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Journal articles on the topic 'Patriarchy deconstruction'

Author: Grafiati

Published: 7 June 2025

Last updated: 2 August 2025

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1

Rohmatin, Fatkhu. "Dekonstruksi Wacana Patriarki dan Kebungkaman Perempuan dalam Manuskrip Hikayat Darma Tasiyah." Jumantara: Jurnal Manuskrip Nusantara 10, no. 2 (2019): 149. http://dx.doi.org/10.37014/jumantara.v10i2.598.

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In the old tradition of Nusantara literature, in this case Malay and Javanese, often represented a model of society that adhered to a patriarchal system. This system puts women at the subordinate level, under the domination of men. This phenomenon was also represented in one of the manuscripts of the National Library of the Republic of Indonesia collection entitled 'Hikayat Darma Tasiyah' with the script code W 124B. This study aims to deconstruct the point of view of reading the script using Derrida's deconstruction approach model, in order to obtain a new meaning which is binary in oppositio

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Batubara, Surya Sagiro, Burhan Nurgiyantoro, and Widyastuti Purbani. "Deconstruction Analysis for Children Literature: Investigating Patriarchy in Indonesian Folktales." International Journal of Membrane Science and Technology 10, no. 2 (2023): 385–94. http://dx.doi.org/10.15379/ijmst.v10i2.1210.

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This study aims to investigate the dominant issues of patriarchy in Indonesian folktales by utilizing Derrida's deconstruction concept. Five folktales chosen as objects of the study, and data collection did by document analysis. The findings then analyzed qualitatively by applying Derrida’ deconstruction concept as proposed by Barry that involves verbal, textual, and linguistic analysis to investigate the existence of patriarchy issues in the objects of the study. The results show that dominant patriarchal issues found in the folktales describe about labeling for women, violence against women,

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Suciati, Endang. "Dekonstruksi patriarki khaled hosseini dalam novel a thousand splendid suns." Diglossia: Jurnal Kajian Ilmiah Kebahasaan dan Kesusastraan 9, no. 1 (2017): 1. http://dx.doi.org/10.26594/diglossia.v9i1.965.

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Endang SuciatiUniversitas Pesantren Tinggi Darul Ulum Jombangendangsuciati@fbs.unipdu.ac.id AbstractThe culture of patriarchy can be found in many quotations in A Thousand Splendid Suns novel. This kind of culture seems to dominate the woman. It can be seen that woman is considered weak. On the other hand, this novel also depicts the strength of woman that woman has braveness to fight againt and to control the man. Thus, the problem is about how this cultural of patriarchy is indeed deconstructed by this novel. This novel was analyzed using the concept of patriarchy by Kate Millet and deconstr

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Francis, Tiambei. "(De) Constructing Patriarchal and Sexist Discourses: Re-Reading Toni Morrison's The Bluest Eye and Sula." International Journal of Social Science and Human Research 05, no. 05 (2022): 1568–78. https://doi.org/10.5281/zenodo.6513832.

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Patriarchal and sexist discourses have come under scorching attacks from most feminist writers since the advent of modern feminism. This work analyses Toni Morrison’s attempt at deconstructing patriarchal and sexist discourses in The Bluest Eye and Sula. It adds its voice to the ever vibrant conversation on the issue of patriarchy and sexism especially as portrayed in the works of African American female writers who see their stories as twice-told tales - victims of both racism and patriarchal dominance. Tony Morrison challenges patriarchal and sexist values which she sees as monolithic

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Arrey-Ngang, Taku Catherine. "The Changing Perception of the African Woman towards Patriarchy and Masculinity." International Journal of Scientific Research and Management 8, no. 07 (2020): 1489–97. http://dx.doi.org/10.18535/ijsrm/v8i07.el04.

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Patriarchy is a social structure in which men are the primary holders of power, and are preponderate in roles of local authority, political leadership, economic power and control of property. Several African literary productions focus on the suffering of women in such patriarchal setup with men being very domineering and women oppressed; the man is always at the helm with the woman being the silent observer. In most cases, property and family name are passed down within the male line of inheritance. Basically, men are in charge. This article however exposes the changing awareness of today’s Af

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Sanka, Confidence Gbolo, Peter Arthur, and Samuelis Gracious Abla. "Deconstructing Feminist Positions in Unigwe’s “Possessing The Secret Of Joy” and Aidoo’s “The Girl Who Can”." Journal of Language and Literature 21, no. 2 (2021): 228–41. http://dx.doi.org/10.24071/joll.v21i2.2971.

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For many years, African women have been blaming men for the inferior position of the female gender in African societies. In this blame game, the patriarchal and cultural stipulations of societies are not left out since they present the male gender as superior. This observation is emphasised by the myriads of texts on feminism which largely present discourses that highlight the roles of the male gender and patriarchy in perpetuating female otherness. In doing so, the females are portrayed as mere victims who do not play any active roles in this ordeal and are therefore exonerated from blame. Th

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Wiyatmi, Wiyatmi, Maman Suryaman, and Esti Swatika Sari. "DEKONSTRUKSI TERHADAP KUASA PATRIARKI ATAS ALAM, LINGKUNGAN HIDUP, DAN PEREMPUAN DALAM NOVEL-NOVEL KARYA AYU UTAMI." LITERA 15, no. 2 (2016): 281–91. http://dx.doi.org/10.21831/ltr.v15i2.11829.

