Log in

Relevant bibliographies by topics / Painting, Dutch – 17th century / Dissertations / Theses

To see the other types of publications on this topic, follow the link: Painting, Dutch – 17th century.

Dissertations / Theses on the topic 'Painting, Dutch – 17th century'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 48 dissertations / theses for your research on the topic 'Painting, Dutch – 17th century.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Gavaghan, Kerry Lynn. "The family picture : a study of identity construction in seventeenth-century Dutch portraits." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:1a2cf152-3f13-4e76-8c73-b57ef5be2463.

Full text

Abstract:

The seventeenth century saw a large increase in family-related portrait materials, including group family portraits, family portrait collections, and family memorial albums. In this thesis, I contend with the meanings and functions of family portraits created in the Netherlands in an attempt to illuminate the motives behind the rise in the number of portraits of the family during this period. I focus on the ways in which Dutch families utilised portraiture as a vehicle for constructing personal and national identity. In an age of extraordinary economic success, religious tension, and political

APA, Harvard, Vancouver, ISO, and other styles

2

Norbutus, Amanda J. "Technical investigation of the materials and methods utilized in a copy of a 17th century Dutch genre painting Gerrit Dou's "Man interrupted at his writing" (1635) /." Click here for download, 2008. http://proquest.umi.com/pqdweb?did=1495967421&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Marquaille, Léonie. "Peindre pour les milieux catholiques dans les Pays-Bas du Nord au XVIIe siècle." Thesis, Paris 10, 2015. http://www.theses.fr/2015PA100126.

Full text

Abstract:

Les enjeux de ce travail sont multiples et s’inscrivent dans le renouvellement de la recherche sur la peinture hollandaise. S’il est courant d’opposer un peu rapidement la Flandre catholique d’une part, associée à une production importante de peinture religieuse, et la Hollande calviniste de l’autre, cantonnée à la peinture de genre, on sait à quel point la situation historique et sociale des Pays-Bas était plus complexe. L’existence de milieux catholiques dans les provinces protestantes a entraîné la production non négligeable de peinture : tableaux religieux pour les églises ou pour la dévot

APA, Harvard, Vancouver, ISO, and other styles

4

Levitt, Ruth L. "Cuyp's cattle : aesthetic transformations in Dutch 17th-century art." Thesis, University College London (University of London), 1990. https://kclpure.kcl.ac.uk/portal/en/theses/cuyps-cattle-aesthetic-transformations-in-dutch-17thcentury-art(b4f9c421-cfd9-4221-aae2-54ed218b139f).html.

Full text

Abstract:

This study investigates the depiction of cattle by the Dutch painter Aelbert Cuyp (1620-91). It seeks to identify possible reasons for his choices of subject-matter and to trace the implications- for subsequent taste. Origins of the Dutch 17th-century veestuk (cattle piece) can be found in artefacts and writings of many earlier cultures, in which cattle images served mythological, religious, instructional and other functions. The real and symbolic importance of Dutch cattle husbandry and dairy farming contributed further significance to this iconography, and in Cuyp's day the 'Dutch cow' was r

APA, Harvard, Vancouver, ISO, and other styles

5

Meadows, Anne. "Collecting seventeenth-century Dutch painting in England 1689-1760." Thesis, University College London (University of London), 1988. http://discovery.ucl.ac.uk/1382491/.

Full text

Abstract:

This thesis examines the collecting of seventeenth century Dutch painting in England from 1689 marking the beginning of auction sales in England to 1760, Just prior to the beginning of the Royal Academy and the rising patronage for British art. An examination of the composition of English collections centred around the period 1694 when William end Mary passed a law permitting paintings to be imported for public sale for the first time in the history of collecting. Before this date paintings were only permitted entry into English ports for private use and enjoyment. The analysis of sales catalo

APA, Harvard, Vancouver, ISO, and other styles

6

Pousao-Smith, Maria-Isabel. "Concepts of brush-work in the Northern and Southern Netherlands in the seventeenth century." Thesis, Courtauld Institute of Art (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.265775.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Hollewand, Karen Eline. "The banishment of Beverland : sex, Scripture, and scholarship in the seventeenth-century Dutch Republic." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:3e5a54dc-0664-46eb-8625-de3c480d118c.

