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Journal articles on the topic 'Nepali poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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1

Koirala, Prabha Marahatta. "Phonetics in Rajeshwori Poetic Poetry." Saptagandaki Journal 8 (October 20, 2017): 93–100. http://dx.doi.org/10.3126/sj.v8i0.18467.

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2

Chhetri, Nabin Kumar. "Translating Nepali Poetry." Translation Review 91, no. 1 (2015): 16–27. http://dx.doi.org/10.1080/07374836.2015.1050140.

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3

Niroula, Dhundi Raj. "Arcane Register of Language as a Strategy in Nepali Modernist Poetry." Patan Pragya 6, no. 1 (2020): 152–64. http://dx.doi.org/10.3126/pragya.v6i1.34413.

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This research paper tries to provide an analysis of the Nepali modernist poetry written from 1960onwards approximately for a decade. Literary critics holding different views have been vocal about this unique kind of poetry. They have variously labled the modernist poetry as esoteric, reactionary, obscure, monochromatic, status-quoist and devoid of communicative rationality. After judging the rationale and critical validity of these observations, this researcher argues that the poetry of this period has aimed to express the complexities of the time. So, a number of times, these poets have used
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4

Adhikari, Kumar. "Humanism in Devkota’s Bhikhari." Literary Studies 29, no. 01 (2016): 38–42. http://dx.doi.org/10.3126/litstud.v29i01.39600.

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This paper analyzes some of the poems from Laxmi Pd. Devkota’s Bhikhari, one of the popular compilations of Nepali poetry. Devkota is primarily a humanist poet. He is also the leading Nepali poet who popularized Romantic poetry in Nepali literature. In Bhikhari, Devkota seems more like a ‘romantic humanist’. The paper tries to trace the root of ‘humanism’ in general, and how English Romantic poets accommodated it in their Romantic philosophy later in the 19th century. In short, humanism believes that individuals have everything they need to grow and develop to their fullest potential. This art
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5

Timalsina, Ramji. "Reflection of Cultural Crisis in Bhutanese Nepali Diasporic Poetry." Researcher: A Research Journal of Culture and Society 4, no. 2 (2020): 43–58. http://dx.doi.org/10.3126/researcher.v4i2.34624.

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This article has discussed how Bhutanese Nepali diasporic poetry has depicted cultural crises of the community settled in Europe, America and Oceania. Twenty one poems composed by Bhutanese Nepali diasporic poets from 2009 to 2019 have been selected through purposive sampling and their content analysis has been conducted with the focus on their themes. The study has found that the Bhutanese Nepali culture has been in crisis in the diaspora. The community is working to preserve it; but many socio-economic conditions do not favour them. They find problems in celebrating their festivals, eating t
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Subedi, Abhi. "Nepali Paintings and Poetry: Reviews and Reflections." SIRJANĀ – A Journal on Arts and Art Education 4, no. 1 (2017): 6–20. http://dx.doi.org/10.3126/sirjana.v4i1.39840.

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This topic has been lodging with me for over three decades. During this period of time it has continued to pose me new challenges and new excitements of openings. I have written some essays on this topic. I am basically a literary person who writes poems, plays, essays, art criticism and theoretical aspects of both genres of art - paintings and poetry. As a teacher I have taught these subjects all my life. But saying final words does not worry me because despite efforts by art critics, historians and literary writers to draw common grounds for both literature and art, it has yielded mixed resu
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7

Niroula, Dhundi Raj. "Exploring Trishanku Psyche in Nepali British Diaspora Poetry." Pursuits: A Journal of English Studies 8, no. 1 (2024): 44–56. http://dx.doi.org/10.3126/pursuits.v8i1.65336.

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This present paper is an analysis of trishanku psyche in the poetry from the Nepalese British diaspora. It scrutinizes how Nepalese poetry composed at British diaspora celebrates the theme of repulsion and fascination of diaspora people towards their land of origin and land of relocation. Seven different poems written by seven different Nepalese poets living at British diaspora are examined in this paper. For the theoretical underpinnings, insights are borrowed from diaspora theorists, researchers and scholars such as W. Andy Knight, Israel Milton, Makrand Paranjape, William Saffron, Uma Param
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8

Timalsina, Ramji. "The Dichotomy of Pain and Hope in Bhutanese Nepali Diasporic Poetry." Molung Educational Frontier 9 (December 22, 2019): 151–64. http://dx.doi.org/10.3126/mef.v9i0.33597.

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 Diaspora is a locale where both the pain and hope work together. The pain of being separated from one’s homeland is compensated with the hope of a better life than that of home back. The creative writings of the diasporas reflect the same dichotomy of pain and hope. This exploratory study on Bhutanese Nepali diasporic poetry displays the same features: the Bhutanese Nepali diasporans have a life full of pain at the loss of their homeland, but they are living with the hope for good life in the days ahead. On the one hand, the trauma they have undergone because of expulsion from their hom
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9

भण्डारी Bhandari, महेन्द्र Mahendra. "कोरोनाकालीन नेपाली कविता [Nepali Poetry in Corona Period]". Haimaprabha 20 (30 липня 2021): 59–73. http://dx.doi.org/10.3126/haimaprabha.v20i0.38611.

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प्रस्तुत लेखमा काेरो ना महामारीले नेपाली कवितामा पारेको प्रभावकाे अध्ययन गरिएको 
 छ । यहाँ कोरोना महामारी चलिरहेका समयमा लेखिएका र विभिन्न समाजिक सञ्जालमा प्रकाशित र प्रसारित भएका गद्य, पद्य तथा गीतिलयमा रचिएका कविताहरूको आवश्यकताका आधारमा नमूना छनो ट पद्धतिअन्तर्गतको सो द्दे श्यमूलक नमूना छनोटविधिद्वारा सङ्कलन गरी त्यसलाई कविता तŒव मध्येका शीर्षक विधान, लय प्रयोग र भाव प्रयोगका आधारमा अध्ययन गरिएको छ । यस लेखमा प्रयुक्त कविताहरूको सङ्कलन गर्दा उद्देश्यमूलक नमूना छनाेट विधिका प्रयाेग गरिएको छ । सङ्कलित सामग्रीहरूको सप्रमाण विश्लेषण गरी नेपाली कवितामा कोरोनाको प्रभावलार्इ कसरी प्रस्तुत गरि
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Mishra, Indira Acharya. "Voice of Protest in Nepali Poetry by Women." Molung Educational Frontier 10 (December 31, 2020): 51–62. http://dx.doi.org/10.3126/mef.v10i0.34057.

