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Dissertations / Theses on the topic 'Ovid'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Pugh, Syrithe. "Spenser and Ovid." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391064.

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2

Pugh, Syrithe. "Spenser and Ovid /." Aldershot : Ashgate, 2005. http://catalogue.bnf.fr/ark:/12148/cb40014701x.

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3

Gottwalt, Heike. "Bacchus' career in Ovid." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.401553.

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4

Blurtsyan, Anna. "Incest in Ovid and Seneca." Thesis, University of Exeter, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518052.

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This thesis examines the presentation of incest in selected texts in the Metamorphoses of Ovid and in the tragedies Phaedra and Oedipus Rex of Seneca. Previous scholarship has discussed incest in Roman literature from various perspectives, especially those of social history and literary criticism. This work offers for the first time a detailed study of the incest episodes in Ovid and Seneca, taken as a distinct group, and discusses questions relating to the main general themes, and, especially, the psychological and ethical dimensions of incest. It examines these topics through a close reading

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5

Ntanou, Eleni. "Ovid and Virgil's pastoral poetry." Thesis, University of Manchester, 2018. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.748040.

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This thesis explores the generic interaction between Virgilian pastoral and Ovidian epic. My primary goal is to bring pastoral, substantially enriched by important critical work thereupon in recent decades, more energetically into the scholarly discussion of the Metamorphoses, whose multifaceted generic interplay is often limited to the study of its interaction with elegy. Secondarily, I hope to show how the Metamorphoses plays a pivotal role in the re-reading of the Eclogues. The fact that both epic and pastoral are written in hexameters facilitates the interaction between the two and enables

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6

Bishop, Anne Washington. "The battle scenes in Ovid's Metamorphoses /." Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3008277.

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7

Conocimiento, Dirección de Gestión del. "Wolters Kluwer eBooks - Ovid Español (Perpetuidad)." Wolters Kluwer, 2004. http://hdl.handle.net/10757/655405.

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8

Christie, Camilla Rose. "Battle narrative in Virgil and Ovid." Master's thesis, University of Cape Town, 2015. http://hdl.handle.net/11427/13700.

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Includes bibliograpical references.<br>The intent of this thesis is to examine the stylistics of Latin epic narrative as used to narrate and describe extended battle sequences, and to explore the way in which Latin authors working during the Augustan Era engaged with Homeric techniques of oral narrative while composing written epic. A total of six extended battle sequences from the Aeneid of Virgil and the Metamorphoses of Ovid are examined and analysed with regard to their use of word order, simile, catalogue, and other such stylistic features. The overall aim is to consider Ovid’s literary d

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9

Janka, Markus. "Ovid Ars Amatoria Buch 2 : Kommentar /." Heidelberg : C. Winter, 1997. http://catalogue.bnf.fr/ark:/12148/cb371793735.

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10

Kennedy, Jennifer J. "Through the Looking Glass: Ovid's Amores 2.1 as a reflection of Amores book one." [Huntington, WV : Marshall University Libraries], 2008. http://www.marshall.edu/etd/descript.asp?ref=875.

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11

Herbert-Brown, Geraldine. "Ovid and the Fasti : an historical study." Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314889.

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12

Ingleheart, J. "A Commentary on Ovid Tristia 2.1-262." Thesis, University of Oxford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.665295.

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The thesis consists of text, translation, and commentary on the first 262 lines of Tristia 2. During my doctoral studies, I have written a first draft of text, translation, and commentary on the poem in its entirety; only a section of this could be submitted for examination. This portion was selected for comment because these lines include important information about the carmen et error which avid blames for his exilic predicament, and because they encapsulate a characteristic feature of the work: engagement with contemporary affairs coupled with an interest in literary matters. There is also

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13

Reeson, James Edward. "Ovid Heroides 11, 13, 14 : a commentary." Thesis, University of Newcastle Upon Tyne, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310127.

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14

Conocimiento, Dirección de Gestión del. "Guía de acceso para Ovid eBooks Español." Wolters Kluwer, 2021. http://hdl.handle.net/10757/655405.

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15

Stein, Gabriele. "Mutter - Tochter - Geliebte : weibliche Rollenkonflikte bei Ovid /." München : K.G. Saur, 2004. http://catalogue.bnf.fr/ark:/12148/cb39234559k.

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16

Blanco, Silvia <1986&gt. "THOMAS LODGE'S REREADING OF OVID:"SCILLAES METAMORPHOSIS"." Master's Degree Thesis, Università Ca' Foscari Venezia, 2012. http://hdl.handle.net/10579/2261.

