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Journal articles on the topic 'Orientation of byzantine churches'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Etinhof, Olga E. "ON THE QUESTION OF CLASSICAL THEMES IN THE ART OF PRE-MONGOL RUSSIA." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 1 (2021): 152–83. http://dx.doi.org/10.28995/2686-7249-2021-1-152-183.

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A narrow range of Byzantine texts, primarily chronographic ones, containing classical themes and images, were translated in Russia starting from the 11th century.These texts became the literary basis of secular and ecclesiastic art. Several iconographic motifs from mythological stories and the “Ascension of Alexander the Great” entered the art of pre-Mongol Russian. Byzantium was the main source of the antique elements in Old Russian culture. Some motifs were also adopted in Old Russia from Romanesque art, through close contact with Western Europe. The tradition of using ancient subjects for t

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Чудинова, И. А. "Auditory Gesture in the Liturgical Space of the Temple." OPERA MUSICOLOGICA, no. 2023 (May 11, 2023): 196–219. http://dx.doi.org/10.26156/om.2023.15.2.009.

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На основании важнейших положений византийского богословия и данных византийских и славянских церковных Типиконов рассматривается принцип соотношения аудиальной жестовости и литургической топики храма. Приводятся свидетельства греческой и славянской литургической письменности, подтверждающие особую значимость для православной традиции связи произносимого литургического слова с аудиальным пространством храма. Принципиально важны расположение источника звука и место его слухового восприятия — место стояния и перемещения молящихся, возглашающих и поющих, так же как и тех идиофонов, которые употреб

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Stadnyk, Mykola. "Ethnomental dimensions of the education process in Eastern Christianity." Skhid 7, no. 1 (2025): 59–64. https://doi.org/10.21847/2411-3093.2025.718.

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The article explores the ethnomental dimensions of the educational process within Eastern Christianity. It examines the historical context of the issue by substantiating the factors influencing the formation of ethnomental characteristics among different nations and highlights the role of education in preserving and transmitting the cultural traditions and values of Eastern Christianity. The study analyzes the perspectives of prominent scholars of religion regarding the role of religious and theological education in contemporary educational practices and the broader cultural landscape of the U

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Datsiuk, Natalia. "TRADITION AND MODERNISM IN THE SACRED ART OF IGOR ZILINKO." Scientific Issues of Ternopil National Pedagogical Volodymyr Hnatiuk University. Specialization: Art Studies, no. 2 (May 23, 2023): 140–48. http://dx.doi.org/10.25128/2411-3271.19.2.19.

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The article explores the directions of contemporary Ukrainian sacral art in the work of the painter I. Zilinkо, his contribution to the development of sacred art of the temples of Ternopil region. The main directions of stylistic orientation in the formation of modern sacral art, the evolution of paintings from realistic tendencies of Ukrainian sacral painting of the seventeenth century to experiments with stylization of iconic figures in search of greater spirituality of the face, the introduction of our own modern iconography, based on tradition. The article explores the directions of contem

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Shukurov, Rustam. "Byzantine Persians and “Persian” Churches in Byzantium." ISTORIYA 15, no. 8 (142) (2024): 0. https://doi.org/10.18254/s207987840031724-5.

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The article focuses on the underestimated presence of Persians in Byzantine culture after the Muslim conquests of the seventh century, challenging the prevailing scholarly narrative on Byzantine-Eastern relations. By analyzing Byzantine perceptions of ancient Persians and contemporary Persian-Muslim culture, the author identifies the role of Persian motifs in Byzantine religious thought and reconstructs the memory of Persian martyrs in church tradition. The author discusses the existence of churches in Byzantium dedicated to Persian martyrs, where their relics were preserved. Analysis of poeti

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Шлёнов, Дионисий. "The Mother Church in the Byzantine and Post-Byzantine Tradition." Theological Herald, no. 4(51) (December 15, 2023): 147–84. http://dx.doi.org/10.31802/gb.2023.51.4.008.

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В настоящее время в семье Поместных Православных Церквей всё более и более усугубляется болезненное разделение между двумя группами Церквей: теми Церквами, которые поддерживают Константинопольский Патриархат и «привилегии» его главы, как будто бы первенствующего на Востоке и во всемирном Православии иерарха, и теми, которые не принимают такое первенство Константинополя, а именно Русской Православной Церковью и рядом других Поместных Церквей, придерживающихся соборной экклесиологии. Однако, несмотря на иллюзию поиска Константинополем царского пути, правда — в экклесиологии, исключающей земное п

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Tatbul, Mustafa Nuri, and Deniz Burcu Erciyas. "The Potential of Quantified Surface Data in Understanding the Rural Landscapes of Middle Byzantine Komana." Journal of Eastern Mediterranean Archaeology and Heritage Studies 11, no. 1 (2023): 21–44. http://dx.doi.org/10.5325/jeasmedarcherstu.11.1.0021.

