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Journal articles on the topic 'Nineteenth century art'

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1

EISENMAN, STEPHEN F., THOMAS CROW, BRIAN LUKACHER, LINDA NOCHLIN, FRANCES K. POHL, and DAVID WOOTTON. "NINETEENTH-CENTURY ART." Art Book 1, no. 3 (1994): 21b. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00141.x.

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2

Mainardi, Patricia. "Nineteenth-Century French Art Institutions." Art Journal 48, no. 1 (1989): 7. http://dx.doi.org/10.2307/776912.

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3

Levine, Steven Z., Stephen F. Eisenman, Thomas Crow, et al. "Nineteenth Century Art: A Critical History." Woman's Art Journal 18, no. 1 (1997): 50. http://dx.doi.org/10.2307/1358683.

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4

Doy, Gen. "Nineteenth century art. a critical history." Women's History Review 5, no. 4 (1996): 567–83. http://dx.doi.org/10.1080/09612029600200249.

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5

McNeal, R. A. "Athens and Nineteenth-Century Panoramic Art." International Journal of the Classical Tradition 1, no. 3 (1995): 80–97. http://dx.doi.org/10.1007/bf02701938.

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6

Weston, Nancy, and Terry W. Strieter. "Nineteenth Century European Art. A Topical Dictionary." History Teacher 34, no. 2 (2001): 278. http://dx.doi.org/10.2307/3054300.

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7

Katz, Martin, and Theofanis George Stavrou. "Art and Culture in Nineteenth-Century Russia." American Historical Review 90, no. 3 (1985): 736. http://dx.doi.org/10.2307/1861077.

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8

Nochlin, Linda. "The Political Unconscious in Nineteenth-Century Art." Art Journal 46, no. 4 (1987): 259. http://dx.doi.org/10.2307/776995.

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9

Dienes, Laszlo, and Theofanis George Stavrou. "Art and Culture in Nineteenth-Century Russia." Russian Review 44, no. 4 (1985): 412. http://dx.doi.org/10.2307/129798.

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10

Hinde, John R. "Jacob Burckhardt and nineteenth-century realist art." Journal of European Studies 27, no. 4 (1997): 433–55. http://dx.doi.org/10.1177/004724419702700403.

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11

Hartley, L. "Fairies in Nineteenth-Century Art and Literature." Notes and Queries 50, no. 1 (2003): 139–41. http://dx.doi.org/10.1093/nq/50.1.139.

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12

Hartley, Lucy. "Fairies in Nineteenth‐Century Art and Literature." Notes and Queries 50, no. 1 (2003): 139–41. http://dx.doi.org/10.1093/nq/500139.

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13

Mainardi, Patricia. "Editors Statement: Nineteenth-Century French Art Institutions." Art Journal 48, no. 1 (1989): 7–8. http://dx.doi.org/10.1080/00043249.1989.10792580.

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14

Calvo Manuel, Ana. "Conservation in the Nineteenth Century." Ge-conservacion 6 (December 11, 2014): 102–3. http://dx.doi.org/10.37558/gec.v6i0.250.

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Reseña del libro: Conservation in the Nineteenth CenturyArchetype Publications in association with the National museetof Denmark and CATS (Centre for Art Technological Studies andConservation), Copenhagen. London, 2013.232 páginas, 220x300 mm.ISBN: 978-1-904982-91-3.
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15

Boudewyns, Deborah K. Ultan. "Scholarly Electronic Publishing in Art History: Nineteenth-Century Art Worldwide." Art Documentation: Journal of the Art Libraries Society of North America 29, no. 2 (2010): 21–25. http://dx.doi.org/10.1086/adx.29.2.27949548.

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16

DiBlasio, Margaret, and Foster Wygant. "Art in American Schools in the Nineteenth Century." Journal of Aesthetic Education 20, no. 2 (1986): 109. http://dx.doi.org/10.2307/3332701.

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17

Malamud and Malamud. "The Petrification of Cleopatra in Nineteenth Century Art." Arion: A Journal of Humanities and the Classics 28, no. 1 (2020): 31. http://dx.doi.org/10.2307/arion.28.1.0031.

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18

Hubbard, Guy, and Foster Wygant. "Art in American Schools in the Nineteenth Century." Art Education 38, no. 2 (1985): 41. http://dx.doi.org/10.2307/3192844.

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19

VanHandel, Leigh. "National Metrical Types in Nineteenth Century Art Song." Empirical Musicology Review 4, no. 4 (2009): 134–45. http://dx.doi.org/10.18061/1811/44659.

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20

Saunders, Robert J., and Diana Korzenik. "Drawn to Art: The Nineteenth Century American Dream." Studies in Art Education 29, no. 1 (1987): 61. http://dx.doi.org/10.2307/1320457.