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DEKONSTRUKSI TERHADAP KUASA PATRIARKIATAS ALAM, LINGKUNGAN HIDUP, DAN PEREMPUANDALAM NOVEL-NOVEL KARYA AYU UTAMIWiyatmi, Maman Suryaman, dan Esti SwatikasariFBS Universitas Negeri Yogyakartaemail: wiyatmi@uny.ac.idAbstrakPenelitian ini bertujuan mendeskripsikan strategi dekonstruksi terhadap kuasapatriarki atas alam, lingkungan hidup, dan perempuan dalam novel-novel Ayu Utami.Penelitian ini menggunakan aliran pemikiran ekofeminisme. Sumber data adalah tiganovel karya Ayu Utami, yaitu Bilangan Fu, Manjali dan Cakrabirawa, dan Maya. Hasilpenelitian sebagai berikut. Pertama, ketiga novel tersebut

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8

SAGNA, Dr Moussa, and Astou SAGNA. "À l’épreuve du patriarcat : le corps féminin comme facteur de réorientation des codes sociaux dans La nuit est tombée sur Dakar d’Aminata Zaaria et Des fourmis dans la bouche de Kadi Hane." Afrosciences Antiquity Sunu Xalaat 1, no. 4 (2024): 311–25. http://dx.doi.org/10.61585/pud-asasx-v1n420.

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Abstract. If the age-old problem of the status of African women is still a subject for reflection in the third millennium, it is because male hegemony has still not yielded to the weight of the many struggles for equality that have been waged since the 1970s. Victims of a social configuration that keeps them in a position of subalternity, African women are subjected to patriarchal domination that denies them any autonomy. In French-language black African novels, this balance of power has been represented in a number of ways. While some women resign themselves to, or even indulge in, their reif

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Taufiq, Ahmad, Ashadi Ashadi, and Yeni Artanti. "Patriarchal Deconstruction in the song “Sit Still Look Pretty” by Daya." Journal of Language and Literature 25, no. 1 (2025): 250–62. https://doi.org/10.24071/joll.v25i1.10669.

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Music plays a key role in shaping culture, reflecting societal norms, and serving as a tool for critique. This study examines how Sit Still, Look Pretty by Daya challenges traditional gender roles using Derrida’s deconstruction theory, which questions binary oppositions and redefines female autonomy. By analyzing the song’s lyrics and themes, this research explores how popular music can dismantle patriarchal norms and provide a more inclusive understanding of gender and identity. Using a qualitative approach and Derrida’s concepts of différance and binary opposition, the study reveals how the

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Jajja, Muhammad Ayub. "Unmasking the Alternative Micro Feminist Narratives in Anna Karenina: A Postmodernist-Deconstructive Perspective." Global Social Sciences Review IV, no. IV (2019): 31–37. http://dx.doi.org/10.31703/gssr.2019(iv-iv).05.

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The present study means to investigate Anna Karenina by Leo Tolstoy in the light of eclectic theoretical framework consisting of Feminism, Postmodernism, and Deconstruction. The overt dominant patriarchal metanarrative is to be shown as problematized by the existence of the alternative micro feminist narrative stands. These alternative strands challenge and subvert the absolutist patriarchal narrative. The transcendental position of patriarchy as an absolute stands deconstructed by the play of alternative micro-narrative strands of feminist resistance. The study also means to show that subject

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Muhammad, Ayub Jajja. "Unmasking the Alternative Micro Feminist Narratives in Anna Karenina: A Postmodernist-Deconstructive Perspective." Global Social Sciences Review 4, no. 4 (2019): 31–37. https://doi.org/10.5281/zenodo.4387163.

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The present study means to investigate Anna Karenina by Leo Tolstoy in the light of eclectic theoretical framework consisting of Feminism, Postmodernism, and Deconstruction. The overt dominant patriarchal metanarrative is to be shown as problematized by the existence of the alternative micro feminist narrative stands. These alternative strands challenge and subvert the absolutist patriarchal narrative. The transcendental position of patriarchy as an absolute stands deconstructed by the play of alternative micro-narrative strands of feminist resistance. The study also means to show that subject

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Isiorhovoja, Osbert, and Dennis Okoh. "Haustafeln: A Deconstruction Reading of the Household Codes in Ephesians 5: 22-25 for Sustainable Development in Nigerian Context." NIU Journal of Humanities 9, no. 1 (2024): 131–36. http://dx.doi.org/10.58709/niujhu.v9i1.1834.