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ABSTRACT The Middle Byzantine period in Anatolia is considered a recovery period after two centuries of instability at the end of the Early Byzantine period. From the late ninth through the twelfth centuries, building small churches became a trend as rural settlements and monastic communities expanded across the countryside. During extensive surveys at Komana, near Tokat in Turkey, a number of churches were identified in rural contexts through scattered architectural fragments, especially brickwork typical of the Middle Byzantine period. These sites were later revisited for intensive collectio

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ΜΕΣΣΗΣ, Βασίλειος Δ. "Μεταβυζαντινοί σύνθετοι και ημισύνθετοι τετρακιόνιοι σταυροειδείς εγγεγραμμένοι ναοί της Πελοποννήσου". BYZANTINA SYMMEIKTA 24, № 1 (2015): 177. http://dx.doi.org/10.12681/byzsym.1136.

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<p><span style="line-height: 150%; font-family: Calibri; font-size: 11pt;"><span style="color: black;">Complex and semi-complex cross in-square four columned post Byzantine churches in Peloponnese, Greece</span></span></p><p>Post Byzantine churches in Peloponnese that belong to the two variations of the four columned cross in-square type, the complex and the semi-complex, differ from each other but at the same time share much in common. They can also be classified in groups. Ιn general terms, the application of the type in post Byzantine Peloponnese ex

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Bikai, Patricia Maynor. "The Churches of Byzantine Petra." Near Eastern Archaeology 65, no. 4 (2002): 271–76. http://dx.doi.org/10.2307/3210859.

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Линькова, Ксения Владимировна. "Византийский стиль в русской архитектуре второй половины XIX века: специфика военных храмов". Actual Problems of Theory and History of Art 14 (11 жовтня 2024): 454–65. https://doi.org/10.18688/aa2414-6-35.

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The architecture of the so-called “national” styles of the second half of the 19th century was one of the most powerful means of spreading the national myth: church construction in the 19th century remained largely in the hands of the state, and churches were built not only in the historically Orthodox central regions of the empire, but also on its outskirts, where they asserted imperial domination and promoted Orthodoxy in the non-Christian territories of the empire. A significant role in this process was played by military churches, as they were the most closely aligned with the official sta

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Higuchi, R., and K. Murata. "3D SCHOLARLY EDITIONS FOR BYZANTINE STUDIES: MULTIMEDIA VISUAL REPRESENTATIONS FOR HISTORY, ART HISTORY AND ARCHITECTURAL HISTORY." ISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences X-M-1-2023 (June 23, 2023): 125–31. http://dx.doi.org/10.5194/isprs-annals-x-m-1-2023-125-2023.

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Abstract. The Byzantine Empire has bequeathed to us a rich legacy of Christian churches, many of which possess historical and cultural significance. Unfortunately, the majority of these structures are currently undergoing a process of decay, having not received adequate preservation efforts. Moreover, the absence of collaboration between researchers in the various fields, each with their own focus on the study of Byzantine churches, presents a pressing need for dialogue and a collective response from these researchers. The region of Laconia, located in the south of Greece, is particularly in n

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Çetinkaya, Halûk. "Middle Byzantine Parekklesia of Constantinople: Their History, Purpose, and New Data." Eurasian Studies 19, no. 1 (2021): 46–78. http://dx.doi.org/10.1163/24685623-12340109.

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Abstract Recent restoration projects in Istanbul have brought to light new evidence related to the middle Byzantine (843–1204) churches of Istanbul. In particular, archaeological excavations have exposed previously unknown parts of the monastic churches. This article provides a brief construction history of the middle Byzantine churches of Istanbul and their later additions, and elucidates the purpose for which the latter were built. Thus, together with written sources, archaeological data may improve our understanding of these constructions. In particular, this article discusses the recent di

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MAIOROV, ALEXANDER V. "The Rus Archbishop Peter at the First Council of Lyon." Journal of Ecclesiastical History 71, no. 1 (2019): 20–39. http://dx.doi.org/10.1017/s0022046919001143.

