Academic literature on the topic 'Orientalism (Art)'

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Journal articles on the topic "Orientalism (Art)"

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Moynihan, Conor. "Timelessness and Precarity in Orientalist Temporality: Mehdi-Georges Lahlou’s Aesthetics of Disorientation." Contemporaneity: Historical Presence in Visual Culture 8 (October 30, 2019): 1–22. http://dx.doi.org/10.5195/contemp.2019.272.

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The Hourglasses (2015), by French-Moroccan artist Mehdi-Georges Lahlou, features five large hourglasses displayed artifact-like upon a table. As one would expect of an hourglass, these glass sculptures can be inverted to measure out time. This, though, is where convention ends, as these are filled with couscous, not sand. Unlike sand, couscous cannot measure time consistently and the inversion of any one of these five hourglasses results in a different measurement of time. In effect, they disorient any linear notion of temporality, raising the specter of Orientalism and its fantasy of a timele
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Béord, Théry, and Achim Alan Merlo. "Orientalism in Celluloid: The Production of the ‘Crazy Year’." Social and Management Research Journal 14, no. 2 (2017): 109. http://dx.doi.org/10.24191/smrj.v14i2.5495.

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This article introduces a journey in the orientalist movement that characterises the cinema of the ‘crazy years’ between 1919 and 1929. Attention will be turned on the peculiarities of this period, including the socio-cultural dimension of that epoch. The role of the woman in cinematographic art will be considered as an appropriate tool for the interpretation of orientalism in the European society during the interwar period. Period of the creation of a popular culture or popularisation of culture, Orientalism became a mean to escape with fantasy the everyday way of life of modern European soci
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Kaya, Yunus. "ORIENTALISM – POSTCOLONIALISM and ART." Idil Journal of Art and Language 6, no. 30 (2017): 647–65. http://dx.doi.org/10.7816/idil-06-30-07.

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Kaźmierczak, Joanna. "„Kadzidła i miętówki”. Orientalizm a psychodeliczne okładki płytowe w drugiej połowie lat sześćdziesiątych XX wieku." Prace Kulturoznawcze 21, no. 4 (2018): 153–68. http://dx.doi.org/10.19195/0860-6668.21.4.9.

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“Incense and peppermints”. Orientalism and psychedelic album covers in the second half of the 1960sThe article focuses on three intertwining subjects: 1 psychedelic culture of the 1960s, 2 orientalism in culture and 3 album cover art. Its most important goal is to support the process of inclusion to the discussion about the orientalist phenomenon in popular music in the 60s the problematics of the design of album covers, which had been rarely taken into consideration in such context up to this day. Secondly, regarding the fact that the narration on the reflection about the album cover art of t
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Johnston, Andrew James. "Chaucer‘s Postcolonial Renaissance." Bulletin of the John Rylands Library 91, no. 2 (2015): 5–20. http://dx.doi.org/10.7227/bjrl.91.2.1.

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This article investigates how Chaucer‘s Knight‘s and Squire‘s tales critically engage with the Orientalist strategies buttressing contemporary Italian humanist discussions of visual art. Framed by references to crusading, the two tales enter into a dialogue focusing, in particular, on the relations between the classical, the scientific and the Oriental in trecento Italian discourses on painting and optics, discourses that are alluded to in the description of Theseus Theatre and the events that happen there. The Squire‘s Tale exhibits what one might call a strategic Orientalism designed to draw
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Courville, Mathieu E. "Part Lion, Part Wolf." Studies in Religion/Sciences Religieuses 45, no. 3 (2016): 415–38. http://dx.doi.org/10.1177/0008429816637637.

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In this essay, I begin by examining arguments concerning “Orientalism” from the work of the late Edward W. Said. I then highlight the way that Kurban Said’s novella Ali and Nino is indebted to this tradition, the author relying upon it in order to create a complex world within a few pages. On the one hand, this novella is a wonderful work of art with which to work out some of Edward Said’s key ideas, and on the other hand, appreciating Edward Said’s key ideas is also crucial for a better appreciation of this novella’s complexity. The second part of the paper focuses on the novella itself, so a
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Swartout,, Robert R., and Anthony W. Lee. "Picturing Chinatown: Art and Orientalism in San Francisco." Western Historical Quarterly 34, no. 1 (2003): 102. http://dx.doi.org/10.2307/25047239.

