Relevant bibliographies by topics / Nineteenth century art

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
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Academic literature on the topic 'Nineteenth century art'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Nineteenth century art"

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EISENMAN, STEPHEN F., THOMAS CROW, BRIAN LUKACHER, LINDA NOCHLIN, FRANCES K. POHL, and DAVID WOOTTON. "NINETEENTH-CENTURY ART." Art Book 1, no. 3 (1994): 21b. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00141.x.

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Mainardi, Patricia. "Nineteenth-Century French Art Institutions." Art Journal 48, no. 1 (1989): 7. http://dx.doi.org/10.2307/776912.

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Levine, Steven Z., Stephen F. Eisenman, Thomas Crow, et al. "Nineteenth Century Art: A Critical History." Woman's Art Journal 18, no. 1 (1997): 50. http://dx.doi.org/10.2307/1358683.

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Doy, Gen. "Nineteenth century art. a critical history." Women's History Review 5, no. 4 (1996): 567–83. http://dx.doi.org/10.1080/09612029600200249.

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McNeal, R. A. "Athens and Nineteenth-Century Panoramic Art." International Journal of the Classical Tradition 1, no. 3 (1995): 80–97. http://dx.doi.org/10.1007/bf02701938.

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Weston, Nancy, and Terry W. Strieter. "Nineteenth Century European Art. A Topical Dictionary." History Teacher 34, no. 2 (2001): 278. http://dx.doi.org/10.2307/3054300.

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Katz, Martin, and Theofanis George Stavrou. "Art and Culture in Nineteenth-Century Russia." American Historical Review 90, no. 3 (1985): 736. http://dx.doi.org/10.2307/1861077.

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Nochlin, Linda. "The Political Unconscious in Nineteenth-Century Art." Art Journal 46, no. 4 (1987): 259. http://dx.doi.org/10.2307/776995.

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Dienes, Laszlo, and Theofanis George Stavrou. "Art and Culture in Nineteenth-Century Russia." Russian Review 44, no. 4 (1985): 412. http://dx.doi.org/10.2307/129798.

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Hinde, John R. "Jacob Burckhardt and nineteenth-century realist art." Journal of European Studies 27, no. 4 (1997): 433–55. http://dx.doi.org/10.1177/004724419702700403.

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Dissertations / Theses on the topic "Nineteenth century art"

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Warren, Richard. "Tacitus and nationalism in nineteenth-century art." Thesis, Durham University, 2014. http://etheses.dur.ac.uk/9502/.

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In the nineteenth century artists patronised by national, imperial and aristocratic elites in Europe turned to Tacitus and other classical sources for inspiration in defining the national and ethnic ideal of these patrons. This is a phenomenon that was particularly evident in the German-speaking countries of central Europe, where the figure of Arminius from Tacitus' Annals was represented in many different artistic media, from painting to monumental sculpture. In the German states themselves depictions often followed a similar prescription, which took their inspiration from the plays of Freidr
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Mikl, Aimee Sue. "Fairy painting in nineteenth century art and late twentieth century art a comparative study /." Menomonie, WI : University of Wisconsin--Stout, 2004. http://www.uwstout.edu/lib/thesis/2004/2004mikla.pdf.

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Fraser, Stansbie Eleanor Clare. "Richard Dadd : art and the nineteenth century asylum." Thesis, Birkbeck (University of London), 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.430879.

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LiBassi, Marguerite. "Specularity in Late Nineteenth-Century French Literature and Art." ScholarWorks@UNO, 2002. http://scholarworks.uno.edu/td/4.

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In the mid-to-late 1800s, French writers and artists resolved to shed their Romantic skins in favor of new self-conscious "husks"--to borrow Baudelaire's poetic term--that is to say: Naturalism, Realism, Impressionism and Symbolism. Some of the older reformers found themselves in an awkward, transitional stage contrary to the younger vanguardists who bore no allegiance to the past. The first group included Baudelaire, Flaubert, Courbet, Manet, Degas and Pissarro while the latter listed among its most successful members: Zola, Mallarmé, Huysmans, Morisot, Monet, Renoir and Cézanne. This thesis
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Driskel, Michael Paul. "Representing belief : religion, art, and society in nineteenth-century France /." University Park (Pa.) : Pennsylvania State university press, 1992. http://catalogue.bnf.fr/ark:/12148/cb35716402q.

