Relevant bibliographies by topics / Of Chŏnju

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Of Chŏnju'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Of Chŏnju"

1

Codruţa Sîntionean. "The Preservation of the Chŏnju Hanok Village: From Material Authenticity to the Themed Replica." Future Anterior: Journal of Historic Preservation, History, Theory, and Criticism 12, no. 1 (2015): 57. http://dx.doi.org/10.5749/futuante.12.1.0057.

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Keonhyung, Kim, та Seth Chandler. "2018 K'wiŏ Chŏnsa–Chŏnsa (前史) ·Chŏnsa (戰史)·Chŏnsa (戰士)". Azalea: Journal of Korean Literature & Culture 15, № 1 (2022): 247–70. http://dx.doi.org/10.1353/aza.2022.0010.

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O’Rourke, Kevin. "Sŏ Chŏngju and Modern Korean Poetry." Azalea: Journal of Korean Literature & Culture 8, no. 1 (2015): 105–43. http://dx.doi.org/10.1353/aza.2015.0023.

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Suhr, Paul. "I Remember My Father, Midang, Sŏ Chŏngju." Azalea: Journal of Korean Literature & Culture 8, no. 1 (2015): 83–86. http://dx.doi.org/10.1353/aza.2015.0014.

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Kim, In-geol, and Keiran Macrae. "Problems in Research on King Chŏngjo and the Chŏngjo Era." Seoul Journal of Korean Studies 32, no. 2 (2019): 293–310. http://dx.doi.org/10.1353/seo.2019.0017.

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Kim, Minseo. "A Socio-Scientific Analysis of the Artistic Originality of Tanwŏn Kim Hongdo." Korean Journal of Art History 324 (December 31, 2024): 43–75. https://doi.org/10.31065/kjah.324.202412.002.

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This study explores the direct and indirect influences that are presumed to have contributed to the artistic originality of Tanwŏn Kim Hongdo (檀園 金弘道, 1745–1806) by employing a multidimensional analysis and a social-scientific approach to creativity. To identify the sources of his artistic innovation, individuals associated with Kim were categorized into six groups, each of which played a significant role during specific periods of his life and artistic development. In Kim’s early years, as he established himself as a painter in the Tohwasŏ (Royal Bureau of Painting), the literati group led by
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Wang, Sixiang. "Story of the Eastern Chamber: Dilemmas of Vernacular Language and Political Authority in Eighteenth-Century Chosŏn." Journal of Korean Studies 24, no. 1 (2019): 29–62. http://dx.doi.org/10.1215/21581665-7258042.

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AbstractThe earliest extant playscript in Korea stands as an enigma. It is an anonymous work written to celebrate a wedding arranged by King Chŏngjo. Called Story of the Eastern Chamber, the play evokes not only the Chinese Story of the Western Chamber through titular reference but also the Chinese vernacular tradition as a whole. Written entirely in Chinese characters, the text weaves vernacular Korean words into the syntax of Chinese baihua vernacular, an unusual form which upsets the conventional diglossic binary of literary Chinese (hanmun) and vernacular Korean (hangŭl). This essay situat
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Haboush, JaHyun Kim. "Unforgettable Things: Poems by Sŏ Chŏngju. By Sŏ Chŏngju. Translated by David R. McCann. Seoul: Si-sa-yong-o-sa. 162 pp. $15.00. (Distributed by Pace International Research, Inc.)." Journal of Asian Studies 47, no. 3 (1988): 667–68. http://dx.doi.org/10.2307/2057051.

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Haboush, JaHyun Kim. "Unforgettable Things: Poems by Sŏ Chŏngju. By Sŏ Chŏngju. Translated by David R. McCann. Seoul: Si-sa-yong-o-sa. 162 pp. $15.00. (Distributed by Pace International Research, Inc.)." Journal of Asian Studies 47, no. 03 (1988): 667–68. http://dx.doi.org/10.1017/s002191180005508x.

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Han, Seunghyun. "The Mangbaerye Examinations: Ming Loyalist Court Rituals and Royal Authority in Eighteenth- and Nineteenth-Century Chosŏn." Journal of Korean Studies 27, no. 1 (2022): 3–36. http://dx.doi.org/10.1215/07311613-9474266.

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Abstract During the reigns of Yŏngjo (r. 1724–76) and Chŏngjo (r. 1776–1800), royal audiences and tests were established as important components of the mangbaerye-day events. For the two rulers, the audience was an occasion to use the significance of the rituals to justify bureaucratic promotions for the attendees. The literary and military tests on mangbaerye days were systematized by Yŏngjo and administered by the ruler as a stage in the state examination. By assuming leading ideological roles through rituals, Yŏngjo was able to present the image of a sage-ruler with supreme political and id
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Dissertations / Theses on the topic "Of Chŏnju"

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Lovins, Christopher. "Testing the limits : king Chŏngjo and royal power in late Chosŏn." Thesis, University of British Columbia, 2014. http://hdl.handle.net/2429/46491.

