Academic literature on the topic 'Patrons of art of Sumy'

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Journal articles on the topic "Patrons of art of Sumy"

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Romanenkova, Julia V. "The Bookplate in the Artistic Culture of Ukraine at the Turn of the 21st Century." Tekst. Kniga. Knigoizdanie, no. 25 (2021): 122–43. http://dx.doi.org/10.17223/23062061/25/7.

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The object of research in this article is the ex-libris sphere of Ukraine in the period from the beginning of the 1990s to the present day. Ukrainian ex-libris actually began to exist in 1991, when it became possible to speak about the Ukrainian bookplate as a phenomenon of art rather than about it as a segment of Soviet graphic art. It has headily changed its character and started a different transformation since the early 1990s. Over the past 20 to 25 years, the Ukrainian bookplate not only has come out of the shadows, turning into a valuable work of art, but also has received several new ro
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Beier, Ulli. "Nigerian Art Patrons." African Arts 21, no. 4 (1988): 82. http://dx.doi.org/10.2307/3336755.

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Mozgovyy, I. "Man: Spirit, soul, body." Ukrainian Religious Studies, no. 4 (December 10, 1996): 70–71. http://dx.doi.org/10.32420/1996.4.79.

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The scientific-theoretical conference under such a name took place on November 13-14, 1996 in Sumy. She continued to discuss the issues raised at the scientific and theoretical conference "Spirit, soul, person: origins and searches", held here in 1993. The organizers of the current conference were Sumy State University, Institute of Philosophy of the Academy of Sciences of Ukraine, Ukrainian Association of Religious Studies, Ukrainian Philosophical Foundation, Sumy Art Museum. The Sumy Regional Branch of the Liberal Party of Ukraine (Head - A. Gapon) revealed great help in organizing the forum
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Taherkhani, Parisa, Taher Rezazadeh, and Elham Etemadi. "Study of Economic Factors Influencing the Expansion of Art Patronage during the Timurid Era." Journal of Social-Political Studies of Iran's Culture and History 3, no. 4 (2024): 305–21. https://doi.org/10.61838/kman.jspsich.3.4.18.

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The Timurid period, recognized as one of the most artistically rich eras in the history of post-Islamic Iranian art, is notable for its unparalleled artistic growth and the emergence of renowned artists. This period has thus become a focal point for art history scholars. In shaping and enhancing this artistic era, in addition to the artist and their creative mind, numerous other factors contributed to the formation of artistic objects. One of the most influential factors in the creation of artistic works has consistently been art patrons who, driven by various motivations, supported the arts.
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Muehlbauer, Mikael. "Ethiopian Church Art: Painters, Patrons, Purveyors." Northeast African Studies 22, no. 2 (2022): 179–84. http://dx.doi.org/10.14321/nortafristud.22.2.00179.

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Kirichenko, Olha, Olha Skyba, and Svitlana Shpetna. "Regional features of the functioning of engagements and weddings on the territory of the modern Slobozhansk region." Bulletin of Luhansk Taras Shevchenko National University, no. 2 (361) (2024): 281–88. http://dx.doi.org/10.12958/2227-2844-2024-2(361)-281-288.

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The article is aimed at deepening the understanding of the importance of recording and popularizing family ritual poetry, wedding customs of the 21st century. The authors substantiated the relevance of the topic of collecting and studying wedding rituals and the folklore that accompanies them in the territory of the Sumy region. Emphasis is placed on the local history aspect of oral folk art. The published sources of folklore collectors of the Sumy Oblast were elaborated and the existing source base was supplemented with materials of own field research with a description of family rites, custo
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Rodrigues, Cátia C. "Homosociality/Homoeroticism and Religious Symbolism: Female Art Collectors and Dante Gabriel Rossetti’s Works, 1848–65." Nineteenth Century Studies 36 (November 2024): 20–37. http://dx.doi.org/10.5325/ninecentstud.36.0020.

