Relevant bibliographies by topics / Paganini

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Paganini'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 January 2023

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Journal articles on the topic "Paganini"

1

Anderson, Robert, Maria Rosa Moretti, and Anna Sorrento. "Paganini Catalogued." Musical Times 128, no. 1733 (July 1987): 386. http://dx.doi.org/10.2307/964533.

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Dillon-Malone, Aubrey, Gerry McAvoy, and Pete Chrisp. "Like Paganini?" Books Ireland, no. 286 (2006): 148. http://dx.doi.org/10.2307/20632928.

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Nitschkova-Goleminova, Lilia. "Schumann - Moscheles - Paganini." Die Musikforschung 31, no. 1 (September 22, 2021): 16–28. http://dx.doi.org/10.52412/mf.1978.h1.1766.

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Rybicki, Marie-Hélène. "Balzac et Paganini." L'Année balzacienne 8, no. 1 (2007): 431. http://dx.doi.org/10.3917/balz.008.0431.

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Yuan, He Si, He Si Xian, and Gao Xin. "A review on the Performance Interpretation and Emotional Expression of Rachmaninoff Rhapsody on A Theme of Paganini Op 43." International Journal of Music Studies 4, no. 1 (January 15, 2022): 1–15. http://dx.doi.org/10.37745/ijms.16/vol4n1115.

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Throughout history, music has played a vital role in influencing people's moods and eliciting complex emotions. Examining music's emotional side helps us investigate and reveal the neurological mechanisms underlying music's emotional influence. This article discusses the results of previous studies that explore the performance and emotional expression of Sergei Rachmaninoff's Rhapsodies on a Theme of Paganini, a piece for piano composed by the Russian-American composer-pianist (1873-1943). The themes are investigated from both a historical and a musical standpoint. The inclusion of background
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Kawabata, Maiko. "The Concerto that Wasn't: Paganini, Urhan and Harold in Italy." Nineteenth-Century Music Review 1, no. 1 (June 2004): 67–114. http://dx.doi.org/10.1017/s1479409800001889.

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It was Paganini's request for a concerto that prompted Berlioz to embark on the composition that eventually became Harold in Italy. The legendary virtuoso, then at the height of his fame, had recently acquired a fine Stradivari viola and needed a suitable vehicle for introducing the instrument to the public. He was puzzled and disappointed by Berlioz's score. It certainly was not the anticipated virtuoso vehicle, and within months Paganini had composed a substitute for himself, the Sonata per la grand viola. Berlioz explained that his work was ‘a new kind of symphony and not a composition writ
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Cavalera, David. "ANALISIS TEKNIK PERMAINAN BIOLA PADA LAGU INTRODUZIONE E VARIAZIONI SUL TEMA NEL COR PIU NON MI SENTO PER VIOLIN SOLO KARYA NICCOLO PAGANINI." Repertoar Journal 2, no. 1 (July 2, 2021): 13–20. http://dx.doi.org/10.26740/rj.v2n1.p13-20.

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Abstrak Nel Cor Piu Non Mi Sento merupakan sebuah komposisi karya Giovani Paisiello, seorang komposer berpengaruh dan populer pada akhir 1700an di Italia. Lagu tersebut kemudian digubah lagi oleh Paganini menjadi bentuk komposisi yang berjudul Introduzione E Variazioni Sul Tema Nel Cor Piu Non Mi Sento Per Violin Solo. Karya tersebut memiliki keunikan yang menjadi ciri khas Paganini yang digubah menjadi 7 Variasi Melodi Penelitian ini bertujuan (1) Mendeskripsikan teknik gesekan biola; (2) dan penjarian pada lagu Introduzione E Variazioni Sul Tema Nel Cor Piu Non Mi Sento Per Violin Solo.Penel
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Iandoli, Gerardo. "Gloria Paganini, Walter Zidari." Narrativa, no. 44 (November 30, 2022): 265–67. http://dx.doi.org/10.4000/narrativa.2348.

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Kregor, Jonathan. "Forging “Paganinis of the Piano” in the 1830s." Studia Musicologica 54, no. 2 (June 1, 2013): 115–34. http://dx.doi.org/10.1556/smus.54.2013.2.1.

