Academic literature on the topic 'Orchestral music Orchestral music'

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Dissertations / Theses on the topic "Orchestral music Orchestral music"

1

Obregon, Luis J. "Cuauhtli (the Aztec eagle)." Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1227461849.

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2

Maidanik, Victoria. "Vicissitudes." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq37251.pdf.

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3

Wu, Yimin. "Looking for." Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1554512235019402.

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4

Weimer, Steven M. "Monoliths, an orchestral work." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1399624092.

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5

Chen, Ying-Lung Chen Yi. "Taiwan suite for orchestra." Diss., UMK access, 2007.

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Thesis (D.M.A.)--Conservatory of Music. University of Missouri--Kansas City, 2007.<br>"A dissertation in music composition." Typescript. Advisor: Chen Yi. Vita. Description based on contents viewed Nov. 20, 2007; title from "catalog record" of the print edition. Online version of the print edition.
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6

Frank, Robert J. 1961. "Temporal Distortions: a Composition for Orchestra." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278557/.

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Temporal Distortions is 18-20 minutes in length and is written for an orchestra including 2 flutes (2nd flute doubling on piccolo), 2 oboes, 2 Bb clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, timpani, 3 percussionists playing tri-toms, vibraphone, snare/tenor drum, medium suspended cymbal, Glockenspiel, bass drum, and large tam-tam; and multiple string parts for violin I a & b, violin II a & b, viola a & b, cello and double bass. Temporal Distortions was inspired by the theoretical concept of "wormholes" in space, where matter is warped through distorted passages connecting distant
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7

Au, Siu-ming Stefan. "Sinfonietta." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278459/.

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Sinfonietta is a work of about 18 minutes for orchestra with an instrumentation of 3 flutes, 2 oboes, 3 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, 4 timpani, percussion, harps, piano and strings. Three players are required for the percussion battery. The work is in four movements: Prelude, Theme and Variations, Largo and Finale. Movement I is in a tri-partite design. In the second movement, the theme is first enunciated by a solo violoncello in its high register followed by seven variations in the orchestra. In Movement III, there are three brief sections plus a longer coda
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8

Nakao, Maiko Mobberley James. "Music at will." Diss., UMK access, 2006.

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Thesis (M.M.)--Conservatory of Music. University of Missouri--Kansas City, 2006.<br>"A thesis in music composition." Advisor: James Mobberley Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Nov. 12, 2007. Online version of the print edition.
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9

Page, Isaac. "Orchestral Music of the Canadian Centennial." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1586955294987414.

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10

Más-Arocas, Octavio. "Fearless Programming: Invigorating the American Orchestral Tradition through New Music." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1467125862.

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