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This article explores feminist voice in selected poems of four Nepali female poets. They are: "Ma Eutā Chyātieko Poshtar" ["I, a Frayed Poster"] by Banira Giri, "Pothī Bāsnu Hudaina" ["A Hen Must not Crow"] by Kunta Sharma,"Ma Strī Arthāt Āimai"["I am a Female or a Woman"] by Seema Aavas and "Tuhāu Tyo Garvalai" ["Abort the Female Foetus"] by Pranika Koyu. In the selected poems they protest patriarchy and subvert patriarchal norms and values that trivialize women. The tone of their poems is sarcastic towards male chauvinism that treats women as a second-class citizen. The poets question and ri
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11

Niroula, Dhundi Raj. "Antithesis to Machismo in the Poetry of Parijat and Kundan Sharma." Humanities and Social Sciences Journal 13, no. 1 (2021): 65–77. http://dx.doi.org/10.3126/hssj.v13i1.44552.

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This research paper tries to provide an analysis, from the feministic approach, of the Nepali modernist poetry written by Parijat and Kundan Sharma. They were the avant-garde female poets of the 1960s in Nepali literature to write on the gender issues threatening the patriarchal system. Their antithetical stand to machismo was inspired by the Western academic and literary tradition. Some of the women characters in Parijat's poems are found to have been sufferer under triple marginalization, namely, from the perspectives of economic status, caste and gender. In spite of the fact that the societ
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12

Niroula, Dhundi Raj. "Antithesis to Machismo in the Poetry of Parijat and Kundan Sharma." Humanities and Social Sciences Journal 13, no. 1 (2021): 65–77. http://dx.doi.org/10.3126/hssj.v13i1.44552.

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This research paper tries to provide an analysis, from the feministic approach, of the Nepali modernist poetry written by Parijat and Kundan Sharma. They were the avant-garde female poets of the 1960s in Nepali literature to write on the gender issues threatening the patriarchal system. Their antithetical stand to machismo was inspired by the Western academic and literary tradition. Some of the women characters in Parijat's poems are found to have been sufferer under triple marginalization, namely, from the perspectives of economic status, caste and gender. In spite of the fact that the societ
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13

घिमिरे Ghimire, अम्बिका Ambika. "लक्ष्मीप्रसाद देवकोटाका बालकाव्यको विधातात्विक अध्ययन {Etymological study of Laxmi Prasad Devkota's children's poetry}". Sotang, Yearly Peer Reviewed Journal 1, № 1 (2019): 1–6. http://dx.doi.org/10.3126/sotang.v1i1.45831.

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वि.सं. १९८७ देखि बाल कविताको रचना गर्न थालेका देवकोटाले नेपाली साहित्यमा अनगिन्ती बालकविताका साथै ‘राजकुमार प्रभाकर’ र ‘कटक’ बाल काव्यको पनि रचना गरे । उनले रचेको ‘राजकुमारप्रभाकर’ नेपाली साहित्यकै पहिलो बालकाव्य हो भन्ने कुराको सूचना यस लेखमा दिइएको छ । यस लेखमा‘राजकुमार प्रभाकर’ दन्त्यकथामा आधारित बालकाव्य हो भने ‘कटक’ नेपालको ऐतिहासिक विषयवस्तुमाआधारित बालकाव्य हो भन्ने पनि प्रस्ट पारिएको छ । यी दुबै बालकाव्यको विषयवस्तु बालग्राह्य छ भन्नेकुराको चर्चा गर्दै देवकोटाका यी दुई बाल काव्य स्वाभाविक भाषाशैली, गीतिचेतनायुक्त लयविधान,चामत्कारिक विम्बालङ्कार, स्वाभाविक पात्रविधान अनि नैतिकतामूलक र व
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14

Pokhrel, Tarani Prasad. "Redefining the Nation and Exploring the Self: Reading Contemporary Kirant Poetry." SCHOLARS: Journal of Arts & Humanities 6, no. 1 (2024): 14–27. http://dx.doi.org/10.3126/sjah.v6i1.62720.

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This paper critically analyzes how the poets belonging to the indigenous Kirant ethnic background perceive and interrogate the narratives of Nepali national identities and nationalism in their creative expressions. Six different poets belonging to Rai and Limbu communities––Shrawan Mukarung, Bhupal Rai, Upendra Subba, Swapnil Smriti, Chandrabir Tumbapo, and Heman Yatri–– are purposefully selected for this study who embrace the Kirant as their common identity. Most of the poems selected here are composed against the backdrop of People's Movement II in 2006 and reflect the marginalized ethnic pe
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15

Nida Ansari. "Deconstructing the “Ideology of ability”: Jhamak Ghimire’s A Flower in the Midst of Thorns." Creative Launcher 4, no. 5 (2019): 76–81. http://dx.doi.org/10.53032/tcl.2019.4.5.12.

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Jhamak Ghimire is a Nepali writer having got birth in 1980, in the eastern suburb of Nepal, Dhankuta. She was born with the severe disability i.e. cerebral palsy which has robbed her of her motor controls of her arms, slurred her speech and limited her movement. She writes with her foot. She has published eight volumes of poetry, stories and essays and is a regular columnist in Kantipur newspaper. She has won many awards for her writings in literature. She has won Madan Puraskar, Nepal’s most prestigious literary prize in 2011, for her autobiographical novel Jeevan Kanda Ki Phool which is tran
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16

Baral, Khil Prasad. "समकालीन नेपाली गद्यकवितामा वर्णविन्यासवक्रता [Characterization in contemporary Nepali prose poetry]". International Research Journal of MMC 2, № 2 (2021): 92–106. http://dx.doi.org/10.3126/irjmmc.v2i2.38153.