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Musical artists in the 1830s were intrigued by Niccolò Paganini, with pianists being especially interested in transferring his music and style to their instrument. This article focuses on Paganini-inspired compositions by Carl Czerny, Johann Nepomuk Hummel, and Ignaz Moscheles, which focus on various aspects of the violinist’s artistry, including his performance style, his flair for the dramatic, pathetic, and unexpected, and his technical wizardry. Altogether these and other such works from the early 1830s provide a deeper context — arguably even a tradition — for Franz Liszt’s experimental c
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Stetsenko, Nikita. "Performance Features of Variations on a Theme by Paganini, op. 35 (first book) by I. Brahms." Eurasian music science journal, no. 2 (September 29, 2021): 13–20. http://dx.doi.org/10.52847/eamsj/vol_2021_issue_2/64.

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The article examines the unambiguous of the iconic works of romantic music Variations on the theme of Paganini by I. Brahms from the point of view of performance characteristics. This is one of the most difficult pieces in all piano literature. "Variations on a Theme of Paganini" is also called the "encyclopedia" of Brahms' pianism. It is a powerful cycle of diverse content, in which dynamic and frantic pieces alternate with elegiac, scherzo and waltz-like episodes. In the well-known theme of Paganini, Brahms discovered new sides and discovered unexpected subtexts. This cycle presents the most
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Dissertations / Theses on the topic "Paganini"

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Mikami, Wataru. "Problematika osobnosti a díla Nicola Paganini." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2009. http://www.nusl.cz/ntk/nusl-79077.

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This thesis discuss about N.Paganini, his life, works and mainly about opus 1,24 Caprices for violin solo. I compared some publication, especially studied Henle Urtext Edition of Caprices, which is the most right and newest. Thesis next discuss about a way of performance of this work. I compared some recording of great violinists, which become the inspiration of my study. I read also listed literatures.
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Yang, Hokyung. "12 variations on Paganini's 24th caprice : an analysis /." Thesis, Connect to this title online; UW restricted, 1994. http://hdl.handle.net/1773/11263.

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Shen, Keh-Shu. "An analytical study of Paganini's Twenty-four caprices for solo violin /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/11338.

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Wilczkowski, Tobias. "Heinrich Wilhelm Ernst : En stor violinist i skuggan av Paganini." Thesis, Uppsala universitet, Institutionen för musikvetenskap, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-153805.

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Abstract Tobias Wilczkowski: Heinrich Wilhelm Ernst – A great violinist in the shadow of Paganini. Uppsala universitet: Institutionen för musikvetenskap, uppsats för 60p., 2005. As a boy, Heinrich Wilhelm Ernst adopted Paganini's virtuosic style. He became a popular violinist who later developed his own style. He used the potential of the violin to its extreme and explored new possibilities on the instrument. Later, however, Ernst was more or less forgotten as a violinist and today his contributions are neglected. This essay attempts to show that this is unfair to Ernst and that he today does
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Rybicki, Marie-Hélène. "Le mythe de Paganini dans la presse et la littérature." Paris 4, 2004. https://acces.bibliotheque-diderot.fr/login?url=https://doi.org/10.15122/isbn.978-2-8124-2932-3.

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Notre étude est consacrée à la présence de Paganini dans la presse et la littérature de son temps. Nous examinons comment, en Italie, en France en Allemagne et en Angleterre, ce musicien exceptionnel devient personnage de fiction et quelle influence cette "entrée en littérature" exerce sur la représentation des musiciens dans les romans et nouvelles du XIXe siècle. Après avoir retracé le parcours du violoniste, nous nous penchons sur la manière dont ses faits et gestes sont relatés dans la presse et exposons les polémiques que la technique paganinienne entraîne. Nous analysons ensuite les imag
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Bernier, Kiyono Monique. "Disparate measures: Two 20th century treatments of the Paganini theme." Diss., The University of Arizona, 2000. http://hdl.handle.net/10150/284086.

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This study investigates the significance of the Paganini theme and variation sets composed by two living composers, Neils Viggo Bentzon and Robert Muczynski. The popularity of the theme and variation form gradually spread to the keyboard repertoire first as entertainment for both courtly and bourgeois audiences, and later as a means of technical display for performing piano virtuosi. Paganini's twenty-fourth Caprice from Op.1 for solo violin is the basis for sets of variations for solo piano by three major pianist-composers: Liszt, Brahms, and Busoni. Bentzon and Muczynski follow in this tradi
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Carrau, Mellado Javier. "Aspectos pedagógicos e interpretativos del repertorio para violín solo hasta Paganini." Doctoral thesis, Universitat Jaume I, 2014. http://hdl.handle.net/10803/145316.

