Relevant bibliographies by topics / Painting, Dutch – 17th century

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Painting, Dutch – 17th century'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Painting, Dutch – 17th century"

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Li, Weixuan. "Innovative Exuberance: Fluctuations in the Painting Production in the 17th-Century Netherlands." Arts 8, no. 2 (2019): 72. http://dx.doi.org/10.3390/arts8020072.

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The surprising and rapid flowering of Dutch art and the Dutch art market from the late 16th century to the mid-17th century have propelled scholars to quantify the volume of production and to determine the source of its growth. However, existing studies have not explored the use of known paintings to specify and visualize the fluctuations of painting production in the Dutch Republic. Employing data mining techniques to leverage the most comprehensive datasets of Netherlandish paintings (RKD), this paper visualizes and analyzes the trend of painting production in the Northern Netherlands throug
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Brown, Christopher, and Peter C. Sutton. "Masters of 17th-Century Dutch Landscape Painting." Simiolus: Netherlands Quarterly for the History of Art 18, no. 1/2 (1988): 76. http://dx.doi.org/10.2307/3780656.

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Adams, Ann Jensen, and Peter C. Sutton. "Masters of Dutch 17th-Century Landscape Painting." Art Bulletin 74, no. 2 (1992): 334. http://dx.doi.org/10.2307/3045877.

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Kulakova, O. Yu. "Seashells in Dutch Still-Life Painting of the 17th Century." Art & Culture Studies, no. 2 (June 2021): 104–21. http://dx.doi.org/10.51678/2226-0072-2021-2-104-121.

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Dutch still-life is a distinctive cultural phenomenon of the 17th century. Collecting of rarities, curiosities, plants, paintings, sculptures and many other rare things was characteristic for that period. Seashells which were brought from the exotic countries attracted the attention and love of collectors and artists. J. Hoefnagel was one of the first who took an interest to seashells in the emblems. In the early Dutch flower still-life shells were found occasionally but from the beginning of the first quarter of the 17th century artists started to add these graceful creations almost into all
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Smith, David R., Christopher Brown, and Peter C. Sutton. "Images of a Golden Past: Dutch Genre Painting of the 17th Century." Art Bulletin 69, no. 4 (1987): 659. http://dx.doi.org/10.2307/3051009.

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Wiersma, Lisa. "‘Colouring’ — Material Depiction in Flemish and Dutch Baroque Art Theory." Art and Perception 8, no. 3-4 (2020): 243–65. http://dx.doi.org/10.1163/22134913-bja10005.

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Seventeenth-century painters were masters at painting objects and beings that seem tangible. Most elaborate was painting translucent materials like skins and pulp: human flesh and grapes, for instance, require various surface effects and suggest the presence of mass below the upper layers. Thus, the viewer is more or less convinced that a volume or object is present in an illusionary space. In Dutch, the word ‘stofuitdrukking’ is used: expression or indication of material, perhaps better understood as rendering of material. In English, ‘material depiction’ probably captures this painterly mean
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Sijia, Liu. "The Scholar’s study in Painting and the History of Collection in Dutch XVII century." Scientific and analytical journal Burganov House. The space of culture 17, no. 1 (2021): 83–94. http://dx.doi.org/10.36340/2071-6818-2021-17-1-83-94.

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his article is devoted to analysis the theme of the “scholar’s study” in Netherland XVII century painting. The reason for the rise of this theme is closely related to the great development of science and navigation in the XVII century in Netherland. Under the economic development, the tradition of collecting prevails among scholars. People admire knowledge and work on scientific inquiry. The author analyzes Gerrit Dou’s self-portrait The Artist’s studio and the symbolic meanings of objects in the painting. The author states that his self-portrait portrays himself as a scholar, reflecting the s
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Korol’kova, Ol’ga A. "The work of Pieter Post in the context of the development of classicism in Dutch painting of the 17th century." Vestnik of Saint Petersburg State University of Culture, no. 2 (47) (2021): 164–68. http://dx.doi.org/10.30725/2619-0303-2021-2-164-168.