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पूर्वीय साहित्यशास्त्रमा आचार्य कुन्तकद्वारा प्रतिपादित वक्रोक्तिसिद्धान्त मूलतः एउटा समन्वयशील सिद्धान्त हो । पूर्ववर्ती आचार्यहरूका मान्यतासमेतलाई समाहित गर्ने गरी प्रस्तुत गर्न खोजिएको यस सिद्धान्तमा कुन्तकले वक्रोक्तिका विभिन्न छ भेद तथा तिनका उपभेदहरूको चर्चा गरेका छन् । यस लेखमा उनले प्रस्तुत गरेका वक्रोक्तिका छ भेदहरूमध्ये वर्णविन्यासवक्रताका आधारमा केही समकालीन नेपाली गद्यकविताहरूको अध्ययन विश्लेषण गरिएको छ । यसका लागि सर्वप्रथम वक्रोक्तिसिद्धान्त र वर्णविन्यासवक्रताका बारेमा सङ्क्षिप्त सैद्धान्तिक चर्चा गरिएको छ । त्यस्तै समकालीन नेपाली गद्यकवितामा वर्णविन्यासवक्रताको प्रगोग कसरी भएको
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खनाल Khanal, राजेन्द्र Rajendra. "समसामयिक नेपाली कवितामा सीमान्तीयको सशक्तीकरण {Empowerment of the frontier in contemporary Nepali poetry}". Tribhuvan University Journal 36, № 01 (2021): 225–43. http://dx.doi.org/10.3126/tuj.v36i01.43630.

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यस लेखको मुख्य उद्देश्य सीमान्तीयको अग्रभूमीकरण गरिएका समसामयिक नेपालीकविताको विश्लेषण गर्नु रहेको छ । यस लेखमा समसामयिक समयका प्रतिनिधि कवितासङ्ग्रहकाकवितामा विषयवस्तु तथा वैचारिक पक्षसहित सीमान्तीय समुदाय तथा वर्गलाई प्राधान्य दिएकाकविता निक्र्योल गरी उदाहरणसहित विश्लेषण गरिएको छ । यो लेख वर्णनात्मक विधिमाआधारित छ । प्रस्तुत लेखलाई आगमनात्मक विश्लेषण प्रक्रियाको उपयोग गरी सन्दर्भपरकउदाहरणबाट तथ्यपरक बनाइएको छ । यस लेखमा पुस्तकालयीय अध्ययन प्रक्रियाबाट तथ्यसङ्कलन गरिएको छ । यस अध्ययनमा सीमान्तीय पक्षमा केन्द्रित रही तिनको सशक्तीकरणगरिएका उत्तरवर्ती समयका कविता प्राथमिक स्रोतीय सामग्री बनेका छ
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अधिकारी Adhikari, ज्ञानु Gyanu. "समकालीन नेपाली कविताको संस्कृतिपरक अन्तर्विषयकता {Cultural Intersubjectivity of Contemporary Nepali Poetry}". Pragya Darshan प्रज्ञा दर्शन 5, № 1 (2023): 35–38. http://dx.doi.org/10.3126/pdmdj.v5i1.52539.

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प्रस्तुत अनुसन्धानात्मक लेख समकालीन नेपाली कविताको संस्कृतिपरक अन्तविर्षयकताको अध्ययनमा केन्द्रित भएर तयार पारिएको हो । यसरी अध्ययन गर्ने क्रममा समकालीन नेपाली कविताका रूपमा पछिल्लो समय प्रकाशित कवितासङ्ग्रहमा सङ्गृहीत प्रतिनिधिमूलक कवितालाई अध्ययनको आधार बनाइएको छ । नेपाली साहित्यका अन्य विधामा जस्तै समकालीन नेपाली कवितामा पनि अन्तर्विषयकताको प्रयोग भएको छ । साहित्यको विषयवस्तुभित्र साहित्येतर विषयहरू अन्तर्वस्तुका रूपमा प्रयोग हुनुलाई अन्तर्विषयकता भनिन्छ । विश्वसाहित्यमा सन्१९६० पछि उत्तरआधुनिक बहुलवादी सिद्धान्त र सांस्कृतिक अध्ययनको विकासका क्रममा अन्तर्विषयक समालोचनाको विकास भएको हो । सा
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अधिकारी Adhikari, तेजविलास Tejbilas. "यादहरूको सङ्ग्रहालयभित्र श्रमको सौन्दर्य {The beauty of labor within a museum of memories}". Cognition 4, № 1 (2022): 162–72. http://dx.doi.org/10.3126/cognition.v4i1.46773.

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केवल बिनाबी प्रतिरोधी चेत भएका स्रष्टा हुन् । दलन र दमनको विषय उठानसहित कविता विधामा उपस्थित उनको ‘आफर’ र ‘यादहरूको सङ्ग्रहालय’ कविता सङ्ग्रहले नेपाली समाजमा गढेर बसेको जातीय छुवाछुत र वर्गीय विभेदलाई अत्यन्तै गम्भीर ढङ्गले उठाइदिएको छ । नेपाली समाजको मात्र नभएर समग्र दक्षिण एसियाको मानव विकास सूचकाङ्कलाई प्रभाव पार्ने छुवाछुत जस्तो मानवद्वेषीसामाजिक व्यवस्थामा केन्द्रित भएर उनका कविताहरूले समानता निमित्त सशक्त आवाज उठाएको देखिन्छ । उस्तै रगत बग्ने शरीर एउटा चोखो र अर्को बिटुलो हुने सामाजिक विभेदका विरुद्ध उनका रचना चुपचाप बस्न सक्दैन । मानिसले मानिसलाई गर्ने व्यवहार नसच्चिएसम्म धार्मिक रूपमा
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निरौला Niraula, यज्ञेश्वर Yagyashwor. "कवि निर्मोही व्यासका कवितामा राष्ट्रबोध {Nationalism in Poet Nirmohi Vyas' Poetry}". Adhyayan Journal 11, № 11 (2024): 112–22. http://dx.doi.org/10.3126/aj.v11i11.67102.

