Log in

Relevant bibliographies by topics / Ovid / Journal articles

To see the other types of publications on this topic, follow the link: Ovid.

Journal articles on the topic 'Ovid'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Ovid.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Gibson, Bruce. "Ovid on Reading: Reading Ovid. Reception in Ovid Tristia II." Journal of Roman Studies 89 (November 1999): 19–37. http://dx.doi.org/10.1017/s0075435800060007.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Etchells, Ed. "OVID." ACP Journal Club 132, no. 3 (2000): A15. http://dx.doi.org/10.7326/acpjc-2000-132-3-a15.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Goldman, Norma, and Sara Mack. "Ovid." Classical World 83, no. 2 (1989): 130. http://dx.doi.org/10.2307/4350581.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Martelli, Francesca K. A. "Ovid." Brill Research Perspectives in Classical Poetry 2, no. 1 (2020): 1–91. http://dx.doi.org/10.1163/25892649-12340003.

Full text

Abstract:

Abstract In this volume, Francesca Martelli outlines some of the main contours of recent, current and future research on Ovid. Her study looks back to the rehabilitation of Ovid’s oeuvre in the 1980s, and considers the post-modern aesthetic prerogatives and post-structuralist theoretical concerns that drove the critical recuperation of his poetry throughout that decade and in the decades that followed. But it also looks forward, by considering how the themes of this poet’s oeuvre answer to a variety of new materialist concerns that are now gaining currency in the humanities and social sciences

APA, Harvard, Vancouver, ISO, and other styles

5

Etchells, E. "Ovid." Evidence-Based Medicine 5, no. 3 (2000): 70. http://dx.doi.org/10.1136/ebm.5.3.70.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Hall, J. B. "Ovid." Classical Review 49, no. 2 (1999): 390–92. http://dx.doi.org/10.1093/cr/49.2.390.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Hiebert, Jean. "Nursing@Ovid." Charleston Advisor 12, no. 3 (2011): 43–44. http://dx.doi.org/10.5260/chara.12.3.43.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Bablitz, Leanne. "Judging Ovid." Classical Journal 104, no. 1 (2008): 33–42. http://dx.doi.org/10.1353/tcj.2008.0062.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Fantham, Elaine, Ovid, and A. D. Melville. "Ovid: Metamorphoses." Classical World 81, no. 1 (1987): 54. http://dx.doi.org/10.2307/4350140.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Benediktson, D. Thomas, and Martin Pulbrook. "Ovid Nux." Classical World 81, no. 3 (1988): 240. http://dx.doi.org/10.2307/4350186.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Smith, Russell. "Books@Ovid." Medical Reference Services Quarterly 20, no. 1 (2001): 27–38. http://dx.doi.org/10.1300/j115v20n01_03.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Hine, D. "Ovid: Selections." Literary Imagination 2, no. 3 (2000): 275–81. http://dx.doi.org/10.1093/litimag/2.3.275.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Ladin, J. "Exiled Ovid." Literary Imagination 9, no. 1 (2007): 78–79. http://dx.doi.org/10.1093/litimag/imm021.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Sharrock, Alison. "Amatory Ovid." Classical Review 49, no. 1 (1999): 60–62. http://dx.doi.org/10.1093/cr/49.1.60.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Gaisser, Julia Haig. "RENAISSANCE OVID." Classical Review 50, no. 2 (2000): 445–46. http://dx.doi.org/10.1093/cr/50.2.445.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Brown, S. A. "Shakespeare's Ovid." Cambridge Quarterly XXV, no. 2 (1996): 208–12. http://dx.doi.org/10.1093/camqtly/xxv.2.208.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Courtney, E., and M. Pulbrook. "Ovid, Nux." American Journal of Philology 109, no. 2 (1988): 274. http://dx.doi.org/10.2307/294592.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Carole Newlands. "Select Ovid." Classical World 102, no. 2 (2009): 173–77. http://dx.doi.org/10.1353/clw.0.0065.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Gibson, Bruce. "Ovid on Reading: Reading Ovid. Reception in OvidTristiaII." Journal of Roman Studies 89 (November 1999): 19–37. http://dx.doi.org/10.2307/300732.

Full text

Abstract:

In this paper I propose to consider Ovid's poem as a document of literary criticism, which offers us a striking treatment of the role of the audience in reception. Ovid's concerns are twofold: on the one hand he is concerned with the ostensible manner in which his own works have been read, but he also discusses a wide range of other texts, and in doing so, offers readings of them, which, I will argue, illustrate the open-ended nature of reception and meaning.Now, undoubtedly we are sometimes too willing to label works as ‘anti-Augustan’ or ‘Augustan’, as if that was all that could be said abou

APA, Harvard, Vancouver, ISO, and other styles

20

Frazel, Thomas D. "Stuck in the Middle without You: Ovid Ep . 5 and Lycophron." Phoenix 78, no. 3-4 (2024): 193–214. https://doi.org/10.1353/phx.2024.a962118.