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Lo scopo della mia tesi è quello di analizzare l’epyllion di Lodge “Scillae metamorphosis”,rivisitazione di un mito presente nelle “Metamorfosi” di Ovidio. Il primo capitolo introduce il tema delle matamorfosi in letteratura, il secondo riguarda le differenze tra le rispettive versioni dei due autori, dal punto di vista delle trame e dei personaggi. Il terzo capitolo si focalizza sullo studio di “Scillae metamorphosis” in senso stretto, soffermandosi sulle funzioni e i caratteri dei personaggi. Il quarto sulla figura della maga Circe, il quinto sul narratore e infine il sesto sull'analisi de

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17

Fisher, Elizabeth A. "Planudes' Greek translation of Ovid's Metamorphoses." New York : Garland Pub, 1990. http://catalog.hathitrust.org/api/volumes/oclc/21077839.html.

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18

Adams, Ethan T. "Gods and humans in Ovid's "Metamorphoses" : constructions of identity and the politics of status /." Thesis, Connect to this title online; UW restricted, 2003. http://hdl.handle.net/1773/11479.

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19

Carlson, Matthew Tage. "The influence of Ovid on Milton's Latin poetry." Thesis, Boston University, 2002. https://hdl.handle.net/2144/27613.

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Boston University. University Professors Program Senior theses.<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-02

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20

Stouvenot, Clarisse. "L'Ovide moralise : les Metamorphoses d'Ovide revues et corrigees par un clerc." Thesis, University of Exeter, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251125.

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21

Brady, Thomas Martin. "The margins of epic : three studies in an Ovidian Homer." Thesis, University of Bristol, 2002. http://hdl.handle.net/1983/c65f29bd-f20e-48e5-8b64-56faf0924d67.

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22

Curley, Daniel E. "Metatheater : heroines and ephebes in Ovid's Metamorphoses /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/11481.

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23

Rossini, Antonio. "Dante and Ovid, a comparative study of narrative techniques." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ49917.pdf.

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24

Thompson, Paul Andrew Melland. "Ovid, Heroides 20 and 21 : a commentary with introduction." Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.385831.

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25

Keramida, Despina. "Ariadne and Deianira in Ovid : identity and generic play." Thesis, University of Leeds, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.590474.

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Ovid's technique in the treatment of mythological characters and their stories has been well studied, especially in his later works that offer an abundance of mythological narratives. Other aspects of Ovidian studies include the exploration of allusions, as well as studies regarding genre. This study discusses the development of character-portrayal and generic play in a chronological sequence by focusing on the stories of two heroines in Ovid's poetic corpus: Ariadne and Deianira. The thesis is divided into two main parts, of which the first explores the accounts of Ariadne's story (in the Her

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26

Brooks, Sarah Louise. "A commentary on Ovid, Ars Amatoria 2, 1-294." Thesis, University of Manchester, 2015. https://www.research.manchester.ac.uk/portal/en/theses/a-commentary-on-ovid-ars-amatoria-2-1294(fd7472e4-5366-4fb4-b72a-1037f713ae6f).html.

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This thesis (‘A commentary on Ovid Ars Amatoria 2, 1-294’) is submitted to The University of Manchester for the Degree of Doctor of Philosophy. It examines the methods through which Ovid presents internal unity and structure to the poem: through the use of the progress metaphor, and a sense of narrative progression. It also examines the generic positioning of the Ars within Ovid’s wider oeuvre, with special reference to the Amores and Heroides. It treats the poet’s use of mythological exempla, and how these are used as models (whether positive or negative) for the lover. This provides rich int

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27

Nesholm, Erika J. "Rhetoric and epistolary exchange in Ovid's Heroides 16-21 /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/11473.

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28

Toman, Samantha, and Samantha Toman. "The Rhetoricity of Ovid’s Construction of Exile and the Poeta Structus Exsulis (With a Special Addendum Concerning Alexander Pushkin)." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12472.

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In Ovid’s Tristia and Epistulae Ex Ponto, the Latin poet constructs an elaborate poetic persona endowed with its own agency, which evokes the sympathy of the reader through engaging in various modes of discourse. This inquiry examines, in depth, how Ovid fashioned his poeta structus through complex modes of discourse and from making use of conventions of genre, namely elegy and epic. These modes of discourse are identified and explored, as well as Ovid’s markedly hyperbolic treatment of the landscape and inhabitants of his exilic outpost of Tomis on the Black Sea. The implications of the

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29

Landry, Desiree. "Ovid's Tristia: Rethinking Memory and Immortality in Exile." Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/19349.

