Academic literature on the topic 'Nepali poetry'

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Journal articles on the topic "Nepali poetry"

1

Koirala, Prabha Marahatta. "Phonetics in Rajeshwori Poetic Poetry." Saptagandaki Journal 8 (October 20, 2017): 93–100. http://dx.doi.org/10.3126/sj.v8i0.18467.

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2

Chhetri, Nabin Kumar. "Translating Nepali Poetry." Translation Review 91, no. 1 (2015): 16–27. http://dx.doi.org/10.1080/07374836.2015.1050140.

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3

Niroula, Dhundi Raj. "Arcane Register of Language as a Strategy in Nepali Modernist Poetry." Patan Pragya 6, no. 1 (2020): 152–64. http://dx.doi.org/10.3126/pragya.v6i1.34413.

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This research paper tries to provide an analysis of the Nepali modernist poetry written from 1960onwards approximately for a decade. Literary critics holding different views have been vocal about this unique kind of poetry. They have variously labled the modernist poetry as esoteric, reactionary, obscure, monochromatic, status-quoist and devoid of communicative rationality. After judging the rationale and critical validity of these observations, this researcher argues that the poetry of this period has aimed to express the complexities of the time. So, a number of times, these poets have used
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4

Adhikari, Kumar. "Humanism in Devkota’s Bhikhari." Literary Studies 29, no. 01 (2016): 38–42. http://dx.doi.org/10.3126/litstud.v29i01.39600.

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This paper analyzes some of the poems from Laxmi Pd. Devkota’s Bhikhari, one of the popular compilations of Nepali poetry. Devkota is primarily a humanist poet. He is also the leading Nepali poet who popularized Romantic poetry in Nepali literature. In Bhikhari, Devkota seems more like a ‘romantic humanist’. The paper tries to trace the root of ‘humanism’ in general, and how English Romantic poets accommodated it in their Romantic philosophy later in the 19th century. In short, humanism believes that individuals have everything they need to grow and develop to their fullest potential. This art
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5

Timalsina, Ramji. "Reflection of Cultural Crisis in Bhutanese Nepali Diasporic Poetry." Researcher: A Research Journal of Culture and Society 4, no. 2 (2020): 43–58. http://dx.doi.org/10.3126/researcher.v4i2.34624.

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This article has discussed how Bhutanese Nepali diasporic poetry has depicted cultural crises of the community settled in Europe, America and Oceania. Twenty one poems composed by Bhutanese Nepali diasporic poets from 2009 to 2019 have been selected through purposive sampling and their content analysis has been conducted with the focus on their themes. The study has found that the Bhutanese Nepali culture has been in crisis in the diaspora. The community is working to preserve it; but many socio-economic conditions do not favour them. They find problems in celebrating their festivals, eating t
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6

Subedi, Abhi. "Nepali Paintings and Poetry: Reviews and Reflections." SIRJANĀ – A Journal on Arts and Art Education 4, no. 1 (2017): 6–20. http://dx.doi.org/10.3126/sirjana.v4i1.39840.

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This topic has been lodging with me for over three decades. During this period of time it has continued to pose me new challenges and new excitements of openings. I have written some essays on this topic. I am basically a literary person who writes poems, plays, essays, art criticism and theoretical aspects of both genres of art - paintings and poetry. As a teacher I have taught these subjects all my life. But saying final words does not worry me because despite efforts by art critics, historians and literary writers to draw common grounds for both literature and art, it has yielded mixed resu
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7

Niroula, Dhundi Raj. "Exploring Trishanku Psyche in Nepali British Diaspora Poetry." Pursuits: A Journal of English Studies 8, no. 1 (2024): 44–56. http://dx.doi.org/10.3126/pursuits.v8i1.65336.

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This present paper is an analysis of trishanku psyche in the poetry from the Nepalese British diaspora. It scrutinizes how Nepalese poetry composed at British diaspora celebrates the theme of repulsion and fascination of diaspora people towards their land of origin and land of relocation. Seven different poems written by seven different Nepalese poets living at British diaspora are examined in this paper. For the theoretical underpinnings, insights are borrowed from diaspora theorists, researchers and scholars such as W. Andy Knight, Israel Milton, Makrand Paranjape, William Saffron, Uma Param
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8

Timalsina, Ramji. "The Dichotomy of Pain and Hope in Bhutanese Nepali Diasporic Poetry." Molung Educational Frontier 9 (December 22, 2019): 151–64. http://dx.doi.org/10.3126/mef.v9i0.33597.

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 Diaspora is a locale where both the pain and hope work together. The pain of being separated from one’s homeland is compensated with the hope of a better life than that of home back. The creative writings of the diasporas reflect the same dichotomy of pain and hope. This exploratory study on Bhutanese Nepali diasporic poetry displays the same features: the Bhutanese Nepali diasporans have a life full of pain at the loss of their homeland, but they are living with the hope for good life in the days ahead. On the one hand, the trauma they have undergone because of expulsion from their hom
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9

भण्डारी Bhandari, महेन्द्र Mahendra. "कोरोनाकालीन नेपाली कविता [Nepali Poetry in Corona Period]". Haimaprabha 20 (30 липня 2021): 59–73. http://dx.doi.org/10.3126/haimaprabha.v20i0.38611.

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प्रस्तुत लेखमा काेरो ना महामारीले नेपाली कवितामा पारेको प्रभावकाे अध्ययन गरिएको 
 छ । यहाँ कोरोना महामारी चलिरहेका समयमा लेखिएका र विभिन्न समाजिक सञ्जालमा प्रकाशित र प्रसारित भएका गद्य, पद्य तथा गीतिलयमा रचिएका कविताहरूको आवश्यकताका आधारमा नमूना छनो ट पद्धतिअन्तर्गतको सो द्दे श्यमूलक नमूना छनोटविधिद्वारा सङ्कलन गरी त्यसलाई कविता तŒव मध्येका शीर्षक विधान, लय प्रयोग र भाव प्रयोगका आधारमा अध्ययन गरिएको छ । यस लेखमा प्रयुक्त कविताहरूको सङ्कलन गर्दा उद्देश्यमूलक नमूना छनाेट विधिका प्रयाेग गरिएको छ । सङ्कलित सामग्रीहरूको सप्रमाण विश्लेषण गरी नेपाली कवितामा कोरोनाको प्रभावलार्इ कसरी प्रस्तुत गरि
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10

Mishra, Indira Acharya. "Voice of Protest in Nepali Poetry by Women." Molung Educational Frontier 10 (December 31, 2020): 51–62. http://dx.doi.org/10.3126/mef.v10i0.34057.

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This article explores feminist voice in selected poems of four Nepali female poets. They are: "Ma Eutā Chyātieko Poshtar" ["I, a Frayed Poster"] by Banira Giri, "Pothī Bāsnu Hudaina" ["A Hen Must not Crow"] by Kunta Sharma,"Ma Strī Arthāt Āimai"["I am a Female or a Woman"] by Seema Aavas and "Tuhāu Tyo Garvalai" ["Abort the Female Foetus"] by Pranika Koyu. In the selected poems they protest patriarchy and subvert patriarchal norms and values that trivialize women. The tone of their poems is sarcastic towards male chauvinism that treats women as a second-class citizen. The poets question and ri
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