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बहुमुखी प्रतिभाका धनी निर्मोही व्यासले नेपाली साहित्यमा महत्वपूर्ण योगदान गरेका छन् । कविता, संस्मरणात्मक निबन्ध, समालोचना आदि विविध क्षेत्रमा कलम चलाए तापनि उनी कवि, नियात्राकार एवम् संस्मरणकारका रूपमा चिनिएका छन् । ‘बेहुली अन्माएको घर’,‘सरिता’, ‘बोधिवृक्षको छायामा’, ‘बग्दै बग्दै’, ‘तस्वीर तिम्रै’ आदि उनका प्रकाशित कविता कृति हुन् । शास्त्रीय छन्दमा मात्र कविता लेख्न मनपराउने कवि व्यासका कवितामा प्रकृतिचित्रण, प्रेम, मानवीय संवेदनाको तीव्र अनुभूति, नीतिचेतना, समाजमा व्याप्त विकृतिप्रति असन्तुष्टि, राष्ट्रबोध, शैलीमाधुर्य, भावमाधुर्य आदि उनका कवितामा पाइने विषयगत एवम् भावगत प्रवृत्ति हुन् । कव
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पन्थ Panth, टंकप्रसाद Tankaprasad. "भूकम्प प्रार्थना कवितासङ्ग्रहमा अभिघात चेतना {Trauma Awareness in Bhukampa Prarthana Poems Collection}". Pragyan 7, № 1 (2023): 22–41. http://dx.doi.org/10.3126/pragyan.v7i1.55153.

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प्रस्तुत लेखमा कवि गोविन्दराज भट्टराईको 'भूकम्प प्रार्थना’ कवितासङ्ग्रहभित्रका कवितामा निहित अभिघातको अवस्थालाई प्रकाश पार्ने काम गरिएको छ । २०७२ सालको भूकम्पले सिर्जना गरेको त्रासदीय अवस्थालाई सङ्ग्रहका कविताको विषय बनाइएको छ । साहित्यका क्षेत्रमा उत्तरआधुनिकताभित्र विकास भएको एउटा महत्त्वपूर्ण सिद्धान्त अभिघात चेतना हो । नेपाली कविताको समकालीन धाराको उत्तराद्र्ध चरणमा सशक्त कविता लेख्ने गोविन्दराज भट्टराईले नेपाली वाब्मयका विविध क्षेत्रमा कलम चलाएका छन् । पाश्चात्य दर्शन र चिन्तनलाई नेपाली पृष्ठभूमिमा व्याख्या गर्ने अनुकरणीय कार्य पनि भट्टराईले गरेका छन् । सिर्जना, समालोचनाका साथै दर्शन र अन
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Baral, Khil Prasad. "केही भारतीय नेपाली गद्यकवितामा पदपरार्द्ध वक्रता [Padaparardha Vakrata in Some Indian Nepali Poems]". International Research Journal of MMC 3, № 2 (2022): 64–81. http://dx.doi.org/10.3126/irjmmc.v3i2.46318.

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पूर्वीय आचार्य कुन्तकले प्रतिपादन गरेको वक्रोक्ति सिद्धान्त संस्कृत साहित्यशास्त्रको एक समन्वयशील सिद्धान्तका रूपमा प्रतिष्ठित छ । यस सिद्धान्तले पूर्ववर्ती आचार्यहरूका काव्यमान्यलाई समेट्दै साहित्य समालोचनाका क्षेत्रमा विभिन्न नयाँ आयामहरू थपेको छ । यस सिद्धान्तअन्तर्गत कुन्तकले वक्रोक्तिका विभिन्न छ भेद तथा तिनका अनेक उपभेदहरूको चर्चा गरेका छन् । यस लेखमा उनले प्रस्तुत गरेका वक्रोक्तिका छ भेदहरूमध्ये पदपरार्द्ध वक्रताका आधारमा केही भारतीय नेपाली कविहरूहरूका गद्यकविताको अध्ययनविश्लेषण गरिएको छ । यसका लागि सर्वप्रथम वक्रोक्तिसिद्धान्तअन्तर्गत पदपरार्द्ध वक्रताको सङ्क्षिप्त सैद्धान्तिक चर्चा गर
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Paudyal, Mahesh, and Raj Kumar Baral. "The politics of Gorkha martial valour: A critical introduction to modern Nepali war poetry." Cogent Arts & Humanities 8, no. 1 (2021): 1923896. http://dx.doi.org/10.1080/23311983.2021.1923896.

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Wagle, Anupa. "Implication of Nature Imageries in Puniyani's Tangsing." JODEM: Journal of Language and Literature 14, no. 1 (2023): 11–23. http://dx.doi.org/10.3126/jodem.v14i1.57563.

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An anthology of Nepali Eco-poetry, Tangsing by Raja Puniyani includes nature imageries to focus its eco-theme in most of its poems. The two sections of this anthology as Eco-solo and Eco-chorus contain poems and poems in series respectively. So, the article investigates the nature imageries used in these poems and their connection with eco-theme in all the poems. The article analyses what imageries are used and how they directly and indirectly highlight to the human encroachment into nature and its consequences in future. To address these objectives, ecocritical theory, mainly the idea of Rach
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पाण्डेय Pandey, गणेश Ganesh. "संस्कृत साहित्ये नैपालमिथिलाक्षेत्रस्य योगदानम् [Contribution of Nepali Mithila Region in Sanskrit Literature]". Haimaprabha 20 (30 липня 2021): 13–24. http://dx.doi.org/10.3126/haimaprabha.v20i0.38588.

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सूर्यवंशीयराज्ञो निमेः शरीरमन्थनाज्जातेन मिथिनाम्ना राज्ञा प्रवर्तितत्वात् तदीया राजधानी मिथिलेति प्रसिद्धिमुपगता । मिथिलायाः सीमासङ्कोचविस्तारयोर्जातेऽपि प्रवृmताध्ययने नेपालस्य साम्प्रतिकः द्विसङ्ख्यकः प्रदेशः मिथिलाक्षेत्रत्वेन गृहीतः । मिथिलाराज्यस्य सीमायाः परिवर्तने दृष्टेऽपि मिथिलासंस्वृते राजधानी जनकपुरं वर्तते । मिथिलायां वैदिककाले विश्वामित्रप्रभृतयो ऋषयो दृश्यन्ते । तेषु महर्षिर्याज्ञवल्क्यः सर्वाधिक्येन प्रदीप्तं मिथिलायाः प्रोज्ज्वलं रत्नं वर्तते । अर्वाचीनेषु कविषु वंशमणिशर्मा हरिकेलिमहाकाव्यमाध्यमेन सर्वोत्वृष्टं स्थानं लभते । मिथिलायां स्फुटरूपेण संस्वृmतकवितारचनायाः परम्परा सम
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बिनाडी Binadee, बद्री शर्मा Badri Sharma. "हुड्केलीको परिचय, परम्परा र बिषय {Hudkeli's Introduction, Tradition and Subject}". DMC Research Journal 4, № 1 (2018): 67–72. http://dx.doi.org/10.3126/dmcrj.v4i1.44477.

