Academic literature on the topic 'Patriarchy deconstruction'

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Journal articles on the topic "Patriarchy deconstruction"

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Rohmatin, Fatkhu. "Dekonstruksi Wacana Patriarki dan Kebungkaman Perempuan dalam Manuskrip Hikayat Darma Tasiyah." Jumantara: Jurnal Manuskrip Nusantara 10, no. 2 (2019): 149. http://dx.doi.org/10.37014/jumantara.v10i2.598.

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In the old tradition of Nusantara literature, in this case Malay and Javanese, often represented a model of society that adhered to a patriarchal system. This system puts women at the subordinate level, under the domination of men. This phenomenon was also represented in one of the manuscripts of the National Library of the Republic of Indonesia collection entitled 'Hikayat Darma Tasiyah' with the script code W 124B. This study aims to deconstruct the point of view of reading the script using Derrida's deconstruction approach model, in order to obtain a new meaning which is binary in oppositio
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Batubara, Surya Sagiro, Burhan Nurgiyantoro, and Widyastuti Purbani. "Deconstruction Analysis for Children Literature: Investigating Patriarchy in Indonesian Folktales." International Journal of Membrane Science and Technology 10, no. 2 (2023): 385–94. http://dx.doi.org/10.15379/ijmst.v10i2.1210.

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This study aims to investigate the dominant issues of patriarchy in Indonesian folktales by utilizing Derrida's deconstruction concept. Five folktales chosen as objects of the study, and data collection did by document analysis. The findings then analyzed qualitatively by applying Derrida’ deconstruction concept as proposed by Barry that involves verbal, textual, and linguistic analysis to investigate the existence of patriarchy issues in the objects of the study. The results show that dominant patriarchal issues found in the folktales describe about labeling for women, violence against women,
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Suciati, Endang. "Dekonstruksi patriarki khaled hosseini dalam novel a thousand splendid suns." Diglossia: Jurnal Kajian Ilmiah Kebahasaan dan Kesusastraan 9, no. 1 (2017): 1. http://dx.doi.org/10.26594/diglossia.v9i1.965.

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Endang SuciatiUniversitas Pesantren Tinggi Darul Ulum Jombangendangsuciati@fbs.unipdu.ac.id AbstractThe culture of patriarchy can be found in many quotations in A Thousand Splendid Suns novel. This kind of culture seems to dominate the woman. It can be seen that woman is considered weak. On the other hand, this novel also depicts the strength of woman that woman has braveness to fight againt and to control the man. Thus, the problem is about how this cultural of patriarchy is indeed deconstructed by this novel. This novel was analyzed using the concept of patriarchy by Kate Millet and deconstr
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Francis, Tiambei. "(De) Constructing Patriarchal and Sexist Discourses: Re-Reading Toni Morrison's The Bluest Eye and Sula." International Journal of Social Science and Human Research 05, no. 05 (2022): 1568–78. https://doi.org/10.5281/zenodo.6513832.

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Patriarchal and sexist discourses have come under scorching attacks from most feminist writers since the advent of modern feminism. This work analyses Toni Morrison’s attempt at deconstructing patriarchal and sexist discourses in The Bluest Eye and Sula. It adds its voice to the ever vibrant conversation on the issue of patriarchy and sexism especially as portrayed in the works of African American female writers who see their stories as twice-told tales - victims of both racism and patriarchal dominance. Tony Morrison challenges patriarchal and sexist values which she sees as monolithic
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Arrey-Ngang, Taku Catherine. "The Changing Perception of the African Woman towards Patriarchy and Masculinity." International Journal of Scientific Research and Management 8, no. 07 (2020): 1489–97. http://dx.doi.org/10.18535/ijsrm/v8i07.el04.

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Patriarchy is a social structure in which men are the primary holders of power, and are preponderate in roles of local authority, political leadership, economic power and control of property. Several African literary productions focus on the suffering of women in such patriarchal setup with men being very domineering and women oppressed; the man is always at the helm with the woman being the silent observer. In most cases, property and family name are passed down within the male line of inheritance. Basically, men are in charge. This article however exposes the changing awareness of today’s Af
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Sanka, Confidence Gbolo, Peter Arthur, and Samuelis Gracious Abla. "Deconstructing Feminist Positions in Unigwe’s “Possessing The Secret Of Joy” and Aidoo’s “The Girl Who Can”." Journal of Language and Literature 21, no. 2 (2021): 228–41. http://dx.doi.org/10.24071/joll.v21i2.2971.

