Academic literature on the topic 'Novel 18th century Critical edition'

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Journal articles on the topic "Novel 18th century Critical edition"

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Merkulova, M. G., and S. A. Gerasimova. "Literary Experiences of Encyclopedist of 18th Century: Jean-Francois Marmontel." Nauchnyi dialog 11, no. 8 (2022): 273–93. http://dx.doi.org/10.24224/2227-1295-2022-11-8-273-293.

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The article is devoted to identifying the features of the formation of Jean-Francois Marmontel as a writer, journalist and encyclopedist who made a significant contribution to the literary education of the French society. The relevance of the research topic is due to the study of the views of the scientist that influenced the reception of established and new literary genres of the 18th century. The research methodology is based on a narrative approach in the historiographical perspective, as well as a biographical (cultural-anthropocentric) method that reveals the writer's biography as a typic
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Ricquier, Kirsten. "The early modern transmission of the ancient Greek romances: a bibliographic survey." Ancient Narrative 15 (February 14, 2019): 1. http://dx.doi.org/10.21827/5c643a2ff2600.

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This contribution offers a new, critical bibliography of translations and editions of the five extant Greek romances in the early modern era, from the beginning of printing to the eighteenth century. By consulting catalogues of libraries, digitalised copies, and secondary literature, I expand, update and correct earlier bibliographies. I identify alleged editions and include creative treatments of the texts as well as incomplete versions. As an interpretation of my survey, I give an overview of broad, changing tendencies throughout the era and filter the dispersion over Europe in a wider area
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Aqtay, Gulayhan. "A critical edition of Mordecai Qazaz's Crimean Karaim poem Adam oglu ‘Man’s son'." Acta Orientalia Academiae Scientiarum Hungaricae 73, no. 2 (2020): 291–319. http://dx.doi.org/10.1556/062.2020.00013.

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AbstractThis paper presents a critical edition of Mordecai Qazaz's poem Adam oglu 'Man's son' written in Crimean Karaim probably at the end of the 18th century. It was published in 1841 under another title by Jacob Firkovich who did not provide the name of its author. This publication has not yet been examined. It is only now that we can identify it with Adam oglu. In the present edition, the text is edited on the basis of four manuscripts and the printed edition. Attempt was made to established the basic form of the poem and discuss language features.
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Talib, Adam. "Pseudo-Ṯaʿālibī’s Book of Youths". Arabica 59, № 6 (2012): 599–649. http://dx.doi.org/10.1163/157005812x622885.

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Abstract This article presents a critical edition and study of a 17th/18th-century poetry collection that had previously been mistaken for al-Ṯaʿālibī’s lost Kitāb al-Ġilmān. It provides a codicological analysis of Berlin MS Wetzstein II 1786 in which the poetry collection is contained and also explains and corrects long-held misconceptions regarding al-Ṯaʿālibī’s connection with the text. Finally, the article situates this poetry collection in the context of Mamluk- and Ottoman-era epigram anthologies and the critical apparatus to the edition demonstrates the key features of intertextuality a
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Fauvelle-Aymar, Francois-Xavier. "Four wordlists of extinct Cape Khoekhoe from the 18th century." Studies in African Linguistics 34, no. 2 (2005): 159–78. http://dx.doi.org/10.32473/sal.v34i2.107329.

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The Khoekhoe language, a member of the Khoisan family, was widely spoken by Southern Africa pastoralists and hunters-gatherers a few centuries ago. Apart from varieties still spoken in the 20th century (such as Nama in Namibia), very little is known of the dialect spoken by the Cape Khoekhoe. This paper is a critical edition of four manuscript wordlists collected at the end of the 18th century by Robert Jacob Gordon, then commandant of the Dutch garrison at the Cape. These lists refer to several local varieties ofthe Cape Khoekhoe language, collected just before it became extinct, and display
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Vojtěšková, Jana. "Letters from the Morawetz Collection (Musicians of Czech Origin in European Centres at the Turn of the 18th and 19th Centuries)." Musicalia 13, no. 1-2 (2022): 6–45. http://dx.doi.org/10.37520/muscz.2021.001.