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प्रस्तुत अनुसन्धानात्मक लेखमा नेपाली लोकवार्ताको महत्वपूर्ण पक्ष हुड्केली अर्थात् भारतको सैद्घान्तिक अध्ययन प्रस्तुत गरिएको छ । यस क्रममा हुड्केलीको परिचय, नामाकरण र विभिन्न विद्वानहरुले हुड् केलीलाई लोकनाटक, लोकगाथा र लोककाव्य भनी अध्ययन गरेकाले उपर्युक्त विधाहरुबारे सैद्घान्तिक परिचय दिई हुड्केलीलाई लोककाव्यका रुपमा चिनाउने प्रयत्न गरिएको छ । त्यसैगरी हुडकेलीको परम्परा र विषयका सम्बन्धमा यथेष्ठ प्रकाश पारी निष्कर्ष दिइएको छ l
 {In this presented research article, important aspect of Nepali folklore, Hudkeli, i.e. theoretical study of India has been presented. In this process, Hudkeli's
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Adhikari, Tara Prasad. "Decoding Deconstruction: Unveiling the Layers in Mahakavi Devkota’s Poetic Works." Harvest 3, no. 1 (2024): 113–20. http://dx.doi.org/10.3126/harvest.v3i1.64190.

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“Decoding Deconstruction: Unveiling the Layers in Mahakavi Devkota’s Poetic Works” explores the intricate tapestry of Mahakavi Laxmi Prasad Devkota’s poetry, using a deconstructionist point of view. The paper reveals unimagined Deconstructionist features within Devkota’s works, akin to the ideas developed by Jacques Derrida during the 1960s. Devkota has questioned all the so-called hierarchies that were prevalent in Nepali society then. He has questioned human-centric discourses. Thus, his poems exemplify a deconstructive mindset. They invite readers to embrace ambiguity, explore new perspecti
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ढकाल Dhakal, रजनी Rajani. "स्नातकोत्तर तहको नेपाली विषयको पाठ्यक्रममा लैङ्गिक चेतना {Gender Awareness in Postgraduate Level Nepali Curriculum}". Bikasko Nimti Shiksha (विकासको निम्ति शिक्षा) 26, № 1 (2022): 131–50. http://dx.doi.org/10.3126/bns.v26i1.61465.

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प्रस्तुत अनुसन्धानमूलक लेख स्नातकोत्तर तह मानविकी सङ्कायको नेपाली विषयको पाठ्यक्रममा रहेका रचनामा लैङ्गिक चेतनाको विश्लेषणमा केन्द्रित छ । बदिलँदो सामाजिक मूल्यमान्यता अनुसार पाठ्यक्रममा लैङ्गिक संवेदना र त्यसको चेतनाको पाटो महत्त्वपूर्ण रहेको छ । प्रस्तुत अध्ययनमा स्नातकोत्तर तहको नेपाली विषयमा चयन गरिएका रचनामा रहेको लैङ्गिक चेतनाको अवस्थालाई लैङ्गिकताको सैद्धान्तिक मान्यताका आधारमा विश्लेषण गरिएको छ । यस अध्ययनमा आधुनिक नेपाली साहित्यका आख्यान, नाटक र कविताकाव्यका पाठ्यक्रममा समाविष्ट रचनाहरूको लैङ्गिक प्रतिनिधित्व र लैङ्गिक प्रतिरोधी चेतनाका पक्षबाट अध्ययन गर्दा पाठ्यसामग्रीको गहन पठनबाट प
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Baumann, Sara E., Monica M. Merante, Marie-Ange Sylvain-Holmgren, and Jessica G. Burke. "Exploring Community Art and Its Role in Promoting Health, Social Cohesion, and Community Resilience in the Aftermath of the 2015 Nepal Earthquake." Health Promotion Practice 22, no. 1_suppl (2021): 111S—121S. http://dx.doi.org/10.1177/1524839921996083.

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A magnitude 7.8 earthquake struck Nepal in 2015, followed by hundreds of aftershocks that led to physical destruction, loss, and negative mental health outcomes. Yet, in the days, months, and years following the disaster, numerous forms of community art rose from the rubble, such as urban murals, spoken word poetry, public dance performances, and sacred art. This study explored the relationship between community art and health, social cohesion, and community resilience in postearthquake Nepal. We utilized photography and audio recorders to capture 19 unique artworks/projects created in the aft
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टंकप्रसाद Tankaprasad पन्थ Panth. "उल्टो धार कवितासङ्गहमा सीमान्तीयता {Marginalism in the Oolto Dhar Kavitasangha}". Pragyan 8, № 1 (2024): 17–33. http://dx.doi.org/10.3126/pragyan.v8i1.67659.

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प्रस्तुत लेख उल्टो धार कवितासङ्ग्रहको विश्लेषणमा केन्द्रित रहेको छ । उक्त कृतिका लेखक आर. बी. निश्चल हुन् । निश्चलका कवितामा मुख्य गरी सबाल्र्टन चेतना मुखरित भएको पाइन्छ । परम्परादेखि थिचोमिचो र दमनमा पारिएका मानिसको अवस्थालाई चित्रण गर्ने काम सीमान्तीय चेतनाले गर्दछ । अवसर र अधिकारबाट वञ्चितहरूका पक्षमा आवाज उठाउने काम सीमान्तीय लेखनको हो । आर. बी. निश्चल स्वयं सीमान्तीय पृष्ठमूमिका लेखक भएकाले यिनले सबाल्टर्नका वास्तविक भोगाइलाई छुन र छाम्न सकेको देखिन्छ । यिनको उल्टो धार कवितासङ्ग्रहका पन्ध्रवटा कवितामा सबाल्टर्नका समस्यालाई प्रस्तुत गरिएको पाइन्छ । हिन्दू वर्णाश्रम व्यवस्थाले लादेको विभेद
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पन्थ Pantha, टंकप्रसाद Tankaprasad. "गङ्गानाथ कोइरालाका कवितामा आदर्श चेतना {Ideal Consciousness in The Poems of Ganga Nath Koirala}". Kaladarpan कलादर्पण 4, № 1 (2024): 1–13. http://dx.doi.org/10.3126/kaladarpan.v4i1.62800.