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For many years, African women have been blaming men for the inferior position of the female gender in African societies. In this blame game, the patriarchal and cultural stipulations of societies are not left out since they present the male gender as superior. This observation is emphasised by the myriads of texts on feminism which largely present discourses that highlight the roles of the male gender and patriarchy in perpetuating female otherness. In doing so, the females are portrayed as mere victims who do not play any active roles in this ordeal and are therefore exonerated from blame. Th
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Wiyatmi, Wiyatmi, Maman Suryaman, and Esti Swatika Sari. "DEKONSTRUKSI TERHADAP KUASA PATRIARKI ATAS ALAM, LINGKUNGAN HIDUP, DAN PEREMPUAN DALAM NOVEL-NOVEL KARYA AYU UTAMI." LITERA 15, no. 2 (2016): 281–91. http://dx.doi.org/10.21831/ltr.v15i2.11829.

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DEKONSTRUKSI TERHADAP KUASA PATRIARKIATAS ALAM, LINGKUNGAN HIDUP, DAN PEREMPUANDALAM NOVEL-NOVEL KARYA AYU UTAMIWiyatmi, Maman Suryaman, dan Esti SwatikasariFBS Universitas Negeri Yogyakartaemail: wiyatmi@uny.ac.idAbstrakPenelitian ini bertujuan mendeskripsikan strategi dekonstruksi terhadap kuasapatriarki atas alam, lingkungan hidup, dan perempuan dalam novel-novel Ayu Utami.Penelitian ini menggunakan aliran pemikiran ekofeminisme. Sumber data adalah tiganovel karya Ayu Utami, yaitu Bilangan Fu, Manjali dan Cakrabirawa, dan Maya. Hasilpenelitian sebagai berikut. Pertama, ketiga novel tersebut
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SAGNA, Dr Moussa, and Astou SAGNA. "À l’épreuve du patriarcat : le corps féminin comme facteur de réorientation des codes sociaux dans La nuit est tombée sur Dakar d’Aminata Zaaria et Des fourmis dans la bouche de Kadi Hane." Afrosciences Antiquity Sunu Xalaat 1, no. 4 (2024): 311–25. http://dx.doi.org/10.61585/pud-asasx-v1n420.

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Abstract. If the age-old problem of the status of African women is still a subject for reflection in the third millennium, it is because male hegemony has still not yielded to the weight of the many struggles for equality that have been waged since the 1970s. Victims of a social configuration that keeps them in a position of subalternity, African women are subjected to patriarchal domination that denies them any autonomy. In French-language black African novels, this balance of power has been represented in a number of ways. While some women resign themselves to, or even indulge in, their reif
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Taufiq, Ahmad, Ashadi Ashadi, and Yeni Artanti. "Patriarchal Deconstruction in the song “Sit Still Look Pretty” by Daya." Journal of Language and Literature 25, no. 1 (2025): 250–62. https://doi.org/10.24071/joll.v25i1.10669.

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Music plays a key role in shaping culture, reflecting societal norms, and serving as a tool for critique. This study examines how Sit Still, Look Pretty by Daya challenges traditional gender roles using Derrida’s deconstruction theory, which questions binary oppositions and redefines female autonomy. By analyzing the song’s lyrics and themes, this research explores how popular music can dismantle patriarchal norms and provide a more inclusive understanding of gender and identity. Using a qualitative approach and Derrida’s concepts of différance and binary opposition, the study reveals how the
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Jajja, Muhammad Ayub. "Unmasking the Alternative Micro Feminist Narratives in Anna Karenina: A Postmodernist-Deconstructive Perspective." Global Social Sciences Review IV, no. IV (2019): 31–37. http://dx.doi.org/10.31703/gssr.2019(iv-iv).05.

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The present study means to investigate Anna Karenina by Leo Tolstoy in the light of eclectic theoretical framework consisting of Feminism, Postmodernism, and Deconstruction. The overt dominant patriarchal metanarrative is to be shown as problematized by the existence of the alternative micro feminist narrative stands. These alternative strands challenge and subvert the absolutist patriarchal narrative. The transcendental position of patriarchy as an absolute stands deconstructed by the play of alternative micro-narrative strands of feminist resistance. The study also means to show that subject
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Dissertations / Theses on the topic "Patriarchy deconstruction"

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Hartman, Erica. "Narrating the War on Terror: Reproducing the Patriarchy through Securitization and Discipline of Female Bodies." Ohio University Art and Sciences Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ouashonors1556290142380571.

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Philaretou, Andreas Georgiou. "An Analysis of Masculine Socialization and Male Sexual Anxiety." Diss., Virginia Tech, 2001. http://hdl.handle.net/10919/30030.