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The article establishes that the role of the Rus Archbishop Peter at the First Council of Lyon (1245) was not limited to conveying sensational information about the Tatars, as is usually believed. Peter was willing to resume negotiations between the Apostolic See and the rulers of the Byzantine (Nicene) Empire on the union of Churches, which continued with varying success throughout the thirteenth century. In the mid-1240s the Rus church hierarchs, who headed the Kiev (all Rus) Metropolitanate of the Byzantine Church, played an important, yet underestimated by researchers, role in establishing

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Volti, Panayota. "La cathédrale de l’Annonciation d’Athènes, chantier fondateur de l’architecture néobyzantine. Une dynamique plurielle diachronique." Histoire de l'art 86, no. 2 (2020): 207–20. https://doi.org/10.3406/hista.2020.3917.

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Erected in the mid-19th century, the Cathedral of the Annunciation in Athens embodied an entirely new architectural style : imposing on the outside, freed from the compartmentalized inter-ior spatiality of the Byzantine churches, yet still offering adequate interior arrangements for the traditional liturgical rituals. Based on this seminal model, Neo-Byzantine churches soon multiplied, not only in Athens but also in other cities — Greek, European, even extra-European — throughout the 20th and 21th centuries. The idiosyncratic Athenian cathedral thus played a pivotal role, material as well as s

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Melvani, Nicholas. "Approaching Orthodox Sacred Space in Ottoman Istanbul: the Wanderings of Protestant Humanists Through the Byzantine Monuments of Constantinople." Studia Universitatis Babeș-Bolyai Theologia Orthodoxa 68, no. 1 (2023): 47–78. http://dx.doi.org/10.24193/subbto.2023.1.02.

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This paper deals with the reception of the Byzantine churches of Constantinople by Protestant scholars who visited the building complex of the Pammakaristos, then the seat of the Patriarchate of Constantinople, as well as other churches within the Patriar

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Grujoska-Kuneska, Jasna. "An Overview of the Byzantine Churches in North Macedonia." Journal of Balkan Architecture 1, no. 2 (2025): 69–82. https://doi.org/10.69648/utap8487.

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Byzantine architecture has created some of the most iconic historical buildings, which remain a significant part of our cultural heritage to this day. This style combines different aspects and creates spaces of great beauty and spirituality. The territory of North Macedonia has a rich history, with a vast cultural heritage that includes numerous historical buildings from different periods, representing the creative ideas and traditions of the past civilizations that lived there. This paper explores the examples of the Byzantine architecture preserved within the territory of North Macedonia. Th

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GAVRILOVIC, P., V. SENDOVA, and W. S. GINELL. "SEISMIC STRENGTHENING AND REPAIR OF BYZANTINE CHURCHES." Journal of Earthquake Engineering 3, no. 2 (1999): 199–235. http://dx.doi.org/10.1080/13632469909350345.

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Higuchi, R., H. Sugawara, and M. E. Gülyaz. "PHOTOGRAMMETRY USING VIRTUAL RESTORATION OF WALL-PAINTINGS OF THE ROCK-HEWN CHURCHES IN THE GÖREME VALLEY, CAPPADOCIA AND ITS VALUE FOR THE MUSEUM’S CONTENTS." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences IV-2/W6 (August 21, 2019): 83–89. http://dx.doi.org/10.5194/isprs-annals-iv-2-w6-83-2019.

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<p><strong>Abstract.</strong> Göreme Valley located in the center of Cappadocia, Turkey is famous for its spectacular landscape characterized by erosion. There are more than one hundred rock-hewn churches in Göreme Valley and some of them have distinct wall-paintings in the Byzantine style. Although a significant place for Byzantine art many of the churches here are at risk of collapse due to erosion. Furthermore there is no comprehensive documentation of the churches concerning both the wall-paintings and their three-dimensional shapes This paper aims: 1) to present two kind

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Seifried, Rebecca M., and Tuna Kalaycı. "An Exploratory Spatial Analysis of the Churches in the Southern Mani Peninsula, Greece." Open Archaeology 5, no. 1 (2019): 519–39. http://dx.doi.org/10.1515/opar-2019-0032.

