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Dissertations / Theses on the topic 'Origin of violin'

Author: Grafiati

Published: 28 June 2021

Last updated: 29 July 2025

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1

Yu, Tao-Chang. "Spanish dances for violin their origin and Influences /." College Park, Md.: University of Maryland, 2006. http://hdl.handle.net/1903/3847.

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Thesis (D.M.A.) -- University of Maryland, College Park, 2006.<br>Thesis research directed by: Music. Title from t.p. of PDF. Includes discussion of the Spanish dances by Pablo de Sarasate, Introduction and rondo capriccioso, op. 28 by Camille Saint-Saëns, Symphonie espagnole, op. 21 by Édouard Lalo, Spanish dance in E minor by Granados, transcribed by Kreisler, Tango by Albeníz, and Carmen fantasie by Waxman. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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2

Lawson, Sonya Ruth. "The origins and development of the use of violins, violas, and cellos in jazz in the United States of America /." view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3080590.

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3

Corvo, Kenneth N. "Attachment and violence in the families of origin of domestically violent men." Case Western Reserve University School of Graduate Studies / OhioLINK, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=case1056726244.

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4

Estades, Basavilbaso Gualberto 1928. "Origens e desenvolvimento tecnico da viola." [s.n.], 1995. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284249.

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Orientador: Lafayette de Moraes<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-07-20T10:11:45Z (GMT). No. of bitstreams: 1 EstadesBasavilbaso_Gualberto_D.pdf: 8178465 bytes, checksum: 5005859f1017b993543cfd9d3f18f87c (MD5) Previous issue date: 1995<br>No informado<br>Not informed.<br>Doutorado<br>Doutor em Artes

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5

Destribois, Clemence Theodora. "Examining the Origins of the Late Baroque Monothematic Fugue:A Study of Seventeenth-Century Fugue in Italian Violin Music." BYU ScholarsArchive, 2012. https://scholarsarchive.byu.edu/etd/3350.

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Paul M. Walker points out the importance of three seventeenth-century manuscripts which, according to him, reflect the origins of the late Baroque monothematic fugue. The documents present a new "model" with specific criteria to write monothematic fugues. Walker suggests that the criteria presented in these manuscripts are first found in seventeenth-century Italian violin ensemble fugues. This thesis traces the development of seventeenth-century monothematic fugues and how they compare with the criteria presented in the manuscripts, with a particular emphasis on Italian violin ensemble fugues

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6

Nordström, Annika. "Violent offenders with schizophrenia : quantitative and qualitative studies focusing on the family of origin." Doctoral thesis, Umeå universitet, Psykiatri, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-298.

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The focus of the thesis is on violent offenders with schizophrenia and their relatives. The aims were to explore incidence of violent crimes, the extent to which family members were victims, to investigate individual background factors among violent offenders, and to identify psychotic symptoms and triggering factors associated with fatal violence. In addition, parents were interviewed to build an understanding of their experiences and emotional reactions. One study examined all 369 male individuals who had committed a violent crime (assault, homicide or attempt to any of these crimes), who in

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Nordström, Annika. "Violent offenders with schizophrenia : quantitative and qualitative studies focusing on the family of origin /." Umeå : Dept. of Clinical Sciences, Univ, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-298.

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8

Damas, Carlos Alexandre Mourão de Carvalho e. "Violino e tecnologia: origem e evolução tecnológica entre os séculos XV e XXI." Master's thesis, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, 2012. http://hdl.handle.net/10362/8310.

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Dissertação de mestrado para obtenção do Grau de Mestre em Artes Musicais – Estudos em Música e Tecnologias<br>A evolução tecnológica que o violino foi sofrendo ao longo dos séculos, poderá ser justificada por necessidades artísticas e técnicas dos intérpretes, o fator estético e a beleza do instrumento, foram também, focos de interesse para colecionadores e fabricantes. No presente trabalho, consideramos que o violino é um instrumento de corda friccionada com arco, assim, teremos em consideração não só a origem do violino em si, mas também a origem do arco - visto que, no contexto que defini

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9

Isaacs-Martin, Wendy Jane. "A violent origin : a Girardian analysis of the scapegoating of Ali ibn Abu Talib in Shi'ite tradition." Doctoral thesis, University of Cape Town, 2008. http://hdl.handle.net/11427/8197.

