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Dissertations / Theses on the topic 'Orientalism (Art)'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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1

Bloom, Kelly. "Orientalism in French 19th Century Art." Thesis, Boston College, 2004. http://hdl.handle.net/2345/477.

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Thesis advisor: Jeffery Howe<br>The Orient has been a mythical, looming presence since the foundation of Islam in the 7th century. It has always been the “Other” that Edward Said wrote about in his 1979 book Orientalism. The gulf of misunderstanding between the myth and the reality of the Near East still exists today in the 21st century. Napoleon's invasion of Egypt in 1798 and the subsequent colonization of the Near East is perhaps the defining moment in the Western perception of the Near East. At the beginning of modern colonization, Napoleon and his companions arrived in the Near East convi
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2

Braddock, Alan C. "Displacing Orientalism Thomas Eakins and ethnographic modernity /." [S.l. : s.n.], 2002. http://catalog.hathitrust.org/api/volumes/oclc/53916454.html.

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Thesis (Ph. D.)--University of Delaware, 2002.<br>Principal faculty advisor: Michael Leja, Dept. of Art History. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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3

Chen, Albert Yi Fu 1967. "Art and social dislocation : a Chinese diasporic condition." Monash University, Dept. of Fine Arts, 2004. http://arrow.monash.edu.au/hdl/1959.1/5203.

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4

Jones, Andrew Stuart. "Kay Nielsen orientalism in illustration during the Belle Époque /." Birmingham, Ala. : University of Alabama at Birmingham, 2009. https://www.mhsl.uab.edu/dt/2009m/jonesa.pdf.

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Thesis (M.A.)--University of Alabama at Birmingham, 2009.<br>Title from PDF title page (viewed Jan. 21, 2010). Additional advisors: Cathleen Cummings, Heather McPherson, Mindy Nancarrow. Includes bibliographical references (p. 66-71).
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5

Kirk, Elizabeth Gail. "Neo-orientalism : ugly women and the Parisian avant-garde, 1905-1908." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28091.

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The Neo-Orientalism of Matisse's The Blue Nude (Souvenir of Biskra), and Picasso's Les Demoiselles d'Avignon, both of 1907, exists in the similarity of the extreme distortion of the female form and defines the different meanings attached to these "ugly" women relative to distinctive notions of erotic and exotic imagery. To understand Neo-Orientalism, that is, 19th century Orientalist concepts which were filtered through Primitivism in the 20th century, the racial, sexual and class antagonisms of the period, which not only influenced attitudes towards erotic and exotic imagery, but also defined
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Tsang, Wing-yi. "Jewish imagery and orientalism in nineteenth and early twentieth century European art." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B40040355.

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Tsang, Wing-yi, and 曾穎怡. "Jewish imagery and orientalism in nineteenth and early twentieth century European art." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B40040355.

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8

Ming, Christina Tio Ee. "The Avant Garde and its 'others' orientalism in contemporary art music /." Thesis, Online version, 2000. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.364724.

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9

Issiyeva, Adalyat. "Russian orientalism: from ethnography to art song in nineteenth-century music." Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121101.

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Russia's ambivalent geo-political and socio-cultural position, as a self-avowed intermediary between the East and the West, shaped its double identity and played an important role in the creation of Russia's own Oriental Other. This dissertation examines the political and cultural resonance of nineteenth-century Russian art songs with oriental or Asian subjects, both within and outside of Edward Said's theoretical construct of "Orientalism." It also addresses how Russian art song composers adapted, transformed and assimilated music drawn from ethnographic sources published during the century.
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10

Lespes, Marlène. "De l'orientalisme à l'art colonial : les peintres français au Maroc pendant le Protectorat (1912-1956)." Thesis, Toulouse 2, 2017. http://www.theses.fr/2017TOU20098/document.

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À travers l’étude des peintres français partis au Maroc pendant le Protectorat, cette thèse examine la structuration et le développement de l’art colonial, courant qui succède à l’orientalisme au tournant des XIXe et XXe siècles. Loin d’être un phénomène isolé, le séjour dans ce pays pendant la période coloniale concerne des centaines d’artistes. Ces voyages sont encouragés et parfois même financés par des sociétés artistiques métropolitaines et par les gouvernements coloniaux. À Paris, des Salons et des expositions, comme les Expositions coloniales ou universelles, réservent des espaces spéci
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Barnes, Maribea Woodington. "Ethnographic Research in Morocco: Analyzing Contemporary Artistic Practices and Visual Culture." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1218051347.