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The quest for sustainable development has remained a recurring decimal in the history of man. Hence it becomes enigmatic for scholars and the society to admit the Pauline household codes on the verge of global challenges for advancement and technological breakthrough in the society as well. The paper adopts o multidimensional approach in order to heuristically examine the phenomenon. It discovers among other things that the restriction on the family was borne out of fear for the Greco-Roman government since the Jews were under Roman rule. Also, discovers that it is anti-society in outlook as w

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Azevedo, Maria Tereza Costa de. "A FORMAÇÃO EX-CÊNTRICA DE KAMBILI EM HIBISCO ROXO DE CHIMAMANDA NGOZI ADICHIE." Narrares Journal 1, no. 2 (2024): 21. http://dx.doi.org/10.18542/narraresj.v1i2.16503.

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Postmodern aesthetics can be understood by its significant deconstructive content and this is observed in the dilution of artistic and literary standards, especially when issues of race, class, gender, or even nation are highlighted. It is through the deconstruction of paradigms that this research is directed, by analyzing the work of the Nigerian writer Chimamanda Ngozi Adichie entitled Hibisco Roxo (2011) in which she narrates the formation process of the teenager Kambili and the shy resistance cultivated in the girl that in the end points out for their possible emancipation. In this way, we

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Taku, Catherine Arrey-Ngang. "The Changing Perception of the African Woman towards Patriarchy and Masculinity." International Journal of Scientific Research and Management 8, no. 07 (2020): 1563–71. http://dx.doi.org/10.18535/ijsrm/v8i07.el08.

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Patriarchy is a social structure in which men are the primary holders of power, and are preponderate in roles of local authority, political leadership, economic power and control of property. Several African literary productions focus on the suffering of women in such patriarchal setup with men being very domineering and women oppressed; the man is always at the helm with the woman being the silent observer. In most cases, property and family name are passed down within the male line of inheritance. Basically, men are in charge. This article however exposes the changing awareness of today’s Af

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15

Elza, Therese Levin, and Mary Gokila S.George Dr.Selva. "Power Dynamics and Role Reversals of Women: An Experimental Critique of Sandra Cisneros's Caramelo." International Journal of Recent Research in Social Sciences and Humanities 9, no. 4 (2022): 119–21. https://doi.org/10.5281/zenodo.7351211.

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<strong>Abstract:</strong> Sandra Cisneros is an American writer of Mexican origin. Her novels dramatically chronicles her groundbreaking evocation of Mexican American life in Chicago. Cisneros’s <em>Caramelo</em> unveils the life story of three generations of Reyes family caught in the dynamics of power conflicts and how the characters cope up with the stereotypical strands and decenters the notions imposed on them under the pretext of gender. Women were silenced in the patriarchal society from time immemorial. However the situation of a women can change if they resist the dominant grou

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Sanka, Confidence Gbolo, Charity Azumi Issaka, Josephine Adu Abrafi, and Philomena Abaka Yeboah. "Using Dirt to Clean Dirt: Deconstructing The Enigmatic Portrait of Mara in Darko’s Beyond The Horizon." CaLLs (Journal of Culture, Arts, Literature, and Linguistics) 10, no. 1 (2024): 49. http://dx.doi.org/10.30872/calls.v10i1.14630.

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Mara’s travails in Ghana and subsequently Germany, have provided the fertile grounds for critics to draw various labels for the protagonist in Beyond the horizon. To some readers, Mara is a victim who has been exploited through patriarchy; to others, Mara learns from her environment and finally asserts her independence; and to a third group of critics, Mara is complicit in the fate that befalls her. Thus Mara remains an enigma, earning our sympathy or losing it; winning our admiration or courting our disgust depending on which angle we look at her. This paper does an objective analysis of Mara

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Jakimovska, Ilina. "‘If you are a girl, stay at home’ - an ethnographic examination of female social engagement from the rural 19th century to contemporary political protests in Macedonia." Filozofija i drustvo 28, no. 1 (2017): 41–50. http://dx.doi.org/10.2298/fid1701041j.

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Balkan history has been presented, in gender terms, as a history of oppressed women, stark patriarchy and male domination. This narrative has rarely been questioned, its echoes still lingering in the corridors of those disciplines that helped its creation and promotion. Being one of them, ethnology can, and should play a central role in the deconstruction of the role of women in the so-called traditional cultures, thus establishing a potential continuity between their past and their present struggles.

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YI, Qi. "New Urban Women Identity Construction and Rural Patriarchy Deconstruction: An Ethnographic Discourse Analysis of Duànqīn." Language, Discourse & Society 12, no. 2(24) (2024): 107–23. https://doi.org/10.5281/zenodo.14216844.

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 This study delves into the phenomenon of duànqīn (kinship disconnection) among new urban women in China, exploring the social-psychological mechanisms that drive this trend. Through an ethnographic discourse analysis of 89 posts on the social media platform Xiaohongshu, the research uncovers the linguistic representations and social mechanisms that underlie the resistance to traditional gender roles and rural patriarchy. The study employs a mixed-method approach, combining quantitative and qualitative analyses, to identify the core subject of this discourse as educated, mobile wom

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García-Arroyo, Ana. "A Deconstruction of the Mahabharata: When Draupadi Writes Back." Miscelánea: A Journal of English and American Studies 58 (December 16, 2018): 13–29. http://dx.doi.org/10.26754/ojs_misc/mj.20186301.