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In my research, I take up the questions of Ovid’s relationship to his poetry and the rethinking of exilic motifs and poetic motifs through the lens of exile. Throughout the Tristia, in particular, Ovid illustrates a complex series of questions on why he writes in exile. He writes, “What have I to do with you, little books, my unlucky obsession, I, wretched, who was destroyed by my talent?” Ovid provides two direct answers to his own question: first, writing brings him comfort in exile, and second, it keeps his name alive in Rome. I explore how Ovid adapts the motif of poetic immortality to the

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30

Gaertner, Jan Felix. "A commentary on Ovid 'Epistulae ex Ponto' I. 1-6." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391059.

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31

Gee, E. R. G. "Astronomy as a literary device in the Fasti of Ovid." Thesis, University of Cambridge, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.599344.

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The astronomical material in Ovid's Roman calendar, the <I>Fasti</I> has been inadequately treated in past scholarship, and is neglected by contemporary scholars. In my dissertation I deal comprehensively with this material, which forms between one quarter and one third of the total volume of the poem. My approach to the <I>Fasti</I> through its stars aims to combine recent genre-based or "programmatic" reading with a broad culture-historical perspective. I do not study Ovid's stars using the technical methods of mathematical astronomy. The importance of astronomy to the <I>Fasti</I> is not so

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32

Lyne, Raphael. "Studies in English translation and imitation of Ovid, 1567-1609." Thesis, University of Cambridge, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368503.

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33

Stypczynski, Brent. "Evolution of the Werewolf Archetype from Ovid to J.K. Rowling." Kent State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=kent1222706628.

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34

Flachs, Katherine B. "Fighting the good fight : challenge scenes in Ovidian poetry." Connect to online version, 2006. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2006/156.pdf.

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35

Sharrock, Alison Ruth. "Reading Ovid's Ars Amatoria : selected passages from Book 2." Thesis, University of Cambridge, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.237832.

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36

Kaesser, Christian. "The meaning of origins : Callimachus' Aetia, Propertius IV, and Ovid Fasti." Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.417123.

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37

Busca, Maurizio. "Ovide et le théâtre tragique français des XVIe et XVIIe siècles (Métamorphoses et Héroïdes)." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSE3023/document.

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Le présent travail propose une étude diachronique des tragédies d’argument ovidien parues en France entre la moitié du XVIe et la fin du XVIIe siècle, ainsi qu’une étude ciblée des tragédies dont le sujet est tiré du recueil des Héroïdes.La littérature française de ces époques, on le sait, est liée intimement à l’œuvre d’Ovide : non seulement les écrits du poète connaissent une diffusion extraordinaire, mais leurs traductions, réécritures et imitations, leurs adaptations théâtrales et leurs transpositions figuratives sont légion. La diffusion et l’appropriation des œuvres d’Ovide ont contribué

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38

Downing, Eric. "Artificial I's the self as artwork in Ovid, Kierkegaard, and Thomas Mann." Tübingen : Max Niemeyer, 1993. http://books.google.com/books?id=DbFbAAAAMAAJ.

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39

Clare, Barbara Elena Lamont. "Winning is so attractive: Narrations of Power in Ovid, Shakespeare and Kincaid." Thesis, University of Bristol, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.731964.

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40

Rich, Jean Lesley. "The influence of Ovid on fifteenth century texts in the Chaucerian tradition." Thesis, Queen Mary, University of London, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300498.

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41

Arthur, Laura Charlotte Moughton. "Credita res auctore suo est : narrative authority in the poetry of Ovid." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:283e3f29-4295-42d6-a4c2-340cd85e21ef.

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Despite the prevailing interest in authority in Ovidian studies, studies have often focussed on Ovid's response to political authority in his individual works rather than narrative authority, the means by which the poet claims authority to narrate and constructs a persona that his audience will find persuasive and believable. Evidence of Ovid's interest in authority can be found throughout his body of work, but it is particularly explicit in the Metamorphoses, Fasti, Tristia and Epistulae ex Ponto, whose contrasting genres, content and mood allow Ovid to entertain an exceptionally broad range

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42

Baier, Thomas. "Werk und Wirkung Varros im Spiegel seiner Zeitgenossen von Cicero bis Ovid /." Stuttgart : F. Steiner Verlag, 1997. http://books.google.com/books?id=yBNZAAAAMAAJ.