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AbstractThe Mani Peninsula is home to hundreds of Orthodox Christian churches that were built within the last millennium. As in other parts of the Eastern Mediterranean countryside, the topological relationship between churches and settlements is a critical factor in understanding the significance of the sacred landscape. Many churches are situated in the central part of a village or on its very edge, but others – what are referred to as “outlying churches” or exokklisia – are built at great distances away. In this paper, we make the first attempt to assess the spatial relationship between the

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Smith, Janet Charlotte. "Form and Function of the Side Chambers of Fifth- and Sixth-Century Churches in Ravenna." Journal of the Society of Architectural Historians 49, no. 2 (1990): 181–204. http://dx.doi.org/10.2307/990476.

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Side chambers-rooms flanking the apses of churches-occur throughout broad geographical areas in the Christian East, and within a wide chronological span, ranging from the 5th through 12th centuries. This article, however, will carefully examine the side chambers of only six 5th- and 6th-century churches clustered in the Ravenna/Classe region of the Western Empire. The side chambers of these churches have usually been seen as forming a close typological and chronological group whose existence is thought to prove the Byzantine influence on this late capital of the Western Empire. For this reason

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Kopta, Joseph R. "The Affective Byzantine Book: Reflections on Aesthetics of Gospel Lectionaries." Arts 13, no. 3 (2024): 92. http://dx.doi.org/10.3390/arts13030092.

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The aesthetic qualities of Byzantine Gospel Lectionaries in Middle Byzantine times, afforded by their material construction, fostered an intermedial relationship with the architectural interiors of the churches and chapels where they were used in sacred liturgies. In particular, Byzantine book makers employed discreet reflective materials—particularly albumen and gold—that engendered an aesthetic of liquidity. If we center materiality and aesthetic considerations of the Byzantine Gospel Lectionary, building upon art history’s so-called “material turn”, we can come closer to understanding somet

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Logvyn, Natalia. "ON THE PROBLEM OF GENESIS OF THE CROSS-DOMED ARCHITECTURAL TYPE." Current problems of architecture and urban planning, no. 60 (April 26, 2021): 237–46. http://dx.doi.org/10.32347/2077-3455.2021.60.237-246.

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The article concerns constructive peculiarities of Armenian cross-domed churches in comparison with Byzantine monuments of the same period. Cross-domed type occupies the central place in the architecture of Eastern Christian countries. Central part of the type consists of nine bays, the central bay is a large square, the corner bays smaller squares, the remaining four bays are rectangular. Central bay, limited with four supports, is domed, corner bays and rectangular bays are vaulted. The character of underdome supports determines constructive and compositional structure of cross-domed b

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Özgür, Özge. "Byzantine Churches of Enez (Ainis) in Eastern Thrace." Chronos 31 (September 30, 2018): 141–51. http://dx.doi.org/10.31377/chr.v31i0.127.

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The ancient city of Ainos was built on the east coast of the Maritsa (Meriç) river, where the river joins the sea. The city is located on the west of ancient Lake Stentoris (today Gala Lake) and was established on the 7th century BC as a colony of the Aiolians. The excavations at Ainos proved that the city was continuously inhabited since Neolithic era. Ainos was connected in the north to Adrianopolis by sea and by overland route, in the east to Gallipolis and Constantinople and was situated in a very important location. In 148 BC the city was conquered by the Romans and during the Byzantine e

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Vojvodic, Dragan. "Η σελασφοροσ - the Prizren representations of the Virgin the Light-bearer (Philological appendix by Darko Todorovic)". Zbornik radova Vizantoloskog instituta, № 60-2 (2023): 1193–211. http://dx.doi.org/10.2298/zrvi2360193v.

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The paper discusses the distinctive and mutually almost identical apsidal representations in three churches in Prizren and its area. They comprise the Virgin enthroned, the Child Christ in her lap, and the archangels bowing to them, their wings raised along the edge of the conch. In two of those monuments, the accompanying inscription describes the Mother of God as the Light-bearer (? ??????????). This epithet has not been recorded so far in her depictions in Byzantine and post-Byzantine art. Whatever the origin of the distinctive solution in the apses of the three Prizren churches from variou

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Khlystun, Yuliia. "Reasons for Changing the Painting Style of Orthodox Churches in Eastern Ukraine at the Turn of the 20th–21st Centuries." NaUKMA Research Papers. History and Theory of Culture 5 (September 6, 2022): 38–46. http://dx.doi.org/10.18523/2617-8907.2022.5.38-46.