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El presente trabajo está dedicado a estudiar el repertorio existente para violín solo hasta Paganini, y analizar sus diferencias de estilo, intenciones y funciones. Las dos obras cumbre de este género son las Sonatas y Partitas de Johann Sebastián Bach, y los Caprichos Opus 1 de Paganini. Al observar la trayectoria de la cronología artística, apreciamos cómo existe un repertorio que nace en el primer Barroco, que ha conducido a que estas creaciones no sean piezas aisladas sino obras insertas en una tradición compositiva hoy día bastante desconocida.
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Clavere, Javier. "A Study Guide to Franz Liszt's Grandes etudes de Paganini S.141." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1296847312.

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Kang, Heejung. "Rachmaninoff's Rhapsody on a Theme by Paganini, Op.43; Analysis and Discourse." Thesis, connect to online resource, 2004. http://www.unt.edu/theses/open/20041/kang%5Fheejung/index.htm.

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Kim, Younshin. "An analytical study of Liszt's "Grandes études de Paganini", nos. 3 and 6 /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/11363.

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Books on the topic "Paganini"

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A, Lancelotti Mario, ed. Paganini. Rosario: B. Viterbo, 2001.

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Sugden, John. Paganini. Cheli Łabinsk: Ural LTD, 1999.

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Paganini. 2nd ed. München: Heyne, 1992.

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Sugden, John. Paganini. London: Omnibus Press, 1986.

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Niccolò Paganini. Palermo: L'epos, 2006.

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Noguera, Flavio Menardi. Paganini, 1887-1891. Ann Arbor, Mich: U.M.I., 1993.

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Issakainen, Sakari. Paratiisissa ei soi Paganini. Helsinki: Gummerus, 1987.

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Lebet, Claude. Le quatuor Stradivarius Nicolò Paganini: La correspondance de Jean-Baptiste Vuillaume à Achille Paganini = The Stradivarius quartet Nicolò Paganini : the correspondence between Jean-Baptiste Vuillaume and Achille Paganini. Spa, Belgique: Les Amis de la Musique, 1994.

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Neill, Edward. Nicolò Paganini: Il cavaliere filarmonico. Genova: De Ferrari, 1990.

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Lehár, Franz. Paganini: Operetta in three acts. London: Glocken Verlag, 1998.

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Book chapters on the topic "Paganini"

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Scholtz, Sibylle, Myriam Becker, Lee MacMorris, and Achim Langenbucher. "Paganini. Priapism and Paganini." In Curiosities in Medicine, 229–31. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-14002-0_62.

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Steiert, Thomas. "Paganini, Niccolò." In Metzler Komponisten Lexikon, 562–63. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_216.

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Steiert, Thomas. "Paganini, Niccolò." In Komponisten Lexikon, 440–41. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_217.

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Otte, Andreas. "Nicolò Paganini (1782–1840)." In Famous Composers – Diseases Reloaded, 77–91. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-06671-9_4.

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Meißner, Thomas. "Nicolò Paganini: Teufelsgeiger mit Madonnenhänden." In Der prominente Patient, 151–54. Berlin, Heidelberg: Springer Berlin Heidelberg, 2019. http://dx.doi.org/10.1007/978-3-662-57731-8_37.

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Renneberg, Reinhard, and Iris Rapoport. "Paganinis Geheimnis." In Gene zum Frühstück, 323–25. Berlin, Heidelberg: Springer Berlin Heidelberg, 2022. http://dx.doi.org/10.1007/978-3-662-65956-4_79.

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Zahn, Molly. "Simone Paganini, “Nicht Darfst Du Zu Diesen Wörtern Etwas Hinzufügen”: Die Rezeption Des Deuteronomiums In Der Tempelrolle: Sprache, Autoren, Hermeneutik." In Perspectives on Hebrew Scriptures VII, edited by Ehud Ben Zvi, 594–97. Piscataway, NJ, USA: Gorgias Press, 2011. http://dx.doi.org/10.31826/9781463234904-050.

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Waldron, David. "Paganism." In Encyclopedia of Psychology and Religion, 1683–87. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24348-7_485.

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Waldron, David. "Paganism." In Encyclopedia of Psychology and Religion, 1273–77. Boston, MA: Springer US, 2014. http://dx.doi.org/10.1007/978-1-4614-6086-2_485.

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Waldron, David, Sukey Fontelieu, David Berman, Paul Larson, Paul Larson, Nicholas Grant Boeving, John Ryan Haule, et al. "Paganism." In Encyclopedia of Psychology and Religion, 655–58. Boston, MA: Springer US, 2010. http://dx.doi.org/10.1007/978-0-387-71802-6_485.