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The present work examines the attempt of Chŏngjo, King of Korea from 1776 to 1800, to shift the balance of power in late Chosŏn Korea in favor of the crown. It examines the official court records, the King’s official writings, and the recent discovery of Chŏngjo’s “secret” letters to high official and ostensible enemy Sim Hwan-ji, using them to illustrate how the King navigated the labyrinthine webs of power. Chapter 1 lays the groundwork of late Chosŏn history and examines Chŏngjo’s legitimacy issues arising from the death of his father. Chapter 2 deals with political philosophy, as Chŏngjo s
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Trotignon, Guillaume. "La vertu et l'homme vertueux selon Jean-Jacques Rousseau et Chŏng Yagyong : comparaisons et mise en perspective." Thesis, Montpellier 3, 2019. http://www.theses.fr/2019MON30048.

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Les conceptions de la vertu et de l’homme vertueux tiennent une place centrale dans les pensées de Rousseau et de Chong Yagyong, deux philosophes majeurs dans l’histoire moderne de la France et de la Corée. L’analyse comparative de leurs pensées sur l’idéal de perfection morale permet de s’interroger, d’un point de vue hypothétique, sur leurs analogies et leurs différences. Elle questionne également leur manière d’appréhender la philosophie et ses instruments conceptuels et contribue à cerner leur regard sur diverses thématiques : l’insistance sur la pratique de la morale et de la vertu dans l
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Alhaits, Jee Hyun. "Chŏng Yagyong 丁若鏞 (1762-1836) et sa critique du Shangshu 尚書 en guwen 古文". Thesis, Paris, INALCO, 2013. http://www.theses.fr/2013INAL0010.

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La présente étude a pour objectif de comprendre la critique que formule Chŏng Yagyong丁若鏞 (1762-1836) du Shangshu (Livre des Documents) en guwen (graphie ancienne). Lettré-fonctionnaire à la Cour de Chŏngjo (r. 1776-1800), Chŏng Yagyong appartient à l’époque Chosŏn (1392-1897) en Corée, à une ère charnière de l’histoire coréenne qui oscille entre tradition et modernité, entre le néoconfucianisme et la découverte de certains savoirs scientifiques et religieux venus d’Occident. Notre étude vise trois objectifs. Le premier est de découvrir l’immense érudition de l’auteur, dont le penchant encyclop
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Kim, Phil Young. "Esthétique poétique de Chong Chi-Yong (1902-1950) : Harmonie poétique de la tradition orientale et le modernisme occidental." Paris, INALCO, 1997. http://www.theses.fr/1997INAL0011.

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Kim, Hee-Young [Verfasser], Gerd [Akademischer Betreuer] Hölter, and Suk-chŏng [Akademischer Betreuer] Yi. "Interkulturelle Vergleichsstudie des deutschen und koreanischen Kommunikationsverhaltens in der psychomotorischen Förderung / Hee-Young Kim. Betreuer: Gerd Hölter. Gutachter: Suk-chŏng Yi." Dortmund : Universitätsbibliothek Dortmund, 2013. http://d-nb.info/1098132831/34.

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Im, Changeun. "An Approach to the Analytical Study of Jung-Sun Park's Choral Work: Arirang Mass." Thesis, connect to online resource, 2006. http://www.unt.edu/etd/all/Aug2006/im%5Fchangeun/index.htm.

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Lee, Song-Yi. "Le double dans les récits de M. Duras, de Ch'oe Yun et d'Oh Jung-Hi." Paris 8, 2002. http://www.theses.fr/2002PA082071.

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Les textes de M. Duras, de Ch'oe Yun et d'Oh Jung-Hi permettent au lecteur de découvrir des voix qui, d'un continent à l'autre, se correspondent. Liés intimement à l'altérité de l'être femme, que libèrent et mobilisent les ruptures de l'histoire récente, leurs styles et leurs thèmes privilégient la figuration du double. Le choix du pseudonyme par souci d'anonymat signale l'expérience d'un certain dédoublement de soi. Ecrire ayant fonction de briser l'unité du moi, une transgression s'effectue au niveau des personnages : les uns se réduisent souvent au reflet des autres comme s'ils s'intégraien
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Kim, Jumi. "Experiencing Korean pansori as a Western-style singer : a vocal interpretation of Dongjin Kim's operas based on Kim's shin-chang-ak." 2012. http://liblink.bsu.edu/uhtbin/catkey/1666091.