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From a post-colonial and gender perspective I examine R.K. Narayan’s The Mahabharata (1978), Chitra Banerjee Divakaruni’s The Palace of Illusions (2008) and Mahasweta Devi’s “Draupadi” (1997), in order to analyze how they have rewritten the ancient myth of the Mahabharata. To be more precise, I look into the story of Draupadi, one of the most popular female protagonists, who has become an archetype of the Hindu woman. The ultimate goal is to demonstrate by confronting these narrations that Narayan’s modern prose responds to the dominant Brahmanical discourse that has built up essentialist mode

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Gullickson, Gay L. "Comment on Tilly: Women’s History, Social History, and Deconstruction." Social Science History 13, no. 4 (1989): 463–69. http://dx.doi.org/10.1017/s0145553200020551.

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Louise Tilly’s thoughtful and provocative essay “Gender, Women’s History, and Social History” makes a genuine contribution to our thinking about the research that has been done in women’s history by proposing new categories for analysis and by addressing the current debate over the usefulness of deconstruction as a methodological tool for historians. She demonstrates that we have been engaged in “the study of women in time,” with some success. We have studied women’s occupations, sexuality, personal relationships, marriage choices, family roles, and education. We have examined changes in women

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Frătean, Denisa-Maria. "Faţete Ale Feminităţii În Dramaturgia Blagiană – (De) Limitări." Lucian Blaga Yearbook 21, no. 1-2 (2020): 40–49. http://dx.doi.org/10.2478/clb-2020-0004.

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Abstract The aim of this paper is to identify the way in which Blaga’s feminine characters deconstruct the canon of feminity imposed at the time. This deconstruction is based on the theory of performative gender imposed by Judith Butler, who emphasized the fact that gender is not innate, but rather constructed. In the second part of the essay, in the form of an ecocritical approach, we proved the idea that there is a tight connection between women and nature on the one hand and natural disasters and patriarchy on the other hand.

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Omar, Noritah, Assia Alhasan, Zainor Izat Zainal, and Ida Baizura Bahar. "Subverting the Binary Oppositions concerning Female Agency in Alameddine’s An Unnecessary Woman." Arab World English Journal For Translation and Literary Studies 7, no. 1 (2023): 301–12. http://dx.doi.org/10.24093/awejtls/vol7no1.22.

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This study explores woman’s agency in Alameddine’s fiction, An Unnecessary Woman (2013) concerning the normative state of agency in a communal structure that controls women’s behaviors and wishes set by suppression. The current study uses the deconstruction theory of French post-structuralists Jacques Derrida and Hélène Cixous, taken from a feminist perspective, which undermines gender dichotomies and interrupts “the unquestionable truth” in Western philosophy. In short, Rabih Alameddine’s fiction reveals the misconceptions about – and misrepresentations of – Arab women in contemporary Arab Am

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Rocha, Abdruschin Schaeffer, and Claudete Beise Ulrich. "A dessacralização da violência contra as mulheres no altar do patriarcado: reflexões a partir dos conceitos desejo mimético e bode expiatório em René Girard." REFLEXUS - Revista Semestral de Teologia e Ciências das Religiões 12, no. 19 (2018): 15. http://dx.doi.org/10.20890/reflexus.v12i19.718.

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O presente texto reflete sobre a dessacralização da violência contra as mulheres no altar do patriarcado a partir dos conceitos desejo mimético e bode expiatório, expressos no pensamento de René Girard, na relação entre religião e violência. Ele não tratou, especificamente, em seus textos sobre a violência de gênero. No entanto, os conceitos por ele refletidos sobre desejo mimético e bode expiatório podem ser referenciais para entender a sacralização da violência contra as mulheres na sociedade patriarcal e machista brasileira. Uma forma de superar a perspectiva de bode expiatório, a partir do

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Sutanto, Shienny Megawati. "Dekonstruksi Representasi Perempuan pada Poster Film Pahlawan Super Produksi Hollywood." ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia 6, no. 1 (2020): 1–17. http://dx.doi.org/10.33633/andharupa.v6i1.3234.

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AbstrakDekonstruksi representasi perempuan dalam film, sebagai bentuk ekspresi sosial budaya, merupakan sebuah upaya untuk membongkar tradisi yang didominasi nilai-nilai patriaki baik yang digambarkan secara terang-terangan maupun tersamar. Tujuan dari upaya tersebut untuk memperlihatkan bagaimana hegemoni dari nilai patriarki yang selalu menempatkan perempuan pada posisi marginal, dieksploitasi, dan diobjekkan oleh laki-laki. Beberapa perilaku perempuan dalam film direpresentasikan untuk dikonstruksikan secara normatif oleh masyarakat daripada perilaku lainnya. Representasi perempuan dalam fi

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Abbasov, Huseyn A. "Feminist Foreign Policy and Gender Justice on the International Agenda." RUDN Journal of Political Science 24, no. 1 (2022): 42–52. http://dx.doi.org/10.22363/2313-1438-2022-24-1-42-52.