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Van, Pletzen Ermina Dorothea. "The language of painting in nineteenth-century English fiction." Doctoral thesis, University of Cape Town, 1995. http://hdl.handle.net/11427/21770.

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Bibliography: pages 322-332.<br>This thesis examines the material and aesthetic sustenance which the novel as developing genre drew from the burgeoning popular interest in the visual arts, particularly the pictorial arts, which took place during the course of the nineteenth century in Britain. The first chapter develops the concept of the language of painting which for the purposes of the thesis refers to the linguistic transactions occurring between word and pictorial image when writers on art formulate their impressions in language. This type of discourse is described as governed by conceptu
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Wootton, Sarah. "Consuming Keats : nineteenth-century re-presentations in art and literature." Thesis, University of Sheffield, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339951.

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Gotschalk, Kelly J. "The Seated Cleopatra in Nineteenth Century American Sculpture." VCU Scholars Compass, 1997. http://scholarscompass.vcu.edu/etd/4350.

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This thesis explores Cleopatra as presented in the work of three nineteenth century American sculptors: Thomas Ridgeway Gould, Edmonia Lewis and William Wetmore Story. It illuminates their work in the context of the nineteenth century and within the history of Cleopatra's image. Victorian opinions of Cleopatra's nature are exposed by examining the Egyptian Queen in essays and literature of the period, including works by Anna Jameson, Emily Dickinson, Charlotte Bronte, Nathaniel Hawthorne and Theophile Gautier. By studying the role of Cleopatra in these literary examples, the notion of some rec
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Crist, Tessa J. "Vladimir Makovsky| The politics of nineteenth-century Russian realism." Thesis, Northern Illinois University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1590999.

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<p> This thesis examines the political work produced by a little-known Russian Realist, Vladimir Makovsky (1846-1920), while he was a member of the nineteenth-century art collective <i>Peredvizhniki.</i> Increasingly recognized for subtle yet insistent opposition to the tsarist regime and the depiction of class distinctions, the work of the <i>Peredvizhniki</i> was for decades ignored by modernist art history as the result of an influential article, "Avant-Garde and Kitsch," written by American art critic Clement Greenberg in 1939. In this article, Greenberg suggests the work of Ilya Repin, th
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Hemingway, Andrew. "Landscape imagery and urban culture in early nineteenth-century Britain /." Cambridge (GB) : Cambridge university press, 1992. http://catalogue.bnf.fr/ark:/12148/cb35573738q.

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Books on the topic "Nineteenth century art"

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M, Vogt A., ed. The nineteenth century. Herbert, 1989.

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Nineteenth-century European art. Harry N. Abrams, 2004.

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Nineteenth-century American art. Oxford University Press, 2000.

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Nineteenth-century European art. Harry N. Abrams, 2002.

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Nineteenth-century European art. 2nd ed. Prentice Hall, 2006.

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Chu, Petra ten-Doesschate. Nineteenth-century European art. Pearson Prentice Hall, 2003.

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Vogt, Adolf Max. The nineteenth century. Universe Books, 1989.

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Reynolds, Donald M. The nineteenth century. Cambridge University Press, 1985.

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Powell, Jillian. Art in the nineteenth century. Thomson Learning, 1995.

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Blacker, J. F. Nineteenth-century English ceramic art. Copp, Clark, 1996.

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Book chapters on the topic "Nineteenth century art"

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Spretnak, Charlene. "The Nineteenth Century." In The Spiritual Dynamic in Modern Art. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137342577_2.

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Ziolkowski, Eric. "Nineteenth-Century Antitypes." In Evil Children in Religion, Literature, and Art. Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230599758_7.