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Ghorgopoulou, Maria. "Orientalism and Crusader Art: Constructing a New Caanon." Medieval Encounters 5, no. 3 (1999): 289–321. http://dx.doi.org/10.1163/157006799x00097.

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AbstractThis article argues that we need to question the Orientalist ideology that draws boundaries between the study of crusader art and that of the neighboring Muslim states. Two unusual Ayyubid glass beakers, now in the Walters Art Gallery in Baltimore, are shown to contain Christian images. These images are placed within a landscape showcasing the major monuments in Jerusalem: the Dome of the Rock, the Holy Sepulchre, and the Tower of David, to highlight the significance of the sites for the viewer/patron. When these two beakers are compared with rnetalwork made in an Islamic style but dep
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Carneiro Dazzi, Camila Carneiro. "PELAS RUAS DO MAGREBE: ORIENTALISMO NO BRASIL AO FINAL DO SÉCULO XIX / Walk through the streets of the Maghreb: orientalism in Brazil at the end of the 19th century." arte e ensaios 26, no. 40 (2020): 261–81. http://dx.doi.org/10.37235/ae.n40.18.

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O Magrebe central, cuja palavra de origem árabe e significa “onde o Sol se põe”, correspondia, ao final do século XIX, a um território que englobava a Tunísia, a Argélia e o Marrocos (STORA, 2004). Foi uma região fecunda em temas de inspiração, e ao final do Oitocentos, muitos artistas Europeus e Americanos consideravam uma estadia no Magrebe tão indispensável quanto uma permanência de estudos na Itália, destino eleito por inúmeros pintores para o desenvolvimento de pesquisas de renovação do uso da luz e da gama cromática. O Magrebe não só permitia novas possibilidades no uso da cor e de luz,
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ROH, Junia. "Japanese Art Propaganda to the West : Uniqueness and Orientalism." Korean Journal of Japanese Dtudies 20 (February 15, 2019): 100–121. http://dx.doi.org/10.29154/ilbi.2019.20.100.

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Dissertations / Theses on the topic "Orientalism (Art)"

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Bloom, Kelly. "Orientalism in French 19th Century Art." Thesis, Boston College, 2004. http://hdl.handle.net/2345/477.

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Thesis advisor: Jeffery Howe<br>The Orient has been a mythical, looming presence since the foundation of Islam in the 7th century. It has always been the “Other” that Edward Said wrote about in his 1979 book Orientalism. The gulf of misunderstanding between the myth and the reality of the Near East still exists today in the 21st century. Napoleon's invasion of Egypt in 1798 and the subsequent colonization of the Near East is perhaps the defining moment in the Western perception of the Near East. At the beginning of modern colonization, Napoleon and his companions arrived in the Near East convi
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Braddock, Alan C. "Displacing Orientalism Thomas Eakins and ethnographic modernity /." [S.l. : s.n.], 2002. http://catalog.hathitrust.org/api/volumes/oclc/53916454.html.

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Thesis (Ph. D.)--University of Delaware, 2002.<br>Principal faculty advisor: Michael Leja, Dept. of Art History. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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Chen, Albert Yi Fu 1967. "Art and social dislocation : a Chinese diasporic condition." Monash University, Dept. of Fine Arts, 2004. http://arrow.monash.edu.au/hdl/1959.1/5203.

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Jones, Andrew Stuart. "Kay Nielsen orientalism in illustration during the Belle Époque /." Birmingham, Ala. : University of Alabama at Birmingham, 2009. https://www.mhsl.uab.edu/dt/2009m/jonesa.pdf.

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Thesis (M.A.)--University of Alabama at Birmingham, 2009.<br>Title from PDF title page (viewed Jan. 21, 2010). Additional advisors: Cathleen Cummings, Heather McPherson, Mindy Nancarrow. Includes bibliographical references (p. 66-71).
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Kirk, Elizabeth Gail. "Neo-orientalism : ugly women and the Parisian avant-garde, 1905-1908." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28091.

