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Journal articles on the topic 'Neuroesthetics'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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1

Mikulec, Sonja. "Neuroesthetics." Gyrus 3, no. 1 (2015): 2–7. http://dx.doi.org/10.17486/gyr.3.1001.

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2

Nanda, Upali, Debajyoti Pati, and Katie McCurry. "Neuroesthetics and Healthcare Design." HERD: Health Environments Research & Design Journal 2, no. 2 (2009): 116–33. http://dx.doi.org/10.1177/193758670900200210.

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3

Salah, Alkım Almıla Akdağ, and Albert Ali Salah. "Technoscience Art: A Bridge between Neuroesthetics and Art History?" Review of General Psychology 12, no. 2 (2008): 147–58. http://dx.doi.org/10.1037/1089-2680.12.2.147.

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4

Langer, Federico. "Estética y neurociencia: estableciendo puentes." Pelícano 5 (September 12, 2019): 209–29. http://dx.doi.org/10.22529/p.2019.5.12.

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Aesthetics and Neuroscience: Establishing BridgesResumenEl estudio de las “bases neuronales de la apreciación artística” es un campo disciplinario en rápido crecimiento dentro de las llamadas neurociencias cognitivas. Este nuevo campo epistemológico se conoce popularmente como neuroestética. En este artículo vamos a mostrar que a) los presupuestos filosóficos de las neuroestéticas son contraproducentes para el estudio neurocognitivo del arte y, b) la evidencia empírica refuta algunos de los postulados centrales de la neuroestética. Asimismo, vamos a introducir algunos fundamentos teóricos y ex

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5

Kapusta, Andrzej. "Ucieleśnienie, neuronauki i literatura." Poznańskie Studia Polonistyczne. Seria Literacka, no. 34 (January 11, 2019): 19–39. http://dx.doi.org/10.14746/pspsl.2018.34.1.

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In the text, I address the subject of neurocognitive science, art and literature in various perspectives, whose connecting point is the perspective of the experiencing subject and her embodiment. The embodied and involved subject reveals through her ailments and suffering dimensions of experience not always visible in the state of health and well-being. The starting point of my deliberations are issues in the field of neurocognitive science and neuroesthetics as the areas that attempt to explain the neurobiological mechanisms of perception of art and literature. Next, I refer to research in th

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6

Shin, Hyunjin. "Conscious Activities in the Social Construction of Meanings of the Arts: A Comparative Analysis of Kant, Foucault, Affect Theory, Neuroesthetics, and Operative Constructionism." Journal of Aesthetics & Science of Art 59 (February 28, 2020): 199–228. http://dx.doi.org/10.17527/jasa.59.0.07.

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7

Borojevic, Dragoljub. "Factors of esthetic preference, space and forms." Facta universitatis - series: Architecture and Civil Engineering 17, no. 1 (2019): 119–32. http://dx.doi.org/10.2298/fuace190227005b.

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Why does the the man feel more comfortable in some surroundings than in some other and what is there in the surroundings and in a the man that causes that state of his spirit? It is obvious that one`s reactions to surroundings are reflexive and uncontrolled, yet they happen according to certain patterns. To adjust to his natural surroundings as much as he can, during evolution the the man developed mechanisms (intuitive reactions) that made it possible for him to react to the changes in his environment much faster and more effectively, which was of the key importance for survival. By developin

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8

Przybysz, Hanna. "Artysta jako nieświadomy neurobiolog. Filmoznawczo-neurokognitywistyczna analiza myśli Hugo Münsterberga i Lwa Kuleszowa." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 25, no. 34 (2019): 137–47. http://dx.doi.org/10.14746/i.2019.34.08.

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Przybysz Hanna, Artysta jako nieświadomy neurobiolog. Filmoznawczo-neurokognitywistyczna analiza myśli Hugo Münsterberga i Lwa Kuleszowa [An artist treated as an unconscious neurobiologist in the context of cognitive film studies: Hugo Münsterberg and Lev Kuleshov]. “Images” vol. XXV, no. 34. Poznań 2019. Adam Mickiewicz University Press. Pp. 137–147. ISSN 1731-450X. DOI 10.14746/i.2019.34.08. The history and theory of art have often shown, before the era of neurobiology, cognitive psychology and cognitive science, that great artists are unconscious neurobiologists, activating with their

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9

Narula, S., R. Sharma, K. Bala, et al. "Neuroesthetic perception,interpretation and perioesthetic experience among different dental professionals." Journal of the Neurological Sciences 381 (October 2017): 1090–91. http://dx.doi.org/10.1016/j.jns.2017.08.3078.

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10

Causey, Matthew. "Digital Practices: Aesthetic and Neuroesthetic Approaches to Performance and Technology." Contemporary Theatre Review 19, no. 2 (2009): 237–39. http://dx.doi.org/10.1080/10486800902809628.

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11

Broadhurst, Sue. "Digital Practices: An aesthetic and neuroesthetic approach to virtuality and embodiment." Performance Research 11, no. 4 (2006): 137–47. http://dx.doi.org/10.1080/13528160701363705.