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This study uses autobiographical reflection to investigate the negative impact of essentialist masculine gender socialization on men's lives. In particular, I use personal recollective accounts both from my early childhood socialization-in the traditional Greek-Cypriot culture of the 1970s and 80s-and from my own introspections and analytical conceptualizations concerning intimate relationships in general. I analyze these accounts by using a feminist postmodern ideology of gender deconstruction and reconstruction. Men oftentimes fall victims of patriarchal masculine scripting by suppressing
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Jencik, Alicia. "Deconstructing Gender in New Orleans: The Impact of Patriarchy and Social Vulnerability Before and After a Natural Disaster." ScholarWorks@UNO, 2010. http://scholarworks.uno.edu/td/1136.

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On August 29th, 2005, Hurricane Katrina made landfall near New Orleans, LA, causing catastrophic damage to the metropolitan area. The hurricane also exposed many of the racial, ethnic, and class-based vulnerabilities experienced by many New Orleanians. However, as is typically the case, gender was ignored in most media accounts in the aftermath of the disaster. This project examines the gendered dimensions of the disaster experience using New Orleans and Hurricane Katrina as a case study. Evidence from University of New Orleans Survey Research data indicates various gender differences from the
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黃逸卿. "Mystique of Feminine ‘Advantage’ in Workplace and Its Deconstruction─Collusion or Conflict between Patriarchy and Capitalism." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/71854457914735850567.

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碩士<br>國立政治大學<br>社會學系<br>90<br>This article discusses about female’s “advantage” in workplace, which is a myth and has traps, given the patriarchal and capitalist society. Socialist feminism and gender organization theory provide theoretical insights to this discussion. In author’s opinion, all the saying about female’s advantage in workplace is falsely misleading; the truth is that women face more disadvantages than advantages in the labor market. And all those popularly regarded advantages are in fact traps against women’s long-term career development and working benefits. If the myths of
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"Building Up and Taking Down: A Critical Design Pedagogy for the Deconstruction of the White Supremacist Imperiality Patriarchy." Tulane University, 2017.

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Architecture is the embodiment and concretization of the structures of freedom, domination, capitalism, democracy, and other institutions that have an effect on people (West, 1997). Among these institutions is the construct of race. Race is a classification system derived from the color of human skin, with economic and symbolic value attached relative to skin color on a continuum from ÔdarkÕ to ÔlightÕ. This system was invented by Europeans in order to justify their enslavement of Africans. Within the Euro-American race construct, Black and other ÔcoloredÕ bodies are ÔracedÕ, whereas White bod
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Du, Plessis Aletta Catharina. ""Between the walls of Jasper, in the streets of gold" : the deconstruction of Afrikaner mythology in Marlene van Niekerk's triomf." Diss., 2009. http://hdl.handle.net/10500/2638.

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Triomf explores the distortion of the national Afrikaner identity as a result of apartheid. This dissertation aims to demonstrate how van Niekerk deconstructs the Afrikaner through myths, stories, symbols, intertextuality and Derridean deconstruction. The Benades represent the Afrikaner on three levels: the personal, the national and the primordial. Since the Benades are primordial, Van Niekerk is able to use the archetypes of Jung’s collective unconscious to deconstruct the archetypal mythological structures Afrikaner nationalists used to develop identity and unity. The archetypes decon
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Matsumunyane, Eliza Matsela. "Feminist pastoral care approach in deconstructing the effects of patriarchy on Basotho women's identities experiencing domestic violence in marital relations." Diss., 2014. http://hdl.handle.net/10500/18849.

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The study is concerned with deconstructing the effects of patriarchal discourses on the identities of women experiencing domestic violence in marital relationships. It is explored within a feminist pastoral care framework within the Basotho culture. This is seen through the lens of Basotho culture and the Christian church as understood in an emerging postmodern culture. The study explores and deconstructs patriarchal beliefs around the identities of Basotho women experiencing domestic violence in marital relationships through discursive conversations. This study has sought to benefit any Mos
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Choles, Aiden Grant. "Re-inventing the caveman : narrative discussions on maleness." Diss., 2004. http://hdl.handle.net/10500/1885.

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The state of Maleness has received much attention in academic and public discourse of late. One such instance is the play Defending the Caveman, which depicts men in their ”natural” settings as Cavemen, thereby justifying Caveman-like behaviour. On the other hand, much writing exists that find men culpable of discrimination, violence and abuse towards others. Discourses like these have real effects on the ways in which men choose and act on their Maleness. Six men engaged in narrative therapeutic discussions in an attempt to share their stories of Maleness, to discuss how society constructs m
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Muchimba, Felix. "Raising gender consciousness among students in a Bible college." Diss., 2004. http://hdl.handle.net/10500/1901.