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The Neo-Orientalism of Matisse's The Blue Nude (Souvenir of Biskra), and Picasso's Les Demoiselles d'Avignon, both of 1907, exists in the similarity of the extreme distortion of the female form and defines the different meanings attached to these "ugly" women relative to distinctive notions of erotic and exotic imagery. To understand Neo-Orientalism, that is, 19th century Orientalist concepts which were filtered through Primitivism in the 20th century, the racial, sexual and class antagonisms of the period, which not only influenced attitudes towards erotic and exotic imagery, but also defined
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Tsang, Wing-yi. "Jewish imagery and orientalism in nineteenth and early twentieth century European art." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B40040355.

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Tsang, Wing-yi, and 曾穎怡. "Jewish imagery and orientalism in nineteenth and early twentieth century European art." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B40040355.

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Ming, Christina Tio Ee. "The Avant Garde and its 'others' orientalism in contemporary art music /." Thesis, Online version, 2000. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.364724.

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Issiyeva, Adalyat. "Russian orientalism: from ethnography to art song in nineteenth-century music." Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121101.

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Russia's ambivalent geo-political and socio-cultural position, as a self-avowed intermediary between the East and the West, shaped its double identity and played an important role in the creation of Russia's own Oriental Other. This dissertation examines the political and cultural resonance of nineteenth-century Russian art songs with oriental or Asian subjects, both within and outside of Edward Said's theoretical construct of "Orientalism." It also addresses how Russian art song composers adapted, transformed and assimilated music drawn from ethnographic sources published during the century.
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Lespes, Marlène. "De l'orientalisme à l'art colonial : les peintres français au Maroc pendant le Protectorat (1912-1956)." Thesis, Toulouse 2, 2017. http://www.theses.fr/2017TOU20098/document.

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À travers l’étude des peintres français partis au Maroc pendant le Protectorat, cette thèse examine la structuration et le développement de l’art colonial, courant qui succède à l’orientalisme au tournant des XIXe et XXe siècles. Loin d’être un phénomène isolé, le séjour dans ce pays pendant la période coloniale concerne des centaines d’artistes. Ces voyages sont encouragés et parfois même financés par des sociétés artistiques métropolitaines et par les gouvernements coloniaux. À Paris, des Salons et des expositions, comme les Expositions coloniales ou universelles, réservent des espaces spéci
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Books on the topic "Orientalism (Art)"

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Orientalism in art. Abbeville Press, 1998.

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Mounira, Khemir, Prunster Ursula 1950-, Thornton Lynne, Auckland Art Gallery, and Art Gallery of New South Wales., eds. Orientalism: Delacroix to Klee. Art Gallery of New South Wales, 1997.

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Germaner, Semra. Orientalism and Turkey. Turkish Cultural Service Foundation, 1989.

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Netton, Ian Richard. Orientalism revisited: Art, land and voyage. Routledge, 2012.

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Orientalism revisited: Art, land and voyage. Routledge, 2012.

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Müzesi, Sakıp Sabancı, ed. 1001 faces of Orientalism. Sakip Sabanci Muzesi, 2013.

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Peltre, Christine. Orientalisme. Terrail, 2004.

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Abe, Yoshio. Orientarizumu no kaiga to shashin: Orientalism. Chūnichi Shinbunsha, 1990.

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Orientalism: History, theory, and the arts. Manchester University Press, 1995.

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Art, Sphinx Fine. Russian orientalism: Central Asia and the Caucasus. Sphinx Books, 2009.

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Book chapters on the topic "Orientalism (Art)"

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Gallo, Rubén. "Orientalism." In New Tendencies in Mexican Art. Palgrave Macmillan US, 2004. http://dx.doi.org/10.1057/9781403982650_2.

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Codell, Julie. "“Orientalism” in Art." In A Companion to Nineteenth-Century Art. John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118856321.ch8.