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Medvedev, Natasha. "The contradictions in Vereshchagin's Turkestan series visualizing the Russian Empire and its others /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1835633981&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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13

Jones, Rachel Bailey. "(Re)envisioning self and other subverting visual orientalism through the creation of postcolonial pedagogy /." Greensboro, N.C. : University of North Carolina at Greensboro, 2007. http://libres.uncg.edu/edocs/etd/1403/umi-uncg-1403.pdf.

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Thesis (Ph. D.)--University of North Carolina at Greensboro, 2007.<br>Title from PDF t.p. (viewed Oct. 22, 2007). Directed by Leila Villaverde; submitted to the School of Education. Includes bibliographical references (p. 234-252).
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Cochran, Sharayah. "An Impossible Alternative: Orientalism and Margaret Bourke-White's "A Moneylender's House" (1947)." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3760.

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Between 1946 and 1948, American photographer Margaret Bourke-White traveled to India while on assignments for Life magazine. Since the late 1940s, a photograph from these assignments that depicts three men sitting in an ornately decorated room has appeared in several publications and exhibitions under variations of the title A Moneylender’s House (1947). Though Bourke-White is traditionally categorized as a documentary photojournalist, her photograph exhibits motifs similar to those seen in European Orientalist paintings from the nineteenth century. Considering recent scholarship that has expa
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Pycroft, Hayley. "Beyond Afrocentricism and Orientalism contemporary representations of transnational identities in the works of Nontsikelelo "Lolo" Veleko and Tracy Payne." Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1002216.

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South African photographer Nontsikelelo “Lolo” Veleko and South African painter Tracy Payne explore different ways of communicating African realities. The visual imagery of these two artists focuses a lot on movement, challenging the rigidity of boundaries set by Western social constructs. In their work, Veleko and Payne critique the limitations of terms such as “authenticity.” It is extremely difficult to portray shifting notions of contemporary African identity in light of the stain of colonial philosophies which have, in times past, exoticised and appropriated the African body and ascribed
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Khosravi, Mojgan. "Shirin Neshat: A Contemporary Orientalist." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/art_design_theses/73.

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This thesis analyzes Shirin Neshat’s Women of Allah photographs by exploring key socio-political events that have shaped Iranian history since the reign of Cyrus the Great, ca. 600 B.C. Since Neshat’s photographs have been largely intended for a Western audience, it is important to explore the concept of colonialism that has created East/West polarities and so greatly influenced our modern era. This paper intends to demonstrate that Neshat’s images perpetuate Edward Said’s concept of Orientalism, which allocates the Oriental to an inferior position vis-à-vis his Occidental counterpart. For a W
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DeVito, Elizabeth J. "Orientalism and the Photographs of Eugène Delacroix: An Exploration of Vision, Identity, and Difference in Nineteenth Century France." Ohio University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1306869542.

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Cauchi-Fatiga, Virginie. "Eugène Delacroix et la critique, 1822 - 1885." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL095.

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L’artiste débute sa carrière au moment où le développement considérable de la critique en France s’explique par plusieurs facteurs : la centralisation parisienne de la vie artistique et littéraire, le prestige inhérent aux Salons de la capitale, et surtout la publication au début du siècle des Salons de Diderot, qui jusque-là n’ayant pas dépassé le cercle privé de l’auteur se retrouvèrent érigés en modèle d’un nouveau genre littéraire. Car il n’y a pas, et ce durant les quarante années de carrière de Delacroix, de critique professionnelle. C’est pourquoi celle-ci regroupe sous ce seul terme un
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19

Tintin, Hodén. "Att visualisera Orienten : En närläsning av Linda Nochlins The Imaginary Orient utifrån Edward Said och John M Mackenzie." Thesis, Södertörns högskola, Institutionen för kultur och kommunikation, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-11683.

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According to Edward Said the Orient is a European construction that has arisen out of a need to describe the Western civilisation as culturally superior. This occurrence Said gives the label "Orientalism". Art historian Linda Nochlin takes Said’s theories further in The Imaginary Orient where she conveys the thesis that the pictorial Orientalism is an expression of an imperialistic ideology. John M. Mackenzie, on the other hand is of the opinion that the pictorial Orientalism rather is an expression of the Romantic movement. To understand the Orientalist art we have to consider the social and
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Darrow, Susannah B. "Negotiating Hybridity in the Work of Lalla Essaydi: An Exploration of Gaze." Digital Archive @ GSU, 2013. http://digitalarchive.gsu.edu/art_design_theses/137.