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गङ्गानाथ कोइराला नीति र आदर्शलाई जोड दिएर कविता लेख्ने स्रष्टा हुन् । समाजमा भइरहेका विकृति र प्रदूषणबाट मुक्त गरी मानिसमा परिष्कारको सञ्चार गराउनु उनका कविताको उद्देश्य रहेको देखिन्छ । सामाजिक मूल्यमान्यता र आदर्शबाट चुक्दै गएको मानिसलाई नैतिक पाठ पढाउने कुरामा उनका कविताहरू महत्त्वपूर्ण सामग्रीका रूपमा रहेका छन् । नेपाली कवितामा लामो साधना गरेका गङ्गानाथ कोइरालाले फुटकर रूपमा र कृतिका रूपमा कविता प्रकाशन गराएका छन् । यिनका कविताको मर्ममा आदर्शको चेतना ज्यादा रहेको पाइन्छ । राजनीतिक, सामाजिक जीवनका पृष्ठभूमिमा विषयलाई केन्द्रित गरी आदर्शको विचार सञ्चार गराउनमा यिनको लेखन सफल रहेको पाइन्छ । आम
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Sharma, Rishiram, та Khil Prasad Baral. "नदी किनारका माझी कवितामा पदपूर्वार्द्धवक्रता [Padapurvardha Vakrata in Nadi Kinar Ka Majhi (Fisherman by the river bank) Poem]". International Research Journal of MMC 2, № 3 (2021): 90–103. http://dx.doi.org/10.3126/irjmmc.v2i3.40088.

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आचार्य कुन्तक प्रतिपादित वक्रोक्तिसिद्धान्त पूर्वीय साहित्यशास्त्रमा एउटा समन्वयशील सिद्धान्त मानिन्छ किनकि यो सिद्धान्तले पूर्ववर्ती आचार्यहरूका काव्यमान्यतासमेतलाई समेट्ने प्रयास गरेको छ । यस सिद्धान्तमा कुन्तकले वक्रोक्तिका विभिन्न छ भेद तथा तिनका उपभेदहरूको चर्चा गरेका छन् । यस लेखमा उनले प्रस्तुत गरेका वक्रोक्तिका छ भेदहरूमध्ये पदपूर्वार्द्धवक्रताका आधारमा सुप्रसिद्ध नेपाली कवि मोहन कोइरालाको नदी किनारका माझी लामो कविताको अध्ययन विश्लेषण गरिएको छ । यसका लागि सर्वप्रथम वक्रोक्तिसिद्धान्त र पदपूर्वार्द्धवक्रताको सङ्क्षिप्त सैद्धान्तिक चर्चा गर्दै विवेच्य कवितामा पदपूर्वार्द्धवक्रताको प्रगोग
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Rai, Jiwan Kumar. "Constructing the Discourse of Marginalised Ethnic Community in Rai's Fire Cares not its Birthday Anniversary." JODEM: Journal of Language and Literature 10, no. 1 (2019): 63–76. http://dx.doi.org/10.3126/jodem.v10i1.30399.

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The decade of 2010s is very crucial in literary creation, particularly poetry writing in Nepali literature because the trend of writing shifted to the representation of marginalised people and their “culture as whole way of life” (qtd in During 2). Mainly the indigenous poets are concerned to the issues of marginalised indigenous people. Bhupal Rai's collection of poem Fire Cares not Its Birthday Anniversary falls in the same trend that deconstructs the cultural discourses of the state power and reconstructs the discourse of the indigenous people. In this context, this study aims to find out t
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पन्थ Pantha, नारायणप्रसाद Narayanprasad. "बैरागी काइँलाका कवितामा आयामेली चिन्तन {Aayameli Perspective in Baragi Kaila's Poems}". Kaladarpan कलादर्पण 4, № 1 (2024): 37–53. http://dx.doi.org/10.3126/kaladarpan.v4i1.62824.

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बैरागी काइँलाले आयामेली लेखनपूर्वका कवितामा परम्परित वर्णमात्रिक र मात्रिक छन्द तथा पछि आएर नवगद्य छन्दको प्रयोग गर्दै परम्परामुक्त कविता सिर्जना गरेका छन् । उनका कवितामा आयामेली चिन्तनलाई केकसरी प्रस्तुत गरिएको छ भन्ने मूल समस्यामा केन्द्रित रही यो लेख तयार गरिएको छ । प्रस्तुत लेखको मुख्य उद्देश्य बैरागी काइँलाका कवितात्मक प्रवृत्तिको चर्चा गर्दै उनका कवितामा व्यक्त आयामेली चिन्तनको निरूपण गर्नु रहेको छ । यस लेखमा पुस्तकालयीय कार्यमा आधारित रही आवश्यक सामग्री सङ्कलन गरी विश्लेषणात्मक विधि उपयोग गरिएको छ । यसमा निर्धारित कवितालाई प्राथमिक स्रोतका रूपमा लिइएको छ भने उक्त कविताहरूको विश्लेषणका ल
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खतिवडा Khatiwada, गोपीकृष्ण Gopikrishna. "वासु शशीको नाट्यकारिता (Dramatization in the Works by Vasu Sashi)". Bouddhik Abhiyan (बौद्धिक अभियान) 8, № 01 (2023): 28–43. http://dx.doi.org/10.3126/bdkan.v8i01.57783.

