Relevant bibliographies by topics / Neuroesthetics

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Neuroesthetics'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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Journal articles on the topic "Neuroesthetics"

1

Mikulec, Sonja. "Neuroesthetics." Gyrus 3, no. 1 (2015): 2–7. http://dx.doi.org/10.17486/gyr.3.1001.

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Nanda, Upali, Debajyoti Pati, and Katie McCurry. "Neuroesthetics and Healthcare Design." HERD: Health Environments Research & Design Journal 2, no. 2 (2009): 116–33. http://dx.doi.org/10.1177/193758670900200210.

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Salah, Alkım Almıla Akdağ, and Albert Ali Salah. "Technoscience Art: A Bridge between Neuroesthetics and Art History?" Review of General Psychology 12, no. 2 (2008): 147–58. http://dx.doi.org/10.1037/1089-2680.12.2.147.

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Langer, Federico. "Estética y neurociencia: estableciendo puentes." Pelícano 5 (September 12, 2019): 209–29. http://dx.doi.org/10.22529/p.2019.5.12.

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Aesthetics and Neuroscience: Establishing BridgesResumenEl estudio de las “bases neuronales de la apreciación artística” es un campo disciplinario en rápido crecimiento dentro de las llamadas neurociencias cognitivas. Este nuevo campo epistemológico se conoce popularmente como neuroestética. En este artículo vamos a mostrar que a) los presupuestos filosóficos de las neuroestéticas son contraproducentes para el estudio neurocognitivo del arte y, b) la evidencia empírica refuta algunos de los postulados centrales de la neuroestética. Asimismo, vamos a introducir algunos fundamentos teóricos y ex
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Kapusta, Andrzej. "Ucieleśnienie, neuronauki i literatura." Poznańskie Studia Polonistyczne. Seria Literacka, no. 34 (January 11, 2019): 19–39. http://dx.doi.org/10.14746/pspsl.2018.34.1.

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In the text, I address the subject of neurocognitive science, art and literature in various perspectives, whose connecting point is the perspective of the experiencing subject and her embodiment. The embodied and involved subject reveals through her ailments and suffering dimensions of experience not always visible in the state of health and well-being. The starting point of my deliberations are issues in the field of neurocognitive science and neuroesthetics as the areas that attempt to explain the neurobiological mechanisms of perception of art and literature. Next, I refer to research in th
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Shin, Hyunjin. "Conscious Activities in the Social Construction of Meanings of the Arts: A Comparative Analysis of Kant, Foucault, Affect Theory, Neuroesthetics, and Operative Constructionism." Journal of Aesthetics & Science of Art 59 (February 28, 2020): 199–228. http://dx.doi.org/10.17527/jasa.59.0.07.

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Borojevic, Dragoljub. "Factors of esthetic preference, space and forms." Facta universitatis - series: Architecture and Civil Engineering 17, no. 1 (2019): 119–32. http://dx.doi.org/10.2298/fuace190227005b.

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Why does the the man feel more comfortable in some surroundings than in some other and what is there in the surroundings and in a the man that causes that state of his spirit? It is obvious that one`s reactions to surroundings are reflexive and uncontrolled, yet they happen according to certain patterns. To adjust to his natural surroundings as much as he can, during evolution the the man developed mechanisms (intuitive reactions) that made it possible for him to react to the changes in his environment much faster and more effectively, which was of the key importance for survival. By developin
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8

Przybysz, Hanna. "Artysta jako nieświadomy neurobiolog. Filmoznawczo-neurokognitywistyczna analiza myśli Hugo Münsterberga i Lwa Kuleszowa." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 25, no. 34 (2019): 137–47. http://dx.doi.org/10.14746/i.2019.34.08.

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Przybysz Hanna, Artysta jako nieświadomy neurobiolog. Filmoznawczo-neurokognitywistyczna analiza myśli Hugo Münsterberga i Lwa Kuleszowa [An artist treated as an unconscious neurobiologist in the context of cognitive film studies: Hugo Münsterberg and Lev Kuleshov]. “Images” vol. XXV, no. 34. Poznań 2019. Adam Mickiewicz University Press. Pp. 137–147. ISSN 1731-450X. DOI 10.14746/i.2019.34.08.
 The history and theory of art have often shown, before the era of neurobiology, cognitive psychology and cognitive science, that great artists are unconscious neurobiologists, activating with their
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Narula, S., R. Sharma, K. Bala, et al. "Neuroesthetic perception,interpretation and perioesthetic experience among different dental professionals." Journal of the Neurological Sciences 381 (October 2017): 1090–91. http://dx.doi.org/10.1016/j.jns.2017.08.3078.

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Causey, Matthew. "Digital Practices: Aesthetic and Neuroesthetic Approaches to Performance and Technology." Contemporary Theatre Review 19, no. 2 (2009): 237–39. http://dx.doi.org/10.1080/10486800902809628.

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Dissertations / Theses on the topic "Neuroesthetics"

1

Salvador, David. "Quand l'art agit dans la Cité : vers un nouveau statut du musicien." Thesis, Lille 3, 2016. http://www.theses.fr/2016LIL30052/document.