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Conference papers on the topic "Paganini"

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Dicpinigaitis, Peter, and Rachel Giles. "PAGANINI phase 2b data promising for eliapixant." In ATS 2022 International Conference, edited by Richard Dekhuijzen. Baarn, the Netherlands: Medicom Medical Publishers, 2022. http://dx.doi.org/10.55788/d266a780.

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Dicpinigaitis, P., A. H. Morice, J. Smith, M. R. Sher, M. Vaezi, L. Guilleminault, A. Niimi, et al. "Eliapixant in Refractory Chronic Cough: The 12-Week, Randomized, Double-Blind, Placebo-Controlled, Phase 2b PAGANINI Study." In American Thoracic Society 2022 International Conference, May 13-18, 2022 - San Francisco, CA. American Thoracic Society, 2022. http://dx.doi.org/10.1164/ajrccm-conference.2022.205.1_meetingabstracts.a4776.

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McGarvey, Lorcan, Alyn H. Morice, Jaclyn Smith, Mandel Sher, Michael Vaezi, Laurent Guilleminault, Akio Niimi, et al. "Late Breaking Abstract - Efficacy and safety of eliapixant in refractory chronic cough: Results of the PAGANINI 12-week, randomized, placebo-controlled Phase 2b study." In ERS International Congress 2021 abstracts. European Respiratory Society, 2021. http://dx.doi.org/10.1183/13993003.congress-2021.pa562.

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Sakiotis, Ioannis, Kamesh Arumugam, Marc Paterno, Desh Ranjan, Balša Terzić, and Mohammad Zubair. "PAGANI." In SC '21: The International Conference for High Performance Computing, Networking, Storage and Analysis. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3458817.3476198.

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Kaliev, Aleksey. "MYTHOLOGICAL PICTURE OF THE WORLD EVOLUTION IN MARI PAGANISM." In Марийская Традиционная Религия: история и современность. Йошкар-Ола: государственное бюджетное научное учреждение при Правительстве Республики Марий Эл "Марийский научно-исследовательский институт языка, литературы и истории им. В.М. Васильева", 2022. http://dx.doi.org/10.51254/978-5-94950-120-7_2022_06.

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Lushnikov, Alexander. "PAGANISM AS DISCOURSE: THE CONCEPT OF �ALIEN� IN OLD RUSSIAN LITERATURE." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb21/s05.009.

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Barber-Kersovan, Alenka. "Songs for the Goddess. Das popmusikalische Neo-Matriarchat zwischen Ethno-Beat, erfundenen Traditionen und kommerzieller Vermarktung." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.47.

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The musical neo-matriarchy is linked to the growing popularity of Neo-Paganism. This pseudo-religious scene is based on romantic heritage, real or invented folk traditions and more or less serious historical, theological and anthropological studies of neo-matriarchy. In the focus of the scene stands the veneration of the Great Goddess and its worshipers are exclusively women. The main ideas of this eco-feminist movement are being conveyed also through (popular) music. My contribution encompasses the origins of the musical neo-matriarchy, the mythology it is based on, the message of the songs f
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al-Nahee, Owed Abdullah. "The Historical Development of Paganism in Najran during the Pre- and Early Islamic Era (524–641 CE)." In Eighth Saudi Students Conference in the UK. IMPERIAL COLLEGE PRESS, 2015. http://dx.doi.org/10.1142/9781783269150_0002.

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Shalakhov, Evgeny. "O THE ORIGINS OF MARI PAGANISM: RITUAL SITES OF CHIRKOVSKY ARCHAEOLOGICAL CULTURE (ZOOMORPHISM AND ITS OLDEST EVIDENCE)." In Марийская Традиционная Религия: история и современность. Йошкар-Ола: государственное бюджетное научное учреждение при Правительстве Республики Марий Эл "Марийский научно-исследовательский институт языка, литературы и истории им. В.М. Васильева", 2022. http://dx.doi.org/10.51254/978-5-94950-120-7_2022_17.

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Ivaschenko, Yana Sergeevna. "ETHNOFUTURISM AS AN ARTISTIC VERSION OF THE CONCEPT "REVIVAL OF PAGANITY" (The study was supported by a grant from the Russian Science Foundation (project No. 22-28-01712)." In Наука и социум. Новосибирск: Автономная некоммерческая организация дополнительного профессионального образования "Сибирский институт практической психологии, педагогики и социальной работы", 2022. http://dx.doi.org/10.38163/978-5-6046740-7-9_2022_248.

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