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WOLFE, JUDY LOUISE. "ANTI-PATRIARCHAL STRATEGIES IN THE MAJOR WORKS OF DJUNA BARNES (FEMINIST, DECONSTRUCTIVE)." Thesis, 1985. http://hdl.handle.net/1911/15944.

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Djuna Barnes wrote when phallocentric assumptions constituted the unquestioned values of Western culture. Yet in Ryder, Nightwood, and The Antiphon, Barnes challenged and subverted the phallocentric values of the patriarchal society by deconstructing the binary oppositions fundamental to the patriarchy. Western thought is predicated upon binary oppositions in which a primary term is viewed as positive and a secondary term is viewed as negative. In her three major works, Ryder, Nightwood, and The Antiphon, Barnes presents several such sets of opposition, male/female, human/animal, heterosexual/
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Books on the topic "Patriarchy deconstruction"

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Barnes, Alexander. The book read backwards: The deconstruction of patriarchy and the wombanization of being. University Press of America, 2000.

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Schragel, Jeff S. Blurring boundaries: Deconstruction of patriarchal ideology in Mary Gordon's The shadow man : a thesis in English. 2004.

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Men in the public eye: The construction and deconstruction of public men and public patriarchies. Routledge, 1992.

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Trutnau, John-Paul. A One-Man Show? The Construction and Deconstruction of a Patriarchal Image in the Reagan Era: Reading the Audio-Visual Poetics of Miami Vice. Trafford Publishing, 2005.

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Harel-Shalev, Ayelet, and Shir Daphna-Tekoah. Breaking the Binaries in Security Studies. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190072582.001.0001.

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The book focuses on the study of women combat soldiers in the fields of Security Studies and International Relations. It addresses this issue by bringing the soldiers’ voices and silences to the forefront of research in these domains and by presenting the women soldiers as narrators. The book introduces a theoretical framework in Critical Security Studies for understanding—by binary deconstructions of the terms used in these fields—the integration of women soldiers into combat and combat-support roles and the challenges they face. The book draws on Feminist IR scholarship and introduces an int
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Book chapters on the topic "Patriarchy deconstruction"

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Dimen, Muriel. "12. INTERRUPTING PATRIARCHY: Toward the Deconstruction of the Father." In Unravelling fatherhood, edited by Trudie Knijn. De Gruyter, 1987. http://dx.doi.org/10.1515/9783111563473-013.

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Gratton, Peter. "Post-Deconstructive Realism." In Speculations IV. punctum books, 2013. https://doi.org/10.21983/p3.0032.1.14.

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Speculative realism began in part as a reaction for-mation against structuralist and post-structuralist approaches in Continental philosophy. Foucaultian archaeologies, Derridean deconstruction, and Iri-garay’s decentering of patriarchal discourses, for example, are said to focus so thoroughly on texts as to have given up on the real altogether. As Gra-ham Harman puts it, “Derrida and Foucault would rather die than call themselves realists.”1 Locked in the prison house of language, Derrida’s work in particular—Foucault and Irigaray at least could be said to investigate very real regimes of pow
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Bermúdez Figueroa, Eva, Valerija Dabetić, Raquel Pastor Yuste, and Zara Saeidzadeh. "Gender and Structural Inequalities from a Socio-Legal Perspective." In Gender-Competent Legal Education. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14360-1_4.

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AbstractThis chapter critically analyses different socio-legal phenomena through a feminist prism on gender. With an aim to promote gender equality, it addresses the problems of structural gender inequalities in both private and public social spheres. Outlining the political, economic and ideological connection between laws and specific social contexts, it uncovers (hidden) effects of social reproduction and construction of gender and sexuality. Deconstructing the gender binary system and provoking a heterosexual matrix, it shows how traditional, patriarchal gender roles determine and establis
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Levinson, Brett. "The Jew or Patriarchy (or Worse)." In The Marrano Specter. Fordham University Press, 2017. http://dx.doi.org/10.5422/fordham/9780823277674.003.0005.

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Numerous scholars claim that theory—in particular, deconstruction—posit the Jew as the human being without specific qualities, hence as the people whose essence is hidden. As such, the Jew incarnates the secret, exemplifying all humanity (the human race, unlike other races, supposedly being without mark). He or she thereby serves to illustrate the nature of racism itself, whose purpose is to control, contain, or eliminate the threat of the unknown. Levinson argues that, despite the fact that many of these critics turn to Derrida and deconstruction for their model, all of Derrida’s late work, i
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Roche, David. "“That’s the Excuse You Guys Use Whenever You Want to Exclude Me from Something”." In Quentin Tarantino. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496819161.003.0004.