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The author studied the pictorial heritage of the Dutch artist and architect of the 17th century Pieter Post. In the scientific works of Russian art critics, the master’s work is mentioned in the context of his collaboration with the famous architect Jacob van Campen, even though Post is no less significant in the history of art. This article proposes to concentrate on the analysis of the artist’s canvases, tracing the evolution of his creative manner, which was formed under the influence of the art of the Italians and landscape painters of Holland, which is especially noticeable in the first p
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Sijia, Liu. "Naturalism in the Painting of the Leiden School and its Chief Representatives." ICONI, no. 2 (2021): 41–47. http://dx.doi.org/10.33779/2658-4824.2021.2.041-047.

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The article is devoted to Dutch art — the Leiden School in Holland in the 17th century. The author analyzes the defi nition, particularities and the theoretic foundations of the characteristics and the artistic legacy of the painters — the representatives of the Leiden school and also demonstrates the close connection between naturalism and the particularities of the paintings of the school’s adherents and the uniqueness of the works by such masters as Rembrandt Harmenszoon van Rijn, Gerrit Dou and Frans van Mieris the Elder.
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Kang, Minji. "Map as a Painting: Atlas Maior of the Blaeu Family in the 17th-Century Dutch Republic." Journal of the Association of Western Art History 54 (February 28, 2021): 81–108. http://dx.doi.org/10.16901/jawah.2021.02.54.081.

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Dissertations / Theses on the topic "Painting, Dutch – 17th century"

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Gavaghan, Kerry Lynn. "The family picture : a study of identity construction in seventeenth-century Dutch portraits." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:1a2cf152-3f13-4e76-8c73-b57ef5be2463.

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The seventeenth century saw a large increase in family-related portrait materials, including group family portraits, family portrait collections, and family memorial albums. In this thesis, I contend with the meanings and functions of family portraits created in the Netherlands in an attempt to illuminate the motives behind the rise in the number of portraits of the family during this period. I focus on the ways in which Dutch families utilised portraiture as a vehicle for constructing personal and national identity. In an age of extraordinary economic success, religious tension, and political
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Norbutus, Amanda J. "Technical investigation of the materials and methods utilized in a copy of a 17th century Dutch genre painting Gerrit Dou's "Man interrupted at his writing" (1635) /." Click here for download, 2008. http://proquest.umi.com/pqdweb?did=1495967421&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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Marquaille, Léonie. "Peindre pour les milieux catholiques dans les Pays-Bas du Nord au XVIIe siècle." Thesis, Paris 10, 2015. http://www.theses.fr/2015PA100126.

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Les enjeux de ce travail sont multiples et s’inscrivent dans le renouvellement de la recherche sur la peinture hollandaise. S’il est courant d’opposer un peu rapidement la Flandre catholique d’une part, associée à une production importante de peinture religieuse, et la Hollande calviniste de l’autre, cantonnée à la peinture de genre, on sait à quel point la situation historique et sociale des Pays-Bas était plus complexe. L’existence de milieux catholiques dans les provinces protestantes a entraîné la production non négligeable de peinture : tableaux religieux pour les églises ou pour la dévot
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Levitt, Ruth L. "Cuyp's cattle : aesthetic transformations in Dutch 17th-century art." Thesis, University College London (University of London), 1990. https://kclpure.kcl.ac.uk/portal/en/theses/cuyps-cattle-aesthetic-transformations-in-dutch-17thcentury-art(b4f9c421-cfd9-4221-aae2-54ed218b139f).html.

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This study investigates the depiction of cattle by the Dutch painter Aelbert Cuyp (1620-91). It seeks to identify possible reasons for his choices of subject-matter and to trace the implications- for subsequent taste. Origins of the Dutch 17th-century veestuk (cattle piece) can be found in artefacts and writings of many earlier cultures, in which cattle images served mythological, religious, instructional and other functions. The real and symbolic importance of Dutch cattle husbandry and dairy farming contributed further significance to this iconography, and in Cuyp's day the 'Dutch cow' was r
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Meadows, Anne. "Collecting seventeenth-century Dutch painting in England 1689-1760." Thesis, University College London (University of London), 1988. http://discovery.ucl.ac.uk/1382491/.