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Pasi, Marco. "The Art of Esoteric Posthumousness." In The Occult Nineteenth Century. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-55318-0_8.

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Codell, Julie. "“Orientalism” in Art." In A Companion to Nineteenth-Century Art. John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118856321.ch8.

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Trodd, Colin. "Nineteenth-Century Art Institutions and Academies." In A Companion to British Art. Blackwell Publishing Ltd, 2013. http://dx.doi.org/10.1002/9781118313756.ch5.

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Speck, Catherine. "Australian Art in the Nineteenth-Century." In A Companion to Nineteenth-Century Art. John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118856321.ch18.

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Klancher, Jon. "Remediating Arts Controversy in the Nineteenth Century." In Outrage: Art, Controversy, and Society. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137283542_11.

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Zimmermann, Michael F. "Racist or Hero of Social Art?" In A Companion to Nineteenth-Century Art. John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118856321.ch29.

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Rager, Andrea Wolk. "“The Revenge of Art on Life”." In A Companion to Nineteenth-Century Art. John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118856321.ch4.

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Brujats, M. Lluïsa Faxedas. "Tradition and Modernity in Nineteenth-Century Catalan Art." In A Companion to Nineteenth-Century Art. John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118856321.ch19.

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Conference papers on the topic "Nineteenth century art"

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Novelli, Francesco. "Castle Garth in Newcastle (UK): processes of transformation, integration and discharge of a fortified complex in an urban context." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11548.

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Castle Garth is the name of the fortified area once enclosed within the castle walls. In the fifteenth century Newcastle became a county in its own right, however, the Garth, being within the castle walls, remained part of the County of Northumberland. The Great Hall, a building separate from the Castle Fortress (the “Keep”), which in later years became known as the “Old Moot Hall”, was used by courts that sat at regular intervals in every county of England and Wales. The Fortress then became a prison for the County and was used as such until the early nineteenth century. Beginning in the fift
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Slusarczyk, Marta. "CHRZANOW ON NINETEENTH-CENTURY AUSTRIAN MAPS." In 6th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgemsocial2019v/6.1/s17.053.

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Brusa, Enrica, and Chiara Stanga. "Architettura fortificata tra conservazione e riuso: i progetti di restauro novecenteschi del forte di Castelfranco a Finale Ligure." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11501.

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Fortified architecture between preservation and reuse strategies: the twentieth century restoration projects of Castelfranco in Finale LigureThe town of Finale Ligure, situated on the western coast of Liguria, was the site of the Del Carretto Marquisate until the sixteenth century. After that, it was under the control of the Spanish Crown (seventeenth century) and it has been an independent territory of the Republic of Genoa for a long time. The three castles were built on the top of Finale hills and they were the symbol of its independence. Gavone castle, established on the top of the histori
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Cecamore, Stefano. "Traces of a fortified hamlet. Iconography and urban development of San Valentino in Abruzzo Citeriore." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11390.

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The paper proposes a reading of the possible urban development of the historic centre of San Valentino in Abruzzo Citerore starting from the analysis of its architectural heritage. The image of a fortified hamlet surrounded by walls, represented in a painting dating back to the mid-nineteenth century, appears in cartographic reliefs and representations accessible at the local and extra regional archives. The reading of the current architectural set of givens, which are characterized by the continuous use of building techniques related to the processing of local limestones, seeks through compar
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Fenton, Matt. "The Baltimore & Ohio Railroad: Incubator of Engineering Entrepreneurs in the Nineteenth Century." In Fifth National History and Heritage Congress at ASCE Civil Engineering Conference and Exposition. American Society of Civil Engineers, 2004. http://dx.doi.org/10.1061/40759(152)3.

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do Amaral Moreira, Cintia Mariza. "THE FLIGHT INTO EGYPT PAINTING OF ALMEIDA JR : BETWEEN BRAZIL AND FRANCE ACADEMIES OF FINE ARTS ON LATE NINETEENTH CENTURY." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b41/s12.005.