Full text

Abstract:

Hadriaan Beverland (1650-1716) was banished from Holland in 1679. Why did this humanist scholar get into so much trouble in the most tolerant part of Europe in the seventeenth century? In an attempt to answer this question, this thesis places Beverland's writings on sex, sin, Scripture, and scholarship in their historical context for the first time. Beverland argued that lust was the original sin and highlighted the importance of sex in human nature, ancient history, and his own society. His works were characterized by his erudite Latin, satirical style, and disregard for traditional genres an

APA, Harvard, Vancouver, ISO, and other styles

8

Morel, Thierry. "The function and status of landscape painting in the late 16th and early 17th century Rome." Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.530062.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Labuschagne, Emily. "Masters, master, masturbate (a master's debate) - relooking at the home, body and self through seventeenth century Dutch still life painting." Master's thesis, Faculty of Humanities, 2020. http://hdl.handle.net/11427/32716.

Full text

Abstract:

The still life genre has been, and arguably still is, regarded as the lowest form of painting in Western fine art history. The absence of the human figure in still life painting means that the artist does not require knowledge of either human anatomy or history for the production of the work. Given seventeenth century female painters' exclusion from the academies where anatomy was taught, it was thus a genre regarded as appropriate for female painters in Europe prior to the nineteenth century. Such dictates of propriety were indicative of gender constructs that relegated women to the private s

APA, Harvard, Vancouver, ISO, and other styles

10

Ruddock, Joanna Mavis. "Dutch artists in England : examining the cultural interchange between England and the Netherlands in 'low' art in the seventeenth century." Thesis, University of Plymouth, 2017. http://hdl.handle.net/10026.1/8632.

Full text

Abstract:

The seventeenth century was an incredibly fascinating time for art in England developmentally, especially because most of the artists that were receiving the commissions from English patrons and creating the art weren’t English, they were Dutch. Over this one hundred year period scores of Dutch artists migrated over from the Dutch Republic and showed England this Golden Age of painting that had established Dutch artists back in the Netherlands as pioneers in their line of work. In studies of Anglo-Dutch art, portraiture is a genre that has been widely researched; Peter Lely (a Dutch-born portr

APA, Harvard, Vancouver, ISO, and other styles

11

Gattringer, Christa. "17th-Century Antwerp artists' studio practice : Rubens and his circle : an interdisciplinary approach in technical art history." Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/5135/.

Full text

Abstract:

Early 17th-century Antwerp, despite political and religious troubles, was a thriving European art centre and home of such renowned artists as Peter Paul Rubens and other painters of his circle, like Jan Brueghel I, Frans Snyders, Anthony van Dyck and Hendrick van Balen. This interdisciplinary thesis in Technical Art History, after a general introduction to this specific art scene, looks at how specific aspects of their studio practice, such as collaborations within and outside their studios or the many copies and versions of their paintings, found manifestation in their works but also in their

APA, Harvard, Vancouver, ISO, and other styles

12

Correa, Tito G. "Dutch progenitors of higher education at Harvard : puritan origins of North America's first university." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648659.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Ricci, Rosa. "Religious Nonconformity and cultural Dynamics: The Case of the Dutch Collegiants." Doctoral thesis, Universitätsbibliothek Leipzig, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-164944.

Full text

Abstract:

Rosa Ricci Summary of the PHD Dissertation: Religious Nonconformity and cultural Dynamics: The Case of the Dutch Collegiants There is ample reason to engage in research around the Collegiants, a minority religious movement in the Netherlands of the 17th century. An exploration of this topic can be interesting not only for a contribution to the history of Religion but also to understand the development of some central concept in the early modernity. Prominent, in this research, is the question that initially stirred my personal interest in the Collegiantism; i.e. to define and understand the

APA, Harvard, Vancouver, ISO, and other styles

14

Wielema, Michiel. "The march of the Libertines : Spinozists and the Dutch Reformed Church (1660-1750) /." Hilversum : Uitg. Verloren, 2004. http://www.loc.gov/catdir/toc/fy0704/2004441841.html.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Vanhaelen, Engeline Christine. "Guilty pleasures : the uses of farcical prints for children in early modern Amsterdam." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ46439.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Little, Andrew Ross. "British personnel in the Dutch navy, 1642-1697." Thesis, University of Exeter, 2008. http://hdl.handle.net/10036/67714.