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This thesis examines the collecting of seventeenth century Dutch painting in England from 1689 marking the beginning of auction sales in England to 1760, Just prior to the beginning of the Royal Academy and the rising patronage for British art. An examination of the composition of English collections centred around the period 1694 when William end Mary passed a law permitting paintings to be imported for public sale for the first time in the history of collecting. Before this date paintings were only permitted entry into English ports for private use and enjoyment. The analysis of sales catalo
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Pousao-Smith, Maria-Isabel. "Concepts of brush-work in the Northern and Southern Netherlands in the seventeenth century." Thesis, Courtauld Institute of Art (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.265775.

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Hollewand, Karen Eline. "The banishment of Beverland : sex, Scripture, and scholarship in the seventeenth-century Dutch Republic." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:3e5a54dc-0664-46eb-8625-de3c480d118c.

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Hadriaan Beverland (1650-1716) was banished from Holland in 1679. Why did this humanist scholar get into so much trouble in the most tolerant part of Europe in the seventeenth century? In an attempt to answer this question, this thesis places Beverland's writings on sex, sin, Scripture, and scholarship in their historical context for the first time. Beverland argued that lust was the original sin and highlighted the importance of sex in human nature, ancient history, and his own society. His works were characterized by his erudite Latin, satirical style, and disregard for traditional genres an
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Morel, Thierry. "The function and status of landscape painting in the late 16th and early 17th century Rome." Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.530062.

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Labuschagne, Emily. "Masters, master, masturbate (a master's debate) - relooking at the home, body and self through seventeenth century Dutch still life painting." Master's thesis, Faculty of Humanities, 2020. http://hdl.handle.net/11427/32716.

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The still life genre has been, and arguably still is, regarded as the lowest form of painting in Western fine art history. The absence of the human figure in still life painting means that the artist does not require knowledge of either human anatomy or history for the production of the work. Given seventeenth century female painters' exclusion from the academies where anatomy was taught, it was thus a genre regarded as appropriate for female painters in Europe prior to the nineteenth century. Such dictates of propriety were indicative of gender constructs that relegated women to the private s
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Ruddock, Joanna Mavis. "Dutch artists in England : examining the cultural interchange between England and the Netherlands in 'low' art in the seventeenth century." Thesis, University of Plymouth, 2017. http://hdl.handle.net/10026.1/8632.

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The seventeenth century was an incredibly fascinating time for art in England developmentally, especially because most of the artists that were receiving the commissions from English patrons and creating the art weren’t English, they were Dutch. Over this one hundred year period scores of Dutch artists migrated over from the Dutch Republic and showed England this Golden Age of painting that had established Dutch artists back in the Netherlands as pioneers in their line of work. In studies of Anglo-Dutch art, portraiture is a genre that has been widely researched; Peter Lely (a Dutch-born portr
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Books on the topic "Painting, Dutch – 17th century"

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Albert, Blankert, ed. Masters of 17th-century Dutch landscape painting. Herbert, 1988.

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Albert, Blankert, Rijksmuseum (Netherlands), Museum of Fine Arts, Boston., and Philadelphia Museum of Art, eds. Masters of 17th-century Dutch landscape painting. Museum of Fine Arts, 1987.

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Gallery, Johannesburg Art. Dutch painting of the 17th century =: Nederlandse skilderkuns van die 17de eeu. Johannesburg Art Gallery, 1988.

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National Gallery of Art (U.S.). Dutch paintings of the seventeenth century. National Gallery of Art, 1995.

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De Friese schilderkunst in de Gouden Eeuw. Waanders, 2008.

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Gallery, Johannesburg Art. Dutch painting of the 17th century: Johannesburg Art Gallery = Nederlandse skilderkuns van die 17de eeu : Johannesburgse Kunsmuseum. Thorold's Africana Books [distributor], 1988.