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The photographic work of contemporary Moroccan artist, Lalla Essaydi, embodies a new artistic hybridity that reflects her nomadic, globalized background. With this work, the artist employs visual symbolism and uses multiple forms of artistic media as a means to analyze her multicultural background. Throughout her series, which spans 2004-present, Essaydi uses both literal and metaphorical representations of space and self as a means to examine the multifacetedness of her national identity and the many gazes that define that identity. She uses artistic production as a means of mediating the col
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21

Bashiron, Mendolicchio Herman. "Mosaico Mediterráneo. El Arte como Herramienta de Diálogo Intercultural." Doctoral thesis, Universitat de Barcelona, 2012. http://hdl.handle.net/10803/121466.

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El presente trabajo de investigación doctoral reflexiona sobre el aporte de las prácticas artísticas contemporáneas en los procesos de diálogo entre culturas en el Mediterráneo. En las dinámicas de percepción, acercamiento y (re)conocimiento del otro y de las culturas otras, todos los medios informativos y de comunicación pueden ser, por un lado, válidos y efectivos como, por otro, pueden desviar de la verdad y difundir fácilmente numerosos prejuicios. Frente a la “síntesis” operada por los medios de comunicación tradicionales, donde “el Otro” es a menudo objeto de representaciones estereot
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22

Braeuner, Hélène. "Les représentations du canal de Suez (15ème-20ème s.) : esthétiques et politiques d'une vision." Thesis, Strasbourg, 2015. http://www.theses.fr/2015STRAG042.

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L’histoire du canal de Suez constitue un champ d’étude toujours vivant et sensible par son actualité, qui a fait naître des sentiments contrastés. C’est l’histoire de sa symbolique, des fantasmes et des projections qu’il a pu faire naître qui se trouve étudiée à partir d’un corpus littéraire et iconographique inédit. L’originalité de la recherche repose sur la multiplication des approches et le nombre d’œuvres rassemblées permettant de sortir d’une chronologie restreinte au projet de creusement. Elle entend dépasser la vision restrictive d’une entreprise qui ne peut être confondue avec l’actio
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Hjelm, Zara Luna. "Kolonialtidens barn : En studie i ”ras”, klass och kön genom representationen av barndomen." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-170854.

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Denna uppsats avser att analysera representationen av barnet och barndomen i konsten under den europeiska kolonialiseringen och imperialismen genom historieskrivningen ur ett feministiskt postkolonialt perspektiv med en historiografisk metod. Syftet är att reflektera över hur kolonialismen har påverkat den visuella konsten föreställande barn och skapat föreställningarna om ras, klass och kön. Som en bakgrund presenteras först konceptet av barnet och barndomens framväxt fram från medeltiden till slutet av 1700-talet. Sedan sammanflätas det med studiens två huvuddelar som tar avstamp i slutet av
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au, maria degabriele@police wa gov, and Maria Degabriele. "Postorientalism : orientalism since orientalism." Murdoch University, 1997. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20080122.112339.

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This dissertation examines a range of popular contemporary texts in a post-Saidian context. It begins with an analysis of Orientalism, as that text influences almost any discussion of representations of Easmest relations. Now, almost twenty years after Orientalism was first published in 1978 it is still a crucial text, and it still needs to be understood and argued with. The other texts looked at in this dissertation include novels, drama, films, opera, a musical, and the print and electronic mass media. They are texts that either represent or comment on EastIWest relations. The main texts I e
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Lambertson, Kristen. "Mariko Mori and Takashi Murakami and the crisis of Japanese identity." Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/1244.

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In the mid-1990s, Japanese artists Mariko Mori (b. 1962) and Takashi Murakami (b. 1967) began creating works that referenced Japanese popular culture tropes such as sexuality, technology and the idea of kawaii, or cute. These tropes were associated with emerging youth cultures instigating a “soft rebellion” against social conventions. While emancipated female youths, or shōjo, were criticized for lifestyles based on the consumption of kawaii goods, their male contemporaries, the otaku were demonized for a fetishization of kawaii girls and technology through anime and manga, or animation and co
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Johnson, Andrea Marie. "Incongruous Conceptions: Owen Jones’s Plans, Elevations, Sections and Details of the Alhambra and British Views of Spain." Scholar Commons, 2016. http://scholarcommons.usf.edu/etd/6101.

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This thesis analyzes Plans, Elevations, Sections, and Details of the Alhambra (1836-1842) by British Architect Owen Jones in relation to British conceptions of Spain in the nineteenth century. Although modern scholars often view Jones’s work as an accurate visual account of the Alhambra, I argue that his work is not only interested in accuracy, but it is also a re-presentation of the fourteen-century monument based on Jones’s ideologies and creative faculties. Instead of viewing the Alhambra through a culturally sensitive, historical lens, Jones treated it as an Imaginary Geography, as Edward
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Sunnemar, Jonatan. "Sydeuropeiska kroppar i fotokonst 1890–1910 : En analys av Wilhelm von Gloedens fotografier av nakna sicilianska ynglingar." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-157040.