Full text

Abstract:

An international maritime labour market study, the thesis focuses on the Dutch naval labour market, analysing wartime Zeeland admiralty crews. The research is based primarily on unique naval pay sources. Analysis of crew compositions has not been made on this scale in the period before. The 1667 Dutch Medway Raid is the starting point, where a few British played a leading role – amongst many others reported on the Dutch side. Pepys and Marvell primarily blamed their joining the enemy on the lure of superior Dutch payment. The thesis asks how many British there were really, how they came to be

APA, Harvard, Vancouver, ISO, and other styles

17

STRASBAUGH, CHRIS. "CALL TO ACTION: THE ROLE OF RELIGIOUS PAINTING IN UTRECHT'S GOLDEN AGE (1590-1640)." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1177423292.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Woolley, Alexandra. "Du bon usage de la vertu : images de charité dans l'art français du XVIIe siècle." Thesis, Toulouse 2, 2015. http://www.theses.fr/2015TOU20131.

Full text

Abstract:

Au XVIIe siècle, considérée comme la "royne de toutes les vertus", la charité incarna le triomphe des œuvres salutaires face au sola fide des protestants. Elle connut alors une riche iconographie, par la mise en scène des "Sept œuvres de Miséricorde" ou sous la forme d’une tendre allégorie de la maternité bienfaisante. L’unité apparente de ces images codifiées révèle, à l’analyse, une extraordinaire richesse d’interprétation car elles furent soumises en France à différentes adaptations, équivoques ou déviations sous l’influence des nouvelles exigences spirituelles et sous la pression de la mon

APA, Harvard, Vancouver, ISO, and other styles

19

Brendel, Maria Lydia. "Allegorical truth-telling via the feminine Baroque : Rubens' material reality : reframing Het pelsken." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ55305.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Lamal, Nina. "Le orecchie si piene di Fiandra : Italian news and histories on the Revolt in the Netherlands (1566-1648)." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/6902.

Full text

Abstract:

This thesis examines the Italian news reports, political debates and histories of the revolt in the Netherlands between 1566 and 1648. Many Italians were directly involved in this conflict and were keen narrators of these wars. Despite this, a systematic study of the Italian interest for the conflict has not yet been undertaken. This thesis argues that the complex political constellation of the Italian peninsula, dominated by the Habsburg monarchy, shaped the Italian news, debates and interpretations of the Dutch Revolt. Chapter one examines the different ways in which news from the Low Countr

APA, Harvard, Vancouver, ISO, and other styles

21

Oliveira, Francisco Isaac Dantas de. "O mundo criado pelas imagens: paisagens e espa?os coloniais na obra do holand?s Frans Post." Universidade Federal do Rio Grande do Norte, 2013. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16976.

Full text

Abstract:

Made available in DSpace on 2014-12-17T15:25:20Z (GMT). No. of bitstreams: 1 FranciscoIDO_DISSERT.pdf: 5166418 bytes, checksum: 5076fd689d41c7748dc2119fe45eff5b (MD5) Previous issue date: 2013-08-30<br>The aims of this dissertation is to study formation of the Dutch view seeing the colonial scenery in screens by Frans Post, as well as, to perceive a colonial world constitution through landscape paintings by him with his natural and human representation. The artist was the first to portray South American views, after he landed in Pernambuco with retinue of Dutch governor of colony, John Mau

APA, Harvard, Vancouver, ISO, and other styles

22

Litwinowicz, Michel. "Rome et Naples, deux écoles de nature morte au XVIIe siècle et leurs échanges." Thesis, Paris Sciences et Lettres (ComUE), 2017. http://www.theses.fr/2017PSLEP034/document.

Full text

Abstract:

L’école romaine et l’école napolitaine de nature morte comptent au XVIIe siècle parmi les plus importantes dans la peinture européenne. Pendant tout le Seicento, elles sont restées étroitement liées, en multipliant les tableaux de fleurs, fruits, légumes, poissons, gibiers, sous-bois.... La thèse étudie l’évolution de ce genre à Rome et à Naples et les resitue dans le vaste tissu des échanges culturels et stylistiques entre ces deux capitales. Elle analyse la place de la nature morte dans le marché de l’art (circulation, marchands, prix, estimations) et dans les collections. Le goût de mécènes

APA, Harvard, Vancouver, ISO, and other styles

23

Bucken, Véronique J. "Joos Van Winghe (1542/4-1603), peintre à Bruxelles, en Italie et à Francfort." Doctoral thesis, Universite Libre de Bruxelles, 1991. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212988.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Barr, Kara Elizabeth. "“In Search of Truth Alone”: John Locke’s Exile in Holland." Walsh University Honors Theses / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=walshhonors1240525958.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Ameille, Brice. "L’impressionnisme et la peinture ancienne : Itinéraire d’une avant-garde face à la tradition." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040088.

