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Relevant bibliographies by topics / Orchestral music Orchestral music / Dissertations / Theses

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Dissertations / Theses on the topic 'Orchestral music Orchestral music'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

Obregon, Luis J. "Cuauhtli (the Aztec eagle)." Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1227461849.

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2

Maidanik, Victoria. "Vicissitudes." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq37251.pdf.

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3

Wu, Yimin. "Looking for." Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1554512235019402.

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4

Weimer, Steven M. "Monoliths, an orchestral work." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1399624092.

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5

Chen, Ying-Lung Chen Yi. "Taiwan suite for orchestra." Diss., UMK access, 2007.

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Thesis (D.M.A.)--Conservatory of Music. University of Missouri--Kansas City, 2007.<br>"A dissertation in music composition." Typescript. Advisor: Chen Yi. Vita. Description based on contents viewed Nov. 20, 2007; title from "catalog record" of the print edition. Online version of the print edition.

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6

Frank, Robert J. 1961. "Temporal Distortions: a Composition for Orchestra." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278557/.

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Temporal Distortions is 18-20 minutes in length and is written for an orchestra including 2 flutes (2nd flute doubling on piccolo), 2 oboes, 2 Bb clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, timpani, 3 percussionists playing tri-toms, vibraphone, snare/tenor drum, medium suspended cymbal, Glockenspiel, bass drum, and large tam-tam; and multiple string parts for violin I a & b, violin II a & b, viola a & b, cello and double bass. Temporal Distortions was inspired by the theoretical concept of "wormholes" in space, where matter is warped through distorted passages connecting distant

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7

Au, Siu-ming Stefan. "Sinfonietta." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278459/.

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Sinfonietta is a work of about 18 minutes for orchestra with an instrumentation of 3 flutes, 2 oboes, 3 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, 4 timpani, percussion, harps, piano and strings. Three players are required for the percussion battery. The work is in four movements: Prelude, Theme and Variations, Largo and Finale. Movement I is in a tri-partite design. In the second movement, the theme is first enunciated by a solo violoncello in its high register followed by seven variations in the orchestra. In Movement III, there are three brief sections plus a longer coda

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8

Nakao, Maiko Mobberley James. "Music at will." Diss., UMK access, 2006.

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Thesis (M.M.)--Conservatory of Music. University of Missouri--Kansas City, 2006.<br>"A thesis in music composition." Advisor: James Mobberley Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Nov. 12, 2007. Online version of the print edition.

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9

Page, Isaac. "Orchestral Music of the Canadian Centennial." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1586955294987414.

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10

Más-Arocas, Octavio. "Fearless Programming: Invigorating the American Orchestral Tradition through New Music." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1467125862.

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11

Lington, Victoria DiMaggio. "The piano as an orchestra, the accompanist and the twentieth-century orchestral reduction." Thesis, view full-text document. Access restricted to the University of North Texas campus, 2002. http://www.library.unt.edu/theses/open/20022/lington%5Fvictoria%5Fdimaggio/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2002.<br>Accompanied by 4 recitals, recorded Apr. 26, 1999, Apr. 17, 2000, Mar. 19, 2001, and Apr. 17, 2002. Includes bibliographical references (p. 83-86).

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12

Buck, Wayne A. "Triad fantasy : score and analysis /." View online, 2010. http://repository.eiu.edu/theses/docs/32211131527718.pdf.

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13

Jane, Philip. "An Historical Survey of the Establishment of an Orchestral Tradition in Christchurch to 1939." Thesis, University of Canterbury. School of Music, 2009. http://hdl.handle.net/10092/3407.

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This dissertation is the first study devoted solely to the history of an orchestral tradition in Christchurch. Within a timeframe stretching from the beginning of the local settlement to the establishment of the first “national” orchestra in 1939, it provides detailed portrayals of all facets of amateur and professional orchestral activity. This includes the histories of all orchestral bodies, their membership, a chronology of concerts, repertoire, programme structure and critical reception. This dissertation explains the advance of orchestral tradition that is at times tentative and at tim

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14

Zikanov, Kirill. "Listening to Russian Orchestral Music, 1850-1870." Thesis, Yale University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10957348.