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Orthodox churches in the east of Ukraine, built (or restored) during the period of the state independence, are painted either in the style of academic painting or in the Byzantine style. Moreover, the style of academic painting is more typical of temples painted in the 1990s and the early 21st century; and in the last two decades, the customers and icon painters prefer the Byzantine style of painting. Answering the questions related to the reasons for changing the style of painting of Orthodox churches in the east of Ukraine at the turn of the 20th–21st centuries, the author offers her point o

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Jarak, Mirja. "ON THE HISTORY OF BYZANTINE DALMATIA IN VIEW OF EARLY MEDIEVAL CHURCH ARCHITECTURE." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 141 (2019): 55–60. http://dx.doi.org/10.17721/1728-2640.2019.141.11.

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The article presents examples of Byzantine church architecture, mostly in the towns of Dalmatia. After a short review of the Byzantine influence in the ecclesiastic architecture of the 6th century, the author shows its continuation during the early Middle Ages when the territory under Byzantine political authority was reduced to the coastal towns and northern Adriatic islands. Besides the famous rotunda of St. Donatus in Zadar, of the Byzantine influence in the medieval architecture speaks especially the cross in square church plan, which was accepted in several towns of Byzantine Dalmatia. Th

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Nin, Manuel. "Divina liturgia bizantina presieduta dal Santo Padre a Blaj il 2 giugno 2019. Significato liturgico." Studia Universitatis Babeș-Bolyai Theologia Catholica 67, no. 1-2 (2022): 159–66. http://dx.doi.org/10.24193/theol.cath.2022.08.

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"The study Divine Liturgy Byzantine presided by the Holy Father in Blaj, on June 2, 2019. Liturgical significance proposes the event analyzed as a precise model of Eucharistic concelebration involving different officials of different rites. In the present case, Holy Liturgy was presided by the Holy Father Pope Francis, celebrated by the Major Archbishop of the Greek Catholic Church in Romania and concelebrated by other Eastern Catholic Bishops - Byzantine, Maronites - but also by Latins Bishops, present at Blaj. Keywords: Byzantine Liturgy, Eastern Catholic Churches, Pope Francis, Liturgical c

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ZBANKO, Oleksandr. "THE SPECIFICS OF THE BYZANTINE MODEL OF GRANTING AUTOCEPHALY: FROM THE PAST TO THE PRESENT." Sophia. Human and Religious Studies Bulletin 23, no. 1 (2024): 14–18. https://doi.org/10.17721/sophia.2024.23.3.

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B a c k g r o u n d . The article delves into the Byzantine model of granting autocephaly, a critical component in shaping ecclesiastical autonomy within the Orthodox world. The author explores the historical foundations of this model, particularly the interconnection between ecclesiastical and state structures under imperial influence. M e t h o d s . The study examines the key criteria required for acquiring autocephaly, such as the maturity of the church, the number of parishes, and the ability to ordain new bishops. The author emphasizes that autocephalous churches cannot emerge independen

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Primorac, Jaksa. "Ethnological-Historiographic View on Seven Ancient Extant Christian Liturgies." Collectanea Christiana Orientalia 21 (May 30, 2024): 121–38. http://dx.doi.org/10.21071/cco.v21i.17032.

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The author analyses comparatively seven ancient extant Christian liturgies: Roman Catholic Tridentine mass, Byzantine liturgy of the Eastern Orthodox Churches, four liturgies of the Oriental Orthodox Churches: Alexandrian-Coptic, Antiochian-Syriac, Armenian and Ethiopian, and finally the liturgy of the Churches of the East: Assyrian and Ancient. Furthermore, the author researches inculturation of Antiochian-Syriac liturgy and Churches of the East liturgy in South India, as well as liturgies in Eastern Catholicism and Western Orthodoxy. This study explores historical events that are crucial to

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URAKINA, Anastasiia, Aneta PAWŁOWSKA, Krystyna STRUMIŁŁO, and Oleksandr KRAVCHUK. "STUDY ON THE SPECIFICITY OF THE KYIV CHURCHES’ VOLUMETRIC AND SPATIAL COMPOSITION AS A BASIS FOR THEIR RESTORATION." International Journal of Conservation Science 16, Special Issue (2025): 677–700. https://doi.org/10.36868/ijcs.2025.si.22.