Full text

Abstract:

Encore souvent perçu comme une véritable révolution esthétique, l’impressionnisme fait depuis quelques années l’objet d’une importante recontextualisation visant à remettre en question cette vision. Sans dénier au mouvement ses apports novateurs, cette thèse étudie la relation de ses membres avec la tradition picturale. S’appuyant sur un important corpus de textes critiques, de revues spécialisées et de catalogues d’exposition de l’époque, ainsi que sur de très nombreuses comparaisons iconographiques étayées, elle dégage quatre grandes sources d’inspiration : le XVIe siècle vénitien, le XVIIe

APA, Harvard, Vancouver, ISO, and other styles

26

Eftekharian, Sâyeh. "Le rayonnement international des gravures flamandes aux XVIe et XVIIe siècles: les peintures murales des églises Sainte-Bethléem et Saint-Sauveur à la Nouvelle-Djoulfa, Ispahan." Doctoral thesis, Universite Libre de Bruxelles, 2006. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210802.

Full text

Abstract:

L’auteur inventorie les sources iconographiques de la plupart des quelque 250 peintures de l’église Sainte-Bethléem et de la cathédrale Saint-Sauveur de la cité arménienne de la Nouvelle-Djoulfa, dans les faubourgs d’Ispahan. Elle établit que ces sources, contrairement à la thèse qui faisait autorité depuis plus de cinquante ans, ne sont pas des xylographies du graveur Christoffel Van Sichem, mais des estampes de la Bible de Natalis, ouvrage jésuite publié pour la première fois à Anvers en 1593.<p><p>L’auteur démontre qu’il existe également une autre source, à savoir l’album Thesaurus veteris

APA, Harvard, Vancouver, ISO, and other styles

27

Dewaël, Stéphanie. "Splendeur, décadence et rémission : la représentation du Fils Prodigue dans la peinture et les arts graphiques à Anvers (1520-1650)." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040109.

Full text

Abstract:

Alors que la parabole du Fils Prodigue fut un support aux vives controverses religieuses du XVIe siècle qui touchèrent Anvers, les productions artistiques (peintures, gravures, dessins) restituèrent une image plus consensuelle de cette histoire. Au lieu de matérialiser les nombreuses exégèses théologiques (contradictoires) sur le message du Christ, les artistes préférèrent puiser dans la culture profane (comme les pièces de théâtre) et mettre l’accent sur la scène de la dissipation avec les courtisanes ou insister sur des détails triviaux.Cette thèse étudie les nombreuses raisons qui les ont c

APA, Harvard, Vancouver, ISO, and other styles

28

Salvi, Claudia. "Jean-Baptiste Monnoyer (Lille 1636 – Londres 1699) : peindre des fleurs et des fruits à l’âge classique." Thesis, Aix-Marseille, 2016. http://www.theses.fr/2016AIXM3068.

Full text

Abstract:

A partir de l'élaboration du catalogue de son oeuvre (tableaux de chevalet et peintures décoratives), cette thèse étudie et ré-évalue la place de Jean-Baptiste Monnoyer dans la France du Grand Siècle. L'étude des oeuvres de ses collaborateurs et contemporains permet de préciser l'originalité de sa personnalité artistique et de définir sa place dans le développement de la peinture de nature morte en France au XVIIe siècle. Né à Lille, Monnoyer arrive tôt à Paris, où il ajoute à son expérience de la nature morte nordique l'influence des peintres français de la vie silencieuse. Il inscrit aussi s

APA, Harvard, Vancouver, ISO, and other styles

29

Delvingt, Anne. "Gérard Seghers, 1591-1651, et le caravagisme européen: entre les anciens Pays-Bas, l'Italie et l'Espagne." Doctoral thesis, Universite Libre de Bruxelles, 2009. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210326.