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The global political elite has developed a pragmatic approach to addressing gender justice issues based on rationality and patriarchy, which hinders the activities of women. There is an urgent need to develop and implement the most efficient, inclusive and emancipatory practices in the light of experience. This article reveals an understanding of the content and meaning of feminist foreign policy in the context of official international content. It assesses the impact of UNSCR 1325 on the development of feminist foreign policy and gender justice. The author concludes that certain fundamental l

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SASHI BHUSHAN. "Reclaiming Voice and Agency through Resistance in Meena Kandasamy's Poetry." Knowledgeable Research: A Multidisciplinary Journal 2, no. 12 (2024): 9–19. http://dx.doi.org/10.57067/b50qgq78.

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One of the leading voices of Indian English Literature, Meena Kandasamy is a candid activist, fierce poet, critically acclaimed novelist, and noteworthy translator of the current era. As a writer, she excels in the stark portrayal and deconstruction of caste and gender-based violence in contemporary Indian society. Her poetry reflects aggressive resistance towards oppressive hierarchy promoted by the champions of casteism and cultural supremacy. With her unique and raw style, she covers the shocking atrocities engineered against underprivileged beings in her poetic collections like Touch and M

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Wosu, Kalu, and Jane Nnamdi. "Rescuing the woman from the Achebean Periphery: The discourse of gender and power in Chinua Achebe’s Things fall apart and Akachi Adimora-Ezeigbo’s The last of the strong ones." Journal of Gender and Power 12, no. 2 (2019): 137–55. http://dx.doi.org/10.14746/jgp.2019.12.008.

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A great majority of African cultures are patriarchal, which is to say that the male members of such societies are responsible for the perpetuation of family/blood lines. Cultural practices such as succession rites, female genital mutilation, hereditary, widowhood rites, polygamy, kinship, etc., aggregate to marginalize African women, thus conferring absolute power on men. The perpetuation of the ruses of patriarchy is also enabled through writing. Since literature is ideologically determined, it is created by/through discourse; writing becomes an avenue through which male writers sustain the s

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Ünlü Çimen, Esra. "Critique of Phonocentrism in Elizabeth Cary’s The Tragedy of Mariam." Cankaya University Journal of Humanities and Social Sciences 18, no. 2 (2024): 369–82. https://doi.org/10.47777/cankujhss.1448751.

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According to Jacques Derrida, phonocentrism, the so-called supremacy of speech over writing, is in a close relationship with logocentrism, which is based upon male language. Phonocentric/logocentric worldview holds agency primarily as a matter of orality in that the spoken word is assumed to be offering a direct course to empowerment. Feminist theorists Hélène Cixous, Luce Irigaray and Julia Kristeva aim to show the inhibitory impacts of logocentric language on women and suggest women should find alternative ways of expression to ward off its effects, which means women should invest in new mod

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Xu, Fangyi. "A Study on the Father Image in Chinese Film and Television." Asian Social Science 17, no. 3 (2021): 31. http://dx.doi.org/10.5539/ass.v17n3p31.

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The father image in Chinese film and TV shows is often absent or lacks power. This is a new phenomenon presented by fathers in social relations, family relations and self-identity and reflects the implicit identity anxiety behind the father image in the new pattern of middle-class families. The father image in film and TV shows is no longer a symbol of power and authority of the traditional patriarchy but a deconstruction from the loss of discourse to disintegration, not only reflecting the loss of discourse of individuals&rsquo; rights but also presenting a certain metaphor of the era. Fa

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Fauziyah, Yayuk. "Ulama Perempuan dan Dekonstruksi Fiqih Patriarkis." ISLAMICA: Jurnal Studi Keislaman 5, no. 1 (2014): 161. http://dx.doi.org/10.15642/islamica.2010.5.1.161-174.

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In the historiography of Islam, female ulama did not as yet receive a sufficient attention from both the historians and the masses. It is this unfortunate thing that this paper is concerned with. It traces the origin of this marginalization—as it were—and finds out that all this is due to the domination of male ulama in the whole history of Islamic thought. While this domination might be acceptable for some, the unfortunate thing is that the male ulama in their turn will offer the patriarchal interpretation of Islam often at the expenses of women. This paper challenges this form of interpretat

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Peinado Rodríguez, Matilde. "THE EMERGENCE OF WOMEN AS HISTORICAL SUBJECTS: DECONSTRUCTING THE HISTORY OF SPAIN FROM TEXTBOOKS." Historia y Memoria de la Educación, no. 20 (June 28, 2024): 553–85. http://dx.doi.org/10.5944/hme.20.2024.37092.

