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Journal articles on the topic 'Nowowiejski'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Gorlewska, Ewa. "Profesor Bogusław Nowowiejski – publikacje." Białostockie Archiwum Językowe, no. 20 (2020): 19–30. http://dx.doi.org/10.15290/baj.2020.20.03.

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2

Kusz, Dawid. "Feliks Nowowiejski, „Quo vadis” – recenzja płyty." Pro Musica Sacra 15 (November 16, 2017): 205. http://dx.doi.org/10.15633/pms.2261.

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3

Dulisz, Ilona. "Feliks Nowowiejski o szkole muzyki kościelnej w Ratyzbonie." Studia Warmińskie 51 (December 31, 2014): 297–308. http://dx.doi.org/10.31648/sw.173.

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Szkoła Muzyki Kościelnej w Ratyzbonie, założona w 1874 r. przez F.X. Haberla, od początku swego istnienia zyskała międzynarodowe znaczenie, zwłaszcza w katolickich krajach Europy. Tu kształciło się wielu wybitnych kompozytorów religijnych, do których z pewnością zalicza się F. Nowowiejski, w roku 1900 uczestnik 26. edycji kursu muzyki kościelnej. Pobyt kompozytora w Ratyzbonie dokumentują niezwykle pochlebne świadectwa, wystawione przez tamtejszych mistrzów Haberla i Hallera oraz cykl artykułów zatytułowanych O znaczeniu Ratyzbony dla ruchu kościelno-muzycznego, zamieszczonych w „Muzyce Koście

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4

Karolak, Elżbieta. "Feliks Nowowiejski (1877–1946) – patron roku 2016. Poznańskie lata – miłość odwzajemniona?" Pro Musica Sacra 14 (November 20, 2016): 91. http://dx.doi.org/10.15633/pms.1842.

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5

Garbula, Joanna Maria. "A Family Portrait of Feliks Nowowiejski. Patriotic, Religious and Folk Aspects." Prima Educatione 2 (January 17, 2019): 35–45. http://dx.doi.org/10.17951/pe.2018.2.35-45.

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6

Kopiczko, Andrzej. "Feliks Nowowiejski’s Genealogy based on parish registers in the Archives of the Archdiocese of Warmia in Olsztyn." Masuro-⁠Warmian Bulletin 293, no. 3 (2021): 511–24. http://dx.doi.org/10.51974/kmw-135037.

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In earlier work devoted to Feliks Nowowiejski, detailed information concerning his family is lacking. It was only thanks to a query in the Archives of the Archdiocese of Warmia in Olsztyn that many new facts about the ancestors of this outstanding composer were established, as well as a complete list of his brothers and sisters. It turns out that Feliks Nowowiejski's father Franciszek Nowowieski (whose name was recorded in the books), married first Monika from Ratzki, with whom he had seven children. The last one was born dead, and two days later the mother also died due to cholera (16.09.1866

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7

Nowak, Małgorzata. "Wychowanie przez słownik (na przykładzie słownika pojęć religijnych dla dzieci B. Boguszewskiej)." Białostockie Archiwum Językowe, no. 20 (2020): 177–88. http://dx.doi.org/10.15290/baj.2020.20.14.

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This article contains deliberations on the pedagogical dimension of Ilustrowany słownik katechetyczny (ISK) by Beata Boguszewska addressed at children of early school age, their parents and catechists. In an analysis of source, categories indicated in that context by Bogusław Nowowiejski, i.e. pure theory of law, encyclopaedic learning, educational character and persuasiveness, were used as verifiers of pedagogical dimension of the lexicon. Despite the fact that ISK had all the above mentioned properties, in the pedagogical aspect mainly open persuasiveness and educational character have becom

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8

Superson, Jarosław A. "Paliusz – współczesna forma i teorie o pochodzeniu." Ruch Biblijny i Liturgiczny 65, no. 1 (2012): 85. http://dx.doi.org/10.21906/rbl.84.

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Przez wiele wieków w Kościele rzymskokatolickim wypowiadano się na temat paliusza i jego pochodzenia. W artykule w sposób chronologiczny zostali przedstawieni autorzy: P. de Marca, G. Moroni Romano, F. Vespasiani, R. Garrucci, Ch. de Rohault de Fleury, G. Morin, L. Duchesne, J. Wilpert, H. Grisar, A. J. Nowowiejski, J. Baudot, J. Braun, H. Leclercq, M. Righetti, R. Lesage, B. Neunheuser, J. Lewandowicz, S. Piccolo Paci, którzy analizowali proweniencję rzymskiego paliusza. Badania nad tą rzymską szatą-insygnium, tak bardzo intensywne w drugiej połowie XIX wieku i na początku XX wieku, nie wypra

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9

Superson, Jarosław A. "Stola – orarium – stuła (pierwsze tysiąclecie Kościoła)." Ruch Biblijny i Liturgiczny 63, no. 2 (2010): 165. http://dx.doi.org/10.21906/rbl.168.