Full text

Abstract:

Nous envisageons particulièrement la période caravagesque du peintre anversois Gérard Seghers (1591-1651) qui est la plus riche et la plus commentée dans son oeuvre. Nous ajoutons des tableaux caravagesques et nous en retirons d'autres du catalogue raisonné de l'artiste publié par Dorothea Bieneck en 1992. Nous traitons ainsi des thématiques caravagesques importantes du Reniement de saint Pierre et de la Crucifixion de saint Pierre mais aussi du thème plus commun mais très populaire, de la Sainte Famille. Nous étudions également les rapports entre l'oeuvre de Seghers et celle des peintres cara

APA, Harvard, Vancouver, ISO, and other styles

30

Thomas, Romain. "La fiancée hollandaise. : images du mariage et usages sociaux, religieux et politiques de la symbolique matrimoniale dans les Provinces-Unies au XVIIe siècle." Thesis, Lyon 2, 2012. http://www.theses.fr/2012LYO20094.

Full text

Abstract:

Société ”iconique” par excellence, les Provinces-Unies au XVIIe siècle sont un espace où la représentation graphique envahit le quotidien. Parallèlement, le mariage est une institution au cœur d’un processus de réhabilitation et de cristallisation confessionnelle de dispositions dogmatiques et disciplinaires. Il constitue en outre une expérience anthropologique fondamentale, dont chacun fait l’expérience, comme acteur ou spectateur. Dans cette perspective, les images du mariage innervent toute la culture visuelle de la société néerlandaise et sont au croisement d’enjeux sociaux, religieux et p

APA, Harvard, Vancouver, ISO, and other styles

31

Sprang, Sabine van. "Entre réalité et fiction: les festivités du Papegai en 1615 à Bruxelles de Denijs Van Alsloot (1568? - 1625/1626) et de son collaborateur Antoon Sallaert (1594-1650) :Analyse et mise en contexte d'une suite de tableaux commandés par les archiducs Albert et Isabelle." Doctoral thesis, Universite Libre de Bruxelles, 2006. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210886.

Full text

Abstract:

La thèse a pour objet l'étude approfondie d'une série de huit tableaux monumentaux intitulée "Les Festivités du papegai en 1615 à Bruxelles". Exceptionnelle par le type de sujet et par le format, cette série fut commandée par les archiducs Albert et Isabelle (1598-1621) à leur peintre Denijs van Alsloot (1568 ?-1625/26) afin de célébrer la victoire de l'infante au tir de l'oiseau de bois (le "papegai") du Grand Serment des arbalétriers à Bruxelles. Elle est aujourd’hui incomplète, mais la confrontation des sources écrites avec les tableaux subsistants (en ce compris quelques répliques et varia

APA, Harvard, Vancouver, ISO, and other styles

32

Schneider, Marlen. "„Belle comme Vénus‟ : das portrait historié zwischen Grand Siècle und Zeitalter der Aufklärung." Thesis, Lyon 2, 2015. http://www.theses.fr/2015LYO20031.

Full text

Abstract:

Très apprécié et répandu pendant la deuxième moitié du XVIIe siècle et les premières décennies du XVIIIe, le portrait historié fut un phénomène caractéristique de la société de cour, révélateur des pratiques artistiques et culturelles de ce milieu. Partout en Europe et surtout en France, l’élite sociale se faisait peindre en costume de fantaisie mythologique ou historique par des peintres célèbres tels que Nicolas de Largillierre, Pierre Gobert, François de Troy, Jean-Marc Nattier ou Jean Raoux. Figurant encore parmi les desiderata de l’histoire de l’art, l’étude scientifique exhaustive du por

APA, Harvard, Vancouver, ISO, and other styles

33

Scheu, Julia. "Ut pictura philosophia." Doctoral thesis, Humboldt-Universität zu Berlin, Kultur-, Sozial- und Bildungswissenschaftliche Fakultät, 2017. http://dx.doi.org/10.18452/17801.

Full text

Abstract:

Die Untersuchung widmet sich der visuellen Thematisierung autoreferentieller Fragestellungen zur Genese sowie den Grundlagen und Zielen von Malerei in der italienischen Druckgraphik des ausgehenden 16. und 17. Jahrhunderts. Erstmals wird diese bildliche Auseinandersetzung mit abstrakten kunsttheoretischen Inhalten zum zentralen Untersuchungsgegenstand erklärt und anhand von vier hinsichtlich ihrer ikonographischen Dichte herausragenden druckgraphischen Beispielen - Federico Zuccaris Lamento della pittura, Pietro Testas Liceo della pittura, Salvator Rosas Genio di Salvator Rosa und Carlo Maratt

APA, Harvard, Vancouver, ISO, and other styles

34

LeZotte, Annette Marie. "Signature spaces and signature objects in early Netherlandish paintings of domestic interiors." Thesis, 2004. http://hdl.handle.net/2152/1354.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Giannino, Denise Bloom James J. "Gerrit Dou seventeenth-century artistic identity and modes of self-referentiality in self-portraiture and scenes of everyday of life /." 2006. http://etd.lib.fsu.edu/theses/available/etd-07102006-143732.