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The work we present is not an analysis of the presence of women in textbooks, a very fruitful historiographical line from which magnificent works have been published in recent years. The methodology is logical-argumentative and qualitative, where the written and visual contents of the textbooks are the pretext to rethink/deconstruct History in the light of the gender perspective. We start from an evolutionary analysis of the presence of women in the current manuals of History of the second year of Baccalaureate, for the period from 1931 to 1975, to understand the keys to the inclusion/exclusio

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Rahmani, Irfa Luthfia, Riska Meliana, and Sulis Triyono. "Dissecting Gender Bias: Critical Discourse Analysis of Advertisements in Indonesia." Journal of Pragmatics and Discourse Research 4, no. 2 (2024): 180–93. http://dx.doi.org/10.51817/jpdr.v4i2.933.

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This research aims to identify gender equality issues by deconstructing the meaning of gender equality in advertisements from a feminist perspective through Critical Discourse Analysis. This research uses a descriptive qualitative research design with a Critical Discourse Analysis approach developed by Fairclough, which focuses on three main dimensions: textual dimension (microstructural), text production practice dimension (mesostructural), and socio-cultural practice dimension (macrostructural). Research data were obtained through interviews with informants as well as from advertisements rel

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Asturi, Ratna Dwi, and Mohamad Ikhwan Rosyidi. "Women Oppression as A Result of Male Domination Represented in Malladi’s Novel The Mango Season." Allure Journal 2, no. 2 (2022): 114–23. http://dx.doi.org/10.26877/allure.v2i2.11940.

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Oppression is the name of social injustice. It is perpetuated through social institutions, practices, and norms on social group by social group. Indian society belongs to the man since time immemorial. The woman has been given a secondary and inferior position in her family and society. She has been facing injustice, suppression, oppression, subjugation, and exploitation in a male-dominated Indian society. This study aims to describe how male domination and women’s oppression experienced by women and its explanation in what extent oppression reject male domination represented in The Mango Seas

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Ms., Vandna Kaundal, and Arun Guleria Dr. "A Study of Female Characters in Indian Literature: A Feminist Discourse." International Journal of Arts, Social Sciences and Humanities 01, no. 04 (2023): 17–22. https://doi.org/10.5281/zenodo.10669963.

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The relationship between feminist ideas, patriarchy, and literature is examined in this essay, with a focus on the representation of women in Indian mythologies. The discussion draws on a range of literary works and feminist views to demonstrate the pervasive influence of male-authored stories on shaping the perception of women. The essay, which features passages from contemporary Indian writers Helen Cixous and Mahatma Gandhi, emphasizes the need for women to reclaim ownership of their experiences. Special attention is paid to the works of feminist mythologist Kavita Kane, who remains and rei

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Frolova, Marina V. "Metamodern in Indonesian Literature: A Night of 1,000 Traitors by Intan Paramaditha (2023)." Studia Litterarum 9, no. 4 (2024): 138–59. https://doi.org/10.22455/2500-4247-2024-9-4-138-159.

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Looking at contemporary Indonesian literature through the lenses of the novel A Night of 1,000 Traitors by Intan Paramaditha (2023), one can explore the further development of so-called late postmodernism. The novel demonstrates a comeback of forms, techniques, and aspirations inherent in realism, modernism, and postmodernism at the same time. According to the metamodern theory, meta- means the simultaneous presence of these elements in contemporary art. The novel is a post-deconstruction, redeconstruction of the national culture, and rehabilitation of metanarratives (mythology and traditional

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Leite, Giovanna de Araújo. "The discursivity of the covers of The country of women, by writer Gioconda Belli on utopia and dystopia." Caderno Pedagógico 21, no. 1 (2024): 1146–64. http://dx.doi.org/10.54033/cadpedv21n1-060.

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Nicaraguan author Gioconda Belli, born in the city of Managua on December 9, 1948, wrote the novel The Country of Women. In addition to being an activist and militant, she is a writer who brings to her literary productions love for her country and the search for gender equity in public and private spaces. This article provides a brief discursive analysis of the covers of this novel, from the perspective of utopia and dystopia. The problem presented is: what is the discursive nature of the covers of O País das Mulheres about utopia and dystopia in the context of contemporary feminist critical t

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Amalia, Desi, Wan Tiara, Hasan Sazali, and Maulana Andinata. "Dekonstruksi Ruang Domestik Dalam Film Ki & Ka." Da'watuna: Journal of Communication and Islamic Broadcasting 4, no. 1 (2023): 432–41. http://dx.doi.org/10.47467/dawatuna.v4i1.4445.

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This research was conducted with the aim of deconstructing gender roles in the domestic space using a Bollywood film entitled Ki & Ka, with the binary opposition of patriarchal culture that is, deconstructing is carried out by reserving the binary opposition. This research is a type of qualitative descriptive research with the method used in analyzing the data is descriptive analysis with the theoretical perspective of Jaques Derrida's deconstruction. The results of the study show that the deconstruction in the film Ki & Ka has succeeded in making Kabir fulfill his role as the controll

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Omeragić, Merima. "THE MOTHERHOOD CONTINENT AS A WRITING SPACE IN THE WORKS OF JASMINA TEŠANOVIĆ." Folia linguistica et litteraria XII, no. 34 (2021): 119–38. http://dx.doi.org/10.31902/fll.34.2021.7.