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Abstract Despite the presence of female patrons in art-commissioning networks formed around Dante Gabriel Rossetti, scholarship has been mostly directed toward the analysis of the relationships between Rossetti, his artworks, and his male patrons. Further analysis of the artist’s correspondence and scholarship reveals, however, a number of women who actively commissioned his works between 1848 and 1865. Following the lead of the increasing scholarly interest in women’s art patronage, this article places Rossetti’s female patrons at the core of its discussion. Through analysis of the similar co
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Waryanti, Dessy Rachma. "KLASIFIKASI PRIORITAS KETERTARIKAN PERILAKU PENGUNJUNG PAMERAN TERHADAP KARYA SENI RUPA KONTEMPORER." INVENSI 1, no. 2 (2017): 1–12. http://dx.doi.org/10.24821/invensi.v1i2.1611.

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Many elements are presented to visitors during an exhibition of contemporary art. These elements include the overaching concept of the exhibit (Ko), issues raised in the exhibition (Is), the name of the artist whose popularity attracts patrons (Na), and visual forms of the art itself (Vi). Using these four elements I compiled questions and interviewed patrons with various backgrounds in the arts. The goal was to find out these patron’s interest priorities; in other words, which aspects of the exhibit were of most interest to them as an observer. Previous literature on visitor behavior and soci
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S. Rosenbaum, Mark, Jillian C. Sweeney, and Carolyn Massiah. "The restorative potential of senior centers." Managing Service Quality 24, no. 4 (2014): 363–83. http://dx.doi.org/10.1108/msq-11-2013-0264.

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Purpose – The purpose of this paper is to help senior center managers and service researchers understand why some patrons experience health benefits, primarily fatigue relief, through senior center day services participation. Design/methodology/approach – The authors conduct two separate studies at a senior center. The first study represents a grounded theory that offers an original, basic social process regarding mental restoration in senior centers. The second study draws on Attention Restoration Theory (ART) and employs survey methodology. Findings – Senior center patrons who perceive a cen
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Quesenberry, LeGene, and Bruce W. Sykes. "Leveraging the Internet to Promote Fine Art: Perspectives of Art Patrons." Journal of Arts Management, Law, and Society 38, no. 2 (2008): 121–40. http://dx.doi.org/10.3200/jaml.38.2.121-140.

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Dissertations / Theses on the topic "Patrons of art of Sumy"

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Лисенко, М. С. "Л.Є. Кеніг – підприємець і меценат (1874-1903 рр.)". Thesis, Сумський державний університет, 2016. http://essuir.sumdu.edu.ua/handle/123456789/44828.

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У пореформений період історії Харківської губернії важливе місце займає становлення нового суспільства і прогресивного типу господарства. Серед землевласників і підприємців регіону вигідно відрізнявся Л. Є. Кеніг.
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Mariani, Irene. "Vespucci family in context : art patrons in late fifteenth-century Florence." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/15740.

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The study of Florentine artistic patronage has attracted several approaches over the last three decades, including the exploration of patron-­‐client structures and how the use of art in private and public spheres contributed to shape families’s identity. Building on past research, this work focuses on the art patronage of a prominent, yet overlooked, family, the Vespucci, to whom Amerigo, the navigator who reached the coasts of America in the late fifteenth century, belonged. Although the family’s importance was achieved through a synergy of political, religious and intellectual forces, atten
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Dimitropoulou, Vassiliki. "Komnenian imperial women as patrons of art and architecture : what and why." Thesis, University of Sussex, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.404159.

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Franses, Henri. "Portraits of patrons in Byzantine religious manuscripts." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22359.

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Byzantine religious manuscripts were commissioned by people from many levels of society. Several contain portraits of their commissioners, represented together with a holy figure. An analysis of these scenes, examining features such as the holy figures represented and their specific iconographic meaning, and the relation of mortal to divine, reveals many facets of Byzantine art, religion and society. This analysis indicates a major distinction between portraits representing the emperor, and those depicting all other patrons. Non-imperial portraits show deep personal devotion and piety. The man
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Kelly, Simon. "Théodore Rousseau (1812-67), his patrons and his public." Thesis, University of Oxford, 1996. http://ora.ox.ac.uk/objects/uuid:fa6339c0-2c5d-4d84-b514-ab5ad003f4a1.