Full text

Abstract:

Abstract: Lycophron's Alexandra is the model for Ovid's Oenone Paridi . Lycophron tells of the deaths of Oenone and Paris. He aligns Oenone with the guard and alludes to the story of Acontius and Cydippe. Ovid includes a prophecy of Cassandra, develops the Calli-machean allusions, but denies Oenone prophetic ability. Ovid again traces the "origins" of elegy. Abstract: L' Alexandra de Lycophron est le modèle de l' Œnone Paridi d'Ovide. Lycophron raconte les morts d'Œnone et de Pâris. Il aligne le personnage d'Œnone sur celui du garde et fait référence à l'histoire d'Acontius et Cydippe racontée

APA, Harvard, Vancouver, ISO, and other styles

21

Yves Tilliette, Jean. "Ovide métamorphosé : l'Ovide moralisé, les Tales from Ovid de Ted Hughes." Poétique 151, no. 3 (2007): 312. http://dx.doi.org/10.3917/poeti.151.0312.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Taylor, John, and Ted Hughes. "Tales from Ovid." Antioch Review 57, no. 1 (1999): 118. http://dx.doi.org/10.2307/4613829.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Evans, Robert C., and Jonathan Bate. "Shakespeare and Ovid." Sixteenth Century Journal 25, no. 3 (1994): 675. http://dx.doi.org/10.2307/2542642.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Butrica, J. L., and Neil Hopkinson. "Ovid: Metamorphoses 13." Phoenix 57, no. 3/4 (2003): 345. http://dx.doi.org/10.2307/3648529.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Nicholson, Andrew. "Byron and Ovid." Byron Journal 27 (January 1999): 76–81. http://dx.doi.org/10.3828/bj.1999.7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Hardman, C. B., and Jonathan Bate. "Shakespeare and Ovid." Modern Language Review 90, no. 4 (1995): 980. http://dx.doi.org/10.2307/3733077.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Lochman, Daniel T., and Syrithe Pugh. "Spenser and Ovid." Sixteenth Century Journal 37, no. 3 (2006): 761. http://dx.doi.org/10.2307/20477995.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Mesihović, Salmedin. "Ovid and Illyricum." Journal of the Faculty of Philosophy in Sarajevo (History, History of Art, Archeology) / Radovi (Historija, Historija umjetnosti, Arheologija), ISSN 2303-6974 on-line 7, no. 2 (2020): 45–57. http://dx.doi.org/10.46352/23036974.2020.2.45.

Full text

Abstract:

The famed Roman poet Ovid was banished from Rome, for unknown reasons in 8 CE, by the first emperor Augustus, to the remote town of Tomis on the Black Sea coast, at the then-outmost eastern border of the Roman Empire. Ovid himself emphasised to have been banished for a mistake and a poem, but did not provide more elaborate details as to what the cause had exactly been. That was the period when the Roman Empire fought a difficult war against the Illyrian rebels and their military and political Alliance led by Bato the Daesitiate. For that reason, Ovid was sen

APA, Harvard, Vancouver, ISO, and other styles

29

Johnson, W. R., and Ted Hughes. "Tales from Ovid." Chicago Review 44, no. 2 (1998): 136. http://dx.doi.org/10.2307/25304286.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Sonkowsky, Robert P., and Richard J. DuRocher. "Milton and Ovid." Classical World 80, no. 5 (1987): 392. http://dx.doi.org/10.2307/4350081.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Nagle, Betty Rose, Ovid, Joan Booth, Ovid, and D. E. Hill. "Ovid: Amores II." Classical World 89, no. 3 (1996): 239. http://dx.doi.org/10.2307/4351806.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Nagle, Betty Rose, Ted Hughes, James Lasdun, and Michael Hofmann. "Tales from Ovid." Classical World 93, no. 2 (1999): 210. http://dx.doi.org/10.2307/4352400.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Jarman, Mark, and Charles Martin. "Ovid, Our Contemporary." Hudson Review 57, no. 2 (2004): 345. http://dx.doi.org/10.2307/4151430.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Martindale, Charles, and Richard J. DuRocher. "Milton and Ovid." Comparative Literature 39, no. 2 (1987): 181. http://dx.doi.org/10.2307/1770546.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Firchow, Peter, and Ted Hughes. "Tales from Ovid." World Literature Today 72, no. 2 (1998): 379. http://dx.doi.org/10.2307/40153854.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Saunders, Timothy. "Ovid the Christian." Nordlit 9, no. 2 (2005): 153. http://dx.doi.org/10.7557/13.1856.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Miola, Robert S., and Jonathan Bate. "Shakespeare and Ovid." Shakespeare Quarterly 45, no. 3 (1994): 353. http://dx.doi.org/10.2307/2871237.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Smock, Frederick. "Ovid in Extremis." Iowa Review 33, no. 2 (2003): 136. http://dx.doi.org/10.17077/0021-065x.5657.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Ramírez de Verger, A. "Ovid, Heroides 7.113." Classical Quarterly 54, no. 2 (2004): 650–51. http://dx.doi.org/10.1093/clquaj/bmh075.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Herbert-Brown, Geraldine. "Rome in Ovid." Classical Review 55, no. 1 (2005): 135–38. http://dx.doi.org/10.1093/clrevj/bni077.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Casali, Sergio. "Not By Ovid?" Classical Review 55, no. 2 (2005): 530–32. http://dx.doi.org/10.1093/clrevj/bni289.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Schade, Gerson. "Pushkin and Ovid." Symbolae Philologorum Posnaniensium Graecae et Latinae 29, no. 2 (2019): 105–17. http://dx.doi.org/10.14746/sppgl.2020.xxix.2.7.