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Minty, Nancy. An eye for detail: 17th-century Dutch and Flemish paintings from the collection of Henry H. Weldon. Walters Art Gallery, 1999.

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Minty, Nancy. An eye for detail: 17th-century Dutch and Flemish paintings from the collection of Henry H. Weldon. The Walters Art Gallery, 1999.

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Maclaren, Neil. The Dutch School, 1600-1900. Volume 2: Plates and signatures. 2nd ed. National Gallery, 1991.

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Hollander, Martha. An entrance for the eyes: Space and meaning in seventeenth-century Dutch art. University of California Press, 2002.

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Book chapters on the topic "Painting, Dutch – 17th century"

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Dibbets, Geert R. W. "Dutch philology in the 16th and 17th Century." In The History of Linguistics in the Low Countries. John Benjamins Publishing Company, 1992. http://dx.doi.org/10.1075/sihols.64.03dib.

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Patalano, Rosario. "Serra’s Brief Treatise in a World-System Perspective: The Dutch Miracle and Italian Decline in the Early 17th Century." In Antonio Serra and the Economics of Good Government. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137539960_5.

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Koo, BonSeung. "You Can Have Faith but You Cannot Assemble: The Problem of Conscience under the 17th-Century Dutch Reformed Regime – On Simon Oomius’s Theologico-Politica Dissertatio (1662)." In Anthropological Reformations - Anthropology in the Era of Reformation. Vandenhoeck & Ruprecht, 2015. http://dx.doi.org/10.13109/9783666550584.443.

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Zimmermann, W. Haio. "Depictions of upper-class farmhouses in 15th- to early 17th-century Flemish and Dutch art. Farms with towers and/or stone houses as representations of farms with a higher hierarchical status." In Ruralia. Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.ruralia.1.101608.

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"Schilderachtig: A Rhyparographic View of Early 17th-Century Dutch Landscape Painting." In Landscape and the Visual Hermeneutics of Place, 1500–1700. BRILL, 2020. http://dx.doi.org/10.1163/9789004440401_007.

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"Schilderachtig: A Rhyparographic View of Early 17th-Century Dutch Landscape Painting." In Landscape and the Visual Hermeneutics of Place, 1500–1700. BRILL, 2020. http://dx.doi.org/10.1163/9789004440401_007.

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"Pieter Codde and the Industry of Copies in 17th-century Dutch Painting." In The Primacy of the Image in Northern European Art, 1400–1700. BRILL, 2017. http://dx.doi.org/10.1163/9789004354128_043.

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"The Dutch school of painting." In The Dutch Republic in the Seventeenth Century. Cambridge University Press, 2005. http://dx.doi.org/10.1017/cbo9780511817311.018.

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Kahr, Madlyn Millner. "Dutch Culture and Art." In Dutch Painting in the Seventeenth Century. Routledge, 2018. http://dx.doi.org/10.4324/9780429500893-2.

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Adams, Laurie Schneider. "Seventeenth-Century Dutch Painting I: Rembrandt." In Key Monuments of the Baroque. Routledge, 2019. http://dx.doi.org/10.4324/9780429039508-7.

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Conference papers on the topic "Painting, Dutch – 17th century"

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Matouskova, Eva. "USING VNIR HYPERSPECTRAL SENSOR FOR 17TH CENTURY OIL PAINTING DOCUMENTATION." In 13th SGEM GeoConference on INFORMATICS, GEOINFORMATICS AND REMOTE SENSING. Stef92 Technology, 2013. http://dx.doi.org/10.5593/sgem2013/bb2.v2/s10.025.

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Dong, Junliang, Alexandre Loequet, Anne Adrian, et al. "Stratigraphie details of a 17th century oil painting on canvas revealed by terahertz imaging." In 2017 42nd International Conference on Infrared, Millimeter, and Terahertz Waves (IRMMW-THz). IEEE, 2017. http://dx.doi.org/10.1109/irmmw-thz.2017.8066999.

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