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In the ancient culture of Greece, and then of Rome, when describing garments the colloquial term stola was used. But amongst many clothes of that time (stolae) a beautiful robe stood apart – stola, which was usually worn by wealthy matrons and as a result of transformations by men who were on the high-rank of the social hierarchy. Also Vulgate, introducing refined clothes, while at the same time the insignia of the dignity of a given person, used the term stola. In the first millennium of the Church stole, which was a garment that belonged to people with major orders, was defined as orarium or

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10

Mikolon, Anna. "Piano and chamber works by Jerzy Gablenz (1888-1937)." Notes Muzyczny 2, no. 10 (2018): 123–43. http://dx.doi.org/10.5604/01.3001.0012.9815.

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The article is aimed at presenting piano and chamber music written by the forgotten composer of the period of the Young Poland. Born in Cracow to a family with rich music traditions, Jerzy Gablenz learned to play the piano, flute, cello and organ. But his main interest was to write music himself. As early as in his youthful years, he wrote songs and piano miniatures mainly dedicated to Małgorzaa Schoen, his future wife. He graduated from law school, but he also studied composition and theory of music with Władysław Żeleński, Feliks Nowowiejski and Zdzisław Jachimecki. His main occupation was m

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11

Skorupska-Raczyńska, Elżbieta. "Zapożyczenia niemieckie w XIX-wiecznym Dykcjonarzu Michała Amszejewicza (przyczynek do badań nad słownictwem obcego pochodzenia w polszczyźnie)." Białostockie Archiwum Językowe, no. 20 (2020): 255–72. http://dx.doi.org/10.15290/baj.2020.20.20.

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Michał Amszejewicz in Dykcjonarz, which was a record of vocabulary of foreign origin used in the Polish language in the middle of the 19th century, recorded more than eight hundred lexical units (838 in 633 entries, which comprise 511 monosemes and 122 polysemes with two or more meanings) present in the lexis as a result of interference between the Polish and the German languages. Their functional allocation is diversified, with specialist lexis being dominant. Analysed vocabulary in the middle of the 19th century was functionally allocated to various areas of activity, firstly to crafts – 155

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12

Szlachta-Misztal, Justyna. "Konferencja naukowa pt. Kultura muzyczna na Warmii i Mazurach pod hasłem „Feliks Nowowiejski – dzieło i tradycja. W 70. Rocznicę śmierci i 140. rocznicę urodzin kompozytora”, Barczewo, 3 czerwca 2016 r." Przegląd Środkowo-Wschodni 1/2016 (December 15, 2016): 333–35. http://dx.doi.org/10.32612/uw.2543618x.2016.pp.333-335.

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13

Gmys, Marcin. "Archives and blank spots: scholarly perspectives for recovering Polish music (1794–1945)." Interdisciplinary Studies in Musicology, no. 19 (December 31, 2019): 95–105. http://dx.doi.org/10.14746/ism.2019.19.6.

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In this article, the author tries to present the issue of blank spots in the history of Polishmusic since 1794 (the world premiere of Cud mniemany, czyli Krakowiacy i Górale [The supposedmirtacle, or Cracovians and highlanders] composed by Jan Stefani to the libretto of Wojciech Bogusławski is regarded as a symbolic beginning of national style in Polish music) up to the end of the SecondWorld War. It was a great period in history when Poland twice did not exist as a state (between1795 and 1918 and between 1939 and 1945).At the beginning the attention is drawn to the Polish music in the ninetee

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14

Łapicz, Czesław. "Wspomnienie o Profesorze Bogusławie Nowowiejskim (1954–2019)." Białostockie Archiwum Językowe, no. 20 (2020): 13–18. http://dx.doi.org/10.15290/baj.2020.20.02.

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15

Bobryk, Urszula, Renata Gozdecka, and Tomasz Jasiński. "Niedokończony koncert dla Lublina. Wspomnienie o Beacie Dąbrowskiej (1960-2016)." Annales Universitatis Mariae Curie-Sklodowska, sectio L – Artes 14, no. 2 (2017): 11. http://dx.doi.org/10.17951/l.2016.14.2.11.

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<p>Professor Beata Dąbrowska – a conductor, teacher, and organizer of musical life, highly merited for Lublin’s musical culture and Maria Curie-Skłodowska University (UMCS) – died on 14<sup>th</sup> March 2016. She was born on 5<sup>th</sup> January 1960 in Lublin, She attended the Karol Lipiński Music School in Lublin, and then studied at the Frederic Chopin Music Academy in Warsaw, from which she graduated in 1982 and received a Master of Music Degree in Choral Conducting. From 1982 until the end of her life she worked at the Institute of Music, Maria Curie-Skło

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16

Szczepankowska, Irena. "Wspomnienie o Profesorze Bogusławie Nowowiejskim (1954–2019) z okazji pierwszej rocznicy śmierci." Białostockie Archiwum Językowe, no. 20 (2020): 11–12. http://dx.doi.org/10.15290/baj.2020.20.01.

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17

Renat, Maryla. "Feliks Nowowiejski’s Piano Concerto „Slavic” in d minor op. 60 in light of the composer’s piano works." Prace Naukowe Akademii im. Jana Długosza w Częstochowie. Edukacja Muzyczna 11 (2016): 9–39. http://dx.doi.org/10.16926/em.2016.11.01.

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18

Ilona Dulisz. "Quo Vadis? and Other Works by Feliks Nowowiejski in America: History and the Present." Journal of Cultural and Religious Studies 7, no. 4 (2019). http://dx.doi.org/10.17265/2328-2177/2019.04.005.

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