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<p> The following dissertation combines reception history and technical analysis in a revisionist account of Russian orchestral music from 1850 to 1870. Through close readings of a wide range of reception materials, I recover little-known historical perspectives on this repertory, focusing particularly on ways in which Russian musicians engaged with transnational musical trends. These historical perspectives inform my analyses of compositions by Mikhail Glinka, Mily Balakirev, Alexander Dargomyzhsky, and Anton Rubinstein. In these analyses, I elucidate formal, harmonic, and orchestrational fea

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15

Castonguay, Gerald Richard. "The orchestral music of Louis-Gabriel Guillemain /." Ann Arbor : Mich. : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb371216286.

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Diss.--Philosophie--New Brunswick, N.J.--Rutgers Univ., 1975.<br>2 tomes réunis en 1 seul volume. Réunit en fin de volume, la symphonie en la majeur, op. 6, n °5, la symphonie en mi bémol majeur, op. 14, n °2 et le concertino en ré majeur, op. 7, n °3. Bibliogr. p. 405-430.

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16

Lousseief, Elias. "MahlerNet : Unbounded Orchestral Music with Neural Networks." Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-264993.

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Modelling music with mathematical and statistical methods in general, and with neural networks in particular, has a long history and has been well explored in the last decades. Exactly when the first attempt at strictly systematic music took place is hard to say; some would say in the days of Mozart, others would say even earlier, but it is safe to say that the field of algorithmic composition has a long history. Even though composers have always had structure and rules as part of the writing process, implicitly or explicitly, following rules at a stricter level was well investigated in the mi

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17

Morel, Jessica. "Orchestral Excerpts for Conductors." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157567/.

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"Orchestral Excerpts for Conductors" is a compilation of sixty-five full score excerpts from the orchestral repertory arranged for string quartet and piano. The purpose of this collection is to provide conducting students with a pedagogical resource for learning how to handle technically challenging excerpts in orchestral music. This dissertation serves as a plan for the final publication of the excerpts book; while it includes the full score excerpts, it does not include the arrangements for string quartet and piano.

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18

Ponchione, Cayenna R. "Tracking authorship and creativity in orchestral performance." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:038d450e-f009-4ab0-879f-71d8f77bd77b.

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This thesis takes as its starting point the observation that the authorship of the creative product of orchestral performances has been, and continues to be, over-attributed to the conductor. This is reflected both in popular perceptions and in the scholarly attention given to the conductor's leadership role, as well as in orchestral practices which privilege the conductor's artistically superior position within the orchestra through rehearsal and performance rituals and in remuneration and marketing. Although existing research has challenged the perception that the authority of the conductor

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19

Lynch, Graham Michael. "Ph.D. in composition, consisting of 7 works and a commentary on them." Thesis, University of London, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314167.

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20

Real, Jonicler. "Estudo e reflexão sobre repertorio para orquestra jovem." [s.n.], 2003. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285018.

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Orientador: Eduardo Augusto Ostergren<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-10T17:29:18Z (GMT). No. of bitstreams: 1 Real_Jonicler_M.pdf: 1778842 bytes, checksum: 2ad9b098a120db023229429c57456b35 (MD5) Previous issue date: 2003<br>Resumo: Este estudo nos leva a uma Reflexão sobre Repertório para Orquestra Jovem enfatizando no futuro a execução de obras completas. No início uma orquestra jovem toca arranjos ou trechos facilitados do repertório sinfônico, solidificando e desenvolvendo repertório e técnica buscan

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21

Hagan, Kerry Lynda. "Orchestra /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2005. http://wwwlib.umi.com/cr/ucsd/fullcit?p3169316.

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Thesis (Ph. D.)--University of California, San Diego, 2005.<br>Music for orchestra. Vita: P. vii. Duration: ca. 20:00. Includes reel tape containing a recorded performance of the work in 2004 by the La Jolla Civic/University Symphony Orchestra, conducted by Harvey Sollberger.

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22

Johnson, Stephen. "Hecate nocturne : for large orchestra." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99173.

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With Hecate Nocturne, I set out to create a unified piece of substantial length. The piece features certain sounds of British Columbia---birds, animals, wind, water, machinery, and folksong; their musical depictions represent a growing interest of mine, one which was expanded significantly in this piece.<br>The primary goal of the thesis is a close interconnection of all musical material, at all levels; that a limited pool of material could produce, through motivic development, all the components of the piece, from small to large. The secondary goal is to give the music a "sense of place" thro

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23

Kôhei, Mukai Mobberley James. "Mugen for orchestra." Diss., UMK access, 2005.

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Thesis (D.M.A.)--Conservatory of Music. University of Missouri--Kansas City, 2005.<br>"A disseration in music composition." Advisor: James Mobberley. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Nov. 12, 2007. Online version of the print edition.