Full text

Abstract:

Thesis (M.A.)--Florida State University, 2006.<br>Advisor: James J. Bloom, Florida State University, College of Visual Arts, Theatre and Dance, Dept. of Art History. Title and description from dissertation home page (viewed Sept. 26, 2006). Document formatted into pages; contains viii, 79 pages. Includes bibliographical references.

APA, Harvard, Vancouver, ISO, and other styles

36

Finkel, JANA. "GERRIT DOU’S VIOLIN PLAYER: MUSIC AND PAINTING IN THE ARTIST’S STUDIO IN SEVENTEENTH-CENTURY DUTCH GENRE PAINTING." Thesis, 2008. http://hdl.handle.net/1974/1480.

Full text

Abstract:

This study is an examination of Gerrit Dou’s Violin Player (1653, Liechtenstein, Vaduz Castle, Princely Collection). The painting is a visual testimony to Dou’s manual skills and trompe l’oeil manner of painting in his own innovative fijnschilder painting style. The composition incorporates and reinvents devices from a variety of sources from portraiture, genre painting, and emblem literature, such as the arched niche window framing the violinist. The work demonstrates the connection between music and painting in the relationship between the violinist and the background setting of an artist’s

APA, Harvard, Vancouver, ISO, and other styles

37

Levy, Janey L. "The Last Judgement in early Netherlandish painting faith, authority, and charity in the fifteenth century /." 1988. http://catalog.hathitrust.org/api/volumes/oclc/67904482.html.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Adams, Ann Jensen. "The paintings of Thomas De Keyser (1596/7-1667) a study of portraiture in seventeenth-century Amsterdam /." 1985. http://catalog.hathitrust.org/api/volumes/oclc/14086062.html.

Full text

Abstract:

Thesis (Ph. D.)--Harvard University, 1985.<br>Vol. 3, consists of a catalogue raisonne of the works of the artist. Typescript (photocopy). Ann Arbor, Mich. : University Microfilms International, 1986. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (v. 2, leaves 533-606).

APA, Harvard, Vancouver, ISO, and other styles

39

Fitchett, Rowallan Hugh. "Early architecture at the Cape under the VOC (1652-1710) : the characteristics and influence of the proto-Cape Dutch period." Thesis, 1996. http://hdl.handle.net/10539/23037.

Full text

Abstract:

A thesis submitted to the Faculty of Architecture, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements for the degree of Doctor of Philosophy Johannesburg, 1996<br>This thesis is set within the historical context of the commercial empire of the VOC (Dutch East India Company), which established a refreshment post for its ships at the Cape of Good Hope, South Africa, in 1652. The central proposition of the thesis is that the architectural principles established at the Cape between 1652 and 1710 had a greater influence on subsequent developments than has previo

APA, Harvard, Vancouver, ISO, and other styles

40

Paul, Tanya. ""Beschildert met een Glans" : Willem van Aelst and artistic self-consciousness in seventeenth-century Dutch still life painting /." 2008. http://wwwlib.umi.com/dissertations/fullcit/3312159.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Li-WuWang and 王立武. "on the Space Planning of Dutch Colonial Cities in East Asia during 17th Century - a Comparative Study between Batavia and Zeelandia." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/23914420328601712735.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Ueda, Kaoru. "An archaeological investigation of hybridization in Bantenese and Dutch colonial encounters: food and foodways in the Sultanate of Banten, Java, 17th to early 19th century." Thesis, 2015. https://hdl.handle.net/2144/15177.

Full text

Abstract:

The constant mutability of cultures as they meet and mix provides an ongoing laboratory in which to explore human dynamics. In this dissertation, I analyze the process and results of one indigenous-colonial encounter in Dutch Indonesia, using archaeological evidence from Banten, Java that illuminates interactions between Bantenese elites and Dutch East India Company (VOC) soldiers in the 17th to early 19th century. Banten, a global trade center and the focal point of Dutch expansion in Asia, had a cosmopolitan and multinational society of long standing, already apparent when the Dutch arrived

APA, Harvard, Vancouver, ISO, and other styles

43

Haute, Bernadette van. "David III Ryckaert : a seventeenth-century Flemish painter." Thesis, 1996. http://hdl.handle.net/10500/16916.