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The article analyzes the volumetric and spatial composition of Orthodox churches in Kyiv from the Kyivan Rus and Baroque periods. Using the method of system-structural analysis and style classifiers, the presence of signs of Byzantine traditions in the architecture of the princely churches of Kyiv was analyzed and in the churches of the Ukrainian Baroque – signs of Western European Baroque. Based on this, regional originality was determined and conclusions were drawn that Kyivan Rus architecture had a more typified character than the architecture of the Ukrainian Baroque, which was an expressi

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Abate, D., M. Faka, K. Toumbas, et al. "MULTI-MODAL DIGITAL DOCUMENTATION AND VISUALIZATION OF THE UNESCO PAINTED CHURCHES IN TROODOS (CYPRUS)." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVI-2/W1-2022 (February 25, 2022): 1–8. http://dx.doi.org/10.5194/isprs-archives-xlvi-2-w1-2022-1-2022.

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Abstract. In 1985, the World Heritage Committee inscribed the site “Painted Churches in the Troodos Region” of the Republic of Cyprus on the UNESCO World Heritage List. The latter included nine Byzantine and Post Byzantine Churches to which a tenth church was added in 2001. In the framework of the IH-AT project, all the churches and the premises in their proximities were analysed using a wide array of non-destructive digital methodologies coupled with more traditional art-historical studies. Image- and Range-based techniques were used to document all the morphological features of the buildings

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Semenenko-Basin, Ilya V., and Stefano Caprio. "Russian Liturgical Memories in the Slavic Byzantine-Catholic Menologion (Recensio Vulgata) of the Mid-20th Century." Slovene 10, no. 1 (2021): 368–91. http://dx.doi.org/10.31168/2305-6754.2021.10.1.16.

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The article is devoted to the menologion (calendar of saints) compiled in the 20th century for Russian Byzantine Catholics. The latter are a church community with its own Byzantine-Slavic worship and piety, which follow both the Catholic and the Eastern spiritual traditions. Like the entire liturgical literature of the Russian Eastern Catholics, the menologion was created in Rome under the auspices of the Congregation for Eastern Churches, as part of the activities of the Russian Catholic Apostolate, i.e., of the mission of the Catholic Church addressed to Russia and the Russian diaspora in th

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Burtseva, Alla O. "The Soviet Journal “LOKAF” on Foreign Literature: How not to Become a Remarquable." Slovene 10, no. 1 (2021): 347–67. http://dx.doi.org/10.31168/2305-6754.2021.10.1.15.

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The article is devoted to the menologion (calendar of saints) compiled in the 20th century for Russian Byzantine Catholics. The latter are a church community with its own Byzantine-Slavic worship and piety, which follow both the Catholic and the Eastern spiritual traditions. Like the entire liturgical literature of the Russian Eastern Catholics, the menologion was created in Rome under the auspices of the Congregation for Eastern Churches, as part of the activities of the Russian Catholic Apostolate, i.e., of the mission of the Catholic Church addressed to Russia and the Russian diaspora in th

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Madey, N. M. "Congresses of Velehrad." Ukrainian Religious Studies, no. 23 (September 10, 2002): 74–83. http://dx.doi.org/10.32420/2002.23.1358.

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The desire for unity among Christians, called the popular term "ecumenism", has its origins. The split between the Byzantine and Catholic churches finally established itself in the minds of ordinary people after the Crusades and the capture of the Crusaders of Constantinople in 1204. Subsequent centuries were marked by unity competitions, but the Roman Catholic Church was the initiator of these competitions. In Catholic theology, all churches that were not under papal jurisdiction were considered to be objects of missionary activity. The result of such missionary unity was the deepening of the

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Iryna, Margolina. "Sacrum Relics of St. Cyril's Church in Kyiv." Ucrainica Mediaevalia 4, Medieval studies (2022): 93–108. https://doi.org/10.5281/zenodo.6350311.

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With the beginning of the construction of Christian churches in Rus-Ukraine, according to the tradition that was characteristic of the Byzantine churches, the relics of saints were put under the throne, in reliquaries, in icons, as well as in the walls of religious buildings. These were sacrum relics that guarded, protected the churches and at the same time glorified their sacredness, gave them holiness and popularity. This article is devoted to the ancient sacra, which, according to the author’s conviction, were set in the masonry of St. Cyril’s Church in Kyiv.

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Sinkevic, Ida. "Western chapels in Middle Byzantine churches: Meaning and significance." Starinar, no. 52 (2002): 79–92. http://dx.doi.org/10.2298/sta0252079s.

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Rautman, Marcus. "The Early Byzantine Churches of Cilicia and Isauria.Stephen Hill." Speculum 73, no. 2 (1998): 533–35. http://dx.doi.org/10.2307/2887205.