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The article deals with the oldest music-related documents from the Morawetz collection (most of which come from the collection of Friedrich Donebauer), which the Czech Museum of Music obtained in 2003 and 2008. Specifically, this involves letters of musicians from Bohemia who were working in German-speaking countries around the end of the 18th century and the beginning of the 19th (Jiří Antonín Benda, Leopold Koželuh, Antonín František Bečvařovský, and Jan Václav Hugo Voříšek). The study presents a critical edition of six letters and one receipt and their translations into Czech and English. O
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Nofal, Faris O. "“Druze Catechism”." Ishraq. Islamic Philosophy Journal 2, no. 1 (2024): 57–100. http://dx.doi.org/10.21146/2949-1126-2024-2-1-57-100.

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For the first time, the reader is presented with a critical text of one of the most important doctrinal works of the Druze community, well-known as “Druze Catechism”. Based on three versions of the “Catechism” (J.G. Eichhorn’s edition, Ms. Ar. 185 from the collection of the National Library of Israel, manuscript Cod. arab. 225 from the collection of the Bavarian National Library), the publisher reconstructs the primary source with brief commentaries. The work is preceded by a short preface, revealing the textual and philosophical-religious history of the anonymous Druze work of the 18th centur
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Nahon, Peter. "Modern Judeo-Provençal as Known from Its Sole Textual Testimony: Harcanot et Barcanot (Critical Edition and Linguistic Analysis)." Journal of Jewish Languages 9, no. 2 (2021): 165–237. http://dx.doi.org/10.1163/22134638-bja10014.

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Abstract This study offers a linguistic description of the idiom of the Jews of the Comtat Venaissin (“Judeo-Provençal”) at the end of the 18th century, based on a critical edition of the only relevant document illustrating this language, a theatrical play in verse entitled Harcanot et Barcanot. The introduction provides a philological inventory of all known sources of “Judeo-Provençal.” The critical and variorum edition of the text, accompanied by linear glosses in English, is followed by a commentary comprising a glossary and analysis of all relevant linguistic features. It reveals, inter al
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RACHITA. "THE CRITICAL RECEPTION OF THE FRANEKER SEPTUAGINT (1709)." ANNALES UNIVERSITATIS APULENSIS. SERIES PHILOLOGICA 24, no. 1 (2023): 317–32. https://doi.org/10.5281/zenodo.15314819.

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In general, when discussing vernacular translations of the Bible from the late 18th century, one must bear in mind that they are based on mixed sources and are often dependent on local cultural traditions. The second complete translation of the Bible into Romanian, made in Blaj (1795) by the Greek Catholic Samuil Micu Klein, is no exception to this general rule, which concerns an implicit dialogue between two different traditions: that of the earlier Romanian translations, which the Romanian translator set out to perfect, and that of the Protestant and Catholic editions of the Septuagint, assu
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Tchaparian, Vicky. "Hypocricy of the Rich vs Honesty of the Poor in the English Society of the 18$^\text{th}$ Century." Armenian Folia Anglistika 16, no. 2 (22) (2020): 119–30. http://dx.doi.org/10.46991/afa/2020.16.2.119.

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During the 18th century, life was unpleasant and disturbing due to the Horrible Plague and the Great Fire that attacked England and turned the English society upside down. There was a big gap between the rich and the poor. Violence and crimes were everywhere. However, along with all the misfortunes, 18th century was also a period of elegance for England. Education flourished, and the novel genre developed impressively along with fine music and theatre performances. During these times, the rich led a luxurious life, while the poor in extreme poverty hardly preserved their miserable existence. T
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Dissertations / Theses on the topic "Novel 18th century Critical edition"

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Vuozzo, Alessandro. "Genesi e generi della poesia politica alfieriana. Edizione e studio critico dell’«Etruria vendicata» e dell’«America Libera»." Electronic Thesis or Diss., Paris 3, 2024. http://www.theses.fr/2024PA030030.

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La thèse examine l’"Etruria vendicata" et l’"America Libera", deux œuvres alfieriennes en vers sur des sujets politiques. L'objectif principal du travail est de fournir de nouvelles éditions critiques pour les deux textes et d'offrir des éléments originaux pour leur interprétation. Le premier chapitre, qui sert à la fois d'introduction et de résumé des résultats critiques de l'étude, rassemble l'enquête historico-littéraire des deux œuvres et un examen approfondi de leur relation avec le contexte culturel et politique de l'époque, à partir de la proposition particulière de réforme des genres l
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Lablanche, Julie. "Éloges inédits de l'académie des sciences, belles-lettres et arts de Besançon (1752-1789)." Thesis, Bourgogne Franche-Comté, 2017. http://www.theses.fr/2017UBFCC021.

