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Relevant bibliographies by topics / Novgorod (City). Church of St. Sophia

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Academic literature on the topic 'Novgorod (City). Church of St. Sophia'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Novgorod (City). Church of St. Sophia"

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Antipov, Ilya, Alexandra Trushnikova, and Maksim Kostyria. "Architecture and Icon: the Origin of the Stepped Gables in the Icon ‘The Vision of the Sexton Tarasiy of Khutyn’." Baltic Journal of Art History 21 (August 20, 2021): 31–59. http://dx.doi.org/10.12697/bjah.2021.21.02.

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The article invites to look afresh at the late 16th century Novgorod icon‘The Vision of the Sexton Tarasiy of Khutyn`’ and the Faceted Palace,built in 1433 by German craftsmen. The stepped gables of the building,located west of St Sophia Cathedral in the icon, were interpreted asrealistic image of the upper parts of the Faceted Palace that havenot survived. However, the iconographic analysis of more than ahundred of the Russian icons and illuminated manuscripts datingback to the second half of the 16th – early 17th centuries proved thatthe stepped gable was a decorative architectural motive, w

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Brzozowska, Zofia. "Sophia – the Personification of Divine Wisdom in the Culture of Novgorod the Great from 13th to 15th Century." Studia Ceranea 4 (December 30, 2014): 13–26. http://dx.doi.org/10.18778/2084-140x.04.01.

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The idea of Sophia – the personified Wisdom of God served as a symbol of independence and identity of the republic in the political culture of Novgorod the Great. In Old Russian chronicles and other narrative sources which can be connected with Novgorod, one may find statements showing that – in the eyes of the Novgorodians themselves – Wisdom was not only one of the main attributes of God, but also a separate character, a kind of divine being, who could be interpreted as patronesses and supernatural protector of the city-state. Construction of the temple of Hagia Sophia in Novgorod is usually

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Avanesov, Sergey S. "The cult of saints and the establishment of interregional ties in Old Rus’: Sacred visualization of cross- cultural processes." Journal of Visual Theology 6, no. 2 (2024): 337–67. http://dx.doi.org/10.34680/vistheo-2024-6-2-337-367.

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The article explores visual symbols of cross- cultural processes in medieval Rus’ in the 15th–16th centuries by examples of Novgorod and Moscow represented by their two major saints. During this period, the formation of a common cultural and political space of Muscovy took place. One of the indications of imminent unification was that regional saints (‘genii loci’) were integrated in the united literary, artistic, and liturgical spaces. The article analyses the inception of iconographic compositions featuring two locally venerated saints–St. Varlaam of Khutyn (Novgorod) and St. Sergius of Rado

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Khromov, Oleg. "Books from Sofia library in the cyrillic book collection at the Russian state library." St. Tikhons' University Review 110 (February 28, 2023): 29–39. http://dx.doi.org/10.15382/sturii2023110.29-39.

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The article tires to identify early printed editions from Novgorod churches and monasteries as part of the Russian State Library (RSL) collection. It shows the way they got to the RSL and provides a method for their attribution. In the XVIII century, the books were collected in the St. Sophia Cathedral library in Novgorod. In the middle of the XIX century, some of them were brought to the library of the St. Petersburg Theological Academy. In the 1870s, the idea of exchanging book duplicates between the St. Petersburg Theological Academy and the Moscow Public and Rumyantsev’s Museums arose. It

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Vinogradov, Andrey. "Ban as a Political Instrument in the Russian Church of the Middle 11th Century New Data about Luka Zhidyata." ISTORIYA 12, no. 9 (107) (2021): 0. http://dx.doi.org/10.18254/s207987840017171-7.

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The article deals with the biography of Luka Zhidyata, the Bishop of Novgorod. The mention of the consecration of St. Sophia of Novgorod by him probably dates back to the “Primary Chronicle”. Information of the chronicles about his three-year suspension and imprisonment in Kiev is compared with the norms of Byzantine canon law. The only rule by which Luka could be subjected to such punishment is a ban for clerics to play dice or communicate with the players. Such an accusation clarifies the role of his servant Dudika in in Luka’s process. The reason for the punishment of Luka by Metropolitan E

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Guimon, Timofey V. "Annalistic Writing and the Development of Written Culture (Novgorod of the 11th and the First Half of the 12th Centuries)." Slovene 4, no. 1 (2015): 94–110. http://dx.doi.org/10.31168/2305-6754.2015.4.1.5.

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The author studies key moments in the history of early Novgorodian annalistic writing in the context of other written practices in Novgorod. The first, very brief annalistic notes were made by clerics of the St. Sophia Cathedral in the middle of the 11th century, at the time when, in Novgorod, writing was becoming part of the everyday life of clerics as well as of the lay elite and the administration. The first systematic historical works (an annalistic compilation and a collection of lists) appear in the 1090s, when we see the spread of book production beyond St. Sophia and the start of the m

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Fedotova, Natalia G. "Orthodox images in the urban imaginary of Veliky Novgorod." Journal of Visual Theology 6, no. 2 (2024): 368–81. http://dx.doi.org/10.34680/vistheo-2024-6-2-368-381.