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Includes abstract.<br>Includes bibliographical references (leaves 182-192).<br>This dissertation applies Rene Girard's theory of the scapegoat mechanism to prove that Ali ibn Abu Talib appears in Shi'ite traditions as an innocent victim. The aim is to investigate Girard's substantial body of work to determine whether Ali was a scapegoat and a victim of a conspiracy within his community. Girard's theory is founded in mimetic desire, where he incorporated external and internal mediation to form an analysis of mimetic rivalry. Using various texts to develop his theory and support his concepts, he

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10

Taylor, Georgina M. "Ground for common action Violet McNaughton's agrarian feminism and the origins of the farm women's movement in Canada /." Ottawa : Library and Archives Canada, 1999. http://www.nlc-bnc.ca/obj/s4/f2/dsk2/ftp03/NQ26870.pdf.

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11

Bejo, Ermir. "Postmodern Multiplicities in Three Original Works." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062830/.

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My recent compositions are situated within a postmodern theoretical framework. The heterogeneity of materials and hybridity of musical formation in these works are interpreted and contextualized within a personal reading of postmodern theories. The critical essay traces my aesthetics through a historical investigation into the definition of musical postmodernism. Through extensive citation and analysis of the writings of Julius T. Fraser, Italo Calvino, and Richard Rorty, the essay aims to provide a theoretical context for the interpretation of the musical examples. The creative documentation

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12

Salinas, Ashley. "Original Viola Study Literature: Analyzing the Pedagogical Contributions of Marco Frank." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157561/.

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Viola pedagogy has historically been closely intertwined with and highly dependent upon violin repertoire. As the viola emerged as an instrument worthy of independent study, many still rely on transcriptions of violin etudes. Fortunately, the efforts of performers, teachers, and scholars have brought forth discoveries of original viola literature and thus shifted toward the perception that viola should begin to embrace its individual pedagogy. Viennese composer and violist Marco Frank contributed three volumes of Viola-Etuden and a method book, Praktische Viola-Schule, which are suitable for t

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13

Cristão, Rui Pedro Mendes. "Sonata para violino e piano OP.94 bis de Sergey Prokofiev: história e análise comparativa com versão original." Master's thesis, Universidade de Évora, 2012. http://hdl.handle.net/10174/11792.

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Na realização do Mestrado em Música – Interpretação – Violino foi proposta a elaboração de um Trabalho de Projeto, no qual os alunos escolheriam o tema a abordar. O tema escolhido e que melhor define a opção para este trabalho é “Sonata para violino e piano op.94 bis de Sergey Prokofiev: história e análise comparativa com a versão original”. O seguinte trabalho centra-se na análise e comparação de duas sonatas: a sonata para flauta e piano e a sua transcrição para violino e piano, elaboradas pelo compositor russo, Sergey Prokofiev. Este documento inicia-se com um breve foco da vida e obra do c

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14

Castellano, Victor. "Guitare pour orquestre de Frank Martin: uma análise a partir do original para violão." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-15072009-230306/.

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Esta dissertação refere-se à análise, em seus fundamentos estruturais, estilísticos e instrumentais da obra Guitare pour Orquestre, criada em 1934 pelo compositor suíço Frank Martin (1890-1974) para grande orquestra. O trabalho se desenvolveu através da comparação entre as fontes manuscritas para orquestra e o original para violão, composto um ano antes, conhecido como Quatre Pièces Brèves pour la Guitare.<br>This dissertation refers to the analysis, in the structural, stylistic, and instrumental fundamentals of the musical composition Guitare pour Orquestre, created in 1934 by the Swiss compo

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15

Taylor, Georgina M. "Ground for common action, Violet McNaughton's agrarian feminism and the origins of the farm women's movement in Canada." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ26870.pdf.

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16

Taylor, Georgina M. 1939 Carleton University Dissertation History. ""Ground for common action": Violet McNaughton's Agrarian feminism and the origins of the farm women's movement in Canada." Ottawa.:, 1997.

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17

Delgado, João Pedro Martins. "A emancipação técnico-expressiva da viola de arco em Portugal através de repertório. Um património histórico inédito: das origens até 1945." Doctoral thesis, Universidade de Évora, 2020. http://hdl.handle.net/10174/27865.