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Au milieu du XVIIIe siècle, la Franche-Comté rejoint le réseau des sociétés savantes qui ont pour objectif de contribuer « au progrès des sciences et à la perfection des talents » : une académie des sciences, belles-lettres et arts est établie à Besançon. Les académiciens comtois entreprennent dès lors de nombreux travaux et s’emploient à favoriser l’émulation de leurs concitoyens en organisant régulièrement des concours. De cette activité qui perdure jusqu’en 1789 témoignent les archives manuscrites de la compagnie, aujourd’hui conservées à la Bibliothèque municipale de Besançon et consultabl
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Books on the topic "Novel 18th century Critical edition"

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Joris, Pierre-Marie. Le roman de Partonopeu de Blois. Librairie générale française, 2005.

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Manon Lescaut. Oxford University Press, USA, 2009.

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Manon Lescaut. French and European Publications Inc, 2008.

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Manon Lescaut. CreateSpace Independent Publishing Platform, 2015.

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Manon Lescaut: L'Histoire du chevalier des Grieux et de Manon Lescaut. CreateSpace Independent Publishing Platform, 2018.

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Voltaire. Candide (Third Edition) (Norton Critical Editions). W. W. Norton & Company, 2016.

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Letellier, Robert. The English Novel, 1700-1740. Greenwood Publishing Group, Inc., 2003. http://dx.doi.org/10.5040/9798400646324.

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The English novel written between 1700 and 1740 remains a comparatively neglected area. In addition to Daniel Defoe, whose Robinson Crusoe and Moll Flanders are landmarks in the history of English fiction, many other authors were at work. These included such women as Penelope Aubin, Jane Barker, Mary Davys, and Eliza Haywood, who made a considerable contribution to widening the range of emotional responses in fiction. These authors, and many others, continued writing in the genres inherited from the previous century, such as criminal biographies, the Utopian novel, the science fictional voyage
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Candide CANDIDE by Voltaire (Author) on Mar-17-1991 Paperback. Candide (A Norton Critical Edition). W. W. Norton & Company, 1991.

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Robert M. Adams (Editor), Robert M. Adams (Translator) Voltaire. By Voltaire - Candide (Norton Critical Editions Series): 2nd (second) Edition. Norton, W. W. & Company, Inc., 1992.

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Beethovens Eroica Sketchbook A Critical Edition. University of Illinois Press, 2013.

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Book chapters on the topic "Novel 18th century Critical edition"

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Haquette, Jean-Louis. "Milton in Veneto." In From Press to Readers. Éditions et Presses universitaires de Reims, 2024. https://doi.org/10.4000/13fwx.

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Paradise Lost is a good example of the circulation of texts and books in 18th century Europe, as the work progressively became a major reference in the epic tradition. The paper focuses on the first illustrated Italian edition of the text, as part of a wider project on Milton on the continent. In the history of this translation, cultural intermediaries, such as Paolo Rolli, the translator, but also a variety of actors (English travellers, Italian dilettanti, the Veronese publisher) play a major part as well as the will to establish Milton as a literary masterpiece. The form of the book, an in-
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Pakhsarian, Natalia T. "Fielding and Marivaux (on the Genealogy of the English Rococo Novel)." In The Multifaceted Fielding. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0616-1-142-159.

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The article specifies the course of evolution of the English novel in the 17th and 18th centuries and compares it to the development of the French novelistic prose of the same period. The semantics of the Enlightenment terms “romance” and “novel” is spelled out, as well as the part Introductions played in making the novela self-conscious genre. Fielding’s critical stance, informing both his plays and novels, prompts appearance of elements of Rococo poetics in his early writings, which are very similar to those employed by Marivaux, a recognized Rococo author. The ironic games, the urge to amus
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Burnetts, Charles. "Towards a Genealogy of Sentimentalism in the Eighteenth and Nineteenth Centuries." In Improving Passions. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9780748698196.003.0002.

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Chapter One charts a genealogy of the sentimental mode, from the sentimental literary cultures of 18th century Europe through to the widespread success of popular melodrama in Europe and America. It draws connections between the sentimental novel, ‘Moral Sense’ philosophy of the 18th century ‘Scottish Enlightenment’, and 19th century melodrama, as discourses and traditions each bound up with questions relating to affect, the subject and society. While textual analysis of specific texts seeks to draw out the continuities and problematics of sentimentalism as a literary and theatrical genre, a f
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Nandanwadkar, Shrikrishna M., and Chaitrali M. Bidikar. "RECENT TRENDS IN AGRICULTURAL ENGINEERING AND FOOD SCIENCES: A FUTURISTIC APPROACH." In Futuristic Trends in Agriculture Engineering & Food Sciences Volume 3 Book 4. Iterative International Publisher, Selfypage Developers Pvt Ltd, 2024. http://dx.doi.org/10.58532/v3bcag4p2ch4.