Full text

Abstract:

Alexander Pushkin knew what he shared with Ovid. Both were exiled, having enjoyed a splendid life, both were highly gifted, and not too shy of erotic adventures – of which they speak amply in their poetry. The Russian formalist Tynyanov pointed at such similarities, inventing the literary genre of ‘docufiction’.

APA, Harvard, Vancouver, ISO, and other styles

43

Barolsky, Paul. "BERNINI AND OVID." Source: Notes in the History of Art 16, no. 1 (1996): 29–31. http://dx.doi.org/10.1086/sou.16.1.23204950.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Ramirez de Verger, A. "Ovid, Heroides 7.113." Classical Quarterly 54, no. 2 (2004): 650–51. http://dx.doi.org/10.1093/cq/54.2.650.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Morgan, Llewelyn. "OVID, FASTI 3.330." Classical Quarterly 64, no. 2 (2014): 855–59. http://dx.doi.org/10.1017/s0009838814000287.

Full text

Abstract:

eliciunt caelo te, Iuppiter; unde minoresnunc quoque te celebrant Eliciumque uocant.constat Auentinae tremuisse cacumina siluae,terraque subsedit pondere pressa Iouis. (Ov. Fasti 3.327–30)They draw you down from the sky, Jupiter, and that is why more recent generations still worship you today, and call you Elicius. It is certain that the summit of the Aventine wood trembled, and the earth sank beneath the weight of Jupiter. Dismayed by an unprecedented flurry of thunderbolts, the pious King Numa sets out to expiate the omen. His divine consort Egeria advises him to learn the ritus piandi (291)

APA, Harvard, Vancouver, ISO, and other styles

46

Kovacs, David. "Ovid, Metamorphoses 1.2." Classical Quarterly 37, no. 2 (1987): 458–65. http://dx.doi.org/10.1017/s0009838800030664.

Full text

Abstract:

The purpose of this paper is, first, to demonstrate to future editors of the Metamorphoses , whether conservative or sceptical, just how improbable is the reading of the majority of MSS, illas , and how strong are the claims of the variant ilia , first recommended by P.Lejay in 1894 and vigorously championed by E.J.Kenney in 1976; and, second, to suggest an interpretation of this reading that is open to fewer objections than the one proposed by Kenney.I have given above the beginning of Ovid's longest poem as it ought to stand in all modern editions and as it stands in fact in only one, the Fr

APA, Harvard, Vancouver, ISO, and other styles

47

Gilchrist, Katie E. "Ovid, Metamorphoses 8.476." Classical Quarterly 39, no. 2 (1989): 562. http://dx.doi.org/10.1017/s0009838800037630.

Full text

Abstract:

In these lines Ovid introduces Althaea's debate whether or not to kill her son Meleager by burning the brand which was his life, because he had killed her two brothers during the Calydonian boar hunt. A. S. Hollis (Oxford, 1970) says of line 476 that it contains ‘a forced and almost pointless word-play’. If sanguis is taken in its primary meaning, ‘blood’, this condemnation is quite justified. However, if one takes into account a secondary sense, the word-play acquires more strength. This sense is that of ‘offspring’ or ‘descendant’. Examples of this usage (see Lewis and Short s.v. Bib and Oxf

APA, Harvard, Vancouver, ISO, and other styles

48

Kershaw, Allan. "Io! In Ovid." Classical Quarterly 43, no. 2 (1993): 502–4. http://dx.doi.org/10.1017/s0009838800040052.

Full text

Abstract:

The scribes of the Latin poets were not, as a rule, in the habit of interpolating exclamatory particles; on the contrary, their tendency was to trivialise. The particle io has MSS authority in two passages in Ovid where distinguished critics reject it.Kenney in the Oxford Text of Ars Amatoria 3.742 prints.labor, io: cara lumina conde manu.

APA, Harvard, Vancouver, ISO, and other styles

49

Kershaw, Allan. "Ovid, Amores 3.1.53." Mnemosyne 45, no. 3 (1992): 372. http://dx.doi.org/10.1163/156852592x00124.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Hinds, Stephen. "Generalising About Ovid." Ramus 16, no. 1-2 (1987): 4–31. http://dx.doi.org/10.1017/s0048671x00003234.

Full text

Abstract:

The aim of this essay is to confront some ageing generalisations about Ovid which seem to have survived the latest close readings of his poetry intact. Most of the critics who have recently been casting new light on particular poems and passages have been too cautious to use their very specific findings to call explicitly into question long-established overviews of the Ovidian oeuvre. However, an attempt of some kind should be made. Today's generalisation is nothing more than an accretion of yesterday's particular readings; and reassessment of it can come only when it is tested against a new g

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!