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Popa, Ioana A. "Similarities in iconographic art between rural churches from Transylvania in the 17th century and Caesarea of Cappadocia." European Scientific e-Journal 4, no. 4 (2020): 99–111. https://doi.org/10.47451/art2020-11-005.

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The idea of the speech, goes round the importance of byzantine art inside Transylvanian orthodox culture, in the 17th century. The Göreme monastic Complex of Caesarea of Cappadocia has a considerable list of churches with relevant importance in Byzantine iconography. The popular character of this type of art developed on the walls of these architectural jewels manifests itself in the left-handed, but expressive and with such great spontaneity drawing: also, with predilection for narration that lends many elements from the illustration of the Apocryphes, which were born from people’s

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Lascaratos, John, E. Poulacou-Rebelacou, and John Yiotakis. "Otolaryngological treatments in hagiographical Byzantine texts (324–1453 A.D.): miracles or reality?" Journal of Laryngology & Otology 112, no. 1 (1998): 25–30. http://dx.doi.org/10.1017/s0022215100139830.

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AbstractHagiographical texts of the Byzantine period contain a significant number of miraculous treatments of several diseases of the ear, nose and throat. The comparison of the conservative treatments referred to as well as the often concealed surgical interventions of these texts with those known from the medical texts of the eminent Byzantine physicians, lead the writers to conclude that a series of real treatments were carried out in the churches or in the Xenones (hospitals) of Byzantium.

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Minczew, Georgi. "John the Water-Bearer (Ивань Водоносьць). Once Again on Dualism in the Bosnian Church". Studia Ceranea 10 (23 грудня 2020): 415–24. http://dx.doi.org/10.18778/2084-140x.10.20.

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The article examines the debate as to the direct influence of Bulgarian and Byzantine Bogomilism upon the doctrine of the Bosnian Church. The author traces some scholarly views pro et contra the presence, in the Bosnian-Slavic sources, of traces of neo-Manichean views on the Church, the Patristic tradition, and the sacraments. In analyzing two marginal glosses in the so-called Srećković Gospel in the context of some anti-Bogomil Slavic and Byzantine texts, the article attempts to establish the importance of Bulgarian and Byzantine Bogomilism for the formation of certain dogmatic and ecclesiolo

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Rychkov, Petro, and Olga Mykhaylyshyn. "Anno 1928 competition for projects of Orthodox Churches in the Second Polish Republic: in searching new architectural identity." Budownictwo i Architektura 12, no. 4 (2013): 189–204. http://dx.doi.org/10.35784/bud-arch.1974.

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Staying of Polish lands in the Russian Empire was accompanied by active construction of Orthodox churches in “Moscow-Byzantine” style. After regeneration of II Rzeczpospolita its authorities try to generate such new trends in church architecture, which would not have symbolic associations with imperial building art. With this purpose in 1927, it was announced competition for the projects of future Orthodox churches with new functional and compositional requirements. The article discusses the conditions of this competition and its results.

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Shepetyak, Oksana. "Statistical Analysis of the Relationship between the Numbers of Christian Churches of the Middle East." Ukrainian Religious Studies, no. 86 (July 3, 2018): 4–12. http://dx.doi.org/10.32420/2018.86.702.

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In the Article of Oksana Shepetyak "Statistical Analysis of the Relationship between the Numbers of Christian Churches of the Middle East"is analyzed the modernity of the Christians communities in their historical regions and tendency in their development. The diversity of Eastern Christianity requires a broad and multifaceted study. Most researchers focus on the history of formation, theological and liturgical aspects, and contemporaneity. This study is devoted to the comparison of only statistics, which, however, reveal an entirely new picture of the Christian East. The comparison of the num

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ATAÇ, Nergis, and Dr KOCH. "Figürliche Reliefs frühchristlicher Zeit in Kleinasien (4.-6. / 7. Jahrhundert n.Chr.)." ADALYA 26, no. 26 (2023): 197–232. http://dx.doi.org/10.47589/adalya.1415129.

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In Asia Minor, only a relatively small number of reliefs with biblical depictions or images of saints from the early Christian period (fourth to sixth / seventh centuries AD) have been preserved. They represent an exceedingly small percentage of what was likely actually produced, with a substantial amount considered to be lost. This makes it difficult to classify the art based on geographic region, in comparison, for example, to the proliferation of the Roman grave reliefs of the second and third centuries. Nevertheless, Asia Minor was of an area of great importance for the theology of early C

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Delikari, Angeliki. "The jurisdiction of the Archdiocese of Ohrid through the centuries." Годишник на Софийския университет "Св. Климент Охридски" - Исторически факултет 105, no. 1 (2023): 9–21. http://dx.doi.org/10.60053/gsu.if.1.105.9-21.