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12

Lubińska-Kościółek, Elżbieta, and Jolanta Zielińska. "Osoba dorosła z niepełnosprawnością słuchowa jako odbiorca sztuki (na podstawie wyników badań zrealizowanych na pograniczu pedagogiki specjalnej i neuroestetyki)." Interdyscyplinarne Konteksty Pedagogiki Specjalnej, no. 21 (January 7, 2019): 249–64. http://dx.doi.org/10.14746/ikps.2018.21.13.

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In this paper the research of art perception by people with hearing disorder has been presented. This study has been performed from the perspective of special pedagogy and neuroesthetic. The encephalography technique and QEEG analysis has been performed with usage of Mitsar-EEG-202 head. This device is controlled by WinEEG software which allows qualitative and quantitative analysis many aspects of EEG signals integrated with two physiological sensors: rhythm of heard and amplitudes of blade pulse and breathing. The results of this study shown usability of the proposed research process for iden

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13

MoraC de Asmat, María del Socorro. "Andrés Zevallos de la Puente: aproximación neuroestética al artista y su obra." Illapa Mana Tukukuq, no. 14 (February 18, 2019): 34–47. http://dx.doi.org/10.31381/illapa.v0i14.1878.

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Don Andrés Zevallos de la Puente fue un ser humano especial que buscó desarrollar al máximo sus capacidades. En este artículo analizaremos sus palabras desde el punto de vista psicobiológico y neuroestético. Comenzaremos por su infancia; sus inicios en el arte, descubriendo a los pintores que había en su tierra; sus estudios y avatares personales; su obra, que nos llevará directamente al amor que sentía por su tierra y costumbres, formando parte de la corriente indigenista, para terminar con sus reflexiones sobre la espiritualidad, la muerte y sus últimos consejos a las futuras generaciones. E

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14

Barcaro, Umberto, and Marco Paoli. "Dreaming and Neuroesthetics." Frontiers in Human Neuroscience 9 (June 23, 2015). http://dx.doi.org/10.3389/fnhum.2015.00348.

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15

Zaidel, Dahlia W. "Neuroesthetics is Not Just about Art." Frontiers in Human Neuroscience 9 (February 17, 2015). http://dx.doi.org/10.3389/fnhum.2015.00080.

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16

Zeki, Semir, and Tomohiro Ishizu. "The “Visual Shock” of Francis Bacon: an essay in neuroesthetics." Frontiers in Human Neuroscience 7 (2013). http://dx.doi.org/10.3389/fnhum.2013.00850.

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17

Yaman, Hakan, and Aylin Yaman. "Neuroesthetic: Brain and Art." NeuroQuantology 17, no. 3 (2019). http://dx.doi.org/10.14704/nq.2019.17.3.1941.

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18

Semeler, Alberto Marinho Ribas, Leonidas Roberto Taschetto, and Janaína Oppermann. "Homo aestheticus: da mimese aristotélica à investigação neuroestética do córtex visual (Homo aestheticus: from Aristotelian mimesis to the neuroesthetics research in the visual cortex) - DOI: 10.5752/P.2237-8871.2012v13n19p147." Cadernos de História 13, no. 19 (2012). http://dx.doi.org/10.5752/p.2237-8871.2012v13n19p147.

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19

Thieleking, Ronja, Evelyn Medawar, Leonie Disch, and A. Veronica Witte. "art.pics Database: An Open Access Database for Art Stimuli for Experimental Research." Frontiers in Psychology 11 (December 16, 2020). http://dx.doi.org/10.3389/fpsyg.2020.576580.

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While art is omnipresent in human history, the neural mechanisms of how we perceive, value and differentiate art has only begun to be explored. Functional magnetic resonance imaging (fMRI) studies suggested that art acts as secondary reward, involving brain activity in the ventral striatum and prefrontal cortices similar to primary rewards such as food. However, potential similarities or unique characteristics of art-related neuroscience (or neuroesthetics) remain elusive, also because of a lack of adequate experimental tools: the available collections of art stimuli often lack standard image

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20

Thieleking, Ronja, Evelyn Medawar, Leonie Disch, and A. Veronica Witte. "art.pics Database: An Open Access Database for Art Stimuli for Experimental Research." Frontiers in Psychology 11 (December 16, 2020). http://dx.doi.org/10.3389/fpsyg.2020.576580.

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Abstract:

While art is omnipresent in human history, the neural mechanisms of how we perceive, value and differentiate art has only begun to be explored. Functional magnetic resonance imaging (fMRI) studies suggested that art acts as secondary reward, involving brain activity in the ventral striatum and prefrontal cortices similar to primary rewards such as food. However, potential similarities or unique characteristics of art-related neuroscience (or neuroesthetics) remain elusive, also because of a lack of adequate experimental tools: the available collections of art stimuli often lack standard image

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21

Woodward, Paul. "Digital Practices: Aesthetic and Neuroesthetic Approaches to Performance and Technology (Palgrave Macmillan 2007) by Susan Broadhurst." Body, Space & Technology 7, no. 2 (2008). http://dx.doi.org/10.16995/bst.147.

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