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प्रस्तुत लेख आधुनिक नेपाली नाटक परम्पराका विशिष्ट प्रतिभा वासु शशी (१९९३ — २०४९) सँग सम्बन्धित छ । विधागत लेखनका दृष्टिले शशी मूलतः कविता र नाट्य विधामा बढी सक्रिय देखा पर्दछन् । वासु शशी २००७÷२००८ सालदेखि नेवारी नाट्यक्षेत्रमा प्रवेश गरे पनि २०२३ सालपछि नेपाली नाट्यविधातर्फ आकर्षित भएको प्रमाण तीन नाटक (नाटक सङ्ग्रह २०२४) बाट पाइन्छ । बाँसुरीमा नअटाएका धुनहरू (२०४२), उपहार (२०५१), वासु शशीका नाटक (२०५९) र बुद्ध (२०६६) शशीका प्रकाशित मौलिक नेपाली नाटक हुन् । वासु शशीका नाटक (२०५९) नामक नाटक सङ्ग्रहमा माया, ॐ नमः शिवाय, सुखको खोजीमा, बिर्सन नसकिने मान्छे, सच्याउन नसकिने गल्ती, आमा कहिल्यै मर्दि
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Стрельцова, Лилия Александровна. "Limbu Myths in Cyberspace: Intracultural Dialogue Within an Ethnic Group." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 4 (November 25, 2020): 132–40. http://dx.doi.org/10.26158/tk.2020.21.4.011.

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Процессы, происходящие в современном информационном мире, неизбежно влияют на традиционные сообщества. Интернет является площадкой, где активно распространяются традиционные тексты, имевшие ранее ограниченное хождение в силу специфики их сохранения и воспроизведения. Представители непальской народности лимбу создали группу в социальной сети Facebook, где публикуют свои мифы, генеалогии, сказки и предания. Через платформу соцсети мифы доходят до более широкой аудитории, к тому же она предоставляет возможность для активного обсуждения. Меняется язык (с языка лимбу на непальский) и форма изложени
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Chalise, Keshav Raj. "Mayavini Sarsi (Circe): Devkota’s Reworking to Western Myths." Literary Studies 33 (March 31, 2020): 20–30. http://dx.doi.org/10.3126/litstud.v33i0.38032.

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Laxmi Prasad Devkota, celebrated poet as the Mahakavi or Poet the Great wasborn in 1966 BS. Writing in distinct style from the tradition, Devkota has broken the convention in Nepalese writing, both in form and content, though he was in the difficult mode of free expression due to Rana observation over writings and even the discouraging situation on free thinking and creative writing.
 He has adapted Sanskrit tradition of writing epics, (Mahakavya) and also, he has composed the epic on free verse. He has introduced and applied western Romantic trend of writing poetry. With these new modes,
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Shankar, Moguthala. "Evolution of English Language from Anglo-Saxon to Post-Modern Times." Technoarete Transactions on Language and Linguistics 1, no. 1 (2022): 10–14. http://dx.doi.org/10.36647/ttll/01.01.a003.

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The stages or the periods of the English literature have several transitions regarding the development of the English language from the old period to the modern period of the literature. The revolution is the development journey of every period of English literature including novels, poetry, prose, theatres, and many others. There were the gradual transitions of imaginative freedom and the exuberant gaiety of renaissance to artificial cheer. The periods are not so much exclusive and absolute in their timeframes and they often overlap. These phases were characterized by certain literary movemen
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Shahi, Sushil Kumar. "Stylistic Analysis of Laxmi Prasad Devkota's Poem 'The Lunatic'." Journal of Nepalese Management and Research 5, no. 1 (2023): 109–16. http://dx.doi.org/10.3126/jnmr.v5i1.61390.

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This study is based on a stylistic analysis of the poem 'The Lunatic' by a great modern poet of Nepal, Laxmi Prasad Devkota. This analysis focuses on the foregrounding, metaphors, graphological, phonological, morphological, and semantic levels to explore and analyze what the poet wants to convey by describing his own experiences, showing the complex relationship between the poet and people living in the society that is going through social transformation. Stylistic techniques and methods are tactfully used to unfold the hidden feelings and experiences of the poet's life. Keeping in view stylis
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Basyal, Deepak. "A mathematical poetry book from Nepal." British Journal for the History of Mathematics 35, no. 3 (2020): 189–206. http://dx.doi.org/10.1080/26375451.2020.1777781.

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कोइराला Koirala, धनपति Dhanapati. "छन्द अनुशीलन {Rhyme practice}". Madhyabindu Journal 6, № 1 (2021): 10–27. http://dx.doi.org/10.3126/madhyabindu.v6i1.42788.

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समस्त वेदका ऋचा छन्दमा संरचित छन् । आचार्य पिङ्गलले वेदमा उल्लिखित छन्दहरू र पूर्वलक्षणकारकाअभिमतलाई समेत समेटेर छन्दःसूत्रम् तयार पारे । प्रस्तुत छन्दःसूत्रम्लाई मूल आधार बनाएर लेखिएका श्रुतबोध,छन्दःशास्त्रम्, वृत्तरत्नाकर, मन्दारमरन्दचम्पू, वृत्तचन्द्रिका आदि लक्षण ग्रन्थहरूले शास्त्रीय छन्दको विकास रविस्तारमा ठोस योगदान पु¥याएका छन् । उत्तरवैदिककाल, लौकिककाल, प्राकृतकाल हुँदै विकसित आधुनिककालीननेपाली, हिन्दी आदि भाषाहरूमा समेत शास्त्रीय छन्दहरूको उपयोग गरी विश्वविख्यात सुन्दर काव्यहरू सृजनागरिएका छन् । विद्यालय र महाविद्यालयहरूको पाठ्यक्रममा समेत शास्त्रीय छन्दलाई समावेश गरिएको परिस्थितिमाश
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Baral, Khil Prasad, Ramchandra Subedi та Jayram Gautam. "सिर्जन अविरलका ‘क्यान्टोनमेन्ट’ शृङ्खलाका कविताहरूमा जनयुद्धका लडाकुको मनोविज्ञान [Psychology of the People's War Fighter within the poem 'Cantonment and Other Poems' by poet Sirjan Aviral]". International Research Journal of MMC 4, № 1 (2023): 18–26. http://dx.doi.org/10.3126/irjmmc.v4i1.51856.