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The phenomenon of motherhood is a challenging focus for research in the feminist literary theory/critique. The motherhood continent as a controversial point of contention in the society has become (or remains) a polemicized field between the traditionalism, critical, essentialist feminism and epistemology. Advocating for the deconstruction of social postulates of patriarchy starts with a revision of the positive connotations of motherhood, demonization of abortion/birth control, and the right to birth self-determination. In the struggle for power and control at the waning of matriarchy, the an

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Shamayita, Chatterjee. "The Voice of the Voiceless: Art as a Space of Ecological Refuge in Amruta Patil and Devdutt Pattanaik's Graphic Novel Aranyaka." Criterion: An International Journal in English 15, no. 6 (2024): 131–38. https://doi.org/10.5281/zenodo.14605592.

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This study embarks on an exploration into the nuanced interplay of gender paradigms, linguistic hegemony, and ecological awareness within the narrative tapestry of <em>Aranyaka </em>by Amruta Patil and Devdutt Pattanaik. Situated within the broader discourse of feminist theory, psychoanalysis, and postcolonial critique, this research endeavours to dissect the entrenched dichotomies that stratify intellect from corporeality while delving into the socio-cultural hegemonic structures that relegate femininity to the subordinate realm of nature. Central to this inquiry is the deconstruction of the

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Fonseca, Melody. "Global IR and Western Dominance: Moving Forward or Eurocentric Entrapment?" Millennium: Journal of International Studies 48, no. 1 (2019): 45–59. http://dx.doi.org/10.1177/0305829819872817.

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Over the last decade, a call for decolonisation has challenged IR scholarship. The call has advocated for the need to decolonise the epistemology and ontology of the discipline, critically engaging with the legacies of imperialism, colonialism, racism, and patriarchy in global power relations. Parallel to the decolonial project, a call to globalise International Relations has been made by well-known scholars in recent years predominantly through the Global IR project. In this review essay of four books I briefly engage with the debates around Global IR and its critics drawing on a decolonial p

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Redondo, Dennis. "Recursos de legitimación en torno a prácticas encubiertas de dominación masculina en la sociedad costarricense. Subterfugios de una hegemonía en declive/Legitimation Resources Around Male Domination Practices in Costa Rican Society. Subterfuges of a Declining Hegemony." Revista Costarricense de Psicología 38, no. 2 (2019): 125. http://dx.doi.org/10.22544/rcps.v38i02.02.

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<p><strong>Español</strong></p><p>A través de las siguientes líneas, se pretende, con un recorrido por algunos términos y autores característicos de los estudios de hombres y masculinidades, explorar elementos con respecto a manifestaciones y dinámicas de dominación masculina actual. Primero, es importante revisar algunos conceptos, en especial, desde la teoría del sexismo ambivalente de Glick y Fiske, seguido de algunas derivaciones de este planteamiento para el correspondiente análisis. De forma posterior, se esboza cómo el machismo se conserva institucionalment

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Mufidah, Eni, and Zaini Dahlan. "Digital Feminism and Patriarchal Resistance: Gita Savitri’s Critique of Patriarchy on YouTube." Journal of Islamic Philosophy and Contemporary Thought 1, no. 2 (2023): 208–27. https://doi.org/10.15642/jipct.2023.1.2.208-227.

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Patriarchy is a social structure deeply rooted in Indonesian culture, influencing various aspects of life, including education, economy, and politics. This study aims to analyze how Gita Savitri, through her YouTube channel, constructs a critical discourse against patriarchal culture, using Qāsim Amīn's feminist paradigm as a framework for analysis. This research uses qualitative methods through a literature review and critical discourse analysis of the video content produced by Gita. The results show that Gita utilizes digital media as an alternative space to voice gender equality and critici

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Setiawan, Rahmat, and Sri Nurhidayah. "PEREMPUAN DAN KEMATIAN: DEKONSTRUKSI DALAM CERPEN APPOINTMENT IN SAMARRA KARYA W. S. MAUGHAM." ATAVISME 22, no. 2 (2019): 159–71. http://dx.doi.org/10.24257/atavisme.v22i2.576.159-171.

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William Somerset Maugham's short story “The Appointment in Samarra” (1933) narrates a theme of how someone cannot avoid death, but the death is represented through a female figure. The research aims to expose a critic toward the representation of death through female character which is a cultivation of patriarchal ideas through literary works. This research used deconstruction framework as a reference to expose the paradox between woman and death. This was a qualitative research with an intertextuality approach. The data were in the form of quotations in the text and the source of the data was

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Wei, Xiaotian. "The Challenge to Patriarchy and Colonialism in Wide Sargasso Sea." Learning & Education 10, no. 3 (2021): 241. http://dx.doi.org/10.18282/l-e.v10i3.2471.