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Uppsatsen ämnar till att analysera fotografier tagna av fotografen Wilhelm von Gloeden mellan åren 1890—1910. Genom att undersöka fotografierna utifrån aspekter om iscensättning och performativitet leds syftet vidare till en analys och diskussion som berör homoerotik, klass, genus, sexualitet och orientalism. Tillvägagångssättet för analysen utgår från Anne D’Allevas formalanalys som är utformad efter tvådimensionella verk. Analysen stöds av Judith Butlers idéer om vad en performativ akt symboliserar ur ett queerperspektiv. Analysen kring fotografierna i förhållande till orie
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Linon-Chipon, Sophie. "Gallia orientalis : voyages aux Indes orientales, 1529-1722, poétique et imaginaire d'un genre littéraire en formation /." Paris : Presses de l'Université de Paris-Sorbonne, 2003. http://catalogue.bnf.fr/ark:/12148/cb39024672h.

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Texte remanié de: Th. doct.--Litt. française--Paris 4, 1993. Titre de soutenance : Le genre de la relation de voyage française sur la route maritime des épices : des origines à 1722.<br>Bibliogr. p. 603-679. Index. L'ouvrage porte par erreur : ISSN 0756-7847.
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Chamberlain, Rachel P. "Articulations of Liberation and Agency in Yanagi Miwa's "Elevator Girls"." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/art_design_theses/102.

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Miwa Yanagi’s Elevator Girls series, a collection of glossy photographs featuring groups of similarly clad women lingering in expansive, empty arcades, made its international debut in 1996. While the pieces garnered positive reactions, Yanagi found that most Western viewers read her work as predominantly “Oriental”—confirming stereotypes of a highly polished techno-topic Japan that was still negotiating gender equality. In this thesis, I explore alternative ways of reading Yanagi’s Elevator Girls series, which, I argue, call attention to myopic views of commercialism and identity in order to p
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Nakanishi, Mitsuya. "Saint-Saëns et le Japon : considérations sur le japonisme dans l’oeuvre du compositeur." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040038.

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Le sujet de la thèse s’intitule « Saint-Saëns et le Japon ». Ce compositeur français (1835-1921) a toute sa vie durant entretenu un intérêt soutenu pour le Japon. Il s’est rendu célèbre comme « orientaliste » avec des œuvres telles que Samson et Dalila, la Suite Algérienne et le cinquième Concerto pour piano, dit l’Egyptien. Toutefois, son engouement pour le Japon n’a pas encore fait l’objet d’une étude approfondie, car son corpus musical ne comporte qu’une œuvre y étant dédiée, un opéra-comique intitulé La Princesse Jaune (1872). En revanche, il a publié deux poèmes : « Le Japon » et « Le Fou
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Kim, Joanne S. "Romanticism and the Poetics of Orientation." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1523659373305353.

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Ambrosini, Chenivesse Victoria. "Art populaire, art contemporain et pratiques politiques au Moyen-Orient : entre orientalisme et Révolution égyptienne, 2000-2014." Paris, EHESS, 2015. https://tel.archives-ouvertes.fr/tel-01168383.

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Art populaire, art de la subversion, à l'échelle locale et internationale. À partir des années 1990, l'art populaire, ainsi dénommé par les artistes contemporains d'Egypte et du Moyen-Orient, désigne une pratique antiélitiste qui détourne les esthétiques populaires, s'ancre dans le pop art et l'irruption de la vie quotidienne dans les représentations. Parmi ces esthétiques, le kitsch est emblématique. Entré dans l'art au début du XXe siècle, de nombreux artistes du Moyen-Orient s'en emparent bien qu'il concentre une critique esthétique et éthique. Il s'agit pour les artistes de produire une su
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Koudriavtseva-Velmans, Olessia. "Les traditions occidentales et orientales du Moyen Âge dans l’art contemporain." Paris 10, 2012. http://www.theses.fr/2012PA100078.

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Le langage commun et l’image forment l’identité de l’individu. En prenant cela comme une possibilité pour l’art plutôt qu’une donnée, nous allons vérifier si l’art plastique médiéval et si celui du contemporain visent les mêmes buts et fonctionnent de la même façon, quand ils utilisent au sein de la même œuvre le texte et l’image considérés comme les moyens majeurs d’expression. L’idée d’étudier « la rigidité des traditions indiscutables » dans l’art visuel de l’Orient à l’Occident ne se voit pas dans un contexte de limites géographiques, l’Orient et l’Occident sont vus plutôt comme un concept
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Bagnole, Rihab Kassatly. "Imaging the Almeh: Transformation and Multiculturalization of the Eastern Dancer in Painting, Theatre, and Film, 1850-1950." Ohio : Ohio University, 2005. http://www.ohiolink.edu/etd/view.cgi?ohiou1132433330.