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प्रस्तुत अध्ययनमा कवि सिर्जन अविरलको कविताकृति ‘क्यान्टोनमेन्ट र अरू कविताहरू’ भित्र रहेका ‘क्यान्टोन्मेन्ट’ शृङ्खलाका कवितामा पाइने जनयुद्धका लडाकुहरूको सामान्य मनोविश्लेषण गरिएको छ । तथापि, फ्रायडीय मनोविश्लेषणका सबै मान्यतालाई यस अध्ययनमा आधार बनाइएको छैन । यस अध्ययनका लागि मनोविज्ञानका पूर्वस्थापित मान्यतालाई सामान्य आधार बनाइएको छ भने अध्ययन विश्लेषणका लागि प्राथमिक र द्वितीयक दुवै स्रोतबाट सामग्री सङ्कलन गरिएको छ । यस अध्ययनमा वर्णनात्मक पद्धतिअनुसार विवेच्य सामग्रीहरूको विश्लेषण गरिएकाले यो मूलतः गुणात्मक अध्ययन हो । यो आलेख मूलतः निगमनात्मक पद्धतिमा आधारित छ तर मनोविश्लेषणका पूर्वस्थाप
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Upreti, Soni, and Dr Vidya Shanker Sharma. "From Heaven Lake: Travelling Across Cultures by Vikram Seth." SMART MOVES JOURNAL IJELLH 8, no. 4 (2020): 310. http://dx.doi.org/10.24113/ijellh.v8i4.10550.

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Travelling across culture is an endeavour to spread knowledge about the visiting provinces, on the route of the China, Nepal and India to his readers. This research work focuses on the prominent novelist, poet, and nonfiction writer, Vikram Seth. He who has been known as a citizen of the world. He is a cultural traveller. The work of Vikram Seth is a large variety of encyclopaedic and traditional forms and the places of his poetry and prose moves across the world, making literary homes of distant lands and cultures.
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Dezső, Csaba. "Inspired Poetry: Śāntākaragupta’s Play on the Legend of Prince Sudhana and the Kinnarī." Indo-Iranian Journal 57, no. 1-2 (2014): 73–104. http://dx.doi.org/10.1163/15728536-05701016.

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A fragment of a play written on the Buddhist legend of prince Sudhana and the kinnarī has been microfilmed by the Nepal-German Manuscript Preservation Project. It was probably written at the end of the eleventh century in Bengal by a Buddhist scholar called Śāntākaragupta. The present article contains a critical edition and an English translation of the fragment, as well as an analysis of the intertextuality of the play and especially the literary influences that shaped the author’s poetic diction.
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Regmi, Aarati. "Redefining the Society in Hip-Hop Music: A Nepali Perspective." SCHOLARS: Journal of Arts & Humanities 3, no. 1 (2021): 18–25. http://dx.doi.org/10.3126/sjah.v3i1.35355.

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Nepali Rapper Utsaha Joshi, aka Uniq poet's title song “Mero Desh Birami” and Chirag Khadka's album 5:55 title song “Samadhi and Aaago ko Jhilko” display intimate relationships between the socio-political and cultural context and the youngsters' powerful voice through music. This paper analyzes rap music as a medium and power to convey socio-cultural values, truth of conspiracy, and interests among youngsters. Both singers have portrayed the mainstream culture, faith, and patriotism, which have shaped people’s minds and behaviours. Rap songs have become so popular among young people who have a
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Gouli, Mohan Raj. "Forms of nature in Laxmiprasad Devkota’s “The Rain”." Batuk 5, no. 1 (2019): 45–51. http://dx.doi.org/10.3126/batuk.v5i1.27923.

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<p">Poets use different forms of representation for nature in their poetry. Poets get relevant subject matters to produce their verse when they encounter different forms of nature in course of their daily lives. Changing seasons and different conditions of nature significantly encourage the poets to express their deeply rooted feelings in multiple ways of representation depicting multiple forms of their surroundings. This article attempts to explore how Laxmiprasad Devkota, the great poet of Nepal, represents the rain in particular and other elements of nature in general in his poem enti
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Gurung, Dilu. "Human-Nature Interactions in the Poetry of Laxmi Prasad Devkota and Rabindranath Tagore." Outlook: Journal of English Studies 14 (July 17, 2023): 24–32. http://dx.doi.org/10.3126/ojes.v14i1.56654.

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This paper attempts to show what ecocriticism is and how it is applied to the poems of Laxmi Prasad Devkota, a great poet of Nepal, and Rabindranath Tagore, a great poet of Bengali in India. Although they belong to two different South Asian countries, they deal with love and concern of nature in their poems. In this study, I have explored some literary attributes and ecocritical aspects of the poems of these poets. Some of their similarities have been discussed in this paper. Even though both the poets are popular in other genres of literature, the focus of this paper is to analyze the poems f
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Evans, Rosalind. "The Two Faces of Empowerment in Conflict." Research in Comparative and International Education 3, no. 1 (2008): 50–64. http://dx.doi.org/10.2304/rcie.2008.3.1.50.

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This article problematises Bush & Saltarelli's call for a new and comprehensive peacebuilding education which empowers children through demonstrating that alternatives to conflict exist, that they have choices and the capacity to change their own and their society's situation. It does so by exploring the various possibilities for empowerment available to young Bhutanese refugees living in Nepal, which are advanced by agencies administering services in the refugee camps and promoted by refugee political groups. Fieldwork demonstrates that some children simultaneously engage in humanitarian
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Timalsina, Ramji. "Vision for Teaching Communication Skills through Literary Texts in BBS Second Year." Journal of Management 6, no. 1 (2023): 134–45. http://dx.doi.org/10.3126/jom.v6i1.58888.

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The article discusses the rationale and process of teaching Vision: A thematic anthology of literary and cultural texts in BBS second year in Tribhuvan University, Nepal. This book is a collection of multicultural literary readings that consist of poetry, fiction, prose and play. Based on the ideas that literary readings and their creative discussions in a classroom helps the learners to develop their creative, critical and language skills to be used in their professional life, the article has discussed how the texts incorporated in this textbook are appropriate to achieve these objectives of
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Ha, Do Thu. "Localizing India’s Values of Ramayana in Southeast Asia- The Case of Hikayat Seri Rama." International Journal of Religion 5, no. 11 (2024): 910–20. http://dx.doi.org/10.61707/4vqpgs68.

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Intercultural communication is the communication among different cultures, different communities with different lifestyles and worldviews, which is a dispensable and unavoidable trend. The Ramayana is one of the largest ancient epics in world literature and has had an important influence on later Sanskrit poetry and Hindu life and culture because it presents the teachings of ancient Hindu sages in narrative allegory, interspersing philosophical and ethical elements. The characters Rama, Sita, Lakshmana, Bharata, Hanuman and Ravana are all fundamental to the cultural consciousness of India, Nep
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