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This thesis is a case study of the relationship between a nineteenth-century French landscape painter, Théodore Rousseau, and his patrons and public. My aim is to reconstruct the context in which Rousseau's work was created, thereby inferring what the artist intended for his painting and how his collectors and public approached the style of his work. The thesis examines the nature of the dynamic between Rousseau and his consumers and the extent to which the artist's style may, or may not, be affected by the taste of his audience. In Part I, I examine Rousseau's involvement with the members of
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Schilb, Henry. "Byzantine identity and its patrons embroidered aeres and epitaphioi of the Palaiologan and post-Byzantine periods /." [Bloomington, Ind.] : Indiana University, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3358943.

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Thesis (Ph.D.)--Indiana University, Dept. of History of Art, 2009.<br>Title from PDF t.p. (viewed on Feb. 8, 2010). Source: Dissertation Abstracts International, Volume: 70-05, Section: A, page: 1457. Adviser: W. Eugene Kleinbauer.
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Breidenbach, Paul. "Art patronage and class identity in a border city : Cincinnati, 1828-1872 /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2001. http://wwwlib.umi.com/cr/ucsd/fullcit?p3026377.

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Hickson, Sally. "Female patronage and the language of art in the circle of Isabella d'Este in Mantua, c. 1470-1560." Full text available, 2003. http://images.lib.monash.edu.au/ts/theses/hickson.pdf.

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Norman, Diana. "The patronage of Cardinal Oliviero Carafa 1430-1511." Thesis, n.p, 1989. http://ethos.bl.uk/.

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Bruntjen, Sven H. A. "John Boydell, 1719-1804 a study of art patronage and publishing in Georgian London /." New York : Garland Pub, 1985. http://catalog.hathitrust.org/api/volumes/oclc/12049935.html.

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Books on the topic "Patrons of art of Sumy"

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University of London. Institute of Historical Research, ed. Women patrons and collectors. Cambridge Scholars Publishing, 2012.

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author, Sobania N. W., ed. Ethiopian Church Art: Painters, patrons, purveyors. Tsehai Publishers, 2022.

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Vidya, Dehejia, and Marg Publications, eds. Royal patrons and great temple art. Marg Publications, 1988.

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Jaynie, Anderson, ed. Women patrons of Renaissance art, 1300-1600. Oxford University Press, 1996.

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Good, Umberger Emily, and Cummins Tom, eds. Native artists and patrons in colonial Latin America. Arizona State University, 1995.

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Hobelleitner, David Franz. Auftraggeber als Träger der Landesidentität: Kunst in der Steiermark vom Mittelalter bis 1918. UP, Uni-Press Graz, 2016.

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Banacka, Marianna. Biskup Andrzej Stanislaw Kostka Zaluski i jego inicjatywy artystyczne. Stowarzyszenie Bibliotekarzy Polskich, 2001.

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Banacka, Marianna. Biskup Andrzej Stanisław Kostka Załuski i jego inicjatywy artystyczne. Wydaw. SBP, 2001.

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Gardner, Julian. Patrons, painters, and saints: Studies in medieval Italian painting. Variorum, 1993.

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Ferrígno, Amélie. Raphaël et Agostino Chigi: Le peintre et son mécène. Presses universitaires de Rennes, 2018.

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Book chapters on the topic "Patrons of art of Sumy"

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Hobbs, Steve. "Patrons of the (Space) Arts." In The Beauty of Space Art. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49359-2_7.

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Dopfel, Costanza Gislon. "Widows, Nuns, and Patrons." In Women, Fertility, and Maternal Art in Renaissance Florence. Routledge, 2024. http://dx.doi.org/10.4324/9781003371960-13.