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43

Wells, Andrew Robert. "Converting Ovid: Translation, Religion, and Allegory in Arthur Golding's Metamorphoses." BYU ScholarsArchive, 2012. https://scholarsarchive.byu.edu/etd/3126.

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Scholars have not adequately explained the disparity between Arthur Golding's career as a fervent Protestant translator of continental reformers like John Calvin and Theodore Beza with his most famous translation, Ovid's Metamorphoses. His motivations for completing the translation included a nationalistic desire to enrich the English language and the rewards of the courtly system of patronage. Considering the Protestant opposition to pagan and wanton literature, it is apparent that Golding was forced to carefully contain the dangerous material of his translation. Golding avoids Protestant cri

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44

Helzle, Martin. "Publii Ovidii Nasonis Epistularum ex Ponto liber IV a commentary on poems 1 to 7 and 16 /." Hildesheim ; New York : Olms, 1989. http://books.google.com/books?id=r45fAAAAMAAJ.

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45

Tafolla, Guillermo. "Ovid: Libros y revistas electrónicas para la formación del profesional de la salud." Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/657360.

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Webinar enfocado en capacitar a toda la comunidad académica universitaria en el uso de los recursos de la editorial Wolters Kluwer. Aprenderá como acceder a las base de datos Ovid, se revisará la plataforma de libros electrónicos en inglés, español y revistas, asimismo, se aplicarán estrategias de búsqueda para acceder al texto completo de los recursos Ovid.

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46

Pausch, Dennis. "Im Katalog nach Korinth: Medeas Rundflug zu sich selbst (Ovid, Metamorphosen 7,350‒393)." De Gruyter, 2016. https://tud.qucosa.de/id/qucosa%3A38565.

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After murdering Pelias, Ovid’s Medea boards her famous chariot driven by dragons in order to get to Corinth. She does not, however, take a direct route, but makes a detour around the Aegean Sea, which allows the narrator to present 17 metamorphoses as stations of her flight. Whereas the resulting catalogue is traditionally understood as a prime example of a praeteritio which resembles a number of myths that were otherwise leftover in the Metamorphoses, this paper argues that the route Medea takes and the stories she sees from above reflect her own thoughts at this stage of her character-develo

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47

Möhler, Gabriele. "Hexameterstudien zu Lukrez, Vergil, Horaz, Ovid, Lukan, Silius Italicus und der Ilias Latina /." Frankfurt : P. Lang, 1989. http://catalogue.bnf.fr/ark:/12148/cb41346016s.

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48

Schmitzer, Ulrich. "Zeitgeschichte in Ovids "Metamorphosen" Mythologische Dichtung unter politischem Anspruch /." Stuttgart : B. G. Teubner, 1990. http://catalogue.bnf.fr/ark:/12148/cb35488106p.

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49

Granqvist, Raoul J. "Brev till min dotter : Theodor Kallifatides' palimpsest." Umeå universitet, Institutionen för språkstudier, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-68443.

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This essay is a critical review of the Swedish writer, Theodore Kallifatides' novel Brev till min dotter (2012) ('Letters to My Daughter'). It is formatted, thematically and inspirationally, by Ovid's two works Tristia and Epistulae ex Ponto, written while in exile in Tomis (today's Constanța) on the Black Sea. I have organized Kallifatides' fictive narrative of his pre-Junta (1964) emigration from Greece (where he was born), his multilevelled refashioning of the source material, into a palimpsest that contains three rhetoric layers: the epistle, the autobiography, and the pamphlet. The first

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50

Hiatt, Robert F. "Gothic Romance and Poe's Authorial Intent in "The Fall of the House of Usher"." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/english_theses/135.

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In my thesis I will discuss Edgar Allan Poe’s “The Fall of the House of Usher” in relation to the expectations that scholars have of the gothic genre. I will break this project into four chapters, along with an introduction: (Ch.1) a critical review of scholarship on Poe’s “Usher” that will demonstrate the difficulty in coming to a critical consensus on the tale, (Ch.2) a discussion of Brown’s outline of Gothic conventions, (Ch.3) a look at Poe’s “The Philosophy of Composition” juxtaposed with Aristotle’s Poetics to illumine aspects of Poe’s approach to writing and how it has been informed, an

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