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21

Scott, Amy. "Collections: Art and Adventure in Nineteenth-Century California." California History 86, no. 4 (2009): 14–82. http://dx.doi.org/10.2307/40495231.

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22

Da Costa Nunes, Jadviga M. "The Naughty Child in Nineteenth-Century American Art." Journal of American Studies 21, no. 2 (1987): 225–47. http://dx.doi.org/10.1017/s0021875800029182.

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During the first half of the nineteenth century many Americans began to promote the visual arts as a means of defining and fostering national identity. One highly significant consequence of this new aesthetic was the rise of a native genre art which depicted uniquely “American” customs and characters. Focussing upon and interpreting the daily world of average citizens in an emphatically optimistic and ideal manner, these works of art celebrated the virtue, vigor, simplicity, resourcefulness and republicanism of American society. They tended chiefly to represent rural American activities – mapl
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23

Becker, Howard S., and Diana Korzenik. "Drawn to Art: A Nineteenth-Century American Dream." Contemporary Sociology 15, no. 4 (1986): 578. http://dx.doi.org/10.2307/2069282.

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24

Poole, A. "Review: Fairies in Nineteenth-Century Art and Literature." Review of English Studies 53, no. 212 (2002): 573–75. http://dx.doi.org/10.1093/res/53.212.573.

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25

Tobin, Thomas J. "NINETEENTH-CENTURY ART WORLDWIDE. Petra ten-Doesschate Chu." Art Documentation: Journal of the Art Libraries Society of North America 23, no. 1 (2004): 53. http://dx.doi.org/10.1086/adx.23.1.27949301.

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26

McGillis, Roderick. "Fairies in Nineteenth-Century Art and Literature (review)." Victorian Studies 45, no. 3 (2003): 571–73. http://dx.doi.org/10.1353/vic.2003.0133.

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27

Letellier, Aurélie. "Medieval and Renaissance art in nineteenth-century Paris." Journal of the History of Collections 27, no. 3 (2014): 297–307. http://dx.doi.org/10.1093/jhc/fhu037.

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28

Storey, John. "Inventing opera as art in nineteenth-century Manchester." International Journal of Cultural Studies 9, no. 4 (2006): 435–56. http://dx.doi.org/10.1177/1367877906069894.

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29

Bullen, J. B. "Browning’s “Pictor Ignotus” and nineteenth‐century “Christian” art." Nineteenth-Century Contexts 26, no. 3 (2004): 273–88. http://dx.doi.org/10.1080/0890549042000280810.

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30

Codell, Julie. "Women Writing Art History in the Nineteenth Century." Nineteenth-Century Contexts 38, no. 1 (2015): 71–73. http://dx.doi.org/10.1080/08905495.2015.1106393.

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31

Geraths, Cory, and Michele Kennerly. "Painted Lady: Aspasia in Nineteenth-Century European Art." Rhetoric Review 35, no. 3 (2016): 197–211. http://dx.doi.org/10.1080/07350198.2016.1178688.

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32

Miller, Lillian B., Diana Korzenik, and Rudolf Arnheim. "Drawn to Art: A Nineteenth-Century American Dream." American Historical Review 92, no. 1 (1987): 215. http://dx.doi.org/10.2307/1862939.

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33

Sheldon, Christopher. "Art on the Move: Art Mobility in the Long Nineteenth Century." Visual Resources 34, no. 3-4 (2018): 436–39. http://dx.doi.org/10.1080/01973762.2018.1442069.

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34

LeBlanc, Ronald D. "Teniersism: Seventeenth-Century Flemish Art and Early Nineteenth-Century Russian Prose." Russian Review 49, no. 1 (1990): 19. http://dx.doi.org/10.2307/130081.

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35

Lewis-Williams, J. David, and David G. Pearce. "San rock art: evidence and argument." Antiquity 89, no. 345 (2015): 732–39. http://dx.doi.org/10.15184/aqy.2014.51.

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Whether or not a ‘trance-dance’ akin to that of today's Kalahari San (Bushmen) was performed by southern /Xam San in the nineteenth century has long been the subject of intense debate. Here the authors point to parallels between nineteenth-century records of San life and beliefs and twentieth-century San ethnography from the Kalahari Desert in order to argue that this cultural practice was shared by these two geographically and chronologically distant groups. More significantly, it is suggested that these ethnographic parallels allow a clearer understanding of the religious and ritual practice
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36

Fawcett, Trevor. "The nineteenth-century art book: Content, Style and Context." Art Libraries Journal 17, no. 3 (1992): 12–17. http://dx.doi.org/10.1017/s0307472200007902.