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The article studies the perception of the city and collective ideas thereof, particularly through the phenomenon of the urban imaginary which is a synthesis of collective representations of a real and a virtual city. The structure of the urban imaginary consists of visual images through which a person imagines a city, including its architecture or once-seen images of festive events. The author argues that religious images, in particular those related to Christian Orthodox imagery, occupy a separate place in the urban imaginary, especially in historical cities, such as Veliky Novgorod. The empi

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Сиренов, А. В. "Epitaph of Alexander Nevsky's mother in Novgorod and Vladimir." Architectural archeology, no. 4 (February 12, 2023): 215–19. http://dx.doi.org/10.25681/iaras.2022.978-5-94375-371-8.215-219.

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Статья посвящена надписям над погребением матери Александра Невского княгини Феодосии. Она была похоронена в Георгиевском соборе новгородского Юрьева монастыря, но в XVI в. ошибочно полагали, что местом ее погребения является Георгиевская церковь города Владимира. В XVIII в. и в новгородском Георгиевском соборе, и во владимирской Георгиевской церкви имелись надгробные надписи о погребении княгини Феодосии. Источником этих надписей является текст Степенной книги. Вероятно, что их составление с использованием одного источника было независимым и относится ко второй половине XVII в. или, что вероя

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Logvyn, Natalia. "SPECIFICITIES OF THE MASONRY TECHNIQUE OF KYIVAN MONUMENTS OF THE XTH THE BEGINNING OF THE XIITH CENTURIES." Current problems of architecture and urban planning, no. 58 (November 30, 2020): 105–17. http://dx.doi.org/10.32347/2077-3455.2020.58.105-117.

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The material presented above concerns the research of the concealed course technique used in Kyivan monuments of the Xth the beginning of the XIIth centuries and its origin. The concealed course technique presents the brickwork where the alternating brick courses are slightly recessed from the wall and covered by mortar, as a result, joints appear to be much thicker than they actually are. The earliest known monument where the concealed course technique that occurs in the Desyatynna church in Kyiv completed in 996, as well as the two palaces of the Xth c. nearby. The recessed brick

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Mikheienko, K. "Arched gables (zakomara) temple of the ХІІ century. Regional traditions". Research and methodological works of the National Academy of Visual Arts and Architecture, № 27 (27 лютого 2019): 33–43. http://dx.doi.org/10.33838/naoma.27.2018.33-43.

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Speaking about an originality of the early stages of development of Ancient Rus architecture in comparison with Byzantine architecture, the first thing mentioned is the usage of several domes. However, the decorative arched gables (zakomara), that became attribute of Ancient Rus arched gables temple, yet unknown in Byzantium, are almost not being mentioned. St. Sofia Cathedral in Novgorod represents the initial formation stage of such type of temple (A. Komech). The earliest decorative arched gable (zakomara) found has been preserved in this Novgorod cathedral. The process of formation of the

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Books on the topic "Novgorod (City). Church of St. Sophia"

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Petras, David M. The Typicon of the Patriarch Alexis the Studite: Novgorod - St. Sophia 1136. Star Printing, 1991.

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Book chapters on the topic "Novgorod (City). Church of St. Sophia"

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Kaliganov, Igor I. "The Ostromir Gospel: the oldest dated handwritten book of the Eastern Slavs." In Materials for the virtual Museum of Slavic Cultures. Issue II. Institute of Slavic Studies, Russian Academy of Sciences, 2020. http://dx.doi.org/10.31168/0440-4.20.

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The article talks about the oldest East Slavic dated manuscript: the Ostromir Gospel 1056–57. It takes its name from the Novgorod mayor Ostromir, a trusted associate of the Kievan Prince, who appointed him to manage the city. It is most likely that Ostromir presented this splendid gospel at the newly built cathedral of St. Sophia, the main church of northwest Rus’. This precious manuscript had a colourful fate: in addition to Novgorod, it was at various times kept in Moscow and St. Petersburg, in possession of Russian emperors and empresses until it was transferred in the early 19th century to

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Kriza, Ágnes. "Representations of Wisdom in Rus." In Depicting Orthodoxy in the Russian Middle Ages. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198854302.003.0005.