Full text

Abstract:

This thesis in two volumes is a study of the paintings of David ill Ryckaert (1612- 1661 ). Ryckaert grew up in a family of artists, and painted within a close community of fellow artists. According to several twentieth-century critics, Ryckaert was no more than a minor imitator of other Flemish painters. Underlying such relegation of Ryckaert is an uncritical and distinctly Modernist glorification of originality, or merely novelty. The chief argument of this thesis is that a careful reconstruction of the socio-cultural circumstances ofRyckaert's work calls into question the destructive

APA, Harvard, Vancouver, ISO, and other styles

44

Ricci, Rosa. "Religious Nonconformity and cultural Dynamics: The Case of the Dutch Collegiants." Doctoral thesis, 2013. https://ul.qucosa.de/id/qucosa%3A13255.

Full text

Abstract:

Rosa Ricci Summary of the PHD Dissertation: Religious Nonconformity and cultural Dynamics: The Case of the Dutch Collegiants There is ample reason to engage in research around the Collegiants, a minority religious movement in the Netherlands of the 17th century. An exploration of this topic can be interesting not only for a contribution to the history of Religion but also to understand the development of some central concept in the early modernity. Prominent, in this research, is the question that initially stirred my personal interest in the Collegiantism; i.e. to define and understand the

APA, Harvard, Vancouver, ISO, and other styles

45

Toffah, Tariq. "The shaping and picturing of the `Cape' and the `other(s)' : representation of the colony, its indigenous inhabitants and Islam during the Dutch and British colonial periods at the Cape (17th-19th centuries)." Thesis, 2014.

Find full text

Abstract:

Th e Dutch (VOC) trading empire of the seventeenth and eighteenth centuries brought with it to South Africa not only the world of powerful merchant capitalism, but it would also construct a new imaginative geography and order of the land to that which had been known by its ancient inhabitants, wherein the very idea of the land would be rewritten. Many aspects of this new geography would be refl ected in representation during VOC rule in the Cape colony, in its maps, pictures and drawings. Within this picturing of the land, the rival indigenous presence as well as the colony’s non-settl

APA, Harvard, Vancouver, ISO, and other styles

46

"松江畫派與及周邊地區藝術活動關係之研究". Thesis, 2007. http://library.cuhk.edu.hk/record=b6074167.

Full text

Abstract:

This thesis looks into the development of Songjiang School in the context of mutual interaction and networking among painters. It focuses on two phenomena. Firstly, it studies the interaction between Songjiang School painters and artists from various Jiangnan art centres. Secondly, it explores the artistic genealogy within the Songjiang School. It investigates the activities of individual Songjian School painters in particular, and the rise and decline of the entire Songjiang School in general.<br>Under the famous master literati Dong Qichang, Songjiang School painters broke new path in landsc

APA, Harvard, Vancouver, ISO, and other styles

47

Hamrlová, Anna. "Nástěnná malba v městském prostředí 16. a počátku 17. století na pomezí Čech a Moravy." Doctoral thesis, 2019. http://www.nusl.cz/ntk/nusl-416131.

Full text

Abstract:

Mural paintings in the urban environment in 16th and beginning of 17th century has been rather an ignored topic, however its artistic interpretation and iconographic concept says a lot about the life of residents during Renaissance. The art phenomenon in this work was studied on the borderland between Bohemia and Moravia, currently the place of Havlíčkův Brod, Pelhřimov and Jihlava districts. At the same time, this division facilitated systematic research and listing of surviving paintings. First, the study focuses on the summary of a colourful historical situation in the given place and relig

APA, Harvard, Vancouver, ISO, and other styles

48

Lorencová, Veronika. "Špitál sv. Alžběty na Pohořelci. Dochované oltářní obrazy ze špitální kaple." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-358120.

Full text

Abstract:

Saint Elizabeth's spital in Pohořelec The extant altarpieces of the spital's chapel Abstract This thesis deals with the Saint Elizabeth's spital in Pohořelec near the monastery of Premonstratensians in Strahov. This spital was founded by the abbot Kaspar Questenberg and was located in the western part of Pohořelec. However, the original building wasn't preserved, because it had to yield to Prague's fortification in the 60's of the 17th century. Under the abbot Vincenc Makarius Frank the new spital was constructed. There was the chapel dedicated to the patron St. Elisabeth, which was mentioned

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!