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Man, Eva Kit Wah. "The Notion of “Orientalism” in the Modernization Movement of Chinese Painting of Hong Kong Artists in 1960s: The Case of Hon Chi-Fun." In Chinese Contemporary Art Series. Springer Berlin Heidelberg, 2015. http://dx.doi.org/10.1007/978-3-662-46510-3_8.

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Unschuld, Paul U. "Art de soigner et crise énergétique." In Approches occidentales et orientales de la guérison. Springer Paris, 2012. http://dx.doi.org/10.1007/978-2-8178-0330-2_92.

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Groseclose, Barbara. "Death, glory, empire: art." In Orientalism Transposed. Routledge, 2018. http://dx.doi.org/10.4324/9780429426667-9.

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"The Museum of Arab Art in Cairo (1869–2014): A Disoriented Heritage?" In After Orientalism. BRILL, 2015. http://dx.doi.org/10.1163/9789004282537_012.

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MANOR, DALIA. "Orientalism and Jewish National Art:." In Orientalism and the Jews. Brandeis University Press, 2020. http://dx.doi.org/10.2307/j.ctv1d1qmmz.13.

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Wilson, Bernard. "Zen and the art of cultural cliché." In Orientalism and Reverse Orientalism in Literature and Film. Routledge, 2021. http://dx.doi.org/10.4324/9781003105367-4.

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"Folk Art, Industrialization and Orientalism." In Folk Art Potters of Japan. Routledge, 2013. http://dx.doi.org/10.4324/9781315026817-18.

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"Arabizing the Bible: racial supersessionism in nineteenth-century Christian art and biblical scholarship." In Orientalism Revisited. Routledge, 2012. http://dx.doi.org/10.4324/9780203079416-23.

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Conference papers on the topic "Orientalism (Art)"

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"Saqqa-Khaneh School as Iranian Contemporary Art Movement: Post Colonialism or Orientalism?" In April 18-19, 2017 Kyoto (Japan). DiRPUB, 2017. http://dx.doi.org/10.15242/dirpub.dirh0417049.

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Lebedev, Dmitry. "Edmund Dulac's Book Graphics and the Problem of Orientalism in British Illustration of Edwardian Era and the Second Decade of XXth Century." In Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.167.

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Al-Mahdawi, Huda. "ORIENTALISM FROM ISLAMIC VIEW." In 6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscah.2019.1/s08.004.

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Ali, Syed. "Orientalism and/as Information:The Indifference That Makes a Difference." In ISIS Summit Vienna 2015—The Information Society at the Crossroads. MDPI, 2015. http://dx.doi.org/10.3390/isis-summit-vienna-2015-s1005.

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Karacsony, Noemi. "ARAB INFLUENCES IN SPANISH MUSIC: ORIENTALISM AND ALTERITY IN GEORGE BIZET�S CARMEN." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018h/61/s16.056.

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Sánchez Bonilla, Mª Isabel, and Tomás Oropesa Hernández. "La cal en Tenerife. Especificidades. El horno de El Bueno-Arico y la producción de cal a partir del agua de galería." In I Simposio anual de Patrimonio Natural y Cultural ICOMOS España. Editorial Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/icomos2019.2020.11670.

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La isla de Tenerife, de origen volcánico, no cuenta con canteras de cal activas. A nivel histórico se tienen noticias desde el siglo XVI y a lo largo de los cuatro siguientes, sobre la escasez de cal, su búsqueda en Taganana y Tejina y la existencia de cantera en Los Realejos. Lo habitual era la importación de la piedra cruda desde las Islas Orientales, o su llegada desde puertos españoles o europeos. Se menciona también (s. XVIII) la fabricación de cal a partir de “confites” (esqueletos de algas de la familia Corallinaceae). Otra experiencia singular es la obtención de cal (años 40 del siglo
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Wu, Xuan, Gaowei Liu, Xiaojie Wang, Yanwei Liu, and Tao Mei. "Study of a Bioinspired Wall-Climbing Robot: Contact Mechanism and Performance." In ASME 2017 Conference on Smart Materials, Adaptive Structures and Intelligent Systems. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/smasis2017-3729.