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24

Chang, Yuli 1982. "Poetic afterthought : seven pieces for orchestra." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=112610.

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Poetic Afterthought is an original music composition for orchestra (2-2-2-2 / 4-2-2-1 / timp-perc / piano-harp / strings). The work comprises a cycle of seven orchestral pieces inspired by seven Chinese Classical poems. The seven orchestral pieces attempt to capture the moods and impressions of the poems while carrying hints of the original structures of the poetry as if the music speaks poetry itself.

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25

García, de la Torre Mauricio 1976. "Cachalote." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=116134.

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Cachalote is a work for 17 musicians inspired by the study of social behavioral patterns in sperm whales. The distinctive series of clicks produced by these mammals, known as "codas," are their primary means of communication. These patterns manifest in Cachalote as a series of "sound objects", whose specific arrangement symbolizes communication, and underlines the musical discourse. The sound of field recordings provided further inspiration for the music's texture and orchestration. The composer's creation of an extra-musical narrative related to the lifecycle of sperm whales determines the ap

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26

Chong, Lok-Shing. "The Last Seven Words." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc500283/.

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The Last Seven Words is an orchestral piece with double woodwind, double brass, and two sets of timpani. The duration of the work is seventeen minutes. The forty-six pages which precede the musical score present a discussion and an analysis of the composition. The purpose of this project was to provide the composer an opportunity to write an orchestra piece with a single scale and seven rhythmic patterns.

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27

Fu, Yuen-Wai. "Designs." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc500509/.

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Designs is an algorithmic composition for small orchestra. The main compositional process used involves the realization and implementation of various musical algorithms discussed in the book Composition with Pitch-Classes by theorist/composer Robert Morris.

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28

Carson, Benjamin Leeds. "The self and its pleasures : a collection of music for piano and music for orchestra /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2001. http://wwwlib.umi.com/cr/ucsd/fullcit?p3013702.

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29

Lindblom, Shari. "Audience connectivity in orchestral performances." Queensland University of Technology, 2009. http://eprints.qut.edu.au/20533/.

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With the general global decline in the popularity and profitability of traditional orchestras, ways to build new audiences, develop new repertoires and create new networks and business partnerships are being explored. The aim of this thesis is to analyse the various elements of a proposed Orchestral Sustainability Framework and determine if and how these elements contribute to an increased audience connection with the music performance experience. Three main elements are explored in this Orchestral Sustainability Framework: 1. Social aspects of audience connection such as performer/audience in

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30

Jang, Sun-Hee Chen Yi. "The creation for orchestra." Diss., UMK access, 2006.

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Thesis (D.M.A.)--Conservatory of Music. University of Missouri--Kansas City, 2006.<br>"A dissertation in music composition." Advisor: Chen Yi. Duration: 9:45. Typescript. Vita. Title from "catalog record" of the print edition. Online version of the print ediiton.

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31

Johanson, Thomas. "Castle symphony : for orchestra /." Online version, 2010. http://content.wwu.edu/cdm4/item_viewer.php?CISOROOT=/theses&CISOPTR=329&CISOBOX=1&REC=9.

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32

Río, Pareja José Manuel. "Ornamentum : for large orchestra /." May be available electronically:, 2007. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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33

Strand, Kenneth Allan. "Big prelude : for orchestra /." Connect to title online (Scholars' Bank), 2009. http://hdl.handle.net/1794/9166.

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34

Casallas, Fernandez Jose Andres. "Making Music with a guitar orchestra : Motivation and friendship." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3266.

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How can I, as a leader, keep the motivation of the participants in a group? When I started to write this report, I was focused on, how a group could affect the participants motivation of the participants, but little by little I realized that the biggest motivation came from that this group affected mostly my own motivationmyself. The guitar orchestra has given me the opportunity to learn and it has given another sense to my knowledge as musician and teacher. Analysing what I have done with the guitar orchestra has awakened more questions than answers. What exactly did I do? Why did I do it?

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35

Wright, Allan. "Frank Zappa's orchestral works art music or "bogus pomp"? /." Connect to e-thesis, 2007. http://theses.gla.ac.uk/492/.

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36

Dribus, John Alexander. "Breaking Through: A Composition for Symphony Orchestra." Thesis, view full-text document. Access restricted to the University of North Texas campus, 2002. http://www.library.unt.edu/theses/open/20022/dribus%5Fjohn%5Falexander/index.htm.

