Anna Pavord. Bloomsbury Publishing, New York, N.Y., U.S.A., and London, U.K., 1999. 439 pp. Trade, $40.00. ISBN: 1-58234-013-7." Leonardo 34, no. 3 (2001): 279–80. http://dx.doi.org/10.1162/leon.2001.34.3.279b.

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Murray, Kevin. "Techgnosis: Myth, Magic + Mysticism in the Age of Information by Erik Davis. Harmony Books, New York, N.Y., 1998. 354 pp. ISBN: 0-51770-415-3." Leonardo 33, no. 4 (2000): 337. http://dx.doi.org/10.1162/leon.2000.33.4.337b.

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Gammon, Vic. "Georgina Boyes. The Imagined Village: Culture, Ideology and the English Folk Revival. (Music and Society.) Manchester: Manchester University Press; distributed by St. Martin's Press, New York, N.Y. 1993. Pp. xvi, 285. $79.95." Albion 26, no. 2 (1994): 390–92. http://dx.doi.org/10.2307/4052366.

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