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This paper presents a study of bioinspired wall-climbing robot (WCR) using spiny toes. The first part of the paper describes a design of a flexible spiny toe inspired by the features of a typical wall-climbing insect Serica orientalis Motschulsky’s tarsal system. A simple contact model of the spiny toe is proposed by considering the contact asperities as spheres. With the help of the finite element method (FEM), the stiffness matrices as well as the directional adhesive properties of the spiny toe are obtained. A single spiny toe and its array are fabricated via fast prototyping. The adhesive
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Marmolejo Cantos, Francisco. "El palacio fortificado de Ibn Ḥafṣūn y sus ḥuṣūn-abwāb. La supuesta edilicia ḥafṣūní y los modelos orientales en el occidente malagueño." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11464.

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The fortified palace of Ibn Ḥafṣūn and its ḥuṣūn-abwāb. The supposed ḥafṣūní architecture and the oriental models in western MalagaNew interpretative approaches are raised about ḥafṣūní architecture based on the archeological data in the medieval city of Bobastro and its most immediate castles, all located in the limits of the municipal terms of Ardales and Alora, to the northwest from the capital of Malaga. We focus our attention on the palatine complex built by Ibn Ḥafṣūn during the Umayyad emirate and we present numerous nearby fortress, which has allowed us to first approach the knowledg
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Diaz Lozano, Carlos Mario, Carlos Andres Cortes Daza, Erika Andrea Pacheco Gomez, Elizabeth Plata Ruiz, and Jaime Castellanos Carvajal. "Boosting Production in the Llanos Orientales Colombia Basin, with an Approach to the Usage of the Completion Fluid. A Recent Case Study." In SPE Annual Technical Conference and Exhibition. SPE, 2021. http://dx.doi.org/10.2118/206347-ms.

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Abstract This arcticle highlights the importance of a systematic step change approach to the formulation of completion fluids in the Llanos Basin (LLAB), Colombia, when formation-freshwater is to be used as control - completion (C&amp;C) fluid. The results demonstrate that the process used reduced the formation damage statistics from 41% of the wells drilled to only 16%, boosting production and establishing a best practice for future drilling and completion (D&amp;C) campaigns in the region. An initial sample of 19 wells was considered to evaluate the damage caused by using formation-freshwate
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Graham, J. B., D. B. Lubahn, J. D. Kirshtein, et al. "THE “MALMO“ EPITOPE OF FACTOR IX: PHENOTYPIC EXPRESSION OF THE “VIKING“ GENE." In XIth International Congress on Thrombosis and Haemostasis. Schattauer GmbH, 1987. http://dx.doi.org/10.1055/s-0038-1643566.

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The epitope of a mouse monoclonal AB (9.9) which detects a Factor IX (F.IX) polymorphism in the plasma of normal persons (PNAS 82:3839, 1985) has been related to not more than 6 AA residues of F.IX by recombinant DNA technology. The same 6 residues define Smith’s polymorphic epitope (Am. J. Human Genet. 37:688, 1985 and in press). This region of F.IX contains the alanine:threonine dimorphism at residue 148 first suggested by McGraw et al. (PNAS 82: 2847, 1985) and established by Winship and Brownlee with synthetic DNA oligomers (Lancet in press). Using synthetic DNA probes, we have found that
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Reports on the topic "Orientalism (Art)"

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HEFNER, Robert. IHSAN ETHICS AND POLITICAL REVITALIZATION Appreciating Muqtedar Khan’s Islam and Good Governance. IIIT, 2020. http://dx.doi.org/10.47816/01.001.20.

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Ours is an age of pervasive political turbulence, and the scale of the challenge requires new thinking on politics as well as public ethics for our world. In Western countries, the specter of Islamophobia, alt-right populism, along with racialized violence has shaken public confidence in long-secure assumptions rooted in democracy, diversity, and citizenship. The tragic denouement of so many of the Arab uprisings together with the ascendance of apocalyptic extremists like Daesh and Boko Haram have caused an even greater sense of alarm in large parts of the Muslim-majority world. It is against
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