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A presente tese de doutoramento tem como objectivo principal estudar a evolução da emancipação técnico-expressiva da viola de arco em Portugal, das origens até 1945, analisando e mapeando um processo histórico até hoje quase desconhecido. Para este efeito, procede-se ao levantamento de fontes musicais inéditas, respectivo tratamento crítico e análise de características técnicas e interpretativas, bem como à investigação documental histórica e musicológica, por forma a contextualizar o processo estudado. A partir deste suporte documental, foca-se o percurso de autonomização das práticas do inst

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18

Costa, Ricardo Vieira. "SETE CORDAS E FLAUTA: criação de um repertório original com a produção de um CD e um livro de partituras." Escola de Música, 2015. http://repositorio.ufba.br/ri/handle/ri/18676.

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Submitted by RICARDO COSTA (ricardovieira.mus@gmail.com) on 2016-03-02T18:17:14Z No. of bitstreams: 1 SETE CORDAS E FLAUTA - CRIAÇÃO DE UM REPERTÓRIO ORIGINAL COM A PRODUÇÃO DE UM CD E UM LIVRO DE PARTITURAS.pdf: 1852408 bytes, checksum: c8befb237dc01b8cd428ecd02d587232 (MD5)<br>Made available in DSpace on 2016-03-02T18:17:14Z (GMT). No. of bitstreams: 1 SETE CORDAS E FLAUTA - CRIAÇÃO DE UM REPERTÓRIO ORIGINAL COM A PRODUÇÃO DE UM CD E UM LIVRO DE PARTITURAS.pdf: 1852408 bytes, checksum: c8befb237dc01b8cd428ecd02d587232 (MD5)<br>O duo de violão e flauta consiste em uma tradicional formação

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19

Pulido, Cordoba Pablo Arturo. "O bambuco Florecita del camino para violão solo de Jaime Romero : uma análise para a interpretação a partir da versão original para trio típico colombiano." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/141344.

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O presente trabalho investiga a interpretação do bambuco Florecita del camino do colombiano Jaime Romero (1966) para violão solo, uma vez que foi concebido pelo próprio compositor originalmente para trio típico colombiano, ou seja, para três instrumentos de cordas. O gênero bambuco é o maior representante da música andina colombiana. Para esta pesquisa apresento dados sobre a forma e a estrutura do bambuco e, analisei e comparei a versão original com a de violão solo. Dois artigos escritos pelo próprio compositor, assim como uma entrevista serviram de base para o trabalho. Para auxiliar na int

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20

Swanson, Christina Marie. "Adding to the viola repertoire by arranging: A study on methods of arranging music for viola from clarinet, with an original arrangement of the Saint-Saens Clarinet Sonata in E-flat, Op. 167." Diss., The University of Arizona, 2003. http://hdl.handle.net/10150/280389.

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The purpose of this document is to present research on methods of arranging music for viola and piano (or viola and orchestra) from music originally written for clarinet and piano (or clarinet and orchestra). Subjects of research include arrangements made by the composer as well as those made by other arrangers. Principal works studied include the Brahms Clarinet Sonatas Op. 120, Nos. 1 and 2, and the Mozart Clarinet Concerto in A. Examples are also included from other relevant works fitting the criteria. Following the analysis on arranging techniques, I have used knowledge gained from my rese

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21

Motta, Daniel Andriolli Rodrigues. "Quadros de uma exposição para violão solo por Kazuhito Yamashita : um estudos dos efeitos técnicos a partir da comparação com o original para piano e a orquestração de Maurice Ravel /." São Paulo : [s.n.], 2012. http://hdl.handle.net/11449/95137.

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Orientador: Marcos Fernandes Pupo Nogueira<br>Banca: Abel Luis Bernardo da Rocha<br>Banca: Sidney José Molina Júnior<br>Resumo: Esse trabalho tem como foco a versão de "Quadros de uma Exposição" de Modest Musorgsky feita para violão solo por Kazuhito Yamashita. Através de uma contextualização histórica e estética, insere essa obra no cânone do repertório para violão e estuda os impactos causados pela gravação desta e por sua performance. Comparando-a com o original para piano e com a orquestração feita por Maurice Ravel, analisa as técnicas violonísticas empregadas de maneira incomum. Discute

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22

Delbridge, Nadine. "The viola concerto, Opus posthumous by Bela Bartok : the conerto's history and a systematic comparison of the solo viola part, as interpreted from the original manuscript, by Tibor Serly & William Primrose; Peter Bartok & Nelson Dellamaggiore and Csaba Erdelyi /." [St. Lucia, Qld.], 2003. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe17616.pdf.