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The history of the Ohrid Archbishopric, which researchers have been studying for more than two centuries, is a favourite topic of Slavists (historians, theologians, art historians). In different chronological periods, this Byzantine archbishopric has been the central object of the claims of the Byzantine, Bulgarian and Serbian churches. The importance of the archbishopric also depended on the extent of the territory under its jurisdiction. The function of the archbishopric was ecclesiastical and political. It acted not only as an autocephalous ecclesiastical organization, but also as an instit

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SHUMKA, Laura, Leonidha PERI, and Entela LATO. "The Needs for Determining Degradation Risks from Temperature and Relative Humidity of Post-Byzantine Church Indoor Environment." Journal of Environmental Management and Tourism 11, no. 3 (2020): 601. http://dx.doi.org/10.14505//jemt.11.3(43).13.

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Monitoring and dealing with particular conditions related to relative humidity (RH) and temperature within different cultural objects including post-byzantine churches are of primary importance for the current conservation and advancement. The objective of this paper is to explore and discuss how standards can be implemented and guide the decision processes in order to facilitate a sustainable management of cultural buildings. Following the particularities of the interface of Mediterranean and continental climate conditions, here is introduced a general climate risk assessment method, which de

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Slieptsov, Oleh, Valerii Tovbych, Mykola Dyomin, Hanna Kuzmina, and Yulia Haraborska. "ORTHODOX CHURCHES OF KYIV IN ANCIENT RUSSIAN TIMES: SECULAR WITHIN THE BOUNDARIES OF THE CANON." Urban development and spatial planning, no. 87 (October 25, 2024): 148–56. https://doi.org/10.32347/2076-815x.2024.87.148-156.

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The article analyzes the aspect of the combination of canonical and secular in the ancient Russian churches of Kyiv. The influence of local artistic traditions has been proven by comparing the examples of secular motifs in Byzantine churches and the Hagia Sophia. Orthodoxy in its Byzantine version was brought to the territory with strong pre-Christian beliefs, and despite the fact that the temples conformed to all Christian canons in their appearance, the participation of local masters in the construction contributed to the departure from rigid clichés and the creation of their own regional ex

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Posternak, Kiril V. "TRADITION OR RENOVATIONISM? CONSTRUCTION OF ORTHODOX CHURCHES WITH OPEN ALTARS IN RUSSIA IN THE 1990S - 2010S." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 4 (2024): 156–69. https://doi.org/10.28995/2686-7249-2024-4-156-169.

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Type of a through iconostasis, which opens the inner space of the altar to view, has repeatedly appeared in Russian church architecture. Its origins lie as far back as Byzantine architecture. In the 20th century the appeal to that type of iconostases turned out to be consonant with the ideas of liturgical revival, most popular among the Russian emigration. In the 1930s – 1960s in Europe, iconostases of Orthodox churches with very wide portals were created. In some churches, the iconostases disappeared, revealing the altar. In the Soviet Union, on the contrary, preference was given to high-blin

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Effenberger, Arne. "Die Kirche des hl. Romanos in Konstantinopel und ihr Umfeld." Millennium 14, no. 1 (2017): 191–226. http://dx.doi.org/10.1515/mill-2017-0006.

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Abstract The church of St. Romanus in the neighborhood of the Gate of St. Romanus of the Theodosian Land Walls was erected during the Theodosian era and existed until the late Byzantine period. Because of its crypt,which included a famous collection of relics (prophets and saints) the church was an important destination of the Christian pilgrimage. In the first part of this article I consider the written sources, liturgical data and the topographical situation regarding the church and the neighboring structures. The second part examines the location and the current state of the Gate of St. Rom

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Vitto, Fanny. "Swinging Thuribles in Early Byzantine Churches in the Holy Land." Actual Problems of Theory and History of Art 6 (2016): 119–868. http://dx.doi.org/10.18688/aa166-2-12.

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Israel, Debra M. "Book Review: The Liturgical Planning of Byzantine Churches in Cappadocia." Journal of Early Christian Studies 6, no. 2 (1998): 329–31. http://dx.doi.org/10.1353/earl.1998.0031.

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