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Navarro Luengo, Ildefonso, Adrián Suárez Bedmar, and Pedro Martín Parrado. "El castillo de San Luis (Estepona Málaga): Origen y evolución de una fortificación abaluartada. Siglos XVI-XXI." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11552.

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The castle of San Luis (Estepona Málaga): Origin and evolution of a bastion fort. Sixteenth to twenty-first centuriesThe results of the investigation prior to the excavation work in the Castle of San Luis, in Estepona (Málaga, Spain) are presented. It is a coastal fortress built in the last quarter of the sixteenth century, in the context of the reorganisation of the defense of the western coast of Malaga after the Moorish rebellion of 1568. After analysing the available literature, we propose that it was designed by the Engineer Juan Ambrosio Malgrá, Maestro Mayor de obras del Reino de Granad
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Belardi, Paolo, Luca Martini, and Valeria Menchetelli. "La rocca Paolina di Perugia. Da baluardo dell’inaccessibilità a landmark dell’accessibilità." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11422.

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The Rocca Paolina of Perugia. From a fortress of inaccessibility to a landmark of accessibilityBuilt in the Perugia acropolis in the mid-sixteenth century as a physical expression of the oppressive reprisal of Pope Paul III against the city’s seigniory of the Baglioni family, the Rocca Paolina has always been hated by the Perugia people who, on several occasions during the nineteenth century, did not hesitate to demolish it. The historical events of this fortified architecture are ambiguously linked with its iconographic value, oscillating around a balance in continuous evolution that sees it
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Machado, J. A. Tenreiro, Isabel S. Jesus, and Alexandra Galhano. "A Fractional Calculus Perspective in Electromagnetics." In ASME 2005 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2005. http://dx.doi.org/10.1115/detc2005-84862.

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Some experimentation with magnets was beginning in the late 19th century. By then reliable batteries had been developed and the electric current was recognized as a stream of charge particles. Maxwell developed a set of equations expressing the basic laws of electricity and magnetism, and demonstrated that these two phenomena are complementary aspects of electromagnetism. He showed that electric and magnetic fields travel through space, in the form of waves, at a constant velocity. Maxwell is generally regarded as the nineteenth century scientist who had the greatest influence on twentieth cen
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Spallone, Roberta, and Fabrizio Zannoni. "The Citadel of Turin: geometric design and underground archaeological evidence." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11466.

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The Citadel of Turin (1564) is one of the first pentagonal modern fortification. For over two centuries it was the fulcrum of Turin defences, finally unarmed and largely dismantled during the second half of the nineteenth century. However, the lower sections of main defences and detached works were spared and buried inside the filled ditches, as well as the underground countermine system. Significant historical drawings, documenting the building of external defences are selected aiming to recognize geometric criteria that rules the subsequent phases, and to relate the designed fortification wi
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Reports on the topic "Nineteenth century art"

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Carvalho, Luís Francisco. On the split between the ‘science’ and the ‘art’ of political economy: nineteenth century controversies. DINÂMIA'CET-IUL, 2012. http://dx.doi.org/10.7749/dinamiacet-iul.wp.2012.19.

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Galenson, David, and Robert Jensen. Careers and Canvases: The Rise of the Market for Modern Art in the Nineteenth Century. National Bureau of Economic Research, 2002. http://dx.doi.org/10.3386/w9123.

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White, Eugene. California Banking in the Nineteenth Century: The Art and Method of the Bank of A. Levy. National Bureau of Economic Research, 1999. http://dx.doi.org/10.3386/w7187.

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Oltarzhevskyi, Dmytro. HISTORICAL FEATURES OF CORPORATE MEDIA FORMATION IN UKRAINE AND IN THE WORLD. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11067.

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The article examines the world and Ukrainian history of corporate periodicals. The main purpose of this study is to reproduce an objective global picture of the emergence and formation of corporate periodicals, taking into account the business and socio-economic context. Accordingly, its tasks are to compare the conditions and features of corporate media genesis in different countries, to determine the main factors of their development, as well as to clarify the transformations of the terminological apparatus. The research is based on mostly foreign secondary scientific works published from 19
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