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23

Motta, Daniel Andriolli Rodrigues [UNESP]. "Quadros de uma exposição para violão solo por Kazuhito Yamashita: um estudos dos efeitos técnicos a partir da comparação com o original para piano e a orquestração de Maurice Ravel." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/95137.

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Made available in DSpace on 2014-06-11T19:27:27Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-07-05Bitstream added on 2014-06-13T19:35:37Z : No. of bitstreams: 1 motta_dar_me_ia.pdf: 1605635 bytes, checksum: 0851c0715a487a5f1282bf986a48b432 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Esse trabalho tem como foco a versão de “Quadros de uma Exposição” de Modest Musorgsky feita para violão solo por Kazuhito Yamashita. Através de uma contextualização histórica e estética, insere essa obra no cânone do repertório para violão e estuda os impactos causad

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24

Shiue, Ji-horng, and 薛吉宏. "The Origin Recovery of Violin Timbres based on Taguchi''s Method and Spectrum Analysis." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/28297660835481215839.

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碩士<br>國立臺南大學<br>機電系統工程研究所碩士班<br>101<br>For the study ofviolinistic art, occident countries have long been investigated in depth by scientific methods. Violinistic study is the combination of all engineering and science. In the past, hand-made violins depended on molds of masterpiece and the experience of luthiers. The fundamental frequency and harmonics synthesize a complex waveform which is the sound be heard. Many factors affect violin timbre, that evaluating violin timbres by hearing only is not objective. In order to stabilize the timbre of the hand-made violin, this study presents a hybri

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25

Štychová, Jana. "Housle a jejich využití v hodinách HV na 1. stupni ZŠ." Master's thesis, 2021. http://www.nusl.cz/ntk/nusl-445876.

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The diploma thesis deals with the violin and its usage in teaching music at the elementary school level. The theoretical part presents the history of the violin: from its invention, construction, and subsequent development. The first part also introduces well-known violinists, various techniques employed in playing the violin, and lastly, the violin's connection with folk music. The practical part presents methodological material focused on incorporating the violin into music education at the elementary school level. Methodical material is divided into individual topics. KEYWORDS origin of vio

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26

"The Ensemble Étude for Violins: An Examination with an Annotated Survey of Violin Trios and Quartets and an Original Étude for Four Violins." Doctoral diss., 2011. http://hdl.handle.net/2286/R.I.9122.

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abstract: ABSTRACT &eacutetudes; written for violin ensemble, which include violin duets, trios, and quartets, are less numerous than solo &eacutetudes.; These works rarely go by the title "&eacutetude;," and have not been the focus of much scholarly research. Ensemble &eacutetudes; have much to offer students, teachers and composers, however, because they add an extra dimension to the learning, teaching, and composing processes. This document establishes the value of ensemble &eacutetudes; in pedagogy and explores applications of the repertoire currently available. Rather than focus o

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27

Roumanis, Ronald George. "Rhapsody for horn and string quartet an original composition /." 1991. http://catalog.hathitrust.org/api/volumes/oclc/24889225.html.

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28

"A portfolio of four original music compositions." 1998. http://library.cuhk.edu.hk/record=b5889514.

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Trombone concerto (first movement) -- Post-Zero -- Trio for flute, violin and cello, no. 2.<br>submitted by Tang Pan-hang Benny.<br>Thesis submitted in: December 1997.<br>Thesis (M.Mus.)--Chinese University of Hong Kong, 1998.<br>Abstract also in Chinese.<br>Abstract --- p.i<br>摘要 --- p.ii<br>Acknowledgment --- p.iii<br>Declaration --- p.iv<br>Introduction --- p.1<br>Trombone Concerto (first movement) --- p.2<br>Programme notes --- p.3<br>Remarks --- p.5<br>Instrumentation --- p.6<br>Seating Plan --- p.7<br>Scores --- p.8<br>Post-Zero 零後 --- p.56<br>Introduction --- p.57<br>Progra

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29

Buller, Julianna E. "The impact of family of origin conflict management style on participation in a violent intimate relationship." 2008. http://digital.library.okstate.edu/etd/buller_okstate_0664m_10108.pdf.

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