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Cette thèse propose une lecture historique du statut du musicien dans la cité – entendue comme une communauté politique organisée autour de la volonté du vivre-ensemble –, selon la conception qu’en avait les anciens Grecs. L’étude de la fonction sociale du musicien depuis la préhistoire a permis de dégager aujourd'hui un nouveau paradigme : celui de médiateur ou de médium, en prise avec un milieu éco-techno-symbolique qu’il contribue à transformer, en rendant visibles les êtres humains qui l’habitent et en particulier les personnes marginalisées, exclues de la société ou en situation de vulnér
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Rakovsky, Daniel. "Les deux côtés du visage : dissymétrie et construction du portrait à la Renaissance." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040197.

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Tout visage est structuré selon un ordre symétrique. La thèse explore les conséquences de cette spécificité formelle du visage sur la construction du portrait dans le contexte spécifique de la Renaissance. Elle débute par une remise en cause de l’approche neuropsychologique qui fait de la dissymétrie et de la partition du visage dans le portrait la simple expression d’un donné physionomique. À travers une réflexion autour de la symétrie et de la dissymétrie dans l’ordre de la représentation, notre recherche rend compte de l’intérêt de ces catégories esthétiques pour la compréhension des enjeux
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Kippen, Lorelee. "Gertrude Stein's cubist brain maps." Phd thesis, 2009. http://hdl.handle.net/10048/630.

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This dissertation explores the connections that exist between Gertrude Steins late nineteenth-century psychological studies at Harvard University, her fin-de-sicle brain research at the Johns Hopkins Medical School, and her early twentieth-century cubist writings. This study is important to neuraesthetic researchers, because it appears that Stein produced a secret series of cubist brain maps from approximately 1912 to 1935, and then published her first explicit brain map in _The Geographical History of America or the Relation of Human Nature to the Human Mind_, in 1936. The cubist brain maps t
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Books on the topic "Neuroesthetics"

1

Broadhurst, Susan. Digital practices: Aesthetic and neuroesthetic approaches to performance and technology. Palgrave Macmillan, 2009.

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Digital Practices: Aesthetic and Neuroesthetic Approaches to Performance and Technology. Palgrave Macmillan, 2007.

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Broadhurst, S. Digital Practices: Aesthetic and Neuroesthetic Approaches to Performance and Technology. Palgrave Macmillan, 2007.

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4

Digital Practices: Aesthetic and Neuroesthetic Approaches to Performance and Technology. Palgrave Macmillan, 2007.

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Book chapters on the topic "Neuroesthetics"

1

Broadhurst, Susan. "Neuroesthetics." In Digital Practices. Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230589841_3.

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2

Fogliano, Fernando, and Hosana Celeste Oliveira. "Neuroesthetics." In Advances in Media, Entertainment, and the Arts. IGI Global, 2017. http://dx.doi.org/10.4018/978-1-5225-0510-5.ch004.

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This paper presents some considerations regarding the aesthetic experience from a neuroaesthetic point of view. The approach proposed here can take the discussions beyond the field of art allowing the aesthetic experience to be considered as a key aspect of subjectivity and interactions in the world. A reflection on the roles of emotion and language as fundamental aspects of the aesthetic experience is presented. Based on this reflection, some assumptions that are at the core of culture are made and re-framed here considering the postmodern turn.
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3

Nadal, Marcos, and Martin Skov. "Neuroesthetics." In International Encyclopedia of the Social & Behavioral Sciences. Elsevier, 2015. http://dx.doi.org/10.1016/b978-0-08-097086-8.56027-9.

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"One. The Beautiful: Neuroesthetics." In The Good, the True, and the Beautiful. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300166422-004.

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Siqueira de Freitas, Alexandre. "A Study on the Interface Between Arts and Sciences." In Applications of Neuroscience. IGI Global, 2018. http://dx.doi.org/10.4018/978-1-5225-5478-3.ch003.

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This chapter discusses issues related to two fields of knowledge: neuroesthetics and cognitive neuroscience of art. These two fields represent areas that link historically dichotomic instances: nature and culture. In the first section, the author introduces a brief discussion on this dichotomy, reified here as science and art/aesthetics. Based on a preliminary analysis of these fields, as well as potential interfaces and articulations, the author then situates neuroesthetics and cognitive science of art. In both cases, the main definitions, usual criticisms, and comments on potential expectations regarding the future of these two areas will be presented.
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Siqueira de Freitas, Alexandre. "A Study on the Interface between Arts and Sciences." In Advances in Media, Entertainment, and the Arts. IGI Global, 2017. http://dx.doi.org/10.4018/978-1-5225-0510-5.ch005.

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This chapter discusses issues related to two fields of knowledge: neuroesthetics and cognitive neuroscience of art. These two fields represent areas that link historically dichotomic instances: nature and culture. In the first section, the author introduces a brief discussion on this dichotomy, reified here as science and art/aesthetics. Based on a preliminary analysis of these fields, as well as potential interfaces and articulations, the author then situates neuroesthetics and cognitive science of art. In both cases, the main definitions, usual criticisms, and comments on potential expectations regarding the future of these two areas will be presented.
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7

"Neuroesthetics—the neural basis of art." In Information, Computer and Application Engineering. CRC Press, 2018. http://dx.doi.org/10.1201/b18658-218.

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8

Gallese, V., and C. Di Dio. "Neuroesthetics: The Body in Esthetic Experience." In Encyclopedia of Human Behavior. Elsevier, 2012. http://dx.doi.org/10.1016/b978-0-12-375000-6.00251-2.

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You might also be interested in the extended bibliographies on the topic 'Neuroesthetics' for particular source types:
Journal articles
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