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The second ‘Image’ part of the book places the Wisdom image in the context of late Byzantine and medieval Russian art, and investigates the validity of the claims of the first ‘Word’ part about the meaning of the Novgorod Sophia icon. This chapter surveys two major sophiological themes of medieval Russian painting with a female or genderless figure of Wisdom: ‘Wisdom has built her house’ illustrating Proverbs 9:1–5 and the representations of Evangelists inspired by Wisdom. These iconographies appeared in late fourteenth-century Novgorod painting for the first time and are apparently intertwine

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Conference papers on the topic "Novgorod (City). Church of St. Sophia"

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Исаев, А. А., П. Г. Гайдуков, and О. М. Олейников. "St Sophia neighbourhood of Veliky Novgorod, Oborony St, Building 2." In Города, селища, могильники. Раскопки 2017. Материалы спасательных археологических исследований. Crossref, 2018. http://dx.doi.org/10.25681/iaras.2018.978-5-94375-210-0.124-134.

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В 2017 г. Новгородская археологическая экспедиция ИА РАН проводила исследования на месте строительства жилого дома на ул. Обороны, д. 2. Здесь впервые найден и исследован древнейший грунтовый могильник времени первого столетия существования Новгорода. По комплексу вещей и конструкции погребальных сооружений он находит прямые аналогии в материалах раскопок в Киеве, Чернигове, Пскове. В конце XI в. на месте могильника возникли усадьбы, выгороженные частоколами. Данное поселение, расположенное на некотором удалении от городских кварталов, было связано с торговой или таможенной деятельностью. Кром

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Melnikov, Ilya A. "Collections of Old Believers Books of the Novgorod eological Seminary and the “Brotherhood of St. Sophia” in the Context of “Internal Mission”." In Лихудовские чтения — 2022. НовГУ им. Ярослава Мудрого, 2023. http://dx.doi.org/10.34680/978-5-89896-832-8/2023.readings.11.

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e article introduces the history of the formation of collections of handwritten and old printed books that were kept among the Old Believers, which then were transferred in the libraries of the Novgorod eological Seminary and the missionary Brotherhood of St. Sophia. As in other regions, these collections arose in the second half of the XIX century due to the need to conduct polemics with representatives of the Old Believers and sectarianism, which was an important part of the so-called “internal mission” of the Greek-Russian Church. ey were based on manuscripts con scated in the Old Believer

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Лаврентьев, А. В., and Д. А. Петров. "The construction of the Church of the Annunciation at Gorodische in Novgorod in 1342-1343 and the politics of Grand Prince Simeon of Moscow." In Архитектурная археология. Crossref, 2020. http://dx.doi.org/10.25681/iaras.2686-6900.1.318-333.

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Статья посвящена строительной деятельности великого князя Симеона Гордого, которая рассматривается в контексте политической обстановки начала его княжения. Речь идет опокрытии куполов Успенского собора во Владимире позолоченными медными досками летом 1340 г. (непосредственно перед интронизацией Симеона), отливке колокола для собора Св.Софии вНовгороде в1342 г. мастером Борисом Римлянином из Москвы сооружении новой Благовещенской церкви на Городище великокняжеской резиденции вВеликом Новгороде в1342-1343 гг. Высказано гипотетическое предположение об участии мастера Бориса вустройстве новой свин

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Гайдуков, П. Г., and О. М. Олейников. "The St Sofia side neighbourhood of Veliky Novgorod (2017)." In Города, селища, могильники. Раскопки 2017. Материалы спасательных археологических исследований. Crossref, 2018. http://dx.doi.org/10.25681/iaras.2018.978-5-94375-210-0.80-89.

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В 2017 г. хоздоговорный отряд Новгородской экспедиции Института археологии РАН проводил исследования на Софийской стороне города. Общая площадь на 34 объектах (раскопы Тихвинский-2, Конюшенный-2; Троицкий, д. 16; Воздвиженский, д. 9, Черняховского, д. 14, Обороны, д. 2 и шурфы под городские коммуникации) в этой части города составила 1300 кв. м при мощности культурного слоя до 5 м. Эти работы дали значительную информацию о времени первоначального освоения и заселения разных участков средневекового Новгорода, а также по топографии и планировке усадеб жителей и особенностям их материальной культ

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Носов, Е. Н., and Н. В. Хвощинская. "Prince’s Church of the Annunciation in the light of new excavation of the ancient moat of the Rurik Gorodische." In Архитектурная археология. Crossref, 2020. http://dx.doi.org/10.25681/iaras.2686-6900.1.55-69.

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Раскопки Рюрикова городища (2005-2010) проясняют причины разборки церкви Благовещения XII в. в середине XIV в. Во второй половине IX Xв. центральная часть городищенского холма, где находилась княжеская резиденция, была окружена рвом. Судя по археологическим данным, вXIв. интенсивность жизни на Городище резко снижается в связи спереносом княжеского двора на место Ярославова дворища. Возвратиться на Городище Мстислава Владимировича вынудили перемены вструктуре власти вНовгороде вконце XI в. Накануне переезда там были проведены большие нивелировочные работы, засыпан ров. Впротивовес городскому Со

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