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37

Dorado, Suela Esther. "The connection of the emotions : An inside look at the orchestral interpretation." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4068.

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As musicians, our main goal when we perform a piece is to transmit something to the audience: emotion. And to get this emotion also while performing. It is our way to communicate. When we are soloists, we make our own interpretation of the piece to perform, and the cycle that the music does is from the composer, trough us, and then the audience. But what happens when we are in the orchestra? In an orchestra, we are 100 musicians, each one a very different type of performer, each one with their own mentality, ideas, minds, etc. And also, we have to add a very important level in the music cycle

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38

Hill, Adam. "After the dawn out comes the sun /." Online version, 2010. http://content.wwu.edu/cdm4/item_viewer.php?CISOROOT=/theses&CISOPTR=339&CISOBOX=1&REC=4.

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39

Campbell, David Hal. "Terminal /." Online version, 2010. http://content.wwu.edu/cdm4/item_viewer.php?CISOROOT=/theses&CISOPTR=348&CISOBOX=1&REC=19.

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40

Morita, Yumiko. "Echoes of a wave /." Diss., Connect to a 24 p. preview or request complete full text in PDF formate. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3236634.

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41

Hartman, Lee Chen Yi. "Beowulf triptych." Diss., UMK access, 2005.

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Thesis (M.M.)--Conservatory of Music. University of Missouri--Kansas City, 2005.<br>"A thesis in music composition." Advisor: Chen Yi. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed June 23, 2006. Online version of the print edition.

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42

Scott, Timothy James. "Volition." Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1147465683.

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43

Peringer, Patrick. "Awake." Connect to this title online, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1166062315.

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44

Cureton, Matthew Alan Chen Yi. "Continuum." Diss., UMK access, 2007.

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Thesis (M.M.)--Conservatory of Music. University of Missouri--Kansas City, 2007.<br>"A single movement composition for orchestra"--ℓ ii. "A thesis in music composition." Typescript. Advisor: Chen Yi. Vita. Description based on contents viewed Nov. 12, 2007; title from "catalog record" of the print edition. Online version of the print edition.

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45

Cheung, Pui-shan Chen Yi. "Dai pai dong for orchestra." Diss., UMK access, 2007.

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Dissertation (D.M.A.)--Conservatory of Music. University of Missouri--Kansas City, 2007.<br>"A dissertation in music composition." Typescript. Advisor: Chen Yi. Vita. Title from "catalog record" of the print edition Description based on contents viewed Nov. 12, 2007. Online version of the print edition.

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46

Corbett, Ian Rudy Paul. ""SWANG!" for symphonic wind orchestra." Diss., UMK access, 2005.

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Thesis (D.M.A.)--Conservatory of Music. University of Missouri--Kansas City, 2005.<br>"A dissertation in music composition." Advisor: Paul Rudy. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Nov. 12, 2007 Online version of the print edition.

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47

Hu, Xiao-ou Chen Yi. "A light far away." Diss., UMK access, 2004.

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Thesis (M.M.)--Conservatory of Music. University of Missouri--Kansas City, 2004.<br>"A thesis in music composition." Advisor: Chen Yi. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Nov. 12, 2007. Online version of the print edition.

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48

Lackey, William Joseph Mobberley James. "Reflections of memories past for orchestra." Diss., UMK access, 2007.

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Thesis (M.M.)--Conservatory of Music. University of Missouri--Kansas City, 2007.<br>"A thesis in music composition." Typescript. Advisor: James Mobberley. Vita. Title from "catalog record" of the print edition Description based on contents viewed Nov. 13, 2007. Online version of the print edition.

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49

Švast, Maja Mays Walter. "Intertwinings for full orchestra a composition /." Diss., A link to full text of this thesis in SOAR, 2007. http://soar.wichita.edu/dspace/handle/10057/1177.

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Thesis (M.M.)--Wichita State University, College of Fine Arts, Dept. of Music.<br>"May 2007." Title from PDF title page (viewed Dec. 29, 2007). Thesis adviser: Walter Mays. Includes bibliographical references (leaves 187-203).

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50

Choi, Sujung. "Norie (Game) /." College Park, Md. : University of Maryland, 2007. http://hdl.handle.net/1903/6640.

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Thesis (D.M.A.)--University of Maryland, College Park, 2007.<br>Thesis research directed by: Music. Title from t.p. of PDF. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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