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In Wide Sargasso Sea, Jean Rhys illustrates Antoinette’s experience and sufferings throughout her life. This article intends to focus on the the challenge to patriarchy and colonialism in Wide Sargasso Sea by making a detailed analysis of the male character Rochester. This article can generally be divided into two parts. Firstly, it explores author’s attempt to challenge the authority of the patriarchal society by depriving the male protagonist’s right of name and exposing the ugly nature of this patriarchal mercenary. Secondly, it analyses the author’s effort to subvert the authority of colon

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Yasamahadewi, Putu, Ni Komang Arie Suwastini, and Putu Suarcaya. "Deconstruction of Gendered Dialogues in English Language Students Textbook for Grade 12 Senior High School." Journal of English Education and Teaching 7, no. 3 (2023): 440–58. http://dx.doi.org/10.33369/jeet.7.3.440-458.

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Education plays a significant role in maintaining or deconstructing patriarchal gender constructions in society. Within this ambivalent arena, this study aimed to analyze the representation of gender constructions in a textbook for grade 12 Indonesian EFL students published by the Ministry of Education of the Republic of Indonesia in 2018. The textual analysis proposed by McKee is used to analyze the data. Language functions attributed to the two genders are used as the parameters to find their feminine or masculine depiction based on Lakoff (1973) and Coates (2013) combined with Millet’s Sexu

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Dr. Yashoda Verma, Ritu Raj Choudhary,. "Epic To Pandemic: A Perspective On Gender Dichotomy And Conflict With Self (With Reference To Mahabharata And Modern Society)." Psychology and Education Journal 58, no. 1 (2021): 3341–51. http://dx.doi.org/10.17762/pae.v58i1.1273.

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From the Paleolithic era till the modern times of current Pandemic, human race has witnessed not only biological evolution but also sociocultural one. Gender has always been an important consideration in development of civilizations. Without much change, the world has been perceived only in binary oppositions which consign the social structure only in heteronormative ideal of having an adamant notion of a man or woman, their social practice, behavior and fixed identities. Contemporary Post-modernist Indian writers through their writings shamble the power hierarchy and reconsider these social p

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Almas, Viani Alifa. "Reconstructing The Concept of Superhero in Ms. Marvel TV Series: First Female Moslem Superhero’s Journey." LITERA KULTURA : Journal of Literary and Cultural Studies 10, no. 3 (2023): 12–17. http://dx.doi.org/10.26740/lk.v10i3.55280.

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Marvel Studios is the most successful franchise when it comes to superhero movies, their list of superheroes that represents “the best of humankind” goes on and on, however when it comes to showing how diverse humanity actually is they have not done their best, at least until their take on Ms. Marvel. Ms Marvel series shows the rise of Kamala Khan, the first American-Pakistani Muslim teenage superheroes amidst the typically male dominated roles, this less than usual take inspire the creation of this research that aims to examine how to deconstruct and reconstruct Muslim female superheroes in M

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Atmadja, Nengah Bawa, Luh Putu Sendratari, and I. Wayan Rai. "Deconstructing Gender Stereotypes in Leak." KOMUNITAS: International Journal of Indonesian Society and Culture 7, no. 1 (2015): 71–78. http://dx.doi.org/10.15294/komunitas.v7i1.3597.

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The belief of Balinese people towards leak still survive. Leak is a magic based on durgaism that can transform a person from human to another form, such as apes, pigs, etc. People tend to regard leak as evil. In general, the evilness is constructed in gender stereotypes, so it is identified that leak are always women. This idea is a power game based on the ideology of patriarchy that provides legitimacy for men to dominate women with a plea for social harmony. As a result, women are marginalized in the Balinese society. Women should be aware of so it would provide encouragement for them to mak

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Tanvir, Omama, and Nazish Amir. "Deconstructive Analysis Of The Short Story “Saleema” By Daniyal Mueenuddin." University of Chitral Journal of Linguistics and Literature 1, no. 1 (2018): 106–25. http://dx.doi.org/10.33195/uochjll/1/1/06/2017.

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The aim of this research is to apply deconstructive approach to a short story. For this purpose Daniyal Mueenuddin’s short story “Saleema” is selected and analyzed. Through deconstruction the feminist reading of the story is dismantled and the power dynamics of the patriarchal Pakistani society are subverted. The research is anchored in Derrida’s concept of unreliability of language and Cuddon’s idea of reversal of binary oppositions. The paper finds that the protagonist Saleema is not as weak and oppressed as she is perceived to be, rather she is a resilient, independent woman who uses any me

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Metin, Vahide. "A language of Their Own: Deconstructing Patriarchal Language and Religious Oppression in Miriam Toews’ Women Talking." Cankaya University Journal of Humanities and Social Sciences 18, no. 2 (2024): 294–307. https://doi.org/10.47777/cankujhss.1513728.

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This essay explores the depiction of linguistic and religious oppression of women in Miriam Toews' Women Talking, while focusing on their efforts to deconstruct patriarchal structures and reclaim agency. Set within a patriarchal Mennonite community, the novel illustrates the lives of women and their endeavors to find a solution to the systemic sexual violence perpetrated by men within the community. This essay argues that the women’s journey toward self-discovery and liberation hinges on their ability to deconstruct patriarchal language and reconstruct a new, emancipatory form of expression. S

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