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Günther, Erika. "Die Faszination des Fremden : der malerische Orientalismus in Deutschland /." Münster : Lit Verl, 1990. http://catalogue.bnf.fr/ark:/12148/cb355303022.

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Leitzke, Angelika. "Das Bild des Orients in der französischen Malerei von Napoleons ägypten-Feldzug bis zum Deutsch-Französischen Krieg /." Marburg : Tectum, 2001. http://catalogue.bnf.fr/ark:/12148/cb412895245.

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Bayard-Sakai, Anne. "La parole comme art : etude du rakugo." Paris 7, 1989. http://www.theses.fr/1989PA070077.

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Le rakugo est un art traditionnel japonais de conteurs. Notre travail s'articule autour des developpements suivants, dans le but d'explorer l'exploitation que propose le rakugo des potentialites de la parole. A. L'histoire du rakugo, des origines - la litterature d'anecdotes et la predi- cation bouddhique - a nos jours, avec un accent particulier mis sur les premieres seances qui ont lieu a la fin du dix-huitieme siecle. B. Les caracteristiques textuelles des recits de rakugo: leur structure, leur mode d'enonciation, et les genres entre lesquels se distribue le repertoire. C. Les enjeux sociau
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Gopin, Seth A. "Jean-Baptiste Vanmour, a painter of turqueries /." Ann Arbor (Mich.) : UMI, 1994. http://catalogue.bnf.fr/ark:/12148/cb371610976.

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Seter, Ronit. "Yuvalim be-Israel : nationalism in Jewish-Israeli art music, 1940-2000 /." Ann Arbor (Mich.) : UMI, 2005. http://catalogue.bnf.fr/ark:/12148/cb40050015j.

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Daftari, Fereshteh. "The influence of Persian art on Gauguin, Matisse, and Kandinsky /." New York ; London : Garland publ, 1991. http://catalogue.bnf.fr/ark:/12148/cb37423050q.

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Joshi, Samudra Lal. "Ecology and management of the red ant Dorylus orientalis Westwood in Nepal." Thesis, Imperial College London, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300969.

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Farhoud-Jraissati, Lily. "L'Espace et l'Autre la peinture orientaliste française et anglaise du XIXe siècle, analyse critique /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37605124v.

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Landskron, Alice. "Parther und Sasaniden : das Bild der Orientalen in der römischen Kaiserzeit /." Wien : Phoibos, 2005. http://catalogue.bnf.fr/ark:/12148/cb41035092x.

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Peltre, Christine. "Retour en Arcadie : le voyage des artistes français en Grèce au XIXe siècle /." Paris : Klincksieck, 1997. http://catalogue.bnf.fr/ark:/12148/cb361650940.

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Texte remanié de: Th. État--Histoire de l'art--Paris IV--Sorbonne, 1993. Titre de soutenance : Le voyage de Grèce des artistes français : du retour de l'antique au culte de la Méditerranée, 1780-1939.<br>Bibliogr. p. 347-362. Index.
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Hond, Jan de. "Verlangen naar het Oosten : oriëntalisme in de Nederlandse cultuur, ca. 1800-1920 /." Leiden : Primavera pers, 2008. http://catalogue.bnf.fr/ark:/12148/cb413441602.

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Stamy, Cynthia. "Marianne Moore and China : Orientalism and a writing of America /." Oxford [GB] : Oxford university press, 1999. http://catalogue.bnf.fr/ark:/12148/cb37198412d.

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Epelde, Kathleen R. "Travel guidebooks to India a century and a half of orientalism /." Access electronically, 2004. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20041220.122026/index.html.

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48

Arnold, Raphael. "William Jones : ein Orientalist zwischen Kolonialismus und Aufklärung /." Würzburg : Ergon, 2001. http://catalogue.bnf.fr/ark:/12148/cb39995705w.

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49

Peng, Chang Ming Marie. "Fernand Cormon, 1845-1924 : sa vie, son oeuvre et son influence." Paris 4, 1995. http://www.theses.fr/1994PA040326.

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50

Louis-Joseph-Dogue, Christine. "La photographie orientaliste de nus, scènes de genre et portraits entre 1850 et 1880 /." Paris : Université de Paris IV, 1998. http://catalogue.bnf.fr/ark:/12148/cb370682978.

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