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This chapter focuses first on the relation between gender and genre conventions on the general level, then on how the narratives are often based on an assault on patriarchy, third on the linguistic deconstruction of gender effected through the usage of specific words, and finally on how some of the major concerns of feminist film theories are taken into account in the figuration of the body. I argue that deconstructing the material his films are based on enables Tarantino to come to terms with genre films and, more generally, cinema, and, in turn, qualify the theories he engages with. In so do
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Couti, Jacqueline. "Deconstruction of the White Creole Myth." In Sex, Sea, and Self. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859944.003.0005.

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Chapter 4 explores how the Guadeloupean Sully Lara’s Sous l’esclavage clearly sets out to dismantle the narrative of the grandeur of béké (white Creole) culture and patriarchy by depicting the dysfunction of the emblematic Savalon family. Lara offers a rewriting of colonial Guadeloupe during the tumultuous period of the 1848 February Revolution that presents a critical vision of the white Creole oligarchy. Lara grapples with, and also manipulates, colonial archives (narrowly defined). Sous l’esclavage is thus a “historical” novel based on archival research to denounce the white Creole vision o
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Bowen, Barbara. "Aemilia Lanyer and the Invention of White Womanhood." In Maids and Mistresses, Cousins and Queens. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195117349.003.0017.

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Abstract “Woman,” IN THE late-capitalist United States at least, is a racial term. Some of the most powerful work of modern feminism has been devoted to revealing the correlation between race and womanhood that white supremacy must suppress; “all the women are white,” the title of a black feminist collection observed in 1982 (Hull et al.). Eve Sedgwick identifies as one of the two great “heuristic leaps” of feminism the recognition that all forms of oppression, though they are structured differently, “must intersect in complex embodiments” (Sedgwick, 1990, p. 33). Where patriarchy coexists and
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Lamm, Kimberly. "Conclusion." In Addressing the other woman. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526121264.003.0008.

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The conclusion foregrounds the claim that the artists whose artwork is the focus of Addressing the other woman – Adrian Piper, Nancy Spero, and Mary Kelly – deployed texts and images of writing to create an address that calls to viewers and asks them to participate in the project of deconstructing the sign woman. The conclusion also underscores that this artwork not only attests to the attention women artists paid to visual and textual appearance language in the late 1960s and 1970s, but also suggests feminism’s wide and rich historical impact. The writings of Angela Davis, Valerie Solanas, an
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Herring, Susan C. "Computer-Mediated Communication and Woman’s Place." In Language and Woman’s Place. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195167573.003.0016.

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Abstract The world is no longer as it was when Robin Lakoff first published Language and Womans Place (LWP) (1975) nearly thirty years ago. The activist feminism of the 1970s, predicated on the premise of women’s subordination through patriarchal social, political, and economic systems, has been replaced by generations X and Y, pro-sex feminism, antivictim feminism, antifeminist feminism, and the deconstruction of gender as a meaningful category.
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Devlin-Glass, Frances. "The Sovereignty as Co-Lordship: A Contemporary Feminist Rereading of the Female Sacred in the Ulster Cycle." In Feminist Poetics of Sacredtne. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195144680.003.0006.

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Abstract In a postbiblical age, pre-Christian narratives are finding new auditors/readers, among them those interested in a post-Christian theology and spirituality. It is necessary at the outset to distance my approach from others that search for an empowering past and for compensatory woman-centered myths as antidotes for patriarchal ones. Such searches have often taken a separatist, romantic, and nostalgic form and have been marked by serious ahistoricity (Hutton 1991), especially in the hands of New Age reconstructionists of spirituality. My intention is this paper is to offer a gynocritic
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Conference papers on the topic "Patriarchy deconstruction"

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Estrina, Tatiana, Shengnan Gao, Vivian Kinuthia, Sophie Twarog, Liane Werdina, and Gloria Zhou. "ANALYZING INDIGENEITY IN ACADEMIC AND ARCHITECTURAL FRAMEWORKS." In International Conference on Education and New Developments. inScience Press, 2021. http://dx.doi.org/10.36315/2021end091.

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While the Truth and Reconciliation Commission of Canada fosters agency for Indigenous Canadians, this mandate like others, attempts to Indigenize an existing colonial system. The acknowledgement of the Indigenous experience within academic institutions must begin with a deconstruction of educational frameworks that are enforced by pre-existing neo-colonial policies and agendas. The colonial worldview on institutional frameworks is rooted in systemic understandings of property, ownership and hierarchy that are supported by patriarchal policies. These pedagogies do not reflect Indigenous beliefs
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