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Emison, Patricia. "The Faults of Patrons." In The Long Picturesque, or Unraveling the Rules of Art. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-66701-5_5.

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Conte, Angelo Lo. "Illustrious Patrons and the Art Market." In The Procaccini and the Business of Painting in Early Modern Milan. Routledge, 2020. http://dx.doi.org/10.4324/9780367275396-7.

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Luque, Manuel García. "Patrons, Sculptors, and Painters in Eighteenth-Century Spain." In Polychrome Art in the Early Modern World. Routledge, 2024. http://dx.doi.org/10.4324/9781003010005-12.

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Budge, Andrew. "Patrons, social networks, and the architecture of collegiate churches in and around Cambridge in the early 14th century." In Medieval Art, Architecture and Archaeology in Cambridge. Routledge, 2022. http://dx.doi.org/10.4324/9781003244981-8.

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Firea, Ciprian. "‘Ex Wyenna…’. Transylvanians and the City of Vienna in the Late Fifteenth Century: Patrons, Networks, Art." In Wiens erste Moderne. Böhlau Verlag, 2023. http://dx.doi.org/10.7767/9783205217275.291.

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"5. The Broker's Art." In Patrons, Clients, Brokers. University of Toronto Press, 1990. http://dx.doi.org/10.3138/9781487578541-007.

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"PATRONS AND PAINTERS." In Dominican Women and Renaissance Art. Routledge, 2016. http://dx.doi.org/10.4324/9781315257426-14.

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"Art Nouveau patrons and networks." In Art Nouveau. Bloomsbury Academic, 2021. http://dx.doi.org/10.5040/9781350061187.0012.

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Conference papers on the topic "Patrons of art of Sumy"

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Platonova, Maria A. "Traditional and digital arts meeting library patrons’ needs for fine arts." In Seventh World Professional Forum Sudak-Sochi-Transit «Sochi-2023». Russian National Public Library for Science and Technology, 2023. http://dx.doi.org/10.33186/978-5-85638-261-6-2023-156-158.

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The paper describes the initial phase of the research project on traditional and digital arts as a means of meeting library patrons’ needs for fine arts. The project aims at developing approaches to the use of traditional and digital art for library patrons’ artistic needs, as well as building a methodological component that will include user experience analysis in the context of socio-cultural significance of exhibited works of art.
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Xu, Lily, Arpita Biswas, Fei Fang, and Milind Tambe. "Ranked Prioritization of Groups in Combinatorial Bandit Allocation." In Thirty-First International Joint Conference on Artificial Intelligence {IJCAI-22}. International Joint Conferences on Artificial Intelligence Organization, 2022. http://dx.doi.org/10.24963/ijcai.2022/723.

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Preventing poaching through ranger patrols protects endangered wildlife, directly contributing to the UN Sustainable Development Goal 15 of life on land. Combinatorial bandits have been used to allocate limited patrol resources, but existing approaches overlook the fact that each location is home to multiple species in varying proportions, so a patrol benefits each species to differing degrees. When some species are more vulnerable, we ought to offer more protection to these animals; unfortunately, existing combinatorial bandit approaches do not offer a way to prioritize important species. To
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Yandim Aydin, Sercan. "„RENAISSANCE“ BEFORE THE RENAISSANCE: HUMANLY ASPECTS OF LATE BYZANTINE PAINTING. CASE: “THE ANASTASIS: AN IMAGE OF LIBERATION AND RESURRECTION”, STUDENICA MONASTERY." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.629ya.

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Present paper aims to readdress the idealized Renaissance con- ception of painting starting with the writings of Giorgio Vasari, which paved the way to a widely stereotyped and prejudiced evaluation of the Byzantine art within the general art historical framework. Consequently, placing the latter one inferior to the Renaissance. Further the paper attempts to revise the conventional assumptions about Byzantine painting. Visual interpre- tation of a dodecaorton subject, Anastasis Christi, is taken to provide evi- dence in understanding the humanly aspects in terms of iconography and reception of
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