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This study undertakes a comprehensive analysis of the historical, contemporary, and prospective trends in agricultural engineering and food science, observing the transformation from conventional methods to innovative and sustainable practices. Starting from classical times, we trace how agricultural engineering, once characterized by rudimentary tools and practices, experienced significant shifts during the Agricultural Revolution in the 18th and 19th centuries, which introduced mechanization and selective breeding. We identify the impact of these advancements, while also acknowledging the su
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Cropf, Robert A. "The Virtual Public Sphere." In Encyclopedia of Multimedia Technology and Networking, Second Edition. IGI Global, 2009. http://dx.doi.org/10.4018/978-1-60566-014-1.ch206.

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The public sphere does not exist and operate in the same way everywhere. Every country is different with regard to its own economic, social, political, and cultural characteristics and relations; therefore, each country’s public sphere has its own roots which grow and develop within a unique set of conditions and circumstances. As a result, the impact of information technology (IT) on a public sphere will also vary considerably from one country to another. According to the German social theorist, Jürgen Habermas (1989,1996), the public sphere serves as a social “space,” which is separate from
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Mecsnóber, Tekla. "Ulysses and the Transformation of Typography." In Rewriting Joyce's Europe. University Press of Florida, 2021. http://dx.doi.org/10.5744/florida/9780813066981.003.0005.

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Mecsnóber begins chapter 4 by tracing Joyce’s textual attention to visual aspects of printing in Ulysses and places it into the context of the writer’s increased involvement with the production of the first, 1922 edition of the novel. Sharing an interest in textual materiality with much recent critical work, Mecsnóber focuses on one salient visual aspect of Genette’s paratexts and McGann’s bibliographic codes: typeface choice. Mecsnóber identifies a range of typographic functions and highlights Joyce’s insistence on asserting his authorial intentions through interpretive design. Reviewing the
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Conference papers on the topic "Novel 18th century Critical edition"

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Amminger, Agnes, and Franz Kelnreiter. "Leopold Mozarts „Gründliche Violinschule“. Zur Textcodierung und -präsentation einer digitalen Edition." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.97.

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Leopold Mozart‘s Violin Tutor (Versuch einer gründlichen Violinschule [= “Essay on a well-founded instruction for the violin”], Augsburg 1756) is one of the most important sources concerning the aesthetics of violin playing in the 18th century. A critical digital edition, prepared within the Digital Mozart Edition (DME) at the International Mozarteum Foundation (Salzburg), has been freely accessible online since 14 November 2019; see <https://dme.mozarteum.at/digital-editions/violinschule>. At present, the digital edition includes the first edition of 1756 only; further early releases (1
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Mortensen Steagall, Marcos, and Sergio Nesteriuk Gallo. "LINK 2022 4th Conference in Creative Practice, Research and Global South." In LINK 2022. Tuwhera Open Access, 2022. http://dx.doi.org/10.24135/link2022.v3i1.191.

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It is increasingly overwhelming that our societies are living in disintegrating environments and need for more sustainable design approaches and wiser ways of living and being. Anthropogenic design impact in corporate spheres is causing socio-ecological destruction that threatens the underpinnings of civilisation and bio-diverse nature. Hence, economies and life worlds are facing the limitations of narratives of progress and creeds of growth with their designs and actions that are inapposite to the flourishing of life on our planet. In this context that the LINK Conference has emerged. LINK is
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Hill, Rodrigo, and Tom Roa. "Place-making: Wānanga based photographic approaches." In LINK 2022. Tuwhera Open Access, 2022. http://dx.doi.org/10.24135/link2022.v3i1.188.

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Ka matakitaki iho au ki te riu o Waikato Ano nei hei kapo kau ake maaku Ki te kapu o taku ringa, The words above are from the poem Māori King Tawhiao wrote expressing his love for his homelands of the Waikato and the region known today as the King Country. The words translate to: “I look down on the valley of Waikato, As though to hold it in the hollow of my hand.” Now imagine a large-scale photograph depicting a close-up frame of cupped hands trying to hold something carefully. The words above inform Professor Tom Roa and Dr. Rodrigo Hill’s current research project titled Te Nehenehenui - The
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