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Although ‘art books’ of various kinds existed before 1800, art publishing grew significantly and with increasing speed through the 19th century. Two key factors, each encouraging the other, were the growth of interest in art among a heterogeneous public, and developments in printing technology, especially in methods of reproducing illustrations. Increasing numbers of illustrated art books contributed to the dissemination of awareness of an ever-broader spectrum of works of art, and of the decorative arts, throughout society, and nourished the historicism and eclecticism practised by contempora
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37

Parr, Sean M. "Caroline Carvalho and nineteenth-century coloratura." Cambridge Opera Journal 23, no. 1-2 (2011): 83–117. http://dx.doi.org/10.1017/s0954586712000031.

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AbstractThis essay explores how the soprano Caroline Carvalho (née Marie Félix-Miolan, 1827–95) perpetuated and extended the art of coloratura singing in the mid-nineteenth century. Creator of roles in sixteen operas, including five by Gounod, Carvalho achieved ‘superdiva’ status (Rutherford) by cultivating her voice – her ‘mécanisme prodigieux’ – to handle coloratura on a scale that explicitly invoked and rivalled the instrumental virtuosity of Paganini. In premièring the title role of Victor Massé's La Reine Topaze (1856), the soprano sang a variations aria based on the Carnival of Venice fo
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38

Bruquetas Galán, Rocío. "A Changing Art. Nineteenth-Century Painting Practice and Conservation." Ge-conservacion 13 (June 29, 2018): 100–101. http://dx.doi.org/10.37558/gec.v13i0.587.

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A Changing Art. Nineteenth-Century Painting Practice and Conservation
 Ed. Por Nicola Costaras, Kate Lowry, Helen Glanville, Pippa Balch, Victoria Sutcliffe y Polly Satlmarsh)
 Londres: Archetype (en asociación con The British Association of Paintings Conservator-Restorers, BAPCR), 2017.
 ISBN: 9781909492547
 Dimensiones: 246 x 175 mmPáginas: 144Ilustraciones en color
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39

Smyth, Patricia. "Theatre, Art and Visual Culture in the Nineteenth Century." Nineteenth Century Theatre and Film 39, no. 1 (2012): xvii—xxv. http://dx.doi.org/10.7227/nctf.39.1.2.

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40

Isaac, Veronica. "The Art of Costume in the Late Nineteenth Century." Nineteenth Century Theatre and Film 39, no. 1 (2012): 93–111. http://dx.doi.org/10.7227/nctf.39.1.8.

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41

Melville, Stephen, and Michael Fried. "Menzel's Realism: Art and Embodiment in Nineteenth-Century Berlin." Art Bulletin 86, no. 1 (2004): 173. http://dx.doi.org/10.2307/3177408.

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42

Donald, Adrienne, and Carl Woodring. "Nature into Art: Cultural Transformations in Nineteenth-Century Britain." South Central Review 8, no. 3 (1991): 98. http://dx.doi.org/10.2307/3189254.

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43

Shiff, Richard. "Art History and the Nineteenth Century: Realism and Resistance." Art Bulletin 70, no. 1 (1988): 25. http://dx.doi.org/10.2307/3051152.

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44

Bezucha, Robert J., and Miriam R. Levin. "Republican Art and Ideology in Late Nineteenth-Century France." American Historical Review 93, no. 5 (1988): 1344. http://dx.doi.org/10.2307/1873620.

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45

Lilley, Ed. "Art, Fashion, and the Nude: A Nineteenth-century Realignment." Fashion Theory 5, no. 1 (2001): 57–77. http://dx.doi.org/10.2752/136270401779045743.

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46

Bergman-Carton, Janis, and Jonah Siegel. "Desire and Excess: The Nineteenth-Century Culture of Art." American Historical Review 106, no. 3 (2001): 938. http://dx.doi.org/10.2307/2692348.

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47

Gallant, Christine. "Fairies in Nineteenth-Century Art and Literature. Nicola Bown." Wordsworth Circle 37, no. 4 (2006): 224–25. http://dx.doi.org/10.1086/twc24045157.

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48

Barlow, Deborah. "NINETEENTH CENTURY ART: A CRITICAL HISTORY. Stephen F. Eisenman." Art Documentation: Journal of the Art Libraries Society of North America 13, no. 3 (1994): 150–51. http://dx.doi.org/10.1086/adx.13.3.27948668.

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49

ribeyrol, charlotte. "The changing colours of nineteenth-century art and literature." Word & Image 36, no. 1 (2020): 1–6. http://dx.doi.org/10.1080/02666286.2019.1651593.

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50

moss, dorothy. "Delicious Deception: Wax Parlor Art in Nineteenth-Century America." Gastronomica 4, no. 1 (2004): 10–12. http://dx.doi.org/10.1525/gfc.2004.4.1.10.

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