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P’ansori is a unique form of Korean traditional music in the opera genre. It is known for its distinctive rhythm, vocal timbre, key, and texture. Musical pioneer Dongjin Kim (1913-2009) masterfully blended authentic Korean music with Western style music most notably in two operas that retained their p’ansori heritage while also appealing to wider audiences. Kim believed in the importance of accurately portraying Korean culture and history in his vocal music feeling that Korea’s “unique national music” had much to contribute to the rest of the world. Although traditional p’ansori operas are sun
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Books on the topic "Of Chŏnju"

1

Hae-suk, Sŏ, ed. Chŏnju sorhwa: Uri Chŏnju. Sina Chʻulpʻansa, 2001.

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Chŏn, Yŏng-nae. Chŏnju munhwa. Chŏnju Munhwawŏn, 1986.

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Nŏmŏ, Anp'ak. Chŏnju ŭpch'i. Sina Ch'ulp'ansa, 2021.

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Wiwŏnhoe, Chŏnju Pusa Pŏnyŏk P'yŏnch'an. Kugyŏk Chŏnju pusa. Chŏnju Pusa Pŏnyŏk P'yŏnch'an Wiwŏnhoe, 2008.

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Pak, Hyŏn-sŏk. Kugyŏk Chŏnju pusa. Chŏnju Pusa Pŏnyŏk P'yŏnch'an Wiwŏnhoe, 2009.

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Hyanggyo, Chŏnju. Chŏnju Hyanggyo chi. Chŏnju Hyanggyo, 2004.

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Kong-sŏn, Song, and Honam Munhwajae Yŏnʼguwŏn, eds. Chŏnju Samsan yujŏk. Honam Munhwajae Yŏn'guwŏn, 2005.

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photographer, An Pong-ju, ed. Tangsin ege, Chŏnju. Kkum ŭi Chido, 2015.

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Pojonhoe, Chŏnju Taesasŭp Nori, ed. Chŏnju taesasŭp sa. Chŏnju Taesasŭp Nori Pojonhoe, 1992.

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1955-, Chu Kang-hyŏn, and Uri Minsok Munhwa Yŏnʼguso (Korea), eds. Chŏnju ŭmsik: Chŏnju ŭmsik ŭi DNA wa Han pŭraendŭhwa chŏllyak. Minsogwŏn, 2009.

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Book chapters on the topic "Of Chŏnju"

1

Tertitskiy, Fyodor. "Pak Chŏng-ae." In The Forgotten Political Elites of North Korea. Routledge, 2024. http://dx.doi.org/10.4324/9781003469773-7.

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Rentner, Reta. "Pak Chiwŏn: Hŏsaeng chŏn." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16893-1.

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Rentner, Reta. "Hŏ Kyun: Hong Kildong chŏn." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11914-1.

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Kim, Suzy. "Pak Chŏng-ae (1907-?): From Red Labor Unions to the Korean Democratic Women’s Union." In The Palgrave Handbook of Communist Women Activists around the World. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-13127-1_12.

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Kyong-Dong, Kim. "The Aborted Confucian Reformation in Korea’s Embryonic Modernization: The Case of Chŏng Yag-yong (1762–1836)." In Confucianism and Modernization in East Asia. Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-3626-2_4.

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"The Defense of Chŏnju and the Brave Battles of Chŏng Tam." In The Book of Corrections. Institute of East Asian Studies, University of California, Berkeley, 2002. http://dx.doi.org/10.2307/jj.14905002.39.

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"6 Yi T’aejun ~ Haebang chŏnhu, 1946." In On the Eve of the Uprising and Other Stories from Colonial Korea. Cornell University Press, 2010. http://dx.doi.org/10.1515/9781942242499-008.

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"30. Chŏng Pukch’ang." In Score One for the Dancing Girl, and Other Selections from the Kimun ch'onghwa. University of Toronto Press, 2016. http://dx.doi.org/10.3138/9781442667921-036.

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"39. Chŏng Ka." In Score One for the Dancing Girl, and Other Selections from the Kimun ch'onghwa. University of Toronto Press, 2016. http://dx.doi.org/10.3138/9781442667921-045.

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Khokhlova, Elena. "Kyŏmjae Chŏng Sŏn Screen from the Kunstkamera Collection: Question of Attribution." In Cultural Exchanges Between Korea and the West Artifacts and Intangible Heritage. Fondazione Università Ca’ Foscari, 2023. http://dx.doi.org/10.30687/978-88-6969-717-3/004.

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In the Peter the Great Museum of Anthropology and Ethnography of the Russian Academy of Sciences (Kunstkamera, Saint Petersburg), there is an eight-panel screen attributed to Kyŏmjae Chŏng Sŏn (1676‑1759), one of the most important artists in the history of Korean art. Chŏng Sŏn was a pioneer of so-called ‘true-view’ landscapes. Only a few works of the artist are in museum collections outside the Korean peninsula, one of which is the screen in question. Each landscape is signed and bears a seal with the name and pen